WandaVision

This is a good article. Click here for more information.
Source: Wikipedia, the free encyclopedia.

WandaVision
Genre
Created byJac Schaeffer
Based onMarvel Comics
Directed byMatt Shakman
Starring
Theme music composer
ComposerChristophe Beck
Country of originUnited States
Original languageEnglish
No. of episodes9
Production
Executive producers
ProducerChuck Hayward
Production locations
CinematographyJess Hall
Editors
  • Tim Roche
  • Zene Baker
  • Nona Khodai
  • Michael A. Webber
Camera setup
Running time30–50 minutes
Production companyMarvel Studios
Original release
NetworkDisney+
ReleaseJanuary 15 (2021-01-15) –
March 5, 2021 (2021-03-05)
Related

WandaVision is an American television miniseries created by Jac Schaeffer for the streaming service Disney+, based on Marvel Comics featuring the characters Wanda Maximoff / Scarlet Witch and Vision. It is the first television series in the Marvel Cinematic Universe (MCU) produced by Marvel Studios, sharing continuity with the films of the franchise, and is set after the events of the film Avengers: Endgame (2019). It follows Wanda Maximoff and Vision as they live an idyllic suburban life in the town of Westview, New Jersey, until their reality starts moving through different decades of sitcom homages and television tropes. Schaeffer served as head writer for the series, which was directed by Matt Shakman.

Atlanta, Georgia, in November 2019, before production halted in March 2020 due to the COVID-19 pandemic
. Production resumed in Los Angeles in September 2020 and wrapped that November.

WandaVision premiered with its first two episodes on January 15, 2021, and ran for nine episodes, concluding on March 5. It is the first series, and beginning, of

Agatha Harkness
and Vision Quest focusing on Bettany's Vision.

Premise

Three weeks after the events of Avengers: Endgame (2019),[1] Wanda Maximoff and Vision are living an idyllic suburban life in the town of Westview, New Jersey, trying to conceal their true natures. As their surroundings begin to move through different decades and they encounter various television tropes, the couple suspects that things are not as they seem.[2]

Cast and characters

  • mental illness,[6] while introducing the "Scarlet Witch" moniker to the Marvel Cinematic Universe (MCU).[7] Executive producer Kevin Feige said the series explores the extent and origin of Wanda's powers.[8] Olsen felt her "ownership" of Wanda was strengthened during development of the series,[9] which allowed her to explore new parts of the character's personality such as her humor and sassiness.[10]: 30  She was thrilled that WandaVision focuses on Wanda rather than making her a supporting character as in the films, and was sold on joining the series when Feige mentioned specific Scarlet Witch comic storylines that inspired WandaVision.[2] Olsen was influenced by Mary Tyler Moore, Elizabeth Montgomery, and Lucille Ball for her performance.[11] Michaela Russell portrays a young Wanda.[12]
  • S.W.O.R.D. (Sentient Weapon Observation and Response Division). That version has an all-white appearance, similar to when the comic book character was resurrected with an all-white body and no memories or emotions.[17] Bettany differentiated the two versions by portraying the latter as both familiar and intimidating.[16]
  • Debra Jo Rupp as Sharon Davis: A Westview resident and wife of Todd who plays "Mrs. Hart" in the fictional WandaVision sitcom.[18][19]
  • Fred Melamed as Todd Davis: A Westview resident and husband of Sharon who plays "Arthur Hart", Vision's boss, in the fictional WandaVision sitcom.[18][19]
  • Agatha Harkness:
    A witch who masquerades as "Agnes", Wanda and Vision's "nosy neighbor" within the fictional WandaVision sitcom.[2][20] Hahn described Agnes as the neighbor that "won't get off their couch at the end of the night" and is "always in [their] business",[9] and likened Agatha's relationship with Wanda to Antonio Salieri's with Wolfgang Amadeus Mozart. She explained that Agatha has been studying magic for centuries and is maddened to see it come so naturally to Wanda.[21] Agatha was conceived as a mentor figure to Wanda, but was shifted by the writers to be more antagonistic to better serve the series' structure. Despite this, Agatha retains qualities of teaching for Wanda.[15]
  • Maria Rambeau and a captain in S.W.O.R.D.,[22] who introduces herself in the fictional WandaVision sitcom as "Geraldine".[23] She has a "toughness and an ability to be a woman" in a male-dominated world.[9] Head writer Jac Schaeffer's pitch for the series had a different character in Rambeau's role, but she was excited to use Rambeau instead when she became available for the series.[24] Co-executive producer Mary Livanos added that Rambeau's inclusion was a discovery during development that became "really enriched in the show",[10]: 28  as it allowed an empathetic character like Rambeau to become a "hero in her own right".[25] The series shows what Rambeau has done since her introduction as a child looking up to her mother's friend and colleague Carol Danvers / Captain Marvel in Captain Marvel (2019),[26][27] where she was portrayed by Akira Akbar. Parris used Akbar's performance as the starting point for her own, taking Rambeau's relationships with her mother and Danvers into account.[28]
  • FBI agent working with S.W.O.R.D. who previously was the parole officer of Scott Lang / Ant-Man.[9][29] Park felt introducing Woo using close-up magic, something he was trying to perfect in Ant-Man and the Wasp (2018), quickly showed the character's development since that film, indicating that he is getting better at multiple things and is being assigned to larger cases.[30] Park was taught the magic trick by a magician and spent several days perfecting it for the series.[31]
  • Darcy Lewis:
    An astrophysicist working with S.W.O.R.D. who previously interned for Jane Foster and befriended Thor.[29][32] Returning to the role for the first time since Thor: The Dark World (2013), Dennings felt Lewis would not have changed much as a person, but would be older and wiser after going to school to receive her doctorate in astrophysics. Additionally, Dennings felt the character has more confidence in herself now that she is viewed as "the boss" which she never was in the films.[33]
  • Mandarin.[39] Schaeffer likened Peters' performance to a mixture of the characters Jesse Katsopolis from Full House, Nick Moore from Family Ties, and Joey Tribbiani from Friends.[40]

Recurring residents of Westview include Asif Ali as Abilash Tandon who plays Vision's co-worker "Norm"; David Lengel as Harold Proctor who plays "Phil Jones";

