Villa Barbaro
Villa Barbaro | |
---|---|
Maser, Veneto | |
Country | Italy |
Construction started | c.1560 |
Client | Barbaro family |
Design and construction | |
Architect(s) | Andrea Palladio |
Website | |
www | |
Part of | City of Vicenza and the Palladian Villas of the Veneto |
Criteria | Cultural: (i), (ii) |
Reference | 712bis-018 |
Inscription | 1994 (18th Session) |
Extensions | 1996 |
Area | 6.57 ha (16.2 acres) |
Coordinates | 45°48′44″N 11°58′35″E / 45.8122°N 11.9764°E |
Villa Barbaro, also known as the Villa di Maser, is a large
History
The land originally belonged to the
After the Barbaro family died out, the villa passed through the female line into the ownership of the Trevisan and then the Basadonna families, followed by the Manin. Ludovico Manin, Venice's last doge, sold it to Gian Battista Colferai who had rented it for some years.
Having been allowed to become ruinous, the villa was purchased in 1850 by the wealthy industrialist
In 1934, Count
In 1996, UNESCO designated Villa Barbaro as part of the World Heritage Site "City of Vicenza and the Palladian Villas of the Veneto", which includes more than twenty villas. It is open to the public.[5] The complex is also home to a farm that produces wine named after the villa.
Architecture
Palladio planned the villa on low lines extending into a large park. The ground floor plan is complex: rectangular with perpendicular rooms on a long axis, the central block projects and contains the principal reception room. The central block, which is designed to resemble the
The central block is flanked by two symmetrical wings. The wings have two floors but are fronted by an open arcade. Usually Palladio designed the wings to provide functional accommodation for agricultural use. The Villa Barbaro is unusual in having private living quarters on the upper level of the barchesse (that is, the rooms behind the arcades of the two wings). The Maser estate was a fairly small one and would not have needed as much storage space as was built at Villa Emo, for example.
The wings are terminated by pavilions which feature large sundials set beneath their pediments. The pavilions were intended to house
Interior
The interior of the
Church (Tempietto Barbaro)
Towards the end of his life, Palladio received the opportunity to build a church, the Tempietto Barbaro, to serve the Villa Barbaro and the village of Maser. It is not certain when Tempietto Barbaro was built, but an inscription on the frieze dated 1580 gives the names of both Palladio and his patron Marcantonio Barbaro. The Tempietto and the Teatro Olimpico were Palladio's last works and tradition says that he died at Maser while working on the building.
At Maser, the patron and the architect agreed on a centralised building closely following classical models. In some other church commissions such as the
The interior has stucco decorations attributed to
Palladio alternates deep niches on a rectangular ground-plan and closed wall areas with figure tabernacles between the eight regular half-columns. The lower part of the building is completed by an unbroken continuous ledge, whose profile – three flat bands which are contrasted with each other by ovolo moulding – is taken over from the arcade arches. The architect contrasts two forms of cylinder and semi-sphere by a repeated emphasis on horizontals, and, over and above that, divides them into a palpable terrestrial zone and into a light, celestial one that cannot be precisely gauged with the eye.
Nymphaeum
Normally Palladio did not involve himself in the details of garden design. However, at Maser there is a classical garden feature, a nymphaeum. This arching architectural structure frames a natural spring, and may be influenced by a nymphaeum at Villa Giulia.
It has seven figural statues in niches and four nearly free-standing figures which may have been carved by Marcantonio Barbaro himself. The spring forms a pool, which can be used for fishing. The water also flowed to the kitchen as well as watered the gardens.[10]
In the media
In the 1990s the villa was featured in a production by the American TV presenter
See also
References
- ^ Dal Lago, Adalbert. Villas and Palaces of Europe, p. 50, Paul Hamlyn 1969.
- ^ Villa Barbaro: Architecture, Knowledge and Arcadia, ANU (Australian National University) 2003 retrieved 9 July 2007
- ^ Hobson, op. cit.
- ^ Hobson, ibid.
- ^ Villa di Maser website, 2008 Archived 13 April 2006 at the Wayback Machine (in English and Italian) Accessed 2008-06-09, when the site advised of special opening hours for the "Palladio 500" quincentenary
- ISBN 3-8228-0271-9p. 123
- ^ Rybczynski, Witold, "The Perfect House",
- ISBN 1-56458-861-0
- ^ Italian Palladian Villa at Maser - Website belonging to Paul E. Field Archived 7 September 2008 at the Wayback Machine accessed 2008-06-09
- ^ Wundram, Manfred, op. cit. pp. 123/128
- ^ BobVila.com. "Bob Vila's Guide to Historic Homes: In Search of Palladio".
- ^ Moretti, Laura (23 March 2018). "How the Barbaro brothers created the perfect Renaissance villa". British Academy. Retrieved 1 August 2018.
Literature
- Hobson, Anthony wrote the material on Villa Barbaro (pp 89–97) in Great Houses of Europe, edited by ISBN 0-600-33843-6.
- Fischer, Sören: „Denn ein üppiger Rebstock strebt über das ganze Gebäude hin zum First und erklettert ihn“ - Paolo Veronese, Andrea Palladio und die Stanza di Bacco in der Villa Barbaro als Pavillon Plinius' des Jüngeren. in: Kunstgeschichte, 2013, PDF
- Fischer, Sören: Das Landschaftsbild als gerahmter Ausblick in den venezianischen Villen des 16. Jahrhunderts - Sustris, Padovano, Veronese, Palladio und die illusionistische Landschaftsmalerei, Petersberg 2014, pp. 110–127. ISBN 978-3-86568-847-7
- Kolb, Carolyn; Beck, Melissa (1997). "The Sculptures on the Nymphaeum Hemicycle of the Villa Barbaro at Maser". Artibus et Historiae. 18 (35): 15–33, 35–40. JSTOR 1483535.
External links
- Official website
- (IT, EN) Details on Villa Barbaro with bibliography of CISA - International Center for Studies of architecture Andrea Palladio (source for the description of the project) [1]
- Travel with a Curator