Vijayanagara Empire

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Vijayanagara Kingdom
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Vijayanagara Empire
1336–1646
Harihara I (first)
• 1509–1529
Krishna Deva Raya
• 1642–1646
Sriranga III (last)
History 
• Established
1336
• Earliest records
1343
• Disestablished
1646
CurrencyVaraha
Today part ofIndia

The Vijayanagara Empire (

southern India. It was established in 1336 by the brothers Harihara I and Bukka Raya I of the Sangama dynasty, members of a pastoralist Gadariya community that claimed Kuruba lineage.[5][6][note 1]

The empire rose to prominence as a culmination of attempts by the southern powers to ward off

Turco-Persian sultans of the Deccan beyond the Tungabhadra-Krishna River doab region, in addition to annexing Gajapati Empire (Odisha) up to the Krishna River, thus becoming a notable power.[7] It at its height ruled the lands of the modern states of Karnataka, Andhra Pradesh, Tamil Nadu, Kerala, Goa, and some parts of Telangana, Maharashtra and some parts of Sri Lanka
.

The empire lasted until 1646, although its power greatly declined after a major military defeat in the Battle of Talikota in 1565 by the combined armies of the Deccan sultanates. The empire is named after its capital city of Vijayanagara, as Hampi was renamed, whose extensive ruins are now a UNESCO World Heritage Site in Karnataka. The wealth and fame of the empire inspired visits by and writings of medieval European travelers such as Domingo Paes, Fernão Nunes, and Niccolò de' Conti. These travelogues, contemporary literature and epigraphy in the local languages, and modern archeological excavations at Vijayanagara have provided ample information about the history and power of the empire.

The empire's legacy includes monuments spread over Southern India, the best known of which is the group at Hampi. Different temple building traditions in South and

Kannada, Telugu, Tamil, and Sanskrit with topics such as astronomy, mathematics, medicine, fiction, musicology, historiography and theater gaining popularity. The classical music of Southern India, Carnatic music, evolved into its current form. The Vijayanagara Empire created an epoch in the history of Southern India that transcended regionalism by promoting Hinduism as a unifying factor. The colonettes of the Gadaladeniya Vihara temple, situated in Sri Lanka
, match Vijayanagara style colonettes.

Vijayanagara ruins, 19th century
Krishna temple in 1868
Rama temple in 1868
Vitthala temple in 1880
King's balance in 1858

Alternative names

Karnata Rajya (Karnata Kingdom) was another name for the Vijayanagara Empire, used in some inscriptions[8] and literary works of the Vijayanagara times including the Sanskrit work Jambavati Kalyanam by King Krishnadevaraya and Telugu work Vasu Charitamu.[9] According to historians including Vasundhara Kavali-Filliozat, B. A. Saletore, P. B. Desai, and Ram Sharma, "although Robert Sewell mentioned in the body of the text that the empire was called "Karnataka", he chose "Vijayanagar" in the title because he knew Kannada and Telugu groups would fight if he called it "Karnataka"." As per existing historical records such as inscriptions from the historical ruins of the empire, it is referred to as Karnataka Samrajya (literally 'Karnataka Empire').[10][11][12]

Europeans referred to the Vijayanagara Empire as "The Kingdom of Narasinga",[13][14] a name derived from "Narasimha" by the Portuguese.[15] It is not clear whether the name was derived from Saluva Narasimha Deva Raya or Narasimha Raya II.

History

Background and origin theories

Before the early 14th-century rise of the Vijayanagara Empire, the Hindu states of the Deccan – the

Muslims from the north. By 1336 the upper Deccan region (modern-day Maharashtra and Telangana) had been defeated by armies of Sultan Alauddin Khalji and Muhammad bin Tughluq of the Delhi Sultanate.[16][17]

Further south in the Deccan region,

Gulbarga and Tungabhadra River in the northeastern parts of present-day Karnataka state.[20] The kingdom collapsed after a defeat by the armies of Delhi Sultanate and upon their defeat, the populace committed a jauhar (ritual mass suicide) in c. 1327–28.[21][22] The Vijayanagara Kingdom was founded in 1336 CE as a successor to the hitherto prosperous Hindu kingdoms of the Hoysalas, the Kakatiyas, and the Yadavas with the breakaway Kampili Kingdom adding a new dimension to the resistance to the Muslim invasion of South India.[19][23]

Two theories have been proposed regarding the linguistic origins of the Vijayanagara empire.