Tommy, respectively.[49]

Additional guest stars include Jolene Purdy as Isabel Matsueda who plays Wanda and Vision's neighbor "Beverly";[41][50] frequent MCU stuntman Zac Henry as Franklin, a S.W.O.R.D. agent who becomes a beekeeper when he enters Wanda's reality;[51] Randy Oglesby as a Westview resident who plays "Stan Nielson", the town's doctor;[52] Wesley Kimmel and Sydney Thomas as the boy and girl in the commercials;[53] and Kate Forbes as Agatha's mother, Evanora Harkness. Ilana Kohanchi and Daniyar portray the Maximoffs' parents Iryna and Olek Maximoff, respectively,[54] while Gabriel Gurevich plays a young version of her brother Pietro.[12]

Episodes

No.TitleDirected byWritten byOriginal release date
1"Filmed Before a Live Studio Audience"Matt ShakmanJac SchaefferJanuary 15, 2021 (2021-01-15)

Newlywed couple Wanda Maximoff and Vision move into the town of Westview in a black-and-white 1950s setting. They attempt to blend in despite Vision being an android and Wanda having telekinesis and reality-warping abilities. One day they notice a heart drawn on their calendar, but cannot remember what the occasion is. While Vision goes to his job at Computational Services Inc., Wanda decides that the heart represents their anniversary. Their neighbor Agnes introduces herself to Wanda and helps her prepare to celebrate that night. Vision amazes his co-workers with his speed but is unsure what his company actually does. He is reminded that the heart represents plans for him and Wanda to host his boss, Mr. Hart, and his wife for dinner. Wanda and Vision struggle to hide their abilities while making a last-minute dinner. While interrogating Wanda and Vision, Mr. Hart chokes on his food and Vision uses his abilities to save him. All of this takes place in the fictional sitcom WandaVision which someone is watching on a television.


A commercial during the WandaVision program advertises a
Stark Industries
ToastMate 2000 toaster.
2"Don't Touch That Dial"Matt ShakmanGretchen EndersJanuary 15, 2021 (2021-01-15)

In a 1960s setting, Wanda and Vision hear strange noises outside their house. They prepare their magic act for a neighborhood talent show. Wanda and Agnes spend the day with the show's planning committee, led by Dottie, and Vision attends a neighborhood watch meeting, where he accidentally swallows some chewing gum. Wanda befriends another neighbor, Geraldine, and notices more strange things: a yellow and red toy helicopter in their black-and-white world; a voice on the radio that seems to be speaking to her; and a red bloodstain. Thanks to the gum caught in his internal mechanisms, Vision appears to be intoxicated at the talent show and publicly reveals his abilities. Wanda uses her own abilities to make this look like simple magic tricks and fixes Vision by removing the gum. They return home, and Wanda becomes visibly pregnant. When they see a strange beekeeper emerging from a manhole on their street, Wanda resets their reality to before the figure appears. The setting changes to full color as it moves to the 1970s.


A commercial during the WandaVision program advertises
Strücker
watches.
3"Now in Color"Matt ShakmanMegan McDonnellJanuary 22, 2021 (2021-01-22)

In the 1970s setting, Dr. Nielson says Wanda is four months pregnant and everything is fine before leaving for an intended holiday with his wife. While Vision sees Nielson out, he sees his neighbor Herb unknowingly cut through their wall. Wanda and Vision paint a nursery while debating what to name their child before Wanda's pregnancy elevates to six months. When she begins contractions, her abilities begin to move things in the house and eventually shut down the entire town's power. Geraldine arrives and helps Wanda deliver twins

S.W.O.R.D.
agents.


A commercial during the WandaVision program advertises
Hydra
Soak bath powder.
4"We Interrupt This Program"Matt ShakmanBobak Esfarjani and Megan McDonnellJanuary 29, 2021 (2021-01-29)
Captain
Darcy Lewis studies the phenomena and discovers broadcast signals for the sitcom WandaVision. They use these to observe events inside the town, learning that real residents have been "cast" in the sitcom and seeing Rambeau appear as "Geraldine". Lewis and Woo unsuccessfully attempt to use the radio to contact Wanda. When Rambeau mentions Ultron, Wanda casts her out of the town. Wanda then temporarily sees Vision appear as he did when he died,[c]
before settling back into her sitcom life with him.
5"On a Very Special Episode..."Matt ShakmanPeter Cameron and Mackenzie DohrFebruary 5, 2021 (2021-02-05)

In a 1980s/early 1990s setting, Wanda and Vision struggle to stop Billy and Tommy from crying. Agnes offers to help look after the boys, but Vision questions her behavior. He and Wanda are interrupted when Billy and Tommy suddenly age-up to 5 years old. When a dog appears at their house, the boys ask to keep it and Agnes suggests the name Sparky. Wanda almost reveals her abilities to Agnes, concerning Vision, while the boys age-up again to 10 years old. At work, Vision reads an email from S.W.O.R.D. that reveals the situation in Westview. He breaks through to a real Westview resident and learns that Wanda is controlling the town. S.W.O.R.D. sends a drone from the 1980s into Westview which causes Sparky to run off. Hayward orders the drone be used to kill Wanda, but she emerges from the barrier with it and warns Hayward to leave her alone. Agnes finds Sparky dead. Vision confronts Wanda about her actions, but they are interrupted when "Pietro" arrives. Watching the broadcast, Lewis notes that Pietro has been "recast".


A commercial during the WandaVision program advertises Lagos paper towels.
6"All-New Halloween Spooktacular!"Matt ShakmanChuck Hayward and Peter CameronFebruary 12, 2021 (2021-02-12)

In a late 1990s/early 2000s setting, Wanda wants to spend Tommy and Billy's first

vibranium
signature. Vision tries to push through the static wall, but he begins to disintegrate. Billy senses this and tells Wanda, who expands the hexagonal static wall. Vision, Lewis, and several S.W.O.R.D. agents are enveloped by the new boundary.


