Vajra
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The Vajra (
The vajra is a type of club with a ribbed spherical head. The ribs may meet in a ball-shaped top, or they may be separate and end in sharp points with which to stab. The vajra is the weapon of Indra, the Vedic king of the devas and heaven. It is used symbolically by the dharmic traditions of Hinduism, Buddhism, and Jainism, often to represent firmness of spirit and spiritual power.
According to
Etymology
According to
Hinduism
Rigveda
The earliest mention of the vajra is in the
On account of his skill in wielding the vajra, some epithets used for Indra in the Rigveda were Vajrabhrit (bearing the vajra), Vajrivat or Vajrin (armed with the vajra), Vajradaksina (holding the vajra in his right hand), and Vajrabahu or Vajrahasta (holding the vajra in his hand). The association of the Vajra with Indra was continued with some modifications in the later Puranic literature, and in Buddhist works.
Puranas
Many later
Another version of the story exists where Dadhichi was asked to safeguard the weapons of the devas as they were unable to match the arcane arts being employed by the asura to obtain them. Dadhichi is said to have kept at the task for a very long time and finally tiring of the job, he is said to have dissolved the weapons in sacred water which he drank.[12] The deva returned a long time later and asked him to return their weapons so that they might defeat the asura, headed by Vritra, once and for all. Dadhichi however told them of what he had done and informed them that their weapons were now a part of his bones. However, Dadhichi, realising that his bones were the only way by which the deva could defeat the asura willingly gave his life in a pit of mystical flames he summoned with the power of his austerities.[12] Brahma is then said to have fashioned a large number of weapons from Dadhichi's bones, including the vajrayudha, which was fashioned from his spine. The deva are then said to have defeated the asura using the weapons thus created.
There have also been instances where the war god Skanda (Kartikeya) is described as holding a vajra.[13]
Ramayana
According to the Ramayana, as a child, Hanuman grew to enormous proportions, and attempted to swallow the sun, regarding it to be a ripe fruit. He also attempted to devour Rahu, who had been divinely assigned the function of swallowing the sun. Furious, Rahu pleaded his case to Indra, who immediately appeared to the scene upon his elephant mount, Airavata. When Hanuman attempted to seize his mount, Indra retaliated by striking the former's chin with the vajra, who descended upon the earth.[14] The child's spiritual father and god of the wind, Vayu, caught him before he crashed upon the ground, and withdrew to a cave. In retaliation, he called upon all of the air that permeated creation, causing the suffocation of all life in the universe. Brahma, the god of creation, summoned a number of deities to the cave to placate Vayu. Indra imbued the limbs of Hanuman with the power of his celestial thunderbolt.[15]
Vajrayana Buddhism
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In
.Symbolism
In the
Vajra
An instrument symbolizing vajra is extensively used in the rituals of the tantra. It consists of a spherical central section, with two symmetrical sets of five prongs, which arc out from lotus blooms on either side of the sphere and come to a point at two points equidistant from the centre, thus giving it the appearance of a "diamond sceptre", which is how the term is sometimes translated.
The vajra is made up of several parts. In the center is a sphere which represents
Arranged equally around the mouth of the lotus are two, four, or eight creatures which are called
The five-pronged vajra (with four makara, plus a central prong) is the most commonly seen vajra. There is an elaborate system of correspondences between the five elements of the noumenal side of the vajra, and the phenomenal side. One important correspondence is between the five "poisons" with the five wisdoms. The five poisons are the mental states that obscure the original purity of a being's mind, while the five wisdoms are the five most important aspects of the enlightened mind. Each of the five wisdoms is also associated with a Buddha figure. (see also
Accompanying bell
The vajra is almost always paired with a ritual bell called a
The bell is the most commonly used of all musical instruments in tantric Buddhist ritual. The sound made by the bells is regarded as very auspicious and is believed to drive out evil spirits from where the ritual is being performed. When the bell is being used with the vajra its use is varied depending on the ritual or the mantras being chanted. During meditation ringing the bell represents the sound of Buddha teaching the dharma and symbolizes the attainment of wisdom and the understanding of emptiness. During the chanting of the mantras the Bell and Vajra are used together in a variety of different ritualistic ways to represent the union of the male and female principles.[21][22]
The hollow of the bell represents the void from which all phenomena arise, including the sound of the bell, and the clapper represents form. Together they symbolize wisdom (emptiness) and compassion (form or appearance). The sound, like all phenomena, arises, radiates forth and then dissolves back into emptiness.
Iconography and religious terminology
Various figures in Tantric iconography are represented holding or wielding the vajra. Three of the most famous of these are Vajrasattva,[3] Vajrapani, and Padmasambhava. Vajrasattva (lit. vajra-being) holds the vajra, in his right hand, to his heart. The figure of the Wrathful Vajrapani (lit. vajra in the hand) brandishes the vajra, in his right hand, above his head. Padmasambhava holds the vajra above his right knee in his right hand.
