Wallace Beery
Wallace Beery | |
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Born | Wallace Fitzgerald Beery April 1, 1885 Clay County, Missouri, U.S. |
Died | April 15, 1949 | (aged 64)
Resting place | Forest Lawn Memorial Park, Glendale, California, U.S. |
Occupations |
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Years active | 1904–1949 |
Spouses | |
Children | 1 |
Relatives |
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Wallace Fitzgerald Beery (April 1, 1885 – April 15, 1949) was an American film and stage actor.[1] He is best known for his portrayal of Bill in Min and Bill (1930) opposite Marie Dressler, as General Director Preysing in Grand Hotel (1932), as Long John Silver in Treasure Island (1934), as Pancho Villa in Viva Villa! (1934), and his title role in The Champ (1931), for which he won the Academy Award for Best Actor. Beery appeared in some 250 films during a 36-year career. His contract with Metro-Goldwyn-Mayer stipulated in 1932 that he would be paid $1 more than any other contract player at the studio. This made Beery the highest-paid film actor in the world during the early 1930s. He was the brother of actor Noah Beery and uncle of actor Noah Beery Jr.
For his contributions to the film industry, Beery was posthumously inducted into the Hollywood Walk of Fame in 1960.[2]
Early life
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Beery was born the youngest of three boys on April 1, 1885, in Clay County, Missouri, near Smithville.[3] The Beery family left the farm in the 1890s and moved to nearby Kansas City, Missouri, where his father was a police officer. A fourth brother, Charles, was born in 1880 but survived only a day after his birth.[4] There might have been an older sister but information is faint.
Beery attended the Chase School in Kansas City and took piano lessons as well, but showed little love for academic matters. He ran away from home twice, the first time returning after a short time, quitting school and working in the Kansas City
Career
Early career
Wallace Beery joined his older brother Noah in New York City in 1904, finding work in comic opera as a baritone, and appeared on
Comedy film star – Essanay Studios
In 1913, he moved to Chicago to work for Essanay Studios. His first movie was likely a comedy short, His Athletic Wife (1913).
Beery was then cast as Sweedie, a Swedish maid character he played in drag in a series of short comedy films from 1914 to 1916. Sweedie Learns to Swim (1914) co-starred Ben Turpin. Sweedie Goes to College (1915) starred Gloria Swanson, whom Beery married the following year.[6]
Other Beery films (mostly shorts) from this period included In and Out (1914), The Ups and Downs (1914), Cheering a Husband (1914), Madame Double X (1914), Ain't It the Truth (1915), Two Hearts That Beat as Ten (1915), and The Fable of the Roistering Blades (1915).
The Slim Princess (1915), with Francis X. Bushman, was one of his earliest feature-length films. Beery also did The Broken Pledge (1915) and A Dash of Courage (1916), both with Swanson.
Beery played a German soldier in
Villainous roles
In 1917, Beery portrayed
Beery was a villainous German in The Unpardonable Sin (1919) with Blanche Sweet. For Paramount, he did The Love Burglar (1919) with Wallace Reid; Victory (1919), with Jack Holt; Behind the Door (1919), as another villainous German; and The Life Line (1919) with Holt.
Beery was the villain in five major releases in 1920: 813; The Virgin of Stamboul for director Tod Browning; The Mollycoddle with Douglas Fairbanks, in which Fairbanks and Beery fist fought as they tumbled down a steep mountain (see the photograph in the gallery below); and in the noncomedic Western The Round-Up starring Roscoe Arbuckle as an obese cowboy in a well-received serious film with the tagline "Nobody loves a fat man." Beery continued his villainy cycle that year with The Last of the Mohicans, playing Magua.
Beery had a supporting part in
Historical films
Beery had a large then-rare heroic part as
Beery had an important unbilled cameo as "the Ape-Man" in A Blind Bargain (1922) starring Lon Chaney (Beery is seen crouching, in full ape-man make-up, in the background of some of the movie's posters), and a supporting role in The Flame of Life (1923). He played another historical ruler, King Philip IV of Spain, in The Spanish Dancer (1923) with Pola Negri.
Beery starred in an action melodrama,
Beery played his third royal, the Duc de Tours, in Ashes of Vengeance (1923) with Norma Talmadge, then did Drifting (1923) with Priscilla Dean for director Browning.
Beery had the title role in Bavu (1923), about Bolsheviks and the Russian Revolution. He co-starred with Buster Keaton in the comedy Three Ages (1923), the first feature Keaton wrote, produced, directed, and starred in.