A claymation commercial during the WandaVision program advertises Yo-Magic yogurt.
7"Breaking the Fourth Wall"Matt ShakmanCameron SquiresFebruary 19, 2021 (2021-02-19)

In a mid-to-late 2000s setting, Wanda decides to have a day to herself and Agnes agrees to babysit Tommy and Billy. Wanda sees various parts of her house constantly changing and is unable to control them. Vision wakes up to find the S.W.O.R.D. agents inside the boundary are now members of a circus. He releases Lewis from the spell and she tells Vision about his death and the events that led to the current situation. Outside of Westview, Rambeau and Woo meet with loyal S.W.O.R.D. personnel and obtain a vehicle designed to cross the barrier. When the tactic proves unsuccessful, Rambeau decides to enter herself. She passes through the static wall and emerges with seemingly heightened vision. Rambeau confronts Wanda, but Agnes tells Rambeau to leave and takes Wanda to her house. Wanda looks for the boys in the basement and discovers a strange lair. Agnes introduces herself as a witch named

Agatha Harkness
and reveals that she has been disrupting Wanda's life, including sending an imposter as "Pietro" and killing Sparky.


A commercial during the WandaVision program advertises Nexus antidepressants.
8"Previously On"Matt ShakmanLaura DonneyFebruary 26, 2021 (2021-02-26)
In
Mind Stone, and she has always enjoyed sitcoms. After the Blip, Wanda visited S.W.O.R.D. to recover Vision's body, but Hayward refused to let her bury him. Unable to feel any life in Vision, she drove to a lot in Westview that he had bought for her before his death so they could live there together. In a fit of grief, she manifested a house on the lot and a new version of Vision, and extended the Hex across the entire town. Harkness concludes that Wanda possesses a legendary form of magic called chaos magic, and dubs her the "Scarlet Witch
". In a mid-credits scene, Hayward reactivates "The Vision", the now all-white, reassembled original body.
9"The Series Finale"Matt ShakmanJac SchaefferMarch 5, 2021 (2021-03-05)
Harkness attempts to take Wanda's chaos magic, but is interrupted by The Vision who tries to kill Wanda. Wanda's Vision intervenes and fights The Vision throughout Westview. Harkness frees the town's residents from Wanda's control, and they convince her to open the barrier. She stops when Vision and the twins begin to disintegrate, but not before Hayward and S.W.O.R.D. enter. Rambeau learns that "Pietro" is an actor named
Skrull that a friend of her mother's wants to meet. In a post-credits scene, Wanda hears the twins cry for help while studying the Darkhold in her astral form
.

Production

Development

By September 2018,

Brian Chapek, a director of production & development and creative executive at Marvel Studios, began initial work on a Wanda series before co-executive producer Mary Livanos joined the project in mid-2018 and took over the series' development.[25][57] By the end of October, Paul Bettany's Vision was expected to play a significant role in the series, which would focus on the relationship between Wanda and Vision.[58] In the following months, the titles Vision and the Scarlet Witch and The Vision and Scarlet Witch were both reported.[59][60][61]

Feige came up with the idea of having Wanda and Vision living in a fantasy world of "suburban bliss", based on his love of

Louis D'Esposito and Victoria Alonso.[66]: 50 [67]: 20  Rather than call the series Wanda and Vision or The Scarlet Witch and Vision, Feige was inspired to use a compound title like WandaVision after seeing the title for the film BlacKkKlansman (2018),[25] but he was hesitant about using it. Schaeffer insisted on using the title after hearing it, feeling it was perfect for the series. There was some backlash when the title was announced as it was perceived to be "the silliest title possible", but Schaeffer felt viewers would change their minds once they watched the series.[68] Feige said the series would tell the story of Wanda and Vision, show Wanda's full abilities, explore who Vision is, and introduce Wanda's comic book name "Scarlet Witch" to the MCU in ways that are fun, funny, and "somewhat scary". He added that the series would have repercussions for the rest of the MCU's Phase Four,[69] but said viewers would not need to be familiar with the MCU to understand the series. He did think there would be a "wealth of rewards" for those who had already seen all the MCU films and knew the plans for Phase Four.[2]

The series was described as part sitcom, part "Marvel epic" by Feige,[70] "super avant-garde and weird" by Bettany,[71] an action movie mixed with sitcoms by actor Teyonah Parris,[72] and a combination of superhero action and "small-town sitcom silliness" by Livanos.[2] Shakman was "uniquely equipped" to direct such a series because of his experience directing series like the psychological drama Mad Men, the large-scale action series Game of Thrones, and sitcoms like It's Always Sunny in Philadelphia. Shakman also felt more qualified to make WandaVision since he was a child actor on 1980s sitcoms such as Just the Ten of Us.[73] The series totals approximately six hours of content across nine episodes,[74][75] which vary from a half-hour comedy format to 50 minutes long.[27][76] During development, the budget was reported to be as much as $25 million per episode.[77]

Writing

Inception and structure

Jac Schaeffer created WandaVision and served as head writer for the series.

Much of the series takes place within a fictional sitcom called WandaVision.

Leave it to Beaver" covers for the comic book series The Vision by Tom King and Gabriel Hernandez Walta,[79][80][81] and pitched the series to Olsen and Bettany as a combination of that comic book and the "House of M" storyline by Brian Michael Bendis and Olivier Coipel.[65][82] Other inspiration was taken from the Scarlet Witch: Witches' Road trade paperback,[83] the "Avengers Disassembled" storyline by Bendis and David Finch that preceded "House of M",[81] the "Vision Quest" storyline from West Coast Avengers by John Byrne,[84] and the comic book runs of The Vision and the Scarlet Witch by Bill Mantlo and Rick Leonardi,[81][85] and by Steve Englehart and Richard Howell.[81][86]

