Wally Wood
Wally Wood | |
---|---|
Born | Wallace Allan Wood June 17, 1927 Menahga, Minnesota, U.S. |
Died | November 2, 1981 Los Angeles, California, U.S. | (aged 54)
Area(s) | Cartoonist, Writer, Penciller, Inker, Publisher |
Pseudonym(s) | Woody |
Awards | List
|
Wallace Allan Wood (June 17, 1927 – November 2, 1981)
He wrote, drew, and self-published two of the three graphic novels of his magnum opus, The Wizard King trilogy, about Odkin son of Odkin before his death by suicide.
Much of his early professional artwork is signed Wallace Wood; some people call him Wally Wood, a name he claimed to dislike.[2] Within the comics community, he was also known as Woody, a name he sometimes used as a signature.
In addition to Wood's hundreds of comic book pages, he illustrated for books and magazines while also working in a variety of other areas – advertising;
EC publisher William Gaines once stated, "Wally may have been our most troubled artist ... I'm not suggesting any connection, but he may have been our most brilliant".[3]
He was the inaugural inductee into the comic book industry's
Biography
Early life and career
Wallace Wood was born June 17, 1927, in
In 1947, at age 20, Wood enrolled in the
By October, after being rejected by every company he visited, Wood met fellow artist John Severin in the waiting room of a small publisher. After the two shared their experiences attempting to find work, Severin invited Wood to visit his studio, the Charles William Harvey Studio, where Wood met Charlie Stern, Harvey Kurtzman (who was working for Timely/Marvel) and Will Elder. At this studio Wood learned that Will Eisner was looking for a Spirit background artist. He immediately visited Eisner and was hired on the spot.
Over the next year, Wood also became an assistant to
Artists' representative Renaldo Epworth helped Wood land his early comic-book assignments, making it unclear if that connection led to Wood's lettering or to his comics-art debut, the ten-page story "The Tip Off Woman" [
Wood began at EC co-penciling and co-inking with Harry Harrison the story "Too Busy For Love" (Modern Love #5), and fully penciling the lead story, "I Was Just a Playtime Cowgirl", in Saddle Romances No. 11 (April 1950), inked by Harrison.[9]
1950s
Working from a Manhattan studio at West 64th Street and Columbus Avenue, Wood began to attract attention in 1950 with his science-fiction artwork for EC and
Wood was instrumental in convincing EC publisher
Working over scripts and pencil breakdowns by Jules Feiffer, the 25-year-old Wood drew two months of Will Eisner's Sunday-supplement newspaper comic book The Spirit, on the 1952 story arc "The Spirit in Outer Space". Eisner, Wood recalled, paid him "about $30 a week for lettering and backgrounds on The Spirit. Sometimes he paid $40 when I did the drawings, too".[11]
Feiffer, in 2010, recalled Wood's studio, "which was at that time in the very slummy Upper West Side [of Manhattan] in the [West] 60s, years before it was [the] Lincoln Center [area]. It was a cartoonist and science-fiction writers' ghetto – just a huge room where the walls were knocked down, dark, smelly, roach-infested, and all these cartoonists and writers bent over their tables. One was [science-fiction writer] Harry Harrison."[12]
Between 1957 and 1967, Wood produced both covers and interiors for more than 60 issues of the science-fiction digest
Wood expanded into book illustrations, including for the picture-cover editions (though not the dust-jacket editions) of titles in the 1959 Aladdin Books reissues of Bobbs Merrill's 1947 "Childhood of Famous Americans" series.[14]
Silver Age and Bronze Age
Wood additionally did art and stories for comic-book companies large and small – from
For Marvel during the
Wood penciled and inked the first four 10-page installments of the company's "Dr. Doom" feature in Astonishing Tales #1–4 (Aug. 1970-Feb. 1971),[24] and both wrote and drew anthological horror/suspense tales in Tower of Shadows #5–8 (May–Nov. 1970), as well as sporadic other work.[25]
In circles concerned with
At DC Comics, he and
Over several decades, numerous artists worked at the Wood Studio. Associates and assistants included Dan Adkins,[38] Richard Bassford, Howard Chaykin,[39] Tony Coleman, Nick Cuti,[40] Leo and Diane Dillon, Larry Hama,[41] Russ Jones, Wayne Howard,[42] Paul Kirchner, Joe Orlando, Bill Pearson, Al Sirois, Ralph Reese,[43] Bhob Stewart, Tatjana Wood,[5] and Mike Zeck.