Hoysala Empire stationed in the Tungabhadra region to ward off Muslim invasions from Northern India.[25][26][27][28] Another theory is that Harihara and Bukkaraya were Telugu people, first associated with the Kakatiya Kingdom, who took control of the northern parts of the Hoysala Empire during its decline. They were believed to have been captured by the army of Ulugh Khan at Warangal.[29] According to tradition, based on a Telugu-narrative, the founders were supported and inspired by Vidyaranya, a saint at the Sringeri monastery, to fight the Muslim invasion of South India,[16][30] but the role of Vidyaranya in the founding of the Vijayanagara Empire is not certain.[31]

Early years

In the first two decades after the founding of the empire,

Anegondi on the northern banks of the Tungabhadra River in today's Karnataka. It was moved to Vijayanagara during Bukka Raya I's reign because it was easier to defend against the Muslim armies, who were persistently attacking from the northern lands.[35]

With the Vijayanagara Kingdom now imperial in stature,

Gajapatis of Odisha and undertook works of fortification and irrigation.[37] Firuz Bahmani of Bahmani Sultanate entered into a treaty with Deva Raya I in 1407 that required the latter to pay Bahmani an annual tribute of "100,000 huns, five maunds of pearls and fifty elephants". The Sultanate invaded Vijayanagara in 1417 when the latter defaulted in paying the tribute. Such wars for tribute payment by Vijayanagara were repeated in the 15th century.[38]

Tanasserim.[41][42] By 1436 the rebellious chiefs of Kondavidu and the Velama rulers were successfully dealt with and had to accept Vijayanagara overlordship.[43] After a few years of tranquility, wars broke out with the Bahamani Sultanate in 1443 with some successes and some reversals. The Persian visitor Firishta attributes Deva Raya II's war preparations, which included augmenting his armies with Muslim archers and cavalry, to be the cause of the conflict. Contemporary Persian ambassador Abdur Razzak attributes the war to the Bahamani Sultan capitalizing on the confusion caused by an internal revolt within the Vijayanagara Empire, including an attempt to assassinate the Raya by his brother.[44]

View of tower and mantapa at Ragunatha temple in Hampi

Deva Raya II was succeeded by his elder son

Tiruchirapalli. These defeats reduced the Vijayanagara Empire's prestige, described by an inscription which described the Gajapati king as "a yawning lion to the sheep of the Karnatak King".[45] Mallikarjuna's successor Virupaksha Raya II led a life of pleasure perusing wine and women leading to the loss of Goa and much of Karnataka to the Bahmani Sultanate. His governor Saluva Narasimha reduced the loss of territory by holding almost all of coastal Andhra Pradesh south of the Krishna river, Chittoor, the two Arcots and Kolar. Saluva Narashimha defeated the Gajapatis and held Udayagiri, drove out the Pandyas from Tanjore, and took procession of Machilipatnam and Kondaveedu. He later defeated Bahmani forces and recovered most of the empire's earlier losses.[46]

"Throne platform" or "Victory Platform" or "Mahanavami Dibba" or "Dussera Dibba". This surviving structure is in the Royal Enclosure.

After the death of Virupaksha Raya II in 1485, Saluva Narasimha led a coup that ended the dynastic rule while continuing to defend the empire from raids by the Sultanates created from the continuing disintegration of the Bahmani Sultanate in its north.[47] Saluva Narasimha left his two adolescent sons under the care of general Tuluva Narasa Nayaka who ably defended the kingdom from their traditional enemies, the Gajapati king and the Bahamani Sultan. He also subdued rebelling chiefs of the Chera, the Chola and the Pandya territories. Despite many attempts by nobles and members of the royal family to overthrow him, Narasa Nayaka retained control as a regent king till 1503.[48]

In 1503, Narasa Nayaka's son Vira Narasimha had prince Immadi Narasimha of the

Deccan Sultanates to its north.[53][54]

Empire's peak

The Garuda stone chariot and Vitthala temple gopuram in 1856 (left) and 2016.

The empire reached its peak during the rule of

Krishna Deva Raya (circa 1509 to 1529) when Vijayanagara armies were consistently victorious.[55] The empire gained territory formerly under the Sultanates in the northern Deccan, such as Raichur and Gulbarga from the Bahamani Sultanate, territories in the eastern Deccan from wars with Sultan Quli Qutb Shahi of Golkonda, and Kalinga region from the Gajapatis of Odisha. This was in addition to the already established presence in the southern Deccan.[56][57] Many important monuments were either completed or commissioned during the time of King Krishnadevaraya.[58]

Krishna Deva Raya was succeeded by his younger half-brother

Rama Raya, Krishna Deva Raya's son-in-law, becoming the caretaker.[59] When Sadashiva Raya was old enough to assert his independent claim over the throne, Rama Raya made him a virtual prisoner and became the de facto ruler.[60] He hired Muslim generals in his army from his previous diplomatic connections with the Sultanates and called himself "Sultan of the World".[61] This included both Deccani Muslims recruited from anywhere in the Deccan or Westerners from beyond the Persian Gulf.[62] He was keenly interfering in the internal affairs of the various Sultanates and on playing off the Muslim powers against one another, while making himself the ruler of the most powerful and influential regional power. This worked for a while but eventually made him very unpopular among his people and the Muslim rulers.[63] He made a commercial treaty with the Portuguese to stop the supply of horses to Bijapur, then defeated the Bijapur ruler and inflicted humiliating defeats on Golconda and Ahmednagar.[64]

Defeat and decline

Rama Raya
(reigned 1542–65), the defeated ruler of Vijaianagara. Ta'rif-i Husain Shahi (Chronicle of Husain Shah).