Beery was a villain in
Beery was in The Drums of Jeopardy (1923) and had a supporting role in The Sea Hawk (1924) for director Frank Lloyd. He also appeared in a supporting role for Clarence Brown's The Signal Tower (1925) starring Virginia Valli and Rockliffe Fellowes.
Paramount
Beery signed a contract with Paramount Pictures. He had a support role in Adventure (1925) directed by Victor Fleming.
At First National, he was given the star role of Professor Challenger in Arthur Conan Doyle's dinosaur epic The Lost World (1925), arguably his silent performance most frequently screened in the modern era. Beery was top billed in Paramount's The Devil's Cargo (1925) for Victor Fleming, and supported in The Night Club (1925), The Pony Express (1925) for James Cruze, and The Wanderer (1925) for Raoul Walsh.
Beery starred in a comedy with Raymond Hatton, Behind the Front (1926), and he was a villain in Volcano! (1926). He was a bos'n in Old Ironsides (1926) for director James Cruze, with Charles Farrell in the romantic lead.
Beery had the title role in the baseball movie
He made a fourth comedy with Hatton, Wife Savers (1929), then Beery starred in Chinatown Nights (1929) for Wellman, produced by a young David O. Selznick. This film was shot silent with the voices dubbed in by the actors afterward, which worked spectacularly well with Beery's resonant voice, although the technique was not used again during the silent era for another full-length feature. Beery then played in Stairs of Sand (1929), a Western also starring Jean Arthur (who played the leading lady in the Western film Shane 24 years later) before being fired by Paramount.
MGM
Irving Thalberg signed Beery to Metro-Goldwyn-Mayer (MGM) as a character actor. The association began well when Beery played the savage convict Butch, a role originally intended for Lon Chaney (who died that same year), in the highly successful 1930 prison film The Big House, directed by George W. Hill; Beery was nominated for the Academy Award for Best Actor.
Beery's second film for MGM was also a huge success: Billy the Kid (1930), an early widescreen picture in which he played Pat Garrett. He supported John Gilbert in Way for a Sailor (1930) and Grace Moore in A Lady's Morals (1930), portraying P. T. Barnum in the latter.
Stardom
Beery was well established as a leading man and top-rank character actor. The picture that really made him one of the cinema's foremost stars was Min and Bill (1930) opposite Marie Dressler and directed by George W. Hill, a sensational success.[8]
Beery made a third film with Hill, The Secret Six (1931), a gangster movie with Jean Harlow and Clark Gable in key supporting roles. The picture was popular, but was surpassed at the box office by The Champ, which Beery made with Jackie Cooper for director King Vidor. The film, especially written for Beery, was another box-office sensation. Beery shared the Best Actor Oscar with Fredric March. Though March received one vote more than Beery, Academy rules at the time—since rescinded—defined results within one vote of each other as "ties."[9] (An alternate account has MGM head Louis B. Mayer storming backstage at the Oscars and demanding that March and Beery share that year's Academy Award for Best Actor since the vote was so close.)
Beery's career went from strength to strength. Hell Divers (1932), a naval airplane epic also starring a young Clark Gable billed under Beery, was a big hit. So, too, was the all-star Grand Hotel (1932), in which Beery was billed fourth, under Greta Garbo, John Barrymore, and Joan Crawford, one of the very few times he would not be top billed for the rest of his career. In 1932, his contract with MGM stipulated that he be paid a dollar more than any other contract player at the studio, making him the world's highest-paid actor.
Beery was a German wrestler in Flesh (1932), a hit directed by John Ford, but Ford removed his directorial credit before the film opened, so the picture screened with no director listed despite being labeled "A John Ford Production" in the opening title card. Next Beery was in another all-star ensemble blockbuster, Dinner at Eight (1933), with Jean Harlow holding her own as Beery's comically bickering wife. This time, Beery was billed third, under Marie Dressler and John Barrymore.
Beery was lent to the new
Back at MGM, he played the title role of Pancho Villa in Viva Villa! (1933) and was reunited with Dressler in Tugboat Annie (1933), a massive hit. He was Long John Silver in Treasure Island (1934), described as a box-office "disappointment"[10] despite being MGM's third-largest hit of the season, and remains currently viewed as featuring one of Beery's iconic performances.
Beery returned to 20th Century Productions for The Mighty Barnum (1934), in which he played P. T. Barnum again. Back at MGM, he was a kindly sergeant in West Point of the Air (1935) and was in an all-star spectacular, China Seas (1935), this time billed beneath Clark Gable.