Publisher
In 1966, Wood launched the independent magazine witzend (originally to be titled et cetera, a name which had to be withdrawn when Wood was told another magazine had already used this) one of the first alternative comics, a decade before Mike Friedrich's Star Reach or Flo Steinberg's Big Apple Comix for which Wood drew the cover and contributed a story. Wood offered his fellow professionals the opportunity to contribute illustrations and graphic stories that detoured from the usual conventions of the comics industry. After the fourth issue, Wood turned witzend over to Bill Pearson, who continued as editor and publisher through the 1970s and into the 1980s.
Wood additionally collected his feature
In 1969, Wood created another independent comic,
In 1980 and 1981, Wood did two issues of a completely pornographic comic book, titled Gang Bang. It featured two sexually explicit Sally Forth stories, and sexually explicit versions of
"Panels That Always Work"
Wood struggled to be as efficient as possible in the often low-paying comics industry.[47] Over time he created a series of layout techniques sketched on pieces of paper which he taped up near his drawing table. These "visual notes," collected on three pages,[48] reminded Wood (and select assistants he showed the pages to)[49] of various layouts and compositional techniques to keep his pages dynamic and interesting.[47] (In the same vein, Wood also taped up another note to himself: "Never draw anything you can copy, never copy anything you can trace, never trace anything you can cut out and paste up.")[48]
In 1980, Wood's original, three-page, 24-panel (not 22) version of "Panels" was published with the proper copyright notice in The Wallace Wood Sketchbook (Crouch/Wood 1980).[50] Around 1981,[48] Wood's ex-assistant Larry Hama, by then an editor at Marvel Comics, pasted up photocopies of Wood's copyrighted drawings on a single page, which Hama titled "Wally Wood's 22 Panels That Always Work!!" (It was subtitled, "Or some interesting ways to get some variety into those boring panels where some dumb writer has a bunch of lame characters sitting around and talking for page after page!") Hama left out two of the original 24 panels as his photocopies were too faint to make out some of the lightest sketches.[50] Hama distributed Wood's "elegantly simple primer to basic storytelling"[51] to artists in the Marvel bullpen, who in turn passed them on to their friends and associates.[49] Eventually, "22 Panels" made the rounds of just about every cartoonist or aspiring comic book artist in the industry and achieved its own iconic status.[51]
Wood's "Panels That Always Work" is copyright Wallace Wood Properties, LLC as listed by the United States Copyright Office which assigned the work Registration Number VA0001814764.[52]
Homages and tributes to "22 Panels"
In 1986, Tom Christopher, who had been given a copy by Larry Hama at the DC office in 1978 light-boxed the pages, incorporating a non-linear dialogue, and asked Par Holman to ink it. Holman inked and lettered the piece, and the completed art was distributed through
Personal life and final years
Wood was married three times. His first marriage was to artist Tatjana Wood, who later did extensive work as a comic-book colorist. Their marriage ended in the late 1960s. His second marriage, to Marilyn Silver, also ended in divorce.[5]
For much of his adult life, Wood had chronic, unexplainable headaches. In the 1970s, following bouts with alcoholism, Wood had kidney failure. A stroke in 1978 caused a loss of vision in one eye. Faced with declining health and career prospects, he shot and killed himself in Los Angeles on November 2, 1981.[1][5] Toward the end of his life, an embittered Wood would say, according to one biography, "If I had it all to do over again, I'd cut off my hands."[58]
Biographies, criticism, collections
Wally's World: The Brilliant Life & Tragic Death of Wally Wood, the World's 2nd Best Comic Book Artist by Steve Starger & J. David Spurlock, is a comprehensive biography. It was published in 2006 by Vanguard, which also publishes collections of Wood's comic book work, including Wally Wood: Strange Worlds of Science Fiction, Wally Wood: Eerie Tales of Crime & Horror, Wally Wood: Dare-Devil Aces, Wally Wood: Jungle Adventures, Wally Wood: Torrid Tales of Romance, new editions of The Wizard King books, and the Wally Wood Sketchbook.