Eventually the Deccan sultanates to the north of Vijayanagara united and attacked Rama Raya's army in January 1565 in the Battle of Talikota.[65] Regarding the Vijayanagara defeat in battle, Kamath opines that the Sultanate armies, though numerically disadvantaged, were better equipped and trained. Their artillery was manned by expert Turkish gunmen while the Vijayanagara army depended on European mercenaries using outdated artillery. The Sultanate cavalry rode fast moving Persian horses and used spears that were fifteen to sixteen feet long giving them a greater reach, and their archers used metal crossbows which enabled them to reach longer distances. In comparison, the Vijayanagara army depended on slow moving war elephants, a cavalry riding mostly locally bred weaker horses wielding shorter reach javelins, and their archers used traditional bamboo bows with a shorter range. Richard Eaton argues that Vijayanagara's inferiority was due to Krishna Raya's failure to invest in military technology in the years since Raichur because his victory against a technologically superior army led him to underestimate technology's value.[66]

Despite these disadvantages, Kamath, Hermann Kulke and Dietmar Rothermund concur that the vast Vijayanagara army appeared to have the upper hand until two Muslim generals (identified as the mercenary Gilani brothers according to Kamath) switched sides and joined forces with the Sultanates turning the tide decisively in favor of the Sultanates. The generals captured Rama Raya and beheaded him, and Sultan Hussain had the severed head stuffed with straw for display.[67][68][69] Rama Raya's beheading created confusion and havoc in the Vijayanagara army, which were then completely routed. The Sultanates' army plundered Hampi and reduced it to the ruinous state in which it remains today.[70]

After Rama Raya's death,

Nayaks of Madurai.[75]

Governance

Tourists on top of Mahanavami Platform in Royal Enclosure.
Corridor at Temple from Vijayanagara capital Hampi.
Kannada inscription of King Krishnadeva Raya, dated 1509, at the Virupaksha temple in Hampi, describing his coronation and the construction of the large open mantapa

The rulers of the Vijayanagara Empire maintained the administrative methods developed by their predecessors, the Hoysala, Kakatiya and Pandya kingdoms.

wax seal imprinted with the ring of the king.[79] At the lower administrative levels, wealthy feudal landlords (Gowdas) supervised accountants (Karanikas or Karnam) and guards (Kavalu). The palace administration was divided into 72 departments (Niyogas), each having several female attendants chosen for their youth and beauty (some imported or captured in victorious battles) who were trained to handle minor administrative matters and to serve men of nobility as courtesans or concubines.[80]

The empire was divided into five main provinces (Rajya), each under a commander (Dandanayaka or Dandanatha) and headed by a governor, often from the royal family, who used the native language for administrative purposes.

Keladi and Madurai, came under the direct supervision of a commander.[82]

On the battlefield, the king's commanders led the troops. The empire's war strategy rarely involved massive invasions; more often it employed small-scale methods such as attacking and destroying individual forts. The empire was among the first in India to use long-range artillery, which were commonly manned by foreign gunners.[83] Army troops were of two types: the king's personal army directly recruited by the empire and the feudal army under each feudatory. King Krishnadevaraya's personal army consisted of 100,000 infantry, 20,000 cavalrymen, and over 900 elephants. The whole army was claimed to number over 1.1 million soldiers, with up to 2 million having been recorded, along with a navy led by a Navigadaprabhu (commander of the navy).[84] The army recruited from all classes of society, supported by the collection of additional feudal tributes from feudatory rulers, and consisted of archers and musketeers wearing quilted tunics, shieldmen with swords and poignards in their girdles, and soldiers carrying shields so large that armour was not necessary. The horses and elephants were fully armoured and the elephants had knives fastened to their tusks to do maximum damage in battle.[85]

The capital city was dependent on water supply systems constructed to channel and store water, ensuring a consistent supply throughout the year. The remains of these hydraulic systems have given historians a picture of the prevailing surface water distribution methods in use at that time in the semiarid regions of South India.[86] Contemporary records and notes of foreign travellers describe huge tanks constructed by labourers.[87] Excavations uncovered the remains of a well-connected water distribution system existing solely within the royal enclosure and the large temple complexes (suggesting it was for the exclusive use of royalty, and for special ceremonies) with sophisticated channels using gravity and siphons to transport water through pipelines.[88] In the fertile agricultural areas near the Tungabhadra River, canals were dug to guide the river water into irrigation tanks. These canals had sluices that were opened and closed to control the water flow. In other areas, the administration encouraged digging wells, which were monitored by administrative authorities. Large tanks in the capital city were constructed with royal patronage while smaller tanks were funded by wealthy individuals to gain social and religious merit.[89]

Economy

The economy of the empire was largely dependent on agriculture.

masons, sculptors, and other skilled artisans.[90]

According to Abdur Razzak, much of the empire was fertile and well cultivated.