At MGM, he was in
Decline
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The status of Beery's films went into a decline. After an abrupt European vacation,[11][12] Beery was in The Bad Man of Brimstone (1938) with Dennis O'Keefe (and Noah Beery Sr. in a cameo role as a bartender), Port of Seven Seas (1938) with Maureen O'Sullivan, Stablemates (1938) with Mickey Rooney, Stand Up and Fight (1939) with Robert Taylor, Sergeant Madden (1939) with Tom Brown, Thunder Afloat (1939) with Chester Morris, The Man from Dakota (1940) with Dolores del Río, and 20 Mule Team (1940) with Marjorie Rambeau, Anne Baxter, and Noah Beery Jr., enjoying top billing in all of them.
Wyoming (1940) teamed Beery with Marjorie Main. After The Bad Man (1941), which also stars Lionel Barrymore and future President of the United States Ronald Reagan, and was the remake of a Walter Huston picture, MGM reunited Beery and Main in Barnacle Bill (1941), The Bugle Sounds (1941), and Jackass Mail (1942).
Beery did a war film, a Technicolor comedy titled Salute to the Marines (1943), then was back with Main in Rationing (1944). Barbary Coast Gent (1944), an extremely broad Western comedy in which Beery played a bombastic con man, teamed him with Binnie Barnes. He did another war film, This Man's Navy (1945), then made another Western with Main, Bad Bascomb (1946), a huge hit, helped primarily by Margaret O'Brien's casting.
The Mighty McGurk (1947) put Beery with another child star of the studio, Dean Stockwell. Alias a Gentleman (1947) was the first of Beery's films to lose money during the sound era. Beery received top billing for the smash hit A Date with Judy (1949), a hugely popular musical featuring Elizabeth Taylor. Beery's last film, again featuring Main, Big Jack (1949), also lost money according to Mannix's reckoning.[13] Beery died of a heart attack three days after the picture's release.
Personal life
First marriage
On March 27, 1916, at the age of 30, Beery married 17-year-old actress Gloria Swanson in Los Angeles.[14] The two had co-starred in Sweedie Goes to College.[6] Although Beery had enjoyed popularity with his Sweedie shorts, his career had taken a dip, and during the marriage to Swanson, he relied on her as a breadwinner. According to Swanson's autobiography, Beery raped her on their wedding night, and later tricked her into swallowing an abortifacient when she was pregnant, which caused her to lose their child.[15] Swanson filed for divorce in 1917 and it was finalized in 1918.[14]
Second marriage and adoption
On August 4, 1924, Beery married actress Rita Gilman (née Mary Areta Gilman; 1898–1986) in Los Angeles.
Alleged fatal altercation
In December 1937, comedic actor and
There is no documentation in contemporaneous news reports that either Beery or DiCicco was present.[17] Broccoli admitted that he was indeed involved in a fistfight with Healy at the Trocadero.[18] The official autopsy names Healy's cause of death as acute toxic nephritis secondary to acute and chronic alcoholism.[19]
Second adoption
Around December 1939, Beery, recently divorced, adopted a seven-month-old girl, Phyllis Ann Beery.[20] Phyllis appeared in MGM publicity photos when adopted, but was never mentioned again.[21] Beery told the press he had taken the girl in from a single mother, recently divorced, but he had filed no official adoption papers.[22]
Working relationship with peers
Beery was considered misanthropic and difficult to work with by many of his colleagues. Robert Young described Beery as a "shitty person." On set, he often never bothered to learn his lines and instead chose to take from other actors' characters and then resent it when his theft was pointed out. When prompting for another actor's close-up, Beery would read the wrong lines, making it harder for his co-stars to meet their marks. Beery was "loathed by everybody, and happily oblivious."[23]
Mickey Rooney was one of Beery's few co-stars to consistently speak highly of him in subsequent decades. In his memoir, Rooney described Beery as .".. a lovable, shambling kind of guy who never seemed to know that his shirttail belonged inside his pants, but always knew when a little kid actor needed a smile and a wink or a word of encouragement." He did concede that "not everyone loved [Beery] as much as I did." Rooney noted that Howard Strickling, MGM's head of publicity, once went to Louis B. Mayer to complain that Beery was stealing props from the studio's sets. "And that wasn't all", Rooney continued. "He went on for some minutes about the trouble that Beery was always causing him ... Mayer sighed and said, 'Yes, Howard, Beery's a son of a bitch. But he's our son of a bitch.' Strickling got the point. A family has to be tolerant of its black sheep, particularly if they brought a lot of money into the family fold, which Beery certainly did."[24]
Child actors, in particular, recalled unpleasant encounters with Beery. Jackie Cooper, who made several films with him early in his career, called him "a big disappointment." Cooper accused Beery of upstaging and other attempts to undermine his performances out of what Cooper presumed was jealousy. He recalled impulsively throwing his arms around Beery after one especially heartfelt scene, only to be gruffly pushed away.[25] Child actress Margaret O'Brien claimed that she had to be protected by crew members from Beery's insistence on constantly pinching her.[26]
