Valerie Masterson
Margaret Valerie Masterson
She next joined
Early career and D'Oyly Carte
Masterson was born in Birkenhead, Cheshire, and studied at the Matthay School of Music (Liverpool) and at the Royal College of Music.[1] She received good reviews for her student performances. The Times commented on her "welcome freshness", though on another occasion it found fault with her attempt at a Scottish accent in a Robert Burns evening at the Wigmore Hall, calling it "more of Kensington than Kilmarnock". Nevertheless, the paper judged her "good to listen to" and "intelligent".[2]
She studied for a year in
Masterson joined the D'Oyly Carte Opera Company as a principal soprano in 1964.[1] After a performance as Mabel in The Pirates of Penzance, The Guardian commented, "It is Valerie Masterson's Mabel that makes one revise ideas on D'Oyly Carte standards. It is a long time since the company had so strong a soprano lead." Other critics agreed: The Times criticised D'Oyly Carte vocal standards in 1968 but called Masterson and Kenneth Sandford "shining exceptions."[8] She remained with D'Oyly Carte for five years, where her major roles were Mabel; Josephine in H.M.S. Pinafore; Phyllis in Iolanthe; Lady Psyche, and subsequently the title role, in Princess Ida; Yum-Yum in The Mikado; Elsie Maynard in The Yeomen of the Guard; and Casilda in The Gondoliers. She appeared as Yum-Yum in the company's 1966 film version of The Mikado.[9] She left the company in 1969 but often returned for guest appearances.[1]
Opera career
Masterson went on to become principal soprano with English National Opera, from 1971, singing a wide range of roles from Mozart to Wagner and Rossini to Puccini. Her successes there included Adèle in Rossini's Le comte Ory,[10] Micaëla in Carmen,[11] Violetta in La traviata and the title role in Massenet's Manon ("exquisitely sung and acted").[4] Her many other roles there included Woglinde and the Woodbird in the Ring[12] and Sophie and the Marschallin in Der Rosenkavalier.[13] She made her Royal Opera House, Covent Garden debut in 1974[14] and her French debut at Toulouse in 1975 as Manon.[15] For three seasons, beginning in 1975, at the Aix-en-Provence Festival, she sang a variety of roles, including "a memorable Matilde in Elisabetta, regina d'Inghilterra".[4] Other early roles included Mimì in La bohème[16] and Pamina in The Magic Flute.[17] She has sung in Strasbourg (Pamina), Rouen (Countess, Marriage of Figaro), and Toulouse (Violetta).[15]
There followed starring roles, over a career lasting more than 30 years, in major opera houses around the world.
She made her debut at the Paris Opera in 1978, as Marguerite in Faust,[21] next playing Fortune and Drusilla in Monteverdi's 1642 work, The Coronation of Poppea the same season.[22][23] She later sang Constanza in The Seraglio[24] and Gilda in Rigoletto.[25] She also continued to have success in Mozart roles,[14] including in Così fan tutte and Idomeneo.[1] She sang both Susanna and the Countess in The Marriage of Figaro,[5][26] appearing at the Prague National Theatre in 1993 as the Countess.[27] She performed for two seasons at Geneva, including as Gilda in 1981 and Mireille later that year.[28] Masterson was a member of the English National Opera company that toured five cities in the U.S. in May and June 1984, singing Gilda.[29] She also sang roles in The Merry Widow and Lucia di Lammermoor, among others.[1]
Masterson played a significant part in the reintroduction of Handel's operas to the mainstream repertoire. Her purity of line and facility for ornamentation, coupled with excellent diction, helped to bring to life his works which, as recently as the 1960s, were considered unperformable.[30] In 1983, Masterson won a Laurence Olivier Award for her performance in the title role of Semele at Covent Garden. Her other Handel roles included Romilda in Xerxes for ENO,[31] Cleopatra in Giulio Cesare opposite Janet Baker for ENO and later for Houston Grand Opera and San Francisco Opera,[32][33][34] Berenice in Scipio for the Handel Opera Society at Sadler's Wells,[35] and Morgana in Alcina at Aix en Provence.[36] On the concert platform she sang the Queen of Sheba in Solomon.[37]