Dharmadam were important for they not only provided secure harbors for traders from Africa, Arabia, Aden, the Red sea, China and Bengal but some also served as ship building centers.[91]

When merchant ships docked, the merchandise was taken into official custody and taxes levied on all items sold. The security of the merchandise was guaranteed by the administration officials. Traders of many nationalities (

Persia. Chief imports from Palestine were copper, quicksilver (mercury), vermilion, coral, saffron, coloured velvets, rose water, knives, colored camlets, gold and silver. Persian horses were imported to Cannanore before a two-week land trip to the capital. Silk arrived from China and sugar from Bengal.[94]

Raised water-channel or aqueduct for city.
war elephants

East coast trade routes were busy, with goods arriving from

calico and muslin (brown, bleached or dyed). Cloth printed with coloured patterns crafted by native techniques were exported to Java and the Far East. Golkonda specialised in plain cotton and Pulicat in printed. The main imports on the east coast were non-ferrous metals, camphor, porcelain, silk and luxury goods.[96]

Mahanavami festival marked the beginning of a financial year from when the state treasury accounted for and reconciled all outstanding dues within nine days. At this time, an updated annual assessment record of provincial dues, which included rents and taxes, paid on a monthly basis by each governor was created under royal decree.[77]

Temples were taxed for land ownership to cover military expenses. In the Telugu districts the temple tax was called Srotriyas, in the Tamil speaking districts it was called as Jodi. Taxes such as Durgavarthana, Dannayivarthana and Kavali Kanike were collected towards protection of movable and immovable wealth from robbery and invasions. Jeevadhanam was collected for cattle graze on non-private lands. Popular temple destinations charged visitor fees called Perayam or Kanike. Residential property taxes were called Illari.[97]

Culture

Social life

A stone depiction of four horizontal rows: the top row contains dancers, the second row contains warriors, the third contains horses and their trainers, and the bottom row depicts elephants.
Horizontal friezes in relief on the outer wall enclosure of Hazara Rama temple, depicting life in the empire

The Hindu social order was prevalent and it influenced daily life in the empire. The rulers who occupied the top of this hierarchy assumed the honorific Varnasramadharma (lit, "helpers of the four classes and four stages"). According to Talbot, caste was more importantly determined by occupation or the professional community people belonged to, although the family lineage (Gotra) and the broad distinction described in sacred Hindu texts were also factors. The structure also contained sub-castes and caste clusters ("Jati").[98] According to Vanina, caste as a social identity was not fixed and was constantly changed for reasons including polity, trade and commerce, and was usually determined by context. Identification of castes and sub-castes was made based on temple affiliations, lineage, family units, royal retinues, warrior clans, occupational groups, agricultural and trade groups, devotional networks, and even priestly cabals. It was also not impossible for a caste to lose its position and prestige and slip down the ladder while others rose up the same.[99] Epigraphy studies by Talbot suggests that members within a family could have different social status based on their occupation and the upward movement of a caste or sub-caste was not uncommon based on the breakthroughs achieved by an individual or a group of individuals from the community.[100]

Caste affiliation was closely tied to craft production and members of a common craft formed collective memberships. Often members of related crafts formed inter-caste communities. This helped them consolidate strength and gain political representation and trade benefits.

salt farmers.[103]

According to Chopra et al., in addition to their monopoly over priestly duties, Brahmins occupied high positions in political and administrative fields. The Portuguese traveler Domingo Paes observed an increasing presence of Brahmins in the military.[104] The separation of the priestly class from material wealth and power made them ideal arbiters in local judicial matters, and the nobility and aristocracy ensured their presence in every town and village to maintain order.[105] Vanina notes that within the warrior class was a conglomerate of castes, kinship and clans that usually originated from landholding and pastoral communities. They ascended the social ladder by abandoning their original occupations and adopting to a martial code of living, ethics and practices. In South India they were loosely called the Nayakas.[106]

Nāga
Nāga, snake worship in Hampi

Sati practice is evidenced in Vijayanagara ruins by several inscriptions known as Satikal (Sati stone) or Sati-virakal (Sati hero stone).[107] There are controversial views among historians regarding this practice including religious compulsion, marital affection, martyrdom or honor against subjugation by foreign intruders.[108][109][110]

The socio-religious movements that gained popularity in the previous centuries, such as