On another occasion, after having invited 12-year-old actor Darryl Hickman to lunch, Beery responded to Darryl's thanks with, "okay, kid, you owe me 75 cents." Beery also refused to leave tips at the MGM commissary because he explained tips are for special service, and since he was a movie star, he already got special service and therefore leaving a tip would be a waste of money.[citation needed]
Beery only met his match with co-star Marie Dressler. Having come up the hard and long way to her stardom, Dressler refused to take "nonsense from this baboon." She responded to one of Beery's insults by saying she would serve his head on a platter to MGM chief Louis B. Mayer. Although everyone expected Beery to explode, instead, he cowered and acted like "a little boy being very careful that Mommy didn't catch him with his hand in the cookie jar."[citation needed]
Future author Ray Bradbury recalled meeting Beery as a young boy on a Hollywood street, and that his autograph request resulted in Beery cursing and spitting on him.[citation needed]
Hobbies
Beery owned and flew his own planes,
Activism against National Park Lands
A noteworthy episode in Beery's life is chronicled in the fifth episode of Ken Burns' documentary The National Parks: America's Best Idea: In 1943, President Franklin D. Roosevelt signed an executive order creating Jackson Hole National Monument to protect the land adjoining the Grand Tetons in Wyoming. Local ranchers, outraged at the loss of grazing lands, compared FDR's action to Hitler's taking of Austria. Led by an aging Beery, they protested by herding 500 cattle across the monument lands without a permit.[30]
Paternity suit
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On February 13, 1948, Gloria Schumm (or Gloria Smith Beery, née Florence W. Smith; 1916–1989) filed a paternity suit against Beery. Beery, through his lawyer, Norman Ronald Tyre (1910–2002), initially offered $6,000 as a settlement, but denied being the father. She had given birth on February 7, 1948, to Johan Richard Wallace Schumm. In 1944, Schumm divorced Stuttgart-born Hollywood actor Hans Schumm (né Johann Josef Eugen Schumm; 1896–1990), but remarried him August 21, 1947, after realizing that she was pregnant. Prior to remarrying Schumm, she met with Beery at his home, where he gave her the name and address of a physician to submit an examination.[31] At or around that time, she also asked Beery to marry her to "legitimatize the expected child" (her words), which Beery refused.
According to newspapers, Gloria claimed to have been intimate with Wallace Beery on or about May 1, 1947, at his home in
Politics
Beery supported
Death, estate, and continuing paternity suit
Beery died of a heart attack on April 15, 1949 (14 months, 1 week, and 1 day after Johan Schumm's birth) — while the suit was pending. Beery had been reading a newspaper at his Beverly Hills home when he collapsed.[33] His body was interred at Forest Lawn Memorial Park in Glendale, California. The inscription on his grave reads, "No man is indispensable, but some are irreplaceable."
Beery died
When Mickey Rooney's father died less than a year later, Rooney arranged to have him buried next to his old friend. "I thought it was fitting that these two comedians should rest in peace, side by side," he wrote.[34]
Enduring case law
The paternity suit, and subsequent cases – including appeals – extended through about 1952 and were internationally publicized, particularly in gossip columns and tabloids. The litigation has endured as case law with, among other things, treatises addressing the rights of illegitimate offspring against legitimate heirs in races for inheritance.[35][36][37][38][39]
The upshot was that Schumm's paternity suit against Beery's estate put would-be half-siblings and other would-be family
Another matter in the case hinged on a "
Generally, under California state law at the time, a father who neither marries the mother nor acknowledges paternity does not have a right to name the child. That right belongs to the mother. In exchange for Gloria's promise to name the child "Wallace" or "Wally" (the promise representing a form of consideration), Wallace Beery agreed to arrange for the payment of $100 per week to the child (as a third-party beneficiary under the contract), plus a lump sum of $25,000 to the child when he or she attained age 21, in addition to the customary obligation to pay for the "maintenance, support, and education according to the station in life and standard of living of Wallace Beery."[38]
Legacy
For his contributions to the film industry, Wallace Beery posthumously received a motion-picture star on the Hollywood Walk of Fame in 1960, located at 7001 Hollywood Boulevard.[2]
Beery is mentioned in the film Barton Fink, in which the lead character has been hired to write a wrestling screenplay to star Beery.[41]
In the 1971 comedy The Projectionist, actor and comedian Chuck McCann impersonates Beery, quoting a line from Min and Bill.