Feige, Schaeffer, Shakman, and Livanos dedicated themselves to "nail[ing] down" the series' irreverent tone.[2] Schaeffer was inspired by the MCU film Thor: Ragnarok (2017) and the Marvel Television X-Men series Legion (2017–19), believing those projects broke the mold of what Marvel stories could be and were daring, original, and "bananas". She felt they allowed WandaVision to also be unique and different,[87][88] and noted that it would be the polar opposite to her work on Black Widow which focused on aggressive, visceral action.[89] Schaeffer hired Gretchen Enders, Megan McDonnell, Bobak Esfarjani, Peter Cameron, Mackenzie Dohr, Chuck Hayward, Cameron Squires, and Laura Donney for the series' writers room,[90] a grouping of half men, half women, and several people of color,[89][91] because Schaeffer believed the varying perspectives would create better stories.[89] Each writer had different areas of expertise that they brought to the series and were aided by Schaeffer's assistant Laura Monti and the general writers' assistant Clay Lapari.[90] Staff writer McDonnell was eventually promoted to story editor.[92] Many of the writers had previous television experience, unlike Schaeffer, which helped her with the initial challenge of crafting the limited series' long-form structure as well as each episode within that larger narrative.[10]: 29  Schaeffer believed the story could never have been told with a film format because it needed to establish its sitcom reality with a true television aesthetic before that could be broken.[87]

Schaeffer found the central idea of Wanda being responsible for the sitcom reality to be a simple concept, and felt it would be more compelling if it was revealed through a mystery. This is done by showing Wanda and Vision living in the sitcom reality for the first three episodes before the fourth episode retells those events from a real world perspective to provide answers for viewers.[93] Schaeffer described this as starting in a "grounded" sitcom with Twilight Zone "fraying edges", followed by a bottle episode to explain the early events.[15] How long the series remained in the sitcom reality before giving answers to viewers was a big concern for Schaeffer.[94] Following the "enormous info dump" in the fourth episode, Schaeffer hoped the audience could experience the rest of the series as an "emotional and a psychological journey, rather than a sneaky mystery the whole way".[93] She pitched the rest of the series as mixing sitcom and real world elements until the penultimate episode explores Wanda's history and creation of the sitcom reality,[15] concluding in a big finale with the spectacle of an MCU film.[83] She compared the series to a multi-issue comic book and said it remained very close to her original pitch,[10]: 29 [15] which was structured to follow the five stages of grief by starting with denial and ending with acceptance.[40][95] Ten episodes were originally planned, but this was reworked to nine episodes to improve the "rhythm".[96] The episode titles come from phrases featured in promotions or the opening credits of television series.[97]

Characters and universe

After receiving Marvel Studios' initial ideas for the series, Schaeffer helped figure out what they meant for the characters.

paprikash in Captain America: Civil War (2016) and the two enjoying their time together in Scotland in Avengers: Infinity War (2018).[10]: 29 [83] Schaeffer said there was a wonder and sincerity to the pair, and felt their family dynamic within a sitcom setting would result in a calm, warm feeling despite the ridiculous premise of the series.[66]: 45  She found the pair appealing because they are both outsiders who "find each other. They're both different with capital Ds."[2]

WandaVision begins three weeks after the events of Avengers: Endgame (2019),[1] and is set in the fictional town of Westview, New Jersey, which was named as a reference to Feige's hometown of Westfield, New Jersey, but with the initials "W" and "V".[99] The series shows how Wanda grew up in an Eastern European country and formed a love for the black-market DVDs of American sitcoms that her father sold.[65][100] Schaeffer was excited to use the series to give social commentary while telling a story about character and grief,[40] as she found Wanda's grief to be relatable.[15] A grief counselor was consulted,[40] and Shakman said the entire series was about Wanda learning to process and overcome her grief.[101] Schaeffer was committed to depicting Wanda as a fully realized character, including showing aspects of her that had not been seen much previously in the MCU such as her joy and humor.[87] A great concern for Schaeffer, Livanos, and the writers was avoiding a portrayal of Wanda that made her seem crazy or out of control, as some of her comic book appearances have done, and Schaeffer hoped they gave a "nuanced portrayal of a very complicated woman".[88] Olsen believed Schaeffer was one of the first writers to work with Wanda who understood the "360 of [her] inner and exterior world".[25]

By introducing the "Scarlet Witch" name as a title linked to chaos magic and a preordained destiny, the series was able to further define magic in the MCU beyond what was introduced in

Tommy appear as 10-year-olds in the series. Shakman said there were never plans to make the characters as old as they are in the Young Avengers comic book team since that would deprive Wanda of more time with them.[105]

WandaVision directly sets up

Brad Winderbaum to establish a "rule book" for the multiverse, its branch timelines, and nexus events.[109] Benedict Cumberbatch was originally planned to reprise his role as Dr. Stephen Strange in the WandaVision finale, but he was written out of the series to avoid him taking focus away from Wanda. The Multiverse of Madness script was rewritten to accommodate this change; the film's writer, Michael Waldron, worked with Schaeffer to do this.[25][110]

Sitcom influences

Shakman and Schaeffer said the series was a "love letter to the golden age of television",[2][65] though it pays tribute to sitcoms from many eras of American television.[111] They chose to focus on family sitcoms over other types, such as workplace sitcoms, because the family aspect kept the series centered,[78] and because Wanda is searching for a family after losing her loved ones in the films.[101] Schaeffer and Shakman studied past sitcoms to learn their "trappings and styles",[2] while avoiding tropes from older sitcoms that would not be acceptable in a modern series.[78] Schaeffer, Shakman, and Feige spoke with Dick Van Dyke, the star of the eponymous 1960s sitcom, to learn about the making of that series.[2][65] Other sitcoms that inspired the series include I Love Lucy, My Three Sons, Father Knows Best, The Adventures of Ozzie and Harriet, Bewitched,[66]: 45  The Brady Bunch, Family Ties,[27] Out of This World,[112] Malcolm in the Middle,[113] Modern Family, and The Office.[8] Meta references are made to Full House, which starred Olsen's older sisters Mary-Kate and Ashley.[66]: 45  Before they decided to focus on family sitcoms, an episode of the series was developed based on The Mary Tyler Moore Show that would have explored Wanda's work-life balance.[40] Olsen said the sitcom decade being explored in each episode, and the tropes from that decade that were highlighted, were chosen to connect to where the characters were in the larger story.[83] Each episode was meant to capture key elements of the chosen time period while showing the evolution of sitcoms over time.[102] For example, the first episode pays homage to The Dick Van Dyke Show and I Love Lucy from the 1950s and early 1960s, and was meant to have a general 1950s time period.[114] The changes between decades are explained in the series by changes within the fictional WandaVision program, which Wanda is initially doing subconsciously when something goes wrong in that reality. She later makes these changes consciously. Part of Schaeffer's initial pitch for the series was to link the decade changes to xenophobia from the couple's neighbors, as was seen in some of the characters' comic book appearances, with the neighbors becoming more aggressive each decade until they chase Wanda and Vision out of town. The relationship with the neighbors was ultimately portrayed in a more subtle way that Schaeffer felt was creepier, with elements of psychological horror.[25]