Devadasi system, as well as legalized prostitution, existed and members of this community were relegated to a few streets in each city. The popularity of harems among men of the royalty and the existence of seraglio is well known from records.[112]

Well-to-do men wore the Petha or Kulavi, a tall turban made of silk and decorated with gold. As in most Indian societies, jewellery was used by men and women and records describe the use of anklets, bracelets, finger-rings, necklaces and ear rings of various types. During celebrations men and women adorned themselves with flower garlands and used perfumes made of rose water, civet musk, musk, or sandalwood.[112] In stark contrast to the commoners whose lives were modest, the lives of royalty were full of ceremonial pomp. Queens and princesses had numerous attendants who were lavishly dressed and adorned with fine jewellery. Their numbers ensured their daily duties were light.[113]

Painted ceiling from the Virupaksha temple depicting Hindu mythology, 14th century

Physical exercises were popular with men and wrestling was an important male preoccupation for sport and entertainment, and women wrestlers are also mentioned in records.

ram fight and female wrestling.[115] Excavations within the Vijayanagara city limits have revealed the existence of various community-based gaming activities. Engravings on boulders, rock platforms and temple floors indicate these were popular locations of casual social interaction. Some of these are gaming boards similar to the ones in use today and others are yet to be identified.[116]

kanyadana within the community. According to this practice money could not be paid or received during marriage and those who did were liable for punishment. There is a mention of Streedhana ("woman's wealth") in an inscription and that the villagers should not give away land as dowry. These inscriptions reinforce the theory that a system of social mandates within community groups existed and were widely practiced even though these practices did not find justification in the family laws described in the religious texts.[120]

Religion

Virupaksha Temple, Hampi
Virupaksha Temple, Hampi

The Vijayanagara kings

dvaita order (philosophy of dualism) of Madhvacharya at Udupi.[133] Endowments were made to temples in the form of land, cash, produce, jewellery and constructions.[134]

The

Narasimha
Ugra Narasimha monolith at Hampi

The defeat of the

Kambadahalli.[145]

Deva Raya built a mosque for the Muslims in Vijayanagara and placed a Quran before his throne.[148]

The introduction of

Dutch settlements fostered the growth of Christianity in the south.[150]

Epigraphs, sources and monetization

Ornate pillars, Virupaksha temple Hampi
Wall panel relief in Hazare Rama Temple at Hampi

Stone inscriptions were the most common form of documents used on temple walls, boundary of properties and open places for public display. Another form of documentation was on copper plates that were meant for record keeping. Usually verbose inscriptions included information such as a salutation, a panegyric of the king or local ruler, the name of the donor, nature of the endowment (generally either cash or produce), the manner in which the grant would be used, obligations of the donee, share received by the donor and a concluding statement that officiated the entire donation and its obligations. Some inscriptions record an instance of victory in war or religious festival, and retribution or a curse on those who do not honor the grant.[151]

Most Vijayanagara empire inscriptions recovered so far are in Kannada, Telugu and Tamil, and a few in Sanskrit.[152] According to Suryanath U. Kamath about 7000 stone inscriptions, half of which are in Kannada, and about 300 copper plates which are mostly in Sanskrit, have been recovered.[153] Bilingual inscriptions had lost favor by the 14th century.[154] According to Mack, the majority of the inscriptions recovered are from the rule of the Tuluva dynasty (from 1503 to 1565) with the Saluva dynasty (from 1485 to 1503) inscribing the least in its brief control over the empire. The Sangama dynasty (from 1336 to 1485) which ruled the longest produced about one third of all epigraphs inscribed during the Tuluva period.[155] Despite the popularity of Telugu language as a literary medium, the majority of the epigraphs in the language were inscribed in the limited period from 1500 to 1649. Talbot explains this scenario as one of shifting political solidarity. The Vijayanagara empire was originally founded in Karnataka, with Andhra Pradesh serving as a province of the empire. After its defeat to the Sultanates in 1565 and the sacking of the royal capital Vijayanagara, the diminished empire moved its capital to Southern Andhra Pradesh, creating an enterprise dominated by Telugu language.[156]

In addition to epigraphs and coins, the sources of Vijayanagara history (its origin, social and political life and eventual defeat) are the accounts of foreign travelers and contemporary literary sources in Sanskrit, Kannada, Persian and Telugu. The Portuguese visitors to the empire were Domingo Paes (1522),

Kanakadasa, Keladiripavijayam by Linganna and the recently discovered Krishnadevarayana Dinachari are useful sources, and among Telugu works, Srinatha's Kashikanda, Mallayya and Singayya's Varahapuranamu, Vishvanatha Nayani's Rayavachakamu, Nandi Timmanna's Parijathapaharanamu, Durjati's Krishnaraja Vijayamu, Peddanna's Manucharitamu and King Krishnadevaraya's Amuktamalyada are important sources of information.[163][164]