In the US clothing industry, a quarter-button men's shirt is called a Wallace Beery style after the undershirts and long underwear Beery's miner and outlaw characters wore beneath their outer shirt.
Selected filmography
- His Athletic Wife (1913, Short) as Mr. Strong (film debut)
- A series of at least 29 Sweedie comedy films starting with Sweedie the Swatter, released 13 July 1914
- In and Out (1914, Short) as Hans
- The Ups and Downs (1914, Short)
- Cheering a Husband (1914, Short)
- Madame Double X (1914, Short) as Madame Double X
- Two Hearts That Beat as Ten (1915, Short) (with Ben Turpin) as Fred
- Ain't It the Truth (1915, Short) as Harold Wallington
- The Slim Princess (1915) with Francis X. Bushman) as Popova
- The Broken Pledge (1915, Short) (with Gloria Swanson) as Percy
- The Fable of the Roistering Blades (1915, Short) as Milt
- A Dash of Courage (1916, Short) (with Gloria Swanson) as The Police Chief
- The Janitor's Vacation (1916)
- Patria (1917, Serial) as Pancho Villa
- Teddy at the Throttle (1917, Short) as Henry Black – Gloria's Rascally Guardian
- The Little American (1917) (with Mary Pickford) as German Soldier (uncredited)
- Maggie's First False Step (1917, Short) as The Villain
- Are Waitresses Safe? (1917) uncredited
- Johanna Enlists (1918) as Col. Fanner
- The Unpardonable Sin(1919) as Col. Klemm
- The Love Burglar (1919) (with Wallace Reid and Anna Q. Nilsson) as Coast-to-Coast Taylor
- The Life Line (1919) (with Jack Holt) as Bos
- Soldiers of Fortune (1919) as Mendoza
- Lon Chaney Sr.) as August Schomberg
- Behind the Door (1919) (with Hobart Bosworth and Jane Novak) as Lt. Brandt
- The Lone Wolf's Daughter (1919) as Minor Role (uncredited)
- The Virgin of Stamboul (1920, directed by Tod Browning) as Sheik Achmet Hamid
- The Mollycoddle (1920) (with Douglas Fairbanks) as Henry von Holkar
- Roscoe "Fatty" Arbuckle) as Buck McKee
- The Last of the Mohicans (1920) as Magua
- 813 (1920) as Maj. Parbury / Ribeira
- The Rookie's Return (1920) as François Dupont
- Patsy (1921) as Gustave Ludermann
- The Four Horsemen of the Apocalypse (1921) (with Rudolph Valentino) as Lieut. Col. von Richthosen
- A Tale of Two Worlds (1921 Goldwyn)(*extant; Library of Congress) as Ling Jo
- The Golden Snare (1921) as Bram Johnson
- The Policeman and the Baby (1921, Short) (with William Desmond and Elinor Fair) as The Crook
- The Last Trail (1921) as William Kirk
- Sleeping Acres (1921, Short)
- The Rosary (1922) as Kenwood Wright
- Noah Beery Sr.) as Buck Roper
- The Sagebrush Trail (1922) as José Fagaro
- The Man from Hell's River (1922) (with Rin Tin Tin) as Gaspard, The Wolf
- Noah Beery Sr.) as Fu Chang
- Hurricane's Gal (1922) as Chris Borg
- Trouble (1922) as Ed Lee, the Plumber
- Robin Hood(1922) (with Douglas Fairbanks) as Richard the Lion-Hearted
- A Blind Bargain (1922) (with Lon Chaney Sr.) as Beast Man (uncredited)
- Only a Shop Girl (1922) as Jim Brennan
- The Flame of Life (1923) as Don Lowrie
- Stormswept (1923) (with Noah Beery Sr.) as William McCabe
- Bavu (1923) as Felix Bavu
- Three Ages (1923) (with Buster Keaton) as The Villain
- Ashes of Vengeance (1923) (with Norma Talmadge) as Duc de Tours
- Drifting (1923) (with Priscilla Dean and Anna May Wong) as Jules Repin
- The Spanish Dancer (1923) (with Pola Negri) as King Philip IV
- The Eternal Struggle(1923) as Barode Dukane
- Robin Hood) as King Richard the Lion-Hearted
- The Drums of Jeopardy (1923) as Gregor Karlov
- White Tiger (1923, directed by Tod Browning) as Count Donelli / Hawkes
- Unseen Hands (1924) as Jean Scholast
- The Sea Hawk (1924) as Captain Jasper Leigh
- The Signal Tower (1924) as Joe Standish
- Another Man's Wife (1924) as Captain Wolf
- The Red Lily (1924) as Bo-Bo
- Dynamite Smith (1924) as 'Slugger' Rourke
- Madonna of the Streets (1924) as Bill Smythe