In 2017 and 2018,
Awards
- National Cartoonists Society Comic Book Division awards, 1957, 1959, and 1965.[60]
- Alley Award, Best Pencil Artist, 1965[61]
- Alley Award, Best Inking Work, 1966[61]
- Best Foreign Cartoonist Award, Angoulême International Comics Festival, 1978
- Inkpot Award, 1980[62]
- Jack Kirby Hall of Fame, 1989[61]
- The Will Eisner Award Hall of Fame, 1992[61]
- The Inkwell Awards Joe Sinnott Hall of Fame Award, 2011.[63][64]
Bibliography
DC Comics
- All-American Men of War #29–30 (1956)
- All Star Comics #58–63 (inker); #64–65 (plotter/artist) (1976–1977)
- Amazing World of DC Comics#13 (inker) (1976)
- Angel and the Ape #2–6 (inker) (1969)
- Anthro #6 (inker) (1969)
- Captain Action #1 (artists) #2–3, 5 (inker) (1968–1969)
- Challengers of the Unknown #2–8 (inker) (1958–1959)
- DC 100 Page Super Spectacular #5 (inker) (1971)
- DC Special Series #11 (The Flash) (inker) (1978)
- Falling in Love #108 (1969)
- Ghosts #2 (inker) (1971)
- Girls' Love Stories #143, 150 (1969–1970)
- Green Lantern #69 (inker) (1969)
- Hercules Unbound #1–8 (inker) (1975–1976)
- House of Mystery #180, 183–184, 189 (inker); #199, 251 (artist) (1969–1977)
- House of Secrets #91, 96 (1971–1972)
- Isis #1 (inker) (1976)
- Limited Collectors' Edition #C-34 (inker) (1975)
- Meet Angel #7 (inker) (1969)
- Our Army at War #249 (writer/artist) (1972)
- Our Fighting Forces #10 (1956)
- Plop! #14 (artist); #16 (inker); #23 (writer/artists) (1975–1976)
- Richard Dragon, Kung-Fu Fighter #4–8 (inker) (1975–1976)
- Sandman #6 (inker) (1975)
- Showcase #12 (Challengers of the Unknown) (inker) (1958)
- Stalker#1–4 (inker) (1975)
- Strange Adventures #154 (inker) (1963)
- Super-Team Family #1, 3 (The Flash and Hawkman team-up) (inker) (1976)
- Superboy #153–155, 157–161 (inker) (1969)
- Swing with Scooter #30–31, 33 (inker) (1970–1971)
- Teen Titans #19 (inker) (1969)
- The Unexpected #122, 137 (inker); #138 (artist) (1970–1972)
- Weird Mystery Tales #23 (1975)
- The Witching Hour #15 (1971)
- Wonder Woman #195, 269 (inker) (1971–1980)
- Young Love #84 (inker) (1971)
EC Comics
- Aces High #1–5 (1955)
- Confessions Illustrated #1 (1956)
- The Crypt of Terror #18 (1950)
- Gunfighter #13–14 (1950)
- The Haunt of Fear #15–16, 4–5, 24 (1950–1954)
- Mad #1–21, 23–86, 90, 143 (1952–1964, 1971)[65]
- Modern Love #5–8 (1950)
- A Moon, a Girl ... Romance #10–12 (1949–1950)
- Piracy #1–2 (1954–1955)
- Saddle Romances #10–11 (1950)
- Shock SuspenStories #2–15 (1952–1954)
- Tales from the Crypt #21, 24–27 (1950–1952)
- Three Dimensional EC Classics #1 (1954)
- Two-Fisted Tales #18–28, 30–35, 41 (1950–1955)
- Valor #1–2, 4–5 (1955)
- Vault of Horror #12–14, 39 (1950–1954)
- Weird Fantasy #13–17, 6–14, 17 (1950–1953)
- Weird Science #12–13, 5–22 (1950–1953)
Marvel Comics
- Astonishing Tales #1–4 (Doctor Doom) (1970–1971)
- Avengers #20–22 (inker) (1965)
- Captain America #127 (inker) (1970)
- Cat #1 (inker) (1972)
- Daredevil #5–11 (1964–1965)
- Journey into Mystery #39, 51 (1956–1959)
- Journey into Unknown Worlds #51 (1956)
- Kull the Conqueror #1 (inker) (1971)
- Marvel Spotlight #1 (Red Wolf) (inker) (1971)
- Marvel Tales#152 (1956)
- Mystic #52 (1956)
- Thing) (inker) (1965)
- Tales of Suspense #71 (Iron Man) (inker) (1965)
- Tower of Shadows #5–8 (writer/artist) (1970)
- Unknown Worlds of Science Fiction #1 (writer) (1975)
- Western Gunfighters #22 (1956)
Tower Comics
- Dynamo #1–4 (1966–1967)
- T.H.U.N.D.E.R. Agents #1–20 (1965–1969)
Warren Publishing
- 1984 #1–2, 5 (1978–1979)
- Blazing Combat #3–4 (1966)
- Comix International #1 (1975)
- Creepy #38, 41, 55, 75, 78, 91 (1971–1977)
- Eerie #5, 11, 14, 60–61, 131 (1966–1974)
- Famous Monsters of Filmland #58 (1969)
- Galactic Wars Comix #1 (1978)
- Monster World #1 (1964)
- Vampirella #9–10, 12, 19, 27, Annual #1 (1971–1973)
- Warren Presents #1, 3 (1979)
Footnotes
- ^ a b "Wallace Wood". Lambiek Comiclopedia. 2014. Archived from the original on June 5, 2014.