The Persian visitor Abdur Razzak wrote in his travelogues that the empire enjoyed a high level of monetization. This is especially evident from the number of temple cash grants that were made. Coins were minted using gold, silver, copper and brass and their value depended on material weight. Coins were minted by the state, in the provinces and by merchant guilds. Foreign currency was in circulation. The highest denomination was the gold Varaha (or Hun/Honnu, Gadyana) weighted 50.65 – 53 grains. The Partab or Pratapa was valued at half a Varaha, the Fanam, Phanam or Hana, an alloy of gold and copper was the most common currency valued at a third of the Varaha. A Tar made of pure silver was a sixth of a Phanam and a Chital made of brass was a third of the Tar. Haga, Visa and Kasu were also coins of lower denominations.[165][166]

Literature

During the rule of the Vijayanagara Empire, poets, scholars and philosophers wrote primarily in Kannada, Telugu and Sanskrit, and also in other regional languages such as Tamil and covered such subjects as religion, biography, Prabandha (fiction), music, grammar, poetry, medicine and mathematics. The administrative and court languages of the Empire were Kannada and Telugu, the latter gained even more cultural and literary prominence during the reign of the last Vijayanagara kings, especially Krishnadevaraya.[167][168]

Most

Bukka I, dwells on the conquest of the Madurai Sultanate by the Vijayanagara empire.[170]

Poetic inscription in Kannada by Vijayanagara poet Manjaraja (c.1398)

The

Ganapathi while Parvati took the form of a princess of Banavasi).[174][175]

At this peak of

Pingali Surana, and Dhurjati. Srinatha, who wrote books such as Marutratcharitamu and Salivahana-sapta-sati, was patronised by King Devaraya II and enjoyed the same status as important ministers in the court.[181]

Most Tamil literature from this period came from Tamil-speaking regions, which were ruled by the feudatory Pandya who gave particular attention to the cultivation of Tamil literature. Some poets were also patronised by the Vijayanagara kings. Svarupananda Desikar wrote an anthology of 2824 verses, Sivaprakasap-perundirattu, on the Advaita philosophy. His pupil the ascetic, Tattuvarayar, wrote a shorter anthology, Kurundirattu, that contained about half the number of verses. Krishnadevaraya patronised the Tamil Vaishnava poet Haridasa whose Irusamaya Vilakkam was an exposition of the two Hindu systems, Vaishnava and Shaiva, with a preference for the former.[182]

Notable among secular writings on music and medicine were Vidyaranya's Sangitsara, Praudha Raya's Ratiratnapradipika, Sayana's Ayurveda Sudhanidhi and Lakshmana Pandita's Vaidyarajavallabham.[183] The Kerala school of astronomy and mathematics flourished during this period with scholars such as Madhava, who made important contributions to trigonometry and calculus, and Nilakantha Somayaji, who postulated on the orbitals of planets.[184]

Architecture

Temple car
Temple car at the Vittala temple in Hampi

Vijayanagara architecture, according to art critic

Pandya and Chola styles, idioms that prospered in previous centuries.[185] Its legacy of sculpture, architecture and painting influenced the development of the arts long after the empire came to an end. Its stylistic hallmark is the ornate pillared Kalyanamantapa (marriage hall), Vasanthamantapa (open pillared halls) and the Rayagopura (tower). Artisans used the locally available hard granite because of its durability since the kingdom was under constant threat of invasion. An open-air theatre of monuments at its capital at Vijayanagara is a UNESCO World Heritage Site.[186]

In the 14th century, the kings continued to build

Meenakshi Temple, Madurai
. The temple was rebuilt by the Nayaks rulers under the Vijayanagara Empire

Another element of the Vijayanagara style is the carving and consecration of large

Kanchi and Srirangam in Tamil Nadu are examples of this style. Vijayanagara art includes wall-paintings such as the Dashavatara and Girijakalyana (marriage of Parvati, Shiva's consort) in the Virupaksha Temple at Hampi, the Shivapurana murals (tales of Shiva) at the Virabhadra temple at Lepakshi, and those at the Kamaakshi and Varadaraja temples at Kanchi. This mingling of the South Indian styles resulted in a new idiom of art not seen in earlier centuries, a focus on reliefs in addition to sculpture differing from that previously in India.[190]

An aspect of Vijayanagara architecture that shows the cosmopolitanism of the great city is the presence of many secular structures bearing Islamic features. While political history concentrates on the ongoing conflict between the Vijayanagara empire and the Deccan Sultanates, the architectural record reflects a more creative interaction. There are many arches, domes and vaults that show these influences. The concentration of structures like pavilions, stables and towers suggests they were for use by royalty.[191] The decorative details of these structures may have been absorbed into Vijayanagara architecture during the early 15th century, coinciding with the rule of Deva Raya I and Deva Raya II. These kings are known to have employed many Muslims in their army and court, some of whom may have been Muslim architects. This harmonious exchange of architectural ideas must have happened during rare periods of peace between the Hindu and Muslim kingdoms.[192] The "Great Platform" (Mahanavami Dibba) has relief carvings in which the figures seem to have the facial features of central Asian Turks who were known to have been employed as royal attendants.[193]

