Valerian and the City of a Thousand Planets

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Valerian and the City of a Thousand Planets
Theatrical release poster
FrenchValérian et la Cité des mille planètes
Directed byLuc Besson
Screenplay byLuc Besson
Based on
Valérian and Laureline
by
Produced byVirginie Besson-Silla
Starring
CinematographyThierry Arbogast
Edited byJulien Rey
Music byAlexandre Desplat[1]
Production
companies
Distributed by
Release dates
  • 17 July 2017 (2017-07-17) (Grauman's Chinese Theatre)
  • 20 July 2017 (2017-07-20) (Germany)
  • 21 July 2017 (2017-07-21) (United States)
  • 26 July 2017 (2017-07-26) (France)
  • 25 August 2017 (2017-08-25) (China)
  • 26 August 2017 (2017-08-26) (Belgium)
  • 27 November 2017 (2017-11-27) (United Arab Emirates)
Running time
137 minutes[3]
Countries
LanguageEnglish
Budget
  • €197 million (gross)[6]
    (~$209 million)[7]
  • $177–205 million (net)[7][8][9]
Box office$226 million[2]

Valerian and the City of a Thousand Planets (

$223 million, it is both the most expensive European and the most expensive independent film ever made.[11]

Valerian and the City of a Thousand Planets was released on 20 July 2017 in Germany by

China Film Group, in Belgium on 26 August by Belga Films, and 27 November in United Arab Emirates by Gulf Film.[12][13] It received mixed reviews from critics, who criticized the plot and some of the casting, but praised the visuals. It grossed $225 million worldwide but, due to its high production and advertising costs, was considered a box-office bomb following its release in the United States.[14][15][16]

Plot

In the 28th century, cooperation between the Earth and extraterrestrial species has expanded the former

Laureline
.

En route to a mission, Valerian had dreams of a planet, Mül, where a low-tech

telepathic
message.

Valerian and Laureline are on a mission to retrieve the last "Mül converter", which is currently in the hands of black market dealer Igon Siruss. In a marketplace on planet Kirian in an alternate dimension, Valerian disrupts a meeting between Igon and two hooded figures who resemble the humanoids from his dream. They seek the converter, the small animal in his dream. Valerian and Laureline recover the converter and steal one of the energy pearls. Aboard their ship, Valerian learns that Mül was destroyed 30 years earlier, and all information about it is classified.

They return to Alpha where commander Arün Filitt informs them that the center of the station has been irradiated by an unknown force, rendering it highly toxic. Troops sent into the area have not returned, and the radiation is increasing. Laureline and Valerian are assigned to protect the commander during an interstation summit to discuss the crisis; against the commander's wishes, Laureline maintains possession of the converter.

During the summit, unidentified humanoids suddenly attack, incapacitating everyone, and kidnapping Filitt. Valerian chases the kidnappers to the irradiated area but crashes his spaceplane. Laureline enlists alien information brokers known as Dogan Daguis to track Valerian and finds him at the edge of the irradiated zone. She is kidnapped by a primitive tribe, the Boulan Bathors of the planet Goara, and presented at their emperor's dinner as the choice course. Valerian infiltrates the tribe's territory with the help of the shape-shifting Bubble. They rescue Laureline and escape, but Bubble is fatally wounded.

Valerian and Laureline venture further into the irradiated area, and discover it is not dangerous, and that it contains the remains of an antique spacecraft. They reach a large, shielded hall where they find the humanoids, known as the Pearls, with an unconscious Filitt. The Pearls' leader, Emperor Haban Limaï, explains that his people lived peacefully on Mül until a battle occurred between the Federation and a hostile alien race. Filitt, the human commander, ordered the use of fusion missiles that disabled the enemy mothership and sent it crashing into the planet, destroying Mül. Upon her death, Princess Lihö-Minaa transferred her soul into Valerian's body.

The surviving Pearls were trapped in a downed spaceship from the battle, but they managed to repair it and learn human technology and history. Scrap ships took their vessel to Alpha, where they assimilated more knowledge from different species and built a ship of their own. They needed the converter and pearl in order to launch their ship and find a planet to recreate their homeworld. Filitt admits his role in the genocide but argues it was necessary to end the war and covers it up to prevent humans from losing credibility and influence in Alpha. Valerian and Laureline disagree, arguing that the commander is trying to avoid the consequences of his actions. When Filitt becomes belligerent, Valerian knocks him out.

Valerian hands over the pearl he took from Igon, and Laureline persuades him to return the converter. While the Pearls prepare their spacecraft for takeoff, Filitt's K-Tron robot soldiers attack the Pearls, and the government soldiers are sent to assist Valerian but are ultimately defeated. The spacecraft departs and Filitt is arrested. Valerian and Laureline are left adrift aboard an

Apollo Command/Service Module
, and Laureline answers Valerian's marriage proposal with a "maybe" as they wait for rescue.