Some of her greatest successes were in the
As a home-grown British soprano with a charming personality and attractive appearance,
Honours and retirement
As Vice-President (and former president) of British Youth Opera, Masterson continues to work with young singers. In 1988, Masterson was made a
Masterson continued to give master-classes and to lecture about singing and her career. She often spoke at the annual International Gilbert and Sullivan Festival in Buxton, England, and performed Yum-Yum in The Mikado at that festival in 1997. She is a Patron of the Carl Rosa Opera Company.[45]
An avid sportswoman and cooking enthusiast, she is married to former D'Oyly Carte principal flautist Andrew March.[46]
Recordings
Among her recordings are a number of Gilbert and Sullivan operas with the D'Oyly Carte Opera Company, including H.M.S. Pinafore, The Pirates of Penzance, The Mikado, The Sorcerer, and a series of Gilbert and Sullivan videos with the company Gilbert and Sullivan for All.[47] On BBC television, Masterson appeared as Yum-Yum in 1973 and Elsie Maynard in 1975.[47] In 1983, she recorded an album of G&S solos and duets with Robert Tear.[48] She sang Josephine, Mabel, Ida, Yum-Yum and Elsie in the 1989 BBC2 series of the complete Gilbert and Sullivan operas.[47] In 1997 she recorded excerpts from Ivanhoe, The Chieftain, The Beauty Stone and The Emerald Isle with the National Symphony Orchestra for the CD "Sullivan & Co. – The Operas that Got Away"[49] Her voice is heard in the Gilbert and Sullivan songs in the film The Hand That Rocks the Cradle.[50]
Masterson stars as Violetta on a recording in English of La traviata conducted by Sir Charles Mackerras.[51] Also with Mackerras, she recorded the role of Cleopatra in Julius Caesar opposite Janet Baker's Caesar,[52] and Romilda in audio and DVD recordings of Nicholas Hytner's ENO production of Serse (given in English as Xerxes).[53] In July 1975, Masterson sang Matilde in a complete recording of Elisabetta, regina d'Inghilterra alongside Montserrat Caballé and José Carreras.[53] She is also featured in live recordings of Faust (in Philadelphia), Mireille, Scipio, Chérubin,[1] and the ENO Ring cycle, conducted by Reginald Goodall.[54] The 1980 television broadcast from Glyndebourne of Die Entführung aus dem Serail, with Masterson as Constanze, has been issued on DVD. She appeared in the 1985 Tony Palmer film about Handel God Rot Tunbridge Wells!, with Anthony Rolfe Johnson singing 'Oh happy we' from Acis and Galatea.[55]
A recital disc of her French repertoire, Valerie Masterson – en Français: Airs d’Opéra, was released in 1989.
Notes
- ^ a b c d e f g h i j Stone, David. "Valerie Masterson", Who Was Who in the D'Oyly Carte Opera Company (1875–1982), accessed 10 May 2009
- ^ The Times, 28 June 1961, p. 5; 20 December 1961, p. 7; and 30 May 1962, p. 5
- ^ Asquez's other pupils included Marie Collier, Rosalind Plowright and Anthony Michaels-Moore. See obituary of Asquez by Elizabeth Forbes, The Independent, 1 October 1998
- ^ a b c Eriksson, Erik. Valerie Masterson profile, AllMusic; accessed 14 May 2009
- ^ The Gramophone, September 1999, p. 16
- ^ The Times, 20 August 1964, p. 12
- ^ Greenfield, Edward. The Guardian, 23 August 1964, p. 7; The Musical Times, October 1964, p. 753
- ^ The Times, 31 January 1968, p. 7
- ^ Shepherd, Marc. "The 1966 D'Oyly Carte Mikado Film". A Gilbert and Sullivan Discography, 15 April 2009, accessed 16 July 2014
- ^ Sadler's Wells programme booklet, 22 February 1972
- ^ The Times, 4 August 1975, p. 6
- ^ Sadler's Wells programme booklet, 24 February 1973; ENO programme booklet, 6 January 1976
- ^ The Times, 29 January 1975, p. 14; ENO programme booklet, 12 January 1988
- ^ a b c Warrack, John Hamilton and Ewan West. "Moody, Fanny", The Concise Oxford Dictionary of Opera, Oxford University Press, p. 324 (3rd Edition 1996), accessed 7 May 2012
- ^ a b Gourret J. Dictionnaire des Cantatrices de l’Opéra. Editions Albatros, Paris, 1987.