Travellers

Sultan of Delhi (top, flag: ) and King of Vijayanagara (bottom, with "Christian" flag: ), named as "King of Colombo" after the city of Kollam. His caption reads: Here rules the king of Colombo, a Christian. He was mistakenly identified as Christian because of the Christian mission established in Kollam by Jordanus since 1329.[194][195] Detail of the Catalan Atlas of 1375.[196]

In the memoirs of

Persia, described it as a city with seven layers of forts, with outer layers for agriculture, crafts and residence, the inner third to seventh layers very crowded with shops and bazaars (markets).[197]

In 1520, Domingo Paes, a Portuguese traveller, visited Vijayanagara as a part of trade contingent from Portuguese Goa. He wrote his memoir as Chronica dos reis de Bisnaga, in which he stated Vijayanagara was "as large as Rome, and very beautiful to the sight ... the best provided city in the world".[198][199] According to Paes, "there are many groves within it, in the gardens of the houses, many conduits of water which flow into the midst of it, and in places there are lakes ...".[199]

Cesare Federici, an Italian merchant and traveller, visited a few decades after the 1565 defeat and collapse of the Vijayanagara Empire. According to Sinopoli, Johansen, and Morrison, Federici described it as a very different city. He wrote, "the citie of Bezeneger (Hampi-Vijayanagara) is not altogether destroyed, yet the houses stand still, but emptie, and there is dwelling in them nothing, as is reported, but Tygres and other wild beasts".[200]

The historian Will Durant, in his Our Oriental Heritage: The Story of Civilization recites the story of Vijayanagara and calls its conquest and destruction a discouraging tale. He writes, "its evident moral is that civilization is a precarious thing, whose delicate complex of order and liberty, culture and peace" may at any time be overthrown by war and ferocious violence.[201][note 3]

Family trees and List of rulers

Fictional representations

See also

Vijayanagara dynasties
Related to Vijayanagara empire

Notes

  1. ^ a b Dhere 2011, p. 243: "We can deduce that Sangam must have become a Yadava through his pastoralist, cowherd community.",
  2. ^ The Hinduraya suratrana term in inscriptions has been coupled with long brocaded headdress (kullayi) and others shown in some royalty-related reliefs found in Hampi as additional support for the hypothesis that 'Islamicization of Hindu culture' in 14th-century.[124] The long headdress are also seen in the royalty-related and secular artwork in Pattadakal dated from the 7th and 8th century, about 5 centuries before the first Sultanate was formed in South Asia.[125] Similar conical headdress is seen in other sites such as the Ajanta Caves, Ellora Caves, Aihole and Badami, variously dated from the 2nd century CE to 10th century CE.[126][127]
  3. ^ Hampi's history, ruins and temples made it an early site for offbeat tourism in the 1960s and after. Tourists would gather on its hills and midst its ruins, to hold parties and spiritual retreats, and these have been called "Hampi Hippies" and Hampi as the "lost city" in some publications.[202][203]