- So Big (1924) as Klaus Poole
- Let Women Alone (1925) as Cap Bullwinkle
- Adventure (1925) as Morgan
- The Night Club (1925) (with Raymond Griffith and Vera Reynolds) as José
- Doyle himself in a frontispiece)
- The Devil's Cargo (1925) as Ben
- The Great Divide (1925) as Dutch
- Coming Through (1925) as Joe Lawler
- In the Name of Love (1925) as Glavis
- Rugged Water (1925) as Capt. Bartlett
- The Wanderer (1925) (with Greta Nissen and Tyrone Power Sr.) as Pharis
- Pony Express (1925) (with Betty Compson and George Bancroft) as Rhode Island Red
- Behind the Front (1926) (with Raymond Hatton) as Riff Swanson
- Volcano! (1926) as Quembo
- We're in the Navy Now (1926) as 'Knockout' Hansen
- Old Ironsides (1926) (with Charles Farrell and George Bancroft) as Bos'n
- Casey at the Bat (1927) (with Ford Sterling and ZaSu Pitts) as 'Home Run' Casey
- Fireman, Save My Child (1927) (with Raymond Hatton) as Elmer
- Now We're in the Air (1927) (with Louise Brooks) (only twenty minutes survive) as Wally
- Two Flaming Youths (1927) as Beery – of Beery and Hatton (uncredited)
- Wife Savers (1928, lost film) (with Raymond Hatton and ZaSu Pitts) as Louis Hosenozzle
- Partners in Crime (1928) as Detective Mike Doolan
- The Big Killing (1928) as Powderhorn Pete
- Beggars of Life (1928) (with Louise Brooks and Richard Arlen) as Oklahoma Red
- Chinatown Nights (1929) (with Warner Oland and Jack Oakie) as Chuck Riley
- Stairs of Sand (1929) as Lacey
- River of Romance (1929) as General Orlando Jackson
- The Big House (1930) (with Chester Morris, Lewis Stone, and Robert Montgomery) as Machine Gun 'Butch' Schmidt
- Billy the Kid (1930; widescreen) (with Johnny Mack Brown billed as "John Mack Brown") as Pat Garrett
- Way for a Sailor (1930) (with John Gilbert) as Tripod
- P.T. Barnum
- Min and Bill (1930) (with Marie Dressler) as Bill
- The Stolen Jools (1931; 20-minute ensemble short) (with Edward G. Robinson and Buster Keaton) as Police Sergeant
- The Secret Six (1931) (with Jean Harlow and Clark Gable) as "Slaughterhouse" Scorpio
- The Champ (1931) (with Jackie Cooper) as Andy "Champ" Purcell (Oscar-winning performance)
- Hell Divers (1932; early military planes) (with Clark Gable) as C.P.O. H.W. "Windy" Riker
- Grand Hotel (1932) (with Greta Garbo, John Barrymore, Lionel Barrymore, and Joan Crawford) as General Director Preysing
- Flesh (1932, directed by an uncredited John Ford) as Polakai
- Tugboat Annie (1933) (with Marie Dressler, Robert Young and Maureen O'Sullivan) as Terry Brennan
- Dinner at Eight (1933) (with Marie Dressler, Lionel Barrymore, and Jean Harlow) as Dan Packard
- ) as Chuck Connors
- Stu Erwin and Fay Wray) as Pancho Villa
- Treasure Island (1934) (with Jackie Cooper, Lionel Barrymore and Lewis Stone) as Long John Silver
- P.T. Barnum
- West Point of the Air (1935) (with Robert Young, Maureen O'Sullivan, Rosalind Russell, and Robert Taylor) as Big Mike Stone
- ) as Jamesy McArdle
- O'Shaughnessy's Boy (1935) (with Jackie Cooper) as Captain Michael 'Windy' O'Shaughnessy
- ) as Sid Miller
- A Message to Garcia (1936) (with Barbara Stanwyck and Alan Hale Sr.) as Sergeant Dory
- Old Hutch (1936) as 'Hutch' Hutchins
- The Good Old Soak (1937) (with Betty Furness and Ted Healy) as Clem Hawley
- Slave Ship (1937) (with Warner Baxter (first-billed) and Mickey Rooney) as Jack Thompson
- Noah Beery Sr.) as 'Trigger' Bill
- Port of Seven Seas (1938; written by Preston Sturges and directed by James Whale) (with Maureen O'Sullivan) as Cesar
- Stablemates (1938) (with Mickey Rooney) as Doc Thomas 'Tom' Terry
- Stand Up and Fight (1939) (with Robert Taylor and Charles Bickford) as Capt. Boss Starkey
- Sergeant Madden (1939, directed by Josef von Sternberg) (with Laraine Day) as Sgt. Shaun Madden
- Thunder Afloat (1939) (with Chester Morris) as John Thorson