The term is employed extensively in tantric literature: the term for the spiritual teacher is the vajracharya; one of the five dhyani buddhas is vajrasattva, and so on. The practice of prefixing terms, names, places, and so on by vajra represents the conscious attempt to recognize the transcendental aspect of all phenomena; it became part of the process of "sacramentalizing" the activities of the spiritual practitioner and encouraged him to engage all his psychophysical energies in the spiritual life.
In popular culture
- Hindu nun better source needed]
- Jagadish Bose, uses the vajra as its logo.[citation needed]
- Hindu nationalist groups Bengal Volunteers and Rashtrawadi Swaraj Mancha from Bengal use the vajra as their emblem.[citation needed]
- Param Vir Chakra, India's highest wartime military decoration, has a motif of Vajra, the weapon of Indra created by the bones donated by sage Dadhichi, as tribute to his sacrifice.[25][26]
See also
- Diamond Sutra
- Phurba
- Prajnaparamita
- thunderbolt — similar depiction in western art
- Tibetan art
- Trikaya
- Triratna
- Trishula
- Vajradhara
References
Citations
- ISBN 978-1-62055-795-2.
- ^ "Vajra". Archived from the original on 2011-07-24. Retrieved 2010-10-21.
- ^ a b c d Ritual Implements in Tibetan Buddhism: A Symbolic Appraisal
- ^ Parpola & Carpelan 2005, p. 118.
- ^ Asko Parpola 2015, pp. 63–66, 114.
- ^ Rigveda 2.12
- ^ Rigveda 1.32, translated by Ralph T. H. Griffith
- ^ Walter Slaje, Vájra. Zur Schleuderwaffe im Rigveda. (Conundrums in Indology. III). (Studia Indologica Universitatis Halensis 21). Halle 2022
- ^ DeCaroli, Haunting the Buddha, p. 182
- ^ a b "Story of Sage Dadhichi and the Vajrayudha". 26 August 2009. Retrieved 2009-09-20.
- ^ a b "The Great Sage Dadhichi". Archived from the original on April 21, 2007. Retrieved 2009-09-20.
- ^ a b "Dadhichi Rishi". Retrieved 2009-09-20.
- ^ The many faces of Murugan – the history and meaning of a South Indian god. Fred W. Clothey and A. K. Ramanujan. pp. 189–190
- ISBN 978-0-691-17398-6.
- ISBN 978-0-19-804220-4.
- ^ Vajrayana
- ^ a b Vajra at Encyclopædia Britannica
- ^ a b "Hand Mudras: How to Use the Vajra and Bell". Yowangdu Experience Tibet.
- ^ Vajra - Benzar - Thunderbolt - Firespade - Keraunos
- ^ "Home". tibetanbuddhistaltar.org.
- ISBN 978-1570624162.
- ISBN 978-1899579419.
- ^ "The Bell and the Sound Symbols of Dharma"
- ^ "Interesting facts about Indian flag". The Times of India.
- ^ Satyindra Singh (20 June 1999). "Honouring the Bravest of the Brave". The Tribune, Chandigarh. Retrieved 2014-08-13.
- ^ Sumit Walia (Jan 23, 2009). "The first Param Vir Chakra". Sify. Archived from the original on October 27, 2010. Retrieved 2014-08-13.
General and cited references
- Parpola, Asko; Carpelan, Christian (2005). Edwin Francis Bryant; Laurie L. Patton (eds.). The Indo-Aryan Controversy: Evidence and Inference in Indian History. Routledge. ISBN 978-0-7007-1463-6.
- Asko Parpola (2015). The Roots of Hinduism: The Early Aryans and the Indus Civilization. Oxford University Press. ISBN 978-0-19-022691-6.
- Dallapiccola, Anna L. ISBN 0-500-51088-1
- McArthur, Meher. Reading Buddhist Art: An Illustrated Guide to Buddhist Signs And Symbols. Thames & Hudson Ltd, 2002.
- Vessantara. Meeting The Buddhas. Windhorse Publications, 2003.
- Vessantara. Vajra and Bell. Windhorse Publications, 2001.
- Slaje, Walter. Vájra. Zur Schleuderwaffe im Rigveda. Halle: Universitätsverlag 2022 | ISBN 978-3-86977-253-0 | [1]
External links
- The Diamond Sutra, also called the Vajra Cutter Sutra, available in multiple languages from the FPMT
- The Essential Songs of Milarepa / VI. Songs About Vajra Love 46. Answer to Dakini Tzerima Archived 2015-03-11 at the Wayback Machine
- Video of a short segment of the Chinese Yogacara Flaming Mouth ceremony (瑜伽焰口法會) where vajra and vajra-bells are being used to expel demons from the ritual platform