Virtual Theatre

This is a good article. Click here for more information.
Source: Wikipedia, the free encyclopedia.
Virtual Theatre
TypeGame engine
LicenseProprietary
Websiterevolution.co.uk Edit this on Wikidata

The Virtual Theatre is a computer

1992, followed by Beneath a Steel Sky (1994), Broken Sword: The Shadow of the Templars (1996) and Broken Sword II: The Smoking Mirror
(1997).

It allowed in-game characters to wander around the gameworld independently of each other, performing "everyday life" actions, which was not previously possible, and all characters and objects occupied space; consequently, non-player characters had to side-step the player's protagonist and any other object they came across, as well as the player having to side-step them, achieving a more realistic game world that previous engines were unable to provide, though non-player characters could unwittingly block a path as the player was traversing the game scene. Non-player characters performed much simpler tasks with each release due to size constraints.

Two games (Broken Sword: The Shadow of the Templars and Broken Sword II: The Smoking Mirror) that use a Virtual Theatre variant engine can now be played on modern hardware using

Broken Sword: The Serpent's Curse
(2013).

Development

Charles Cecil and Tony Warriner had worked together at Artic Computing, an English video game development company. In 1990 they decided to set up their own video-game development company, together with David Sykes and Noirin Carmody.[1] For their debut adventure game, Lure of the Temptress, released in 1992 for Amiga, Atari ST and PC,[1] Cecil, Warriner, Sykes and Dan Marchant created the concept of the game engine titled "Virtual Theatre", which Warriner wrote.[2]

For

Broken Sword: The Serpent's Curse a brand-new engine (VT7) was developed in order to deal with multiple platforms and, in particular, with screen resolution (the system is built on C++ and OpenGL, and a custom scripting-language to implement the game itself).[9]

Features

Traditionally in adventure game engines, non-player characters were static awaiting the player to interact with them to trigger an event. However, Virtual Theatre allowed

LucasArts' SCUMM engine, and Sierra's Creative Interpreter, due to its then high level of artificial intelligence.[10]

Another advantage of the engine is that it is a cross-platform engine. It was also faster on the

King's Quest VI to the Amiga.[11]

All of the in-game objects (including non-player characters) in Virtual Theatre occupied space, which was a unique feature for an engine at the time. Consequently, non-player characters had to side-step the player's protagonist and any other object they came across, as well as the player had to side step them. When a non-player character bypassed the protagonist, he or she uttered a comment (like "Excuse me, Sir"). As the result, the engine achieved a more realistic game world than previous engines were able to provide,[10] though non-player characters could unwittingly block a path as the player was traversing the game scene.[4][5] This was remedied with the release of Broken Sword: The Shadow of the Templars, where the protagonist, if found his way blocked by another character, could simply walk through them.[12]

Two games (Broken Sword: The Shadow of the Templars and Broken Sword II: The Smoking Mirror) that use a Virtual Theatre variant engine can now be played on modern hardware using ScummVM.[13]

References

  1. ^
    Future Publishing
    . Retrieved March 30, 2012.
  2. ^ a b Revolution Software (March 1994). Beneath a Steel Sky (PC). Scene: Credits.
  3. ^ "TEDxLeeds - Charles Cecil- 09/10/09 :: "Beneath a Steel Sky"". TED. October 6, 2009. Archived from the original on 2021-12-13. Retrieved March 30, 2012.
  4. ^ a b Wood, Claire. "Adventure Gamers: Lure of the Temptress review". Adventure Gamers. Retrieved March 31, 2012.
  5. ^ a b Wood, Claire (March 18, 2005). "Adventure Gamers: Beneath a Steel Sky review". Adventure Gamers. Retrieved March 31, 2012.
  6. ^ "TEDxYork - Charles Cecil - Revolution Games :: "Broken Sword: The Shadow of the Templars"". TED. July 18, 2011. Archived from the original on 2021-12-13. Retrieved March 31, 2012.
  7. ^ "Broken Sword II: The Smoking Mirror". Revolution Software. August 29, 2011. Archived from the original on March 15, 2012. Retrieved March 31, 2012.
  8. ^ Kalata, Kurt. "Hardcore Gaming 101: Broken Sword II: The Smoking Mirror". Hardcore Gaming 101. Retrieved March 31, 2012.
  9. ^ Mulrooney, Marty (September 10, 2012). "In Conversation With Tony Warriner (Revolution Software, Broken Sword: The Serpent's Curse)". Alternative Magazine Online. Retrieved September 10, 2012.
  10. ^
    Future Publishing
    . pp. 80–81.
  11. ^ Fuente, Derek Dela (July–August 1993). "Beneath a Steel Sky". Joystick. No. 40. Hachette Disney Presse. p. 93.
  12. ^ Revolution Software (September 1996). Broken Sword: The Shadow of the Templars (PC).
  13. ^ Woodman, Lawrence (November 10, 2008). "Using ScummVM to Play Classic Adventure Games". TechTinkering. Retrieved April 3, 2012.

Retrieved from "https://en.wikipedia.org/w/index.php?title=Virtual_Theatre&oldid=1117375760"