The fictional sitcom features fake commercials that are "slightly nefarious",[78] which Feige said were "part of the truths of the show beginning to leak out". He felt that new viewers would see these as strange versions of commercials from the different sitcom eras, while those well versed in the MCU would be able to see connections to past events.[11] Several commentators believed the commercials were analogies for traumatic events in Wanda's life,[115][116][117] which Schaeffer later acknowledged.[108] Shakman said the commercials were a thematic addition that presented Wanda's history while being open to interpretation,[44] and Schaeffer said they were tied to both Wanda's subconscious and the wider MCU in an open-ended way.[118] She added that they gave the series a structure and rhythm that was "part of the fabric of the sitcom aesthetic".[108] An early version of the commercials had "more of an agenda and a function in the plot",[118] with multiple commercials per episode also considered.[25] When Doctor Strange was planned to appear in the series, the commercials would have been his attempts to reach Wanda through the sitcom reality. He would have appeared in the Nexus pharmaceutical commercial in a "blink-and-you-miss-it cameo" as the pharmacist, before his full appearance in the finale.[25]

Casting

Stars Elizabeth Olsen and Paul Bettany, who reprise their roles from the MCU films, promoting WandaVision at the 2019 San Diego Comic-Con

With the official announcement of the series in April 2019 came confirmation that Olsen and Bettany would reprise their respective roles of Wanda and Vision.[3] Bettany agreed to join the project after meeting with Feige and D'Esposito, who pitched an "exciting and bonkers" idea for his character's return.[65] Feige pitched the series to Olsen during negotiations for her to return in Endgame after Wanda's temporary death in Infinity War.[119] She was initially hesitant about the move to television,[65] wondering if it was a "demotion" from the films,[119] but was excited when she learned of Schaeffer's involvement as well as the comic book storylines that inspired the series.[65] Olsen came to see it as her "wildest screen opportunity yet".[119]

Teyonah Parris was announced in the role of a grown-up Monica Rambeau in July 2019. Rambeau was previously portrayed as an eleven-year-old by Akira Akbar in Captain Marvel, which is set in 1995.

D23, Kat Dennings and Randall Park were set to reprise their respective MCU film roles as Darcy Lewis and Jimmy Woo.[32] Dennings had appeared in the films Thor (2011) and Thor: The Dark World (2013),[32] and was surprised and thrilled to be brought back to the MCU for WandaVision after so many years.[33] Park joined the series following a general meeting with Marvel to discuss Woo's MCU future following his introduction in Ant-Man and the Wasp (2018).[7] Schaeffer felt it was fun to feature Dennings and Park since both were veteran sitcom actors, respectively starring in 2 Broke Girls and Fresh Off the Boat.[9]

Also at D23,

Agatha Harkness, a character in Marvel Comics.[20]

The official trailer revealed that

Ralph Bohner in the finale.[36]

Emma Caulfield Ford was cast in October 2019 as Sarah Proctor, who plays "Dottie Jones" in the WandaVision program, after being approached by Schaeffer to audition for the role; they previously worked together on the film Timer (2009).[46][125] Ford said she was cast in part to help attract genre fans who would recognize her from Buffy the Vampire Slayer, and her involvement was also intended to be a red herring for the series' mysteries.[46] Asif Ali was revealed to be cast in October 2020,[126] as Abilash Tandon who plays Vision's co-worker "Norm",[19][41] as was Jolene Purdy, cast as Isabel Matsueda who plays Wanda and Vision's neighbor "Beverly".[41][50][127]

Design

Colors and sets

WandaVision was the first production to have its

Technicolor SA to create 23 different lookup tables for translating colors into the final look during the DI process, and worked with production designer Mark Worthington and costume designer Mayes C. Rubeo to ensure that the sets and costumes for each episode matched with his color palettes. Shakman said there was a progression of color between each episode of the series, and certain colors were carefully used such as red, which is important to both Wanda and Vision.[129]

Worthington made sets for Wanda and Vision's house in each era, and intended for this to look like one house with the same basic layout that was built in the 1950s and then renovated each decade.

Atlanta, Georgia.[132] Prop designer Russell Bobbit, who was the prop master for many MCU films,[131] also previously worked on the film Pleasantville (1998) which Shakman said the series had a "spiritual connection" to along with The Truman Show (1998).[98]

Costumes

Rubeo said it was rare for a singular piece of media to progress through so many different decades without its characters aging,[67]: 6  and noted that the costumes of the various sitcoms being emulated by the series were not necessarily what was being worn at the time so she was replicating the looks of those series rather than the decades themselves.[133] Around 80 percent of the period costumes were made for the series to fit the actors, with the rest bought or rented from "special [costume] houses" and collections that knew of the fabrics used in the 1950s and 1960s and how garments were constructed then.[134] Olsen enjoyed exploring how women were viewed in society in each decade through Wanda's costumes.[11] Hair stylist Karen Bartek created 22 wigs for the series to represent the different eras from the 1950s to the 1980s,[135][136] which allowed these different eras to be filmed in one day without needing to re-style the actors' hair.[136] Rubeo added an element of teal to each of Dennings' costumes to match the color of the actress's eyes.[137]

Wanda gets a new superhero costume at the end of the series when she takes on the mantle of the Scarlet Witch.[138] This costume was designed by Andy Park of Marvel Studios' visual development team, and Rubeo worked with Ironhead Studios to create it.[139] She explained that the creatives wanted the costume to be more mature and "weathered" than Wanda's previous costumes, acknowledging what the character has gone through in the MCU so far. They also wanted it to be less revealing and not include a corset or tights,[134] as Olsen had previously expressed concern over her "cleavage corset" costume from the films and the fact that she was the only female superhero in the MCU with such a revealing outfit;[140] Olsen consulted on the design for the new costume. Shakman said the biggest element for discussion was the crown, which they initially thought should be smaller than it is in the comics. They ultimately decided to "go big or go home" with the crown,[105] which is depicted as forming from magical energy before Wanda uses her creation magic to turn it into a solid object.[138] Rubeo worked with shoemaking company Jitterbug Boy to create the boots for Wanda's costume.[141]