Cast

Delevingne, DeHaan, and Besson were at the San Diego Comic-Con 2016 presentation of Valerian and the City of a Thousand Planets at Camp Conival.

Production

Development

Although Luc Besson loved the Valerian comics while growing up, he did not seriously consider adapting them into a movie until he was working on

storyboarding for the film took seven months.[22]

The project was first publicly reported in 2012.[23] The two principal stars, Dane DeHaan and Cara Delevingne, were announced in May 2015.[24] On 19 August 2015, Clive Owen signed on to play Commander Arün Filitt in the film.[25] The budget, €197 million, is by far the largest ever assembled for a French film. Previously, Asterix at the Olympic Games was the most expensive, at €78 million, just ahead of Besson's The Fifth Element (€75 million).[26] By the end of August 2015, Besson said in an RTL radio interview that shooting the film in France was too expensive. Because it was filmed in a foreign language (English), Besson was unable to benefit from tax credits, despite preferring to produce the film in France and create jobs for 1,200 crew members.[26][27] The criteria to obtain these tax credits were then adapted accordingly. In May 2015, it was announced Fundamental Films would invest US$50 million in the film.[28]

Filming

Weta Digital, which generated the characters from performances by actors with motion-capture equipment for their face and bodies.[31]

Marketing

The trailer featured the Beatles song "Because", which is the first time a Beatles master recording had been featured outside a Beatles film advertisement.[32]

Visual effects

Weta Digital and Rodeo FX provided the effects for the film with Scott Stokdyk as the main supervisor.[33]

Release

The first teaser for Valerian was released on 10 November 2016.

Ambassador of the Shadows; much of the film's setting and story is also derived from that instalment. A special exclusive preview of Valerian was shown prior to the Fathom Events 4K restoration showing of The Fifth Element on 14 May and 17 May.[35][36]

Valerian was released in Israel on 20 July 2017,[37] on 21 July in the United States, on 26 July in France.[38] and on 2 August in the UK [39] Lionsgate handles the film's release in the United Kingdom and Ireland,[40] and STX Entertainment distributes the film in the United States.[41] The film was released on 25 August 2017 in China.[42]

Home media

Valerian and the City of a Thousand Planets was released online on 7 November 2017, and on Ultra HD Blu-ray, Blu-ray and DVD on 21 November 2017.[43][44]

Theme park attraction

In 2018, Europa-Park added VR to its roller coaster, Eurosat - CanCan Coaster themed around Valerian as part of the roller coaster's refurbishment.

Soundtrack

The official soundtrack for Valerian was released on 21 July 2017 on

CD, and download.[45]
The total duration of this soundtrack album is exactly the same number of minutes as the duration of the film itself — 137 minutes.

Valerian and the City of a Thousand Planets Film Score
Film Score
Length137:08
LabelValerian S.A.S.
ProducerXavier Forcioli
Alexandre Desplat chronology
American Pastoral
(2016)
Valerian and the City of a Thousand Planets Film Score
(2017)
The Shape of Water
(2017)
Singles from Valerian
  1. "A Million on My Soul"
    Released: 24 May 2017
  2. "I Feel Everything"
    Released: 20 July 2017
  3. "Bubble Dance"
    Released: 12 August 2017
  4. "Rappcats"
    Released: 24 February 2018

Track listing

No.TitleArtist(s)Length
1."Big Market" (written by Luc Besson)Alexandre Desplat2:05
2."Space Oddity"David Bowie5:18
3."I Feel Everything"Cara Delevingne3:02
4."Jamming"Bob Marley3:19
5."Bus Attack"Alexandre Desplat3:08
6."We Trying to Stay Alive"Wyclef Jean featuring Pras & John Forté3:13
7."Arriving on Alpha"Alexandre Desplat2:06
8."A Million on My Soul (Radio Edit)"Alexiane2:59
9."Rappcats (Instrumental)"Quasimoto2:02
10."Bubble Dance"Julien Rey2:25
11."Spaceship Chase"Alexandre Desplat3:33
12."The World (Is Going up in Flames)"Charles Bradley3:22
13."A Million on My Soul"Alexiane4:07
14."Medusa"Alexandre Desplat1:59
15."Pearls on Mul"Alexandre Desplat7:36
16."Reading the Memo"Alexandre Desplat featuring Trug1:23
17."Flight Above the Big Market"Alexandre Desplat2:44
18."Showtime"Alexandre Desplat2:38
19."Valerian in Trouble"Alexandre Desplat1:38
20."Pearls Attack"Alexandre Desplat4:05
21."Valerian's Armor"Alexandre Desplat2:09
22."Submarine"Alexandre Desplat3:00
23."Shoot" 1:35
24."Fishing for Butterflies" 1:58
25."Le souper du Roi" 1:59
26."Boulanbator Combat" 3:02
27."Bubble" 2:32
28."Pearl's World" 6:24
29."The City of 1000 Planets" 3:50
30."I Am a Soldier" 2:04
31."Pearls Power" 1:49
32."Final Combat" 7:06