- ^ ISBN 978-1893905283.
- ISBN 978-0823030804.
- ISBN 9780873517775.
- ^ a b c d McLauchlin, Jim (July 2010). "Tragic Genius: Wally Wood". Wizard (228). Archived from the original on December 30, 2013.
- ^ David Saunders: WALLACE WOOD
- ^ Nadel, Dan. "Wally Wood Should Have Beaten Them All," Comics Comics (FEBRUARY 18, 2010).
- ^ Wallace Wood interview, originally published in The Buyer's Guide No. 403 (August 1, 1981), reprinted in Comic Book Artist No. 14 (July 2001); p. 18 of the latter.
- ^ a b c d e Wallace Wood at the Grand Comics Database and Wally Wood at the Grand Comics Database
- ISBN 0821220764.
In the fourth issue [of Mad] (April–May 1953), writer Harvey Kurtzman and artist Wallace Wood make light of the lawsuit between Superman and Captain Marvel.
- ^ Wood interview, Comic Book Artist No. 14, p. 19
- ^ Transcript of March 24, 2010, Feiffer interview at the Museum of Comic and Cartoon Art, published as "Backing into Jules Feiffer: An Exclusive Q&A", p.2, FilmFestivalTraveler.com, April 18, 2010. WebCitation archive.
- ISBN 978-0810994478.
The artwork was exquisite, in no small part because Dave Wood had the idea to hire Wally Wood (no relation) to handle the inking.
- ^ Guthridge, Sue. Tom Edison, Boy Inventor. Illustrated by Wood. New York : Aladdin Books; London : Collier Macmillan, 1986, c1959
- ISBN 978-1605490557.
- ^ Arndt, Richard J. (April 2018). ""Nice" Is the Word: A Few Words on Archie Goodwin". Back Issue! (103). Raleigh, North Carolina: TwoMorrows Publishing: 12.
- ^ Ivie, Larry, "Ivie League Heroes", Comic Book Artist No. 14 (July 2001), pp. 64–68
- ^ Markstein, Don (2010). "T.H.U.N.D.E.R. Agents". Don Markstein's Toonopedia. Archived from the original on June 22, 2014.
The series was created by Wallace Wood, whose art had been seen throughout the comics industry since 1947 ... Wood was mainly responsible for the overall look of the series.
- ISBN 1-887591-80-X
- ^ Truitt, Brian (July 23, 2012). "Mars Attacks again, 50 years later". USA Today. Archived from the original on April 3, 2015.
- ISBN 9780810938212.
The complicated red-and-yellow costume that [Bill] Everett created for the original Daredevil cover was changed by artist Wally Wood to simpler red tights. The more devilish new costume is the one that ultimately lasted.
- ISBN 978-0756641238.
The Stilt-Man sprang into action in Daredevil #8. Created by Stan Lee and Wally Wood, his limited powers made him a joke among other criminals.
- ^ Per Stan Lee in letters page, Fantastic Four N#42 (Sept. 1965)
- ^ Sanderson, Peter "1970s" in Gilbert (2008), p. 146: "Marvel's second split book of 1970 gave two longtime Marvel stars their own series. Stan Lee and Jack Kirby collaborated on the first installment of the new series starring Ka-Zar ... Marvel's greatest villain, Dr. Doom, also received his own series, scripted by Roy Thomas and drawn ... [by] Wally Wood."