To hint that Agnes is really Agatha Harkness, Rubeo designed a medallion with three witches on it that the character wears as a brooch in each episode, except for when she is in aerobics gear in "On a Very Special Episode..." since Rubeo could not find a natural way to integrate the brooch with that outfit.[136][139] For Agatha's real witch costume, Rubeo wanted to add to the mystery of the character by giving her a dress made from 10 layers of fabric that are each a different color and texture.[139] Hahn worked with Rubeo on the costume design, and said it was intended to honor the character's appearance in the comic books but with a "modern look on top of it".[142]

Titles

RGB pixels[143][144]

The series' main title sequence was created by

RGB pixels that form television images. The pixels are rendered as hexagons, as a reference to Wanda's hex abilities and the informal name "The Hex" that is given to the sitcom reality. The pixels form various elements from the series including Wanda and Vision's house, the baby mobile from the third episode, and the Westview water tower,[143] which is reminiscent of the art style in "House of M".[144][145][146] The pixels are then disrupted by a single red pixel that represents Wanda's "world falling apart around her", before forming two wedding rings at the end of the sequence since the series is "at its core a love story".[143] Charles Pulliam-Moore at io9 felt the credits were "undeniably Marvel in the big screen sense", despite WandaVision otherwise attempting to embrace its streaming series format.[145]

Perception also created many of the sitcom-style opening credits for the series,[143] with Shakman saying a lot of work went into creating these openings to be as authentic to each era as possible since the creatives "knew that they were a key part of the storytelling".[147] Additional work from Perception included graphics for the fake commercials, based on real commercials from the different sitcom eras; titles and smoke effects for the Agatha All Along sequence; onscreen locator cards; and two new transitions for the Marvel Studios logo (into black-and-white and a 4:3 aspect ratio for the first episode, and into purple smoke for Agatha's Salem backstory in "Previously On").[143]

Filming

Filming began in early November 2019,

Pinewood Atlanta Studios in Atlanta, Georgia,[149] with Shakman directing,[70] and Hall serving as cinematographer.[111][150] The series was filmed under the working title Big Red.[149] The actors went through sitcom "boot camp" before filming, watching episodes of past sitcoms to help learn the tone and style of each era,[66]: 50  as well as the different approaches to comedy.[11] Dialect coach Courtney Young helped the actors speak like people from each era,[98] even noting the manners of each decade.[11] Bettany felt the approach to the series was clever since it had to make six hours of content on a budget similar to a two-and-a-half-hour MCU film. This included filming content from different episodes at the same time,[111] though Shakman did try to shoot chronologically to aid the actors with the progression through the sitcom eras.[10]
: 34 

The first episode filmed for two days in black-and-white and in front of a live

4:3 aspect ratio is also used for the black-and-white scenes,[79] and Shakman enjoyed experimenting with the aspect ratio based on the narrative.[98] Scenes set outside the Hex used the 2.40:1 cinematic ratio of many MCU films.[151] Shakman wanted to ensure that the sitcom elements never felt like a parody and were as authentic as possible,[66]: 50  since they were a reality that Wanda created to escape from her grief and were real to her.[101] Hall used Arri Alexa 4K HDR cameras for the whole series,[151] to create a coherent look for the story,[152] and to make it easier to switch between different sitcom decades without needing to change the camera setup;[128] era-specific touches such as period-appropriate camera lenses, lighting, and live special effects were used to differentiate the period settings.[2] Hall used 47 different camera lenses for the seven time periods covered in WandaVision, many of which were modern lenses custom modified to keep characteristics of the period lenses.[67]: 6  The custom period-appropriate lenses were used on the first three episodes and the fifth, while Hall used the Ultra Panatar lenses that had been used on Infinity War and Endgame for all of the scenes set outside the Hex reality.[151] Tungsten lights were mainly used for the 1950s to the 1970s episodes since those were the lights of the era, with LED lighting used starting in the 2000s episodes which is when those began to be used for real sitcoms.[67]: 6  Shakman used lenses, lighting, and sound design inspired by The Twilight Zone to change the mood for moments when something goes wrong with Wanda's illusion.[153]

Location shooting took place in the

Atlanta metropolitan area throughout December 2019 and February 2020.[154][155] A filming wrap party for the series occurred on March 1,[156] ahead of a planned four-week hiatus,[66]: 50 [157]: 1:07  but all production halted on March 14 due to the COVID-19 pandemic.[158] Filming resumed in Los Angeles in September 2020 with rigorous COVID-19 safety protocols in place,[66]: 50  to complete required backlot and outdoor filming.[98][159] Olsen found it hard resuming production after being isolated during the shutdown, while Bettany disliked that the safety protocols meant the actors had to return to their trailers when not filming, which he felt removed much of the camaraderie between the cast and crew.[157]: 1:29–2:23  External filming for Westview took place on Blondie Street at the Warner Bros. Ranch in Burbank, California, where past sitcoms had also been filmed. Shakman felt the Blondie Street backlot had "that weird sense of fakeness" that no real-life street could replicate.[2] Filming for the Westview town square was originally planned for the Universal Studios Lot near Blondie Street, but this could not happen due to scheduling and the pandemic so filming for those scenes instead took place at the Golden Oak Ranch.[160][161] Production on the series wrapped by mid-November,[162] with Olsen shooting back-to-back with Doctor Strange in the Multiverse of Madness.[163]

Editing

When the production shut down due to the pandemic, Marvel took around a month to figure out the logistics of remote work. Post-production then continued on existing footage,[164] which informed Shakman of how to approach a few things differently once filming began again,[10]: 34  though the series was not creatively altered by this.[27] Post-production continued after filming resumed, and Shakman said working on every step of the process at once felt "schizophrenic".[10]: 34  Tim Roche, Zene Baker, and Nona Khodai served as editors for the series,[67]: 20 [165] and each brought different experience to the project: Baker previously edited Thor: Ragnarok; Khodai previously worked on the superhero series The Boys; and Roche came from a background editing comedy series with no visual effects. The editors agreed to treat the series like an MCU film since they knew Marvel Studios would not "resort to [standard television series] money-saving tactics for a show like this", and Baker said editing the series was no different from editing Ragnarok.[164]