- The Man from Dakota (1940) (with Dolores del Río) as Sgt. 'Bar' Barstow
- 20 Mule Team (1940) (with Anne Baxter and Noah Beery Jr.) as Skinner Bill Bragg, an Alias of Ambrose Murphy
- Wyoming (1940) (with Ann Rutherford) as 'Reb' Harkness
- The Bad Man (1941) (with Lionel Barrymore, Laraine Day, and Ronald Reagan) as Pancho Lopez
- Barnacle Bill (1941) (with Marjorie Main) as Bill Johansen
- The Bugle Sounds (1942) (with Marjorie Main, Lewis Stone, and George Bancroft) as Sgt. Patrick Aloysius 'Hap' Doan
- Jackass Mail (1942) (with Marjorie Main) as Marmaduke 'Just' Baggot
- Noah Beery Sr.) as Sgt. Maj. William Bailey
- Rationing (1944) (with Marjorie Main) as Ben Barton
- Noah Beery Sr.) as Honest Plush Brannon
- Noah Beery Sr.) as Ned Trumpet
- Bad Bascomb (1946) (with Margaret O'Brien and Marjorie Main) as Zeb Bascomb
- The Mighty McGurk (1947) (with Dean Stockwell and Edward Arnold) as Roy 'Slag' McGurk
- Alias a Gentleman (1948) (with Gladys George and Sheldon Leonard) as Jim Breedin
- A Date with Judy (1948) (with Jane Powell, Elizabeth Taylor and Carmen Miranda) as Melvin Colner Foster
- Big Jack (1949) (with Richard Conte, Marjorie Main, and Edward Arnold) as Big Jack Horner (final film role)
Box office ranking
This section contains an unencyclopedic or excessive gallery of images. |
- 1932 – 7th
- 1933 – 5th
- 1934 – 4th
- 1935 – 8th
- 1936 – 15th, 8th (UK)
- 1937 – 15th
- 1938 – 12th
- 1939 – 15th
- 1940 – 8th
- 1941 – 19th
- 1942 – 18th
- 1943 – 18th
- 1944 – 11th
- 1946 – 11th
-
Behind the Door (1919) with Hobart Bosworth
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The Mollycoddle (1920) with Douglas Fairbanks
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The Mollycoddle (1920) with Douglas Fairbanks
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Wallace Beery in 1921
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The Policeman and the Baby (1921)
-
The Golden Snare (1921)
-
The Golden Snare (1921) with Lewis Stone
-
The Last Trail (1921)
-
The Last Trail (1921) with Eva Novak
-
A Blind Bargain (1922) with Lon Chaney
-
Stormswept (1923) with Noah Beery
-
Stormswept (1923) with Noah Beery
-
Stormswept (1923) with Noah Beery Sr.
-
Bavu (1923)
-
Beery as Bavu (1923)
-
Richard the Lion-Hearted(1923)
-
Dynamite Smith (1924) with Bessie Love
-
Dynamite Smith (1924)
-
The Devil's Cargo (1925)
-
Adventure (1925) with Pauline Starke
-
Casey at the Bat (1927)
-
Now We're in the Air (1927) with Louise Brooks
-
Now We're in the Air (1927) with Louise Brooks
-
Now We're in the Air (1927) with Raymond Hatton
-
Now We're in the Air (1927) with Raymond Hatton
-
Beggars of Life (1928) with Louise Brooks
-
Stairs of Sand (1929) with Jean Arthur
-
Min and Bill (1930) with Marie Dressler
-
Hell Divers (1931) with Clark Gable
-
Hell Divers (1931)
-
Hell Divers (1931)
-
Lionel Barrymore presents 1931 Oscar
-
Grand Hotel (1932)
-
Grand Hotel (1932) with Joan Crawford
-
Tugboat Annie (1933) with Marie Dressler
-
Dinner at Eight (1933) with Jean Harlow
-
The Bowery (1933) with George Raft
-
Viva Villa! (1934) with Fay Wray
-
Treasure Island (1934) with Jackie Cooper
-
Treasure Island (1934) with Jackie Cooper
-
China Seas (1935)
-
China Seas (1935) with Clark Gable
-
China Seas (1935)
-
Ah Wilderness!(1935)
-
The Good Old Soak (1937) with Ted Healy
-
The Bad Man of Brimstone (1937)
-
Stand Up and Fight (1939) with Robert Taylor
-
The Man from Dakota (1940)
-
The Man from Dakota (1940)
-
20 Mule Team (1940) with Noah Beery Jr.
-
Wyoming (1940) with Marjorie Main
-
Barnacle Bill (1941)
Awards and nominations
Year | Award | Film | Result |
---|---|---|---|
1930 | Best Actor | The Big House | Nominated |
1932 | The Champ | Won |
Year | Award | Film | Result |
---|---|---|---|
1934 | Volpi Cup for Best Actor
|
Viva Villa! | Won |
See also
References
- ^ Obituary Variety, April 20, 1949.