- ^ Wood inked The Avengers #20–22 and the "Iron Man" feature in Tales of Suspense #71, both over penciler Don Heck, as well as the "Human Torch" feature in Strange Tales #134, over Powell, in 1965; Captain America #127, over Gene Colan, in 1970; Kull the Conqueror #1, over Ross Andru, and "Red Wolf" in Marvel Spotlight #1, over Syd Shores, in 1971; and The Cat #1, over Marie Severin, in 1972. He inked Kirby on the covers of Avengers #20–21 and The X-Men #14. The Grand Comics Database also cites "additional inks ... uncredited" on the Kirby layouts and George Tuska pencil and ink work of the "Captain America" feature in Tales of Suspense #71.
- ^ Krassner, Paul, and Wally Wood "The Disneyland Memorial Orgy", The Realist Archive Project: The Realist #74, May 1967, pp. 12–13. WebCitation archive. Credits listed at archive's May 1967 Contents Page. WebCitation archive.
- ^ Comic Book Artist No. 14, p. 20
- ISBN 978-0-7566-6742-9.
Writer Jim Shooter and artist Wally Wood helmed November [1968]'s Captain Action #1, based on Ideal's popular action figure.
- ISBN 9783836519816.
In 1969, Superboy ... swerved radically from the complacent Super-house style once writer Frank Robbins came aboard ... Overnight the comic was reinvented with realistic teen angst, natural dialogue, and a sex appeal that was only aided by the inks of good-girl artist Wally Wood. Under his brush, Lana Lang never looked hotter.
- ISBN 1582343454.
- ^ "Hal Foster". Lambiek Comiclopedia. November 25, 2011. Archived from the original on October 25, 2013.
Hal Foster grew older, too – after all, he was already 44 when he started Prince Valiant! He decided to start working with assistants. Three artists worked with him: Gray Morrow, Wally Wood and John Cullen Murphy.
- ^ McAvennie "1970s" in Dolan, p. 156: "From the lavish covers of Basil Wolverton and Wally Wood to one-page gags and stories too peculiar for even the likes of a Mad magazine, Plop! lived ... by its own macabre rules."
- ISBN 978-1401231118.
I'll make do with re-reading these wonderful four issues in which Ditko's beautiful pencils are ennobled by the incomparable Wally Wood's inks.
- ISBN 978-1893905443.
- ISBN 978-1893905641.
- ^ Markstein, Don (2010). "Power Girl". Don Markstein's Toonopedia. Archived from the original on June 22, 2014.
- ^ Evanier, Mark (July 4, 2012). "Foto File". News From ME. Archived from the original on July 13, 2012.
Fans noticed that her chest seemed to grow from issue to issue. I was around once when Woody was asked about this. He said that it was his intention to add about a half-inch to her bustline every issue and see how long it would be before someone told him to stop. Wood only did eight or nine issues and I think someone told him to stop around his sixth
- ISBN 978-1893905429.
- ISBN 978-1606901694.
- ^ Wahl, Andrew (July 23, 2009). "CCI: Nicola Cuti Earns Inkpot Honor". Comic Book Resources. Archived from the original on September 19, 2016.
Before long, Cuti would fall in with the legendary Wally Wood, with whom he would share a studio in Long Island.
- Fictioneer Books: 36–45.
- ^ "Wayne Howard". Lambiek Comiclopedia. October 2, 2015. Archived from the original on September 15, 2016.
He joined Wally Wood's studios in Long Island, New York, around 1969.
- ^ "Ralph Reese". Lambiek Comiclopedia. 2016. Archived from the original on March 5, 2016.
From the age of 16, Ralph Reese assisted Wallace Wood on a number of projects, including the DC series Superboy and a series of Topps trading cards.
- ^ Markstein, Don (2007). "Sally Forth". Don Markstein's Toonopedia. Archived from the original on June 22, 2014.
- ^ Wally Wood's "Misfits" at An International Catalogue of Superheroes.WebCitation archive.
- ^ JoeGuide.com: "Larry Hama: Writer & Artist", no date. Original link dead as of at least February 4, 2010. Archived January 1, 1996, at the Wayback Machine.