The editors did not have formal meetings to discuss the series' tone, but did work together on issues. Roche felt the series' tone was most interesting when the sitcom and MCU elements were mixed together, such as when Vision discovers anomalies in Westview during "All-New Halloween Spooktacular!"[164] Aspect ratio shifts were created during post-production to give Shakman control over the lengths of the transitions,[151] with some of the earlier aspect ratio changes going through many variations to find the best length and style and have a bigger impression on the audience. Transitions in later episodes are sometimes just a straight cut from one ratio to another, relying more on music and sound to show the change. Some scenes were rearranged to avoid changing between aspect ratios too many times and distracting from the story.[164] One of the most discussed elements of editing was the laugh track,[7] and the creatives worked with sound engineer and laugh track historian Paul Iverson to explain how laugh tracks changed throughout time which informed the sound design.[98][166] Iverson provided the editing team with a selection of laughter track recordings used in sitcoms of the 1950s and through the eras.[166]

Previsualization company The Third Floor, Inc. added temporary effects to edited sequences as a guide for visual effects vendors. These were also sent to the DI team to finalize the coloring of shots before the visual effects were completed, which Baker said was unusual and done to save time but did not have much of an effect on the production's timeline. The editors all worked on the sitcom opening titles and fake commercials in their episodes, as well as the "previously on WandaVision" segments that begin each episode.[164] The latter have some differences from the episodes they are recapping, such as slightly different dialogue, which plays into Wanda's manipulation of reality.[167] Later episodes were not completed when the early ones began airing, so the editors were able to see fan theories about the series while they were still working on it. This made them question some of their decisions, but there was no time for this to have any creative effect on their work. Editing for the final episode was completed two weeks before it aired.[164]

Visual effects

Tara DeMarco served as the visual effects supervisor for WandaVision, with visual effects vendors for the series including

Lola VFX, Monsters Aliens Robots Zombies (MARZ), RISE, Rodeo FX, SSVFX, The Yard VFX, and Zoic Studios.[168] The series has 3,010 visual effects shots,[169] more than the 2,496 in Avengers: Endgame,[170] though DeMarco noted that the series is longer than Endgame and that film had a lot of effects that were much more complex than many of those seen in WandaVision.[171] The creatives tried to keep the number of visual effects in each episode to a minimum until the 2000s-set episodes where it made sense to allow more prevalent visual effects due to the technology available at the time;[172] each episode has more visual effects shots than the previous one, building up to the "big Marvel finale" in the last episode.[173] For the first three episodes, contemporary visual effects were used to augment on-set practical effects and replicate other period-specific effects.[67]
: 8 

DeMarco took inspiration from the Scarlet Witch: Witches' Road comic book for the look of Wanda and Agatha's magic in the series.[174] Wanda's magic was created based on Olsen's on-set hand movements, with the visual effects team letting her create the movements that she wanted and then adding "something tasteful with her hands that isn't distracting from her performance".[175] The look of her magic initially matches the same red energy that was seen in the films, but becomes a darker, richer red when she starts using chaos magic to signify that it is more powerful.[171] This look was developed with Digital Domain, who primarily worked on the final episode and contributed 350 visual effect shots over 14 months.[176] Framestore, who worked on 99 visual effects shots for the series, developed the look of Agatha's magic, which is a purple version of Wanda's magic with a black, ink-like texture added to make it appear more evil.[177][171] Mr. X contributed 152 visual effects shots for the scenes in the final two episodes featuring a coven of witches.[178]

Visual effects progression showing the process to create Vision for the series (example from "Don't Touch That Dial"), depicting (L to R) Bettany on set wearing a bald cap, blue face makeup, and tracking markers; several iterations of the tracking markers being removed and sections of his face being replaced with CGI; and the final frame from the episode in black-and-white.[179]

DeMarco used Vision's introduction in Avengers: Age of Ultron (2015), which was primarily created by Lola VFX, as the definitive version of the character when approaching his visual effects for WandaVision. Close-ups of the character in Infinity War were also referenced. Bettany wore prosthetics over his ears to portray the character in the films, but these were replaced with CGI in post-production and were not actually needed. For the series, Bettany asked not to wear the prosthetics so he could hear better on set and be more comfortable. He instead wore a bald cap and face makeup to match Vision's color,[179] with the blue color used for Vision in the black-and-white episodes suggested by Lola VFX supervisor Trent Claus based on his knowledge of the makeup used for I Love Lucy.[180] The series' second visual effects supervisor, Sarah Elm, focused on Vision's effects and came to know what parts of Bettany's face needed to be kept and replaced to match the character's look in the films while retaining Bettany's performance. Multiple vendors worked on Vision for the series, and they were allowed to use their own methodologies for the character as long as the result was consistent. They generally used complex 3D and digital makeup techniques to create the character, with sections of Bettany's face replaced with CGI on a shot-by-shot basis; the actor's eyes, nose, and mouth were usually the only elements retained. Vision's skin needed to move to match with Bettany's performance, and sometimes specular highlights from the makeup were kept for the digital version, but it was not intended to look like actual skin with makeup on it and does not have pores or wrinkles. Digital contact lenses were applied over Bettany's eyes to create the "complex digital radial graphics" that Vision's eyes have,[179] though these were not added for the first three episodes to give Vision a more "wholesome" look during those sitcom periods.[181] The visual effects artists also had to manually fix the backgrounds around Vision's head since he has a narrower head than Bettany and has no ears.[179] MARZ, SSVFX, and Lola VFX were the primary vendors for Vision's face in the sitcom reality,[180] while Digital Domain created a full digital version of the character for the final episode which they shared with other vendors for use in earlier episodes. They also created a full model for White Vision.[179]

Rodeo FX spent nine months developing the visual effects for the Hex boundary and worked on 348 shots across most of the series' episodes.