Reception

Box office

Valerian and the City of a Thousand Planets grossed $40.5 million in the United States and Canada and $184.7 million internationally (including $36.8 million in France), for a worldwide total of $225.2 million.

break even and justify a sequel.[11]

In North America, Valerian opened alongside Dunkirk and Girls Trip, and was initially projected to gross $20–25 million from 3,553 theaters, although some insiders believed it would open in the teens.[16][46] It made $6.5 million on its first day, including $1.7 million from Thursday night previews at 2,600 theaters, lowering weekend projections to $16.5 million. The film ended up debuting to $17 million, finishing 5th at the box office, leading Deadline Hollywood to already label the film a domestic box office bomb,[9] and causing an 8.31% fall of the EuropaCorp stock on the following Monday.[15] In its second weekend, the film dropped 62% to $6.4 million, finishing 8th at the box office.[47] In its third and fourth weekends the film made $2.4 million and $901,323, finishing 12th and 17th and dropping another 62% both times.[48]

Outside North America, the film opened in 16 markets alongside the US and made $6.5 million over its opening weekend, including $2.5 million in Germany.

Wolf Warriors 2 at the country's box office.[51] It went on to open to $29 million, topping the box office.[52] The largest territory for the film was China, with US$62.1 million.[2]

Critical response

Valerian and the City of a Thousand Planets received mixed reviews from critics, who praised its visuals while criticizing the plot and some of the casting.

weighted average rating to reviews, the film has a score of 51 out of 100, based on reviews from 45 critics, indicating "mixed or average reviews".[54] On French entertainment information website AlloCiné, the film has an average grade of 3.0/5, based on 31 critics.[55] Audiences polled by CinemaScore gave the film an average grade of "B−" on an A+ to F scale.[9]

David Ehrlich of

idiosyncratic" the film is, while also saying "the vividness of this place only underscores the lifelessness of the people leading us through it .... There are 394 million stories on the City of a Thousand Planets, and Valerian's might be the only one we've seen before. Still, any excuse to visit this place is one worth taking."[56] Peter Sciretta of /Film touted the first half of Valerian as "unpredictable and bonkers insane", while calling the second half more formulaic and "far less exciting", though he still encouraged seeing the film in 3D "on the biggest screen possible".[57] Ignatiy Vishnevetsky of The A.V. Club wrote that it was "rare […] to see a film this extravagant that also feels, for better or worse, like the work of a single personality. The longer action scenes may not always rank with Besson's early '90s highlights [...] or the mania of the more recent Lucy, but there isn't a moment in this ludicrous, lushly self-indulgent movie that doesn't feel like its creator is having the time of his life."[58]

Todd McCarthy of The Hollywood Reporter gave a negative review, saying: "The Razzies don't need to wait until the end of the year to anoint a winner for 2017 ... Hollywood studio chiefs can breathe easy that, this time, at least, they'll escape blame for making a giant summer franchise picture that nobody wants to see, since this one's a French import."[59] A. O. Scott of The New York Times was also less than happy with the film, writing the effort "feels as if it were made up on the spot, by someone so delighted by the gaudy genre packaging at his disposal that he lost track of what was supposed to be inside."[60] National Public Radio film critic, Mark Jenkins, additionally wrote in a negative review that the film's "perspective often seems more 19th- than 26th-century, notably in a sequence where Laureline is captured by members of a hostile species and forced to don a white dress to be presented to their emperor. The blobby computer-generated creatures resemble natives from the most racist of Tarzan movies."[61]

Accolades

At the 44th Saturn Awards, Valerian and the City of a Thousand Planets was nominated for the Saturn Awards for Best Science Fiction Film, Best Production Design (Hugues Tissandier), and Best Costume Design (Olivier Bériot); all respectively lost to Blade Runner 2049 (2017), Black Panther (2018, Hannah Beachler), and Beauty and the Beast (2017, Jacqueline Durran).[62]

Potential sequel

Though the film was a box office bomb, director Luc Besson claimed in September 2017 that a sequel was still possible due to positive fan reaction.[63]

See also

References

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External links