- ^ a b Evanier, Mark (July 2, 2010). "Today's Video Link". News From ME. Archived from the original on June 25, 2014.
- ^ a b c Hama, quoted in Johnson, Joel. "Wally Wood's 22 Panels That Always Work: Unlimited Edition," Joel Johnson's blog, August 18, 2006. WebCitation archive.
- ^ a b c Johnson.
- ^ a b Wallace Wood Sketchbook (Crouch, 1980). [1].
- ^ a b McDonald, Heidi. "Wally Wood's 22 Panels That Always Work: Unlimited Edition", The Beat, August 21, 2006. WebCitation archive.
- ^ "Panels That Always Work". United States Copyright Office. n.d. Archived from the original on January 3, 2022.
- ^ Beschizza, Rob. "22 movie making techniques that always work...", BoingBoing, July 1, 2010. WebCitation archive.
- ^ Thompson, Steven. "Wood's 22 Panels Revisited", Hooray for Wally Wood, November 3, 2010. WebCitation archive.
- ^ "Cheese's 22 Panels That Never Work!" HouseOfTwelve.com. Accessed August 2, 2011.
- ^ Arrant, Chris. "Mike Oeming’s homage to Wally Wood’s 22 Panels That Always Work," Archived May 5, 2016, at the Wayback Machine Comic Book Resources: "Robot 6" (June 1, 2012).
- ^ "CerebusTV #36 (Wally Wood episode)". Cerebus.tv. July 2012. Archived from the original on August 28, 2014.
- ISBN 9781893905238.
- ^ "Report to Readers: The Life and Legend of Wallace Wood Volume 2". The Comics Journal. March 19, 2018. Retrieved October 26, 2018.
- ^ "Division Awards Comic Books". National Cartoonists Society. 2013. Archived from the original on December 16, 2013. Retrieved December 16, 2013.
- ^ a b c d Bails, Jerry, and Hames Ware. Wood, Wally (entry), Who's Who of American Comic Books, 1928–1999. Accessed April 5, 2011. WebCitation archive.
- ^ Inkpot Award
- ^ "2011 Inkwell Awards Winners". Inkwell Awards. Archived from the original on October 8, 2014.
- ^ YouTube – J. David Spurlock – Heroes Convention 2011 – Posthumous acceptance on behalf of Wally Wood
- ^ "Doug Gilford's Mad Cover Site - UGOI - Wally Wood".
References
- Stewart, Bhob, and Catron, J. Michael, editors, The Life and Legend of Wallace Wood Vol. 1 ISBN 978-1-68396-068-3
- Gilbert, Michael T. "Total Control: A Brief Biography of Wally Wood", Alter Ego vol. 3, No. 8 (Spring 2001). WebCitation archive.
- Wood, Wally. The Marvel Comics Art of Wally Wood. New York: Thumbtack Books, 1982, hardcover. ISBN 0-942480-02-3
External links
This article's use of external links may not follow Wikipedia's policies or guidelines. (February 2016) |
- Wallace Wood Estate
- Report to Readers: The Life and Legend of Wallace Wood Volume 2 at The Comics Journal
- Complete list of Wood's articles for MAD Magazine
- The Wally Wood Letters and photo album. WebCitation archive.
- Stiles, Steve "Wallace Wood: The Tragedy of a Master S.F. Cartoonist", SteveStiles.com, n.d. WebCitation archive.
- "Comic Book Creators Trading Cards #3: Wally Wood" IsThisTomorrow.com, n.d. WebCitation archive.
- Wally Wood (1927–1981) American Art Archives. WebCitation archive.
- "Wood", BPIB.com (fan site), n.d. WebCitation archive.
- "Wally Wood". SplashPages.com. Archived from the original on December 5, 2007. Includes "Online checklist: Catalogues, Programs, Sketchbooks, Etc." at the Wayback Machine (archived December 5, 2007)
- Wallace Wood at Mike's Amazing World of Comics
- Wallace Wood at the Unofficial Handbook of Marvel Comics Creators
- Works by Wally Wood at Project Gutenberg
- Works by or about Wally Wood at Internet Archive
- Merry Marvel Marching Society recording includes voice of Wallace Wood
- Wallace Wood at the Internet Speculative Fiction Database
- Wallace Wood at Library of Congress, with 16 library catalog records