References

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  2. .
  3. .
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  7. ^ Stein 1989, p. xi
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  9. ^ a b Fritz & Michell 2001, p. 14.
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  38. ^ Eaton 2006, pp. 89–90 with footnote 28.
  39. ^ Also deciphered as Gajaventekara, a metaphor for "great hunter of his enemies", or "hunter of elephants" (Kamath 2001, p. 163).
  40. ^ Nilakanta Sastri 1955, p. 244
  41. ^ From the notes of Persian Abdur Razzak. Writings of Nuniz confirms that the kings of Burma paid tributes to Vijayanagara empire Nilakanta Sastri 1955, p. 245
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  53. ^ Nilakanta Sastri 1955, p. 239
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  56. ^ The notes of Portuguese Barbosa confirms a very rich and well provided Vijayanagara city. (Kamath 2001, p. 186)
  57. ^ Chopra, Ravindran & Subrahmanian 2003, part II, pp. 37–39
  58. ^ (Dallapiccola 2001, p. 66)
  59. ^ Eaton 2006, p. 79.
  60. ^ Eaton 2006, p. 92.
  61. ^ Eaton 2006, pp. 93–101.
  62. .
  63. .
  64. ^ Chopra, Ravindran & Subrahmanian 2003, part II, p. 43
  65. ^ Eaton 2006, pp. 96–98.
  66. ^ Eaton, Richard (2019). "The Deccan and the South, 1400–1650". India in the Persianate Age, 1000–1765. Penguin Books. pp. 168–172.
  67. ^ Kulke & Rothermund 2004, p. 191.
  68. ^ Eaton 2006, p. 98.
  69. ^ Kamath 2001, pp. 172–173.
  70. ^ Eaton 2006, pp. 98–101.
  71. ^ Eaton 2006, pp. 100–101.
  72. ^ Kamath 2001, p. 174.
  73. .
  74. ^ Eaton 2006, pp. 101–115.
  75. ^ Kamath 2001, pp. 220, 226, 234.
  76. ^ (K.M. Panikkar in Kamath 2001, p. 174)
  77. ^ a b Svamin, Amatya, Janapada, Durga, Kosa, Daiufa, Mitra respectively.Mahalingam, T.V (1940). Administration and social life under Vijayanagara. Madras University Historical Series, No. 15. University of Madras. pp. 9, 101, 160, 239, 244, 246, 260.
  78. ^ From the notes of Persian Abdur Razzak and research by B.A. Saletore (Kamath 2001, p. 175)
  79. ^ From the notes of Nuniz (Kamath 2001, p. 175)
  80. ^ Nilakanta Sastri 1955, p. 286.
  81. ^ From the notes of Duarte Barbosa (Kamath 2001, p. 176). However, the kingdom may have had nine provinces (T. V. Mahalingam in Kamath 2001, p. 176)
  82. ^ Kamath 2001, pp. 176–177.
  83. ^ Nilakanta Sastri 1955, p. 287.
  84. ^ From the notes of Abdur Razzaq and Paes (Kamath 2001, p. 176)
  85. ^ From the notes of Nuniz (Nilakanta Sastri 1955, p. 288)
  86. ^ Davison-Jenkins 2001, p. 89.
  87. ^ From the notes of Domingo Paes and Nuniz (Davison-Jenkins 2001, p. 98)
  88. ^ Davison-Jenkins 2001, p. 90.
  89. ^ Davison-Jenkins 2001, pp. 88–99.
  90. ^ From the notes of Duarte Barbosa. (Kamath 2001, p. 181)
  91. ^ a b c d From the notes of Abdur Razzak in Nilakanta Sastri 1955, p. 304
  92. ^ From the notes of Abdur Razzak in Nilakanta Sastri 1955, p. 298
  93. ^ From the notes of Abdur Razzak in Nilakanta Sastri 1955, p. 299
  94. ^ a b Nilakanta Sastri 1955, pp. 304–305.
  95. ^ Nilakanta Sastri 1955, p. 305.
  96. ^ Nilakanta Sastri 1955, p. 306.
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  108. .
  109. .
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  111. ^ B.A. Saletore in Kamath 2001, p. 179
  112. ^ a b Kamath 2001, p. 180
  113. ^ From the writings of Portuguese Domingo Paes (Nilakanta Sastri 1955, p. 296)
  114. ^ Kamath 2001, p. 179.
  115. ^ a b Nilakanta Sastri 1955, p. 296.
  116. ^ Mack 2001, p. 39.
  117. .
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  119. .
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  123. ^ .
  124. .
  125. .
  126. .
  127. .
  128. .
  129. .
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  132. ^ Wagoner 2001, p. 14
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  137. ^ Narayan 2010, Introduction, p. 3.
  138. ^ Shiva Prakash 1997, p. 196.
  139. ^ Shiva Prakash 1997, p. 195.
  140. ^ Kamath 2001, p. 178.
  141. ^ a b Nilakanta Sastri 1955, p. 324.
  142. .
  143. ^ Kamath 2001, p. 185.
  144. ^ Kamath 2001, pp. 112, 132
  145. ^ Kamath 2001, pp. 197; Bang & Kolodziejczyk 2012, p. D23.
  146. ^ From the notes of Arab writer Al-Ishtakhri (Nilakanta Sastri 1955, p. 396)
  147. ^ From the notes of Ibn Batuta (Nilakanta Sastri 1955, p. 396)
  148. ^ Rice 2001, p. 479.
  149. ^ From the notes of Jordanus in 1320–21 (Nilakanta Sastri 1955, p. 397)
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  152. ^ Mack 2002, p. 79
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  155. ^ Mack 2002, pp. 81–82
  156. ^ Talbot 2002, pp. 25–28
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    Royal patronage was also directed to the support of literature in several languages: Sanskrit (the pan-Indian literary language), Kannada (the language of the Vijayanagara home base in Karnataka), and Telugu (the language of Andhra). Works in all three languages were produced by poets assembled at the courts of the Vijayanagara kings

    The Telugu language became particularly prominent in the ruling circles by the early 16th century, because of the large number of warrior lords who were either from Andhra or had served the kingdom there

    — Asher & Talbot 2006, pp. 74–75
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Sources

External links