Cantina Creative designed and animated graphics for different monitors and devices such as S.W.O.R.D.'s holographic table.[184] A number of final visual effects were reportedly added to the series after it had premiered.[185]

Music

External videos
video icon Marvel Studios' WandaVision Final End Credits Main On End Title Sequence presents the end credit sequence created by Perception with composer Christophe Beck's theme, YouTube video from Perception's channel

In January 2020, Christophe Beck announced that he would compose the score for the series, after previously scoring Ant-Man (2015) and Ant-Man and the Wasp.[186] Beck paid homage to the sitcoms in each time period through his instrumentation, compositional style, and period-specific recording and mixing techniques. Earlier episodes feature small orchestral ensembles, with later episodes having more of a rock-pop style, and the music becoming more pervasive as the series progresses.[67]: 9  Beck had hoped to match the spotting of each sitcom era as well, but found that this would not always work due to modern audiences expecting more music than older sitcoms would have included.[187] Michael Paraskevas and Alex Kovacs co-composed the series' music,[188] with Kovacs hired due to his experience with older orchestration techniques and jazz music which Beck found helpful when writing for the series' early episodes. Beck was more comfortable once the episodes required music inspired by the 1980s and 1990s.[187] To connect the music for the different sitcom eras, as well as the more traditional music for outside the sitcom reality, Beck composed several themes that are used in the different styles, which was possible since he knew where the series and characters were going from the beginning.[67]: 9 [187] Beck was most excited for the opportunity to write a definitive theme for Wanda that is heard during the series' end credits, which he hoped other composers would reprise for the character's future MCU appearances. Beck also wrote a love theme for Wanda and Vision that he said would convey feelings of love, tragedy, and sadness, which he compared to the romance music he composed for the series Buffy the Vampire Slayer.[187]

In December 2020,

backup singers for some of the songs.[192][194]

Beck chose to align the style and instrumentation of some of the episodes' music to the theme songs of those episodes, and tried to include motifs from the songs in the background score wherever possible.

Marketing

Disney's marketing team conceived its campaign for the series roughly a year-and-a-half before its release.

Comic Con Experience. Vinnie Mancuso of Collider said it was "very interesting", highlighting the "old-school black and white" coloring.[207] A commercial for the series and fellow Marvel Studios Disney+ series The Falcon and the Winter Soldier and Loki was shown during Super Bowl LIV.[208] Inverse's Dais Johnston found visual references to past sitcoms in the commercial, including The Dick Van Dyke Show, Leave It to Beaver, Bewitched, The Brady Bunch, Roseanne, and Full House. They thought the series would be a "must-see" for Marvel fans as well as "anyone looking for a hit of nostalgia: the era-spanning framework means anyone can relive the shows of their childhood".[209] Julia Alexander of The Verge said the footage "wasn't much" but offered "enough glimpses to tease fans".[210] Haleigh Foutch at Collider felt of all the Super Bowl commercials, Marvel's "stole the whole show". She was most excited by the "utterly strange and unpredictable looking" WandaVision footage.[211]

The series' official trailer was released on September 20, 2020, during the 72nd Primetime Emmy Awards.[212] The trailer received 55.7 million online views within 24 hours, including 36.1 million on YouTube, 4.9 million on Facebook, and 10.1 million on Instagram, which was believed to be the highest number ever for a streaming television series trailer. WandaVision also had over 302,600 social mentions, trending on Twitter immediately after a teaser aired during the Emmy Awards ahead of the full trailer's release, and ultimately trending fourth on Twitter. The trailer was the number two trending video on YouTube.[213] Ethan Anderton from /Film said the footage in the trailer looked like "one of the most trippy Marvel projects to date". He also noted more lighthearted aspects of the trailer such as Vision wearing a Halloween costume of the character's comic book design.[214] Matt Patches at Polygon called the trailer "a hoot, full of bright colors and odd behavior", adding that it still left much of the series a mystery.[215] Comic Book Resources' Noah Dominguez said the trailer "offers quite a bit in terms of content" with "a vivid look at some of the visual tricks on display".[216] Charles Pulliam-Moore of io9 called the trailer's use of "Twilight Time" by The Platters "the most haunting" of all of its strange features, and felt the trailer's editing created "the effect of rapidly flipping through television channels in search of something good to watch".[85] The Hollywood Reporter's Richard Newby described the trailer as "jam-packed with information" and felt that it "gives fans quite a lot to look forward to, as well as some mysteries to ponder over leading up to the premiere".[86] After actors from past Spider-Man films were revealed to be appearing in Spider-Man: No Way Home, Graeme McMillan of The Hollywood Reporter saw the series' official trailer "in a new light", suggesting the different versions of Wanda and Vision that appear in the series were because of Wanda "breaking down walls between different realities", which could set up Doctor Strange in the Multiverse of Madness and Spider-Man: No Way Home.[217]

In early December, six posters for the series were released daily, each depicting a decade from the 1950s through the 2000s. Pulliam-Moore noted that with each new poster, "different elements shift and morph, both reflecting the passage of time and WandaVision's plot developments".[218] The release of the posters was followed by a new trailer that debuted at Disney's Investors Day presentation. Anderton noted for /Film that the trailer featured more non-sitcom-inspired footage than previously seen, with "a lot to soak in".[219] Chaim Gartenberg at The Verge called the new trailer "mind-bending",[220] while Tom Reimann of Collider described it as "delightfully weird" and drew comparisons to the "House of M" comic book storyline.[221] Tony Sokol at Den of Geek highlighted the trailer's use of The Monkees' song "Daydream Believer", believing the title and lyrics reflected Wanda's mental state well even though the music becomes "barely recognizable under increasing layers of psychedelic weirdness".[222] The trailer received 9 million views on YouTube.[206] The first two episodes of the series Marvel Studios: Legends, released on January 8, 2021, explore Wanda and Vision using footage from their MCU film appearances.[223]

Including the aforementioned trailers, the series' marketing campaign across outdoor, digital, television, and magazine advertisements yielded 2.14 billion impressions. Analytics firm RelishMix determined the social reach for the series within its "social media universe" was 263,000, which was "lightyears ahead of most streaming shows". The various trailers, ads, and interviews posted to YouTube garnered the most awareness and engagement for WandaVision, with RelishMix noting that content posted to Marvel, Disney, and Disney+'s official channels was then reposted on fan channels. Leading up to the