- ^ a b Walk of Fame Stars-Wallace Beery
- ^ a b Dictionary of Missouri Biography, Lawrence O. Christensen, University of Missouri Press, 1999.
- ^ Geni.com Wallace Beery and siblings genealogy
- ^ "The Yankee Tourist – Broadway Musical – Original | IBDB". www.ibdb.com. Archived from the original on January 31, 2021.
- ^ OCLC 297504194.
- ^ Library of Congress American Silent Feature Film Survival Database: Richard the Lion-Hearted
- ISBN 9781861058928
- ^ History of the Academy Awards: The Fifth Academy Awards, 1931/32. About.com archive. Retrieved April 2, 2015.
- ^ DOUGLAS W. CHURCHILL (December 30, 1934). "THE YEAR IN HOLLYWOOD: 1984 May Be Remembered as the Beginning of the Sweetness-and-Light Era". The New York Times. p. X5.
- ^ OCLC 215262172
- ^ a b "A nyuk on the wild side: Did the Three Stooges Cover Up the Murder of Their Founder?," by Jim Mueller, Chicago Tribune, April 4, 2002 (retrieved September 3, 2017)
- ^ The Eddie Mannix Ledger, Los Angeles: Margaret Herrick Library, Center for Motion Picture Study.
- ^ ISBN 9781250013668.
- ISBN 0-394-50662-6.
- ISBN 9781476609058.
- ^ staff (December 23, 1937). "Wealthy Sportsman Confesses Fight with Ted Healy". The Oxnard Daily Courier. p. 1. Retrieved May 15, 2013.
- ISBN 978-1593937683.
- ^ "Ted Healy Died of Toxic Nephritis". Lewiston Evening Journal. December 23, 1937. p. 8. Retrieved May 15, 2013.
- ^ "Milestones," Time, December 4, 1939
- ^ A Certain Cinema, Acertaincinema.com
- UP. December 8, 1939. p. 22. Retrieved March 31, 2020 – via Newspapers.com.
- ISBN 0-7432-0481-6.
- ISBN 0679401954.
- ^ Bergan, R (May 5, 2011). Jackie Cooper Obituary. The Guardian archive. Retrieved August 20, 2012.
- ^ Private Screenings: Child Stars|date=March 2009
- ^ "Wallace Beery," (www
.dmairfield .com ) - ^ Heiser, Wayne H., "U.S. Naval and Marine Corps Reserve Aviation V. I, 1916–1942." p.78.
- ^ "Quite a Record". The News Leader. December 18, 1977. p. 13. Retrieved March 31, 2020 – via Newspapers.com.
- ^ Episode Five: 1933–1945 Great Nature
- Long Beach Independent. Los Angeles. April 29, 1948. p. 12. Retrieved March 31, 2020 – via Newspapers.com.
- ISBN 9781107650282.
- ^ "From the Archives: Wally Beery, Veteran Film Actor, Dies". Los Angeles Times. April 17, 1949.
- ISBN 0679401954.
- ^ "Johan Richard Wallace Schumm, a Minor, etc., Appellant, v Phil Berg, (Beery's agent) and Noah Beery Jr. (Beery's nephew), as Executors of the Estate of Wallace Beery Jr." (opinion of Justice Jesse W. Carter), citation: 37 Cal.2d 174 (1951), Supreme Court California Resources, Stanford Law School, Robert Crown Law Library(Philip Jay Berg, 1902–1983, was married to actress Leila Hyams)
- OCLC 972272320
- ^ ISSN 1087-5468
- OCLC 951854766
- ^ "Court Rejects Claim Beery Millions". Los Angeles Times. November 18, 1949. p. I17. Retrieved March 31, 2020 – via Newspapers.com.
- ^ Rafferty, Terrence (July 27, 2003). "FILM; He's Nobody Important, Really. Just a Movie Writer". The New York Times.
Further reading
- Wise, James. Stars in Blue: Movie Actors in America's Sea Services. Annapolis, Maryland: Naval Institute Press, 1997. OCLC 36824724