- ^ The Musical Times, November 1977, p. 933
- ^ The Times, 25 November 1977, p. 11
- ^ The Times, 13 July 1976, p. 11
- ^ About the House, Summer 1987, p. 26.
- ^ Griffiths, Paul. "Marvellous display of vocal heroism – The Carmelites, Covent Garden", The Times, 20 April 1983, p. 17
- ^ Harold Rosenthal. France: Masterson as Marguerite. Opera, March 1978, Vol. 29, No.3, pp. 302–303
- ^ Charles Pitt. France : 'Poppea' triumphs at the Opéra. Opera, May 1978, Vol 29 No.5, p469-71.
- ^ The Times, 20 March 1978, p. 7
- ^ The Times, 27 March 1980, p. 15
- ^ The Times, 19 January 1985, p. 17
- ^ The Musical Times, July 1990, p. 380
- ISBN 0-85967-894-6.
- ^ Archives of the Grand Théâtre de Genève; accessed 12 November 2009.
- ^ Programme book for English National Opera 1984 USA Tour.
- ^ Griffiths, Paul. "Masterful Masterson – Semele, Covent Garden", The Times, 15 March 1982, p. 7, describing Masterson as "the main reason for seeing it" and praising "the golden, shimmering brilliance Miss Masterson achieves at the top of her range ... beautiful ease and exactness in some of Handel's most ornate music."
- ^ The Times, 6 March 1985, p. 15
- ^ Mann, William. The Times, 6 December 1979, p. 11: "A feast of glorious singing in opulently inventive music"
- ^ Boston Globe, 21 October 1989, p. 10
- ^ The Times, 22 June 1982, p. 15
- ^ The Times, 19 October 1972, p. 11
- ^ The Times, 3 August 1978, p. 8
- ^ The Times, 14 April 1970, p. 20
- ^ Blyth, Alan. The Times, 4 March 1974, p. 9
- ^ The Times, 9 June 1983, p. 20
- ^ ENO programme booklet, 10 February 1983
- ^ ENO programme booklet, 12 October 1987
- ^ ENO programme booklet, 26 November 1981
- ^ Johnson, Lawrence A. Opera News. April 2000, p. 89
- ^ a b Valerie Masterson profile Archived 13 July 2011 at the Wayback Machine at the Jay Records website
- ^ "Our Patrons". Carl Rosa Opera Company website, accessed 26 August 2010
- ^ Memories of the D'Oyly Carte Opera Company, accessed 14 May 2009
- ^ a b c Shepherd, Marc. Links to 22 reviews of recordings featuring Masterson in G&S roles, Archived 25 October 2006 at the Wayback Machine A Gilbert and Sullivan Discography, accessed 14 May 2009
- ^ The Gramophone, July 1990, p. 20
- ^ Shepherd, Marc. "Sullivan & Co.: The Operas That Got Away", A Gilbert and Sullivan Discography, 1998, accessed 22 November 2022
- ^ Valerie Masterson at the IMDB database
- ^ a b The Gramophone, January 1990, p. 88
- ^ The Gramophone, November 1999, p 10
- ^ a b The Gramophone, January 1993, p. 68
- ^ The Gramophone, May 1978, p. 102
- ^ WorldCat entry for DVD of God rot Tunbridge Wells: the life of Georg Frederic Handel, accessed 19 February 2024.
- ^ The Gramophone, October 1989, p. 152
- ^ The Gramophone, September 1999, p. 106
- ^ The Gramophone, December 1992, p. 142
- ^ The Gramophone, November 1981, p. 94
- ^ a b The Gramophone, February 1979, p. 112
- ^ The Gramophone, July 1986, p. 82
- ^ The Gramophone, June 1995, p. 122
- ^ The Gramophone, May 1976, p. 52
References
- Ayre, Leslie (1972). The Gilbert & Sullivan Companion. London: W.H. Allen & Co Ltd. ISBN 0-396-06634-8.
- Masterson on BBC's Desert Island Discs
External links
- Valerie Masterson at IMDb
- Profile and photo of Masterson
- Video of Masterson singing "Da tempeste" from Julius Caesar on YouTube
- Stills from the 1966 Mikado film
- Interview with Valerie Masterson, September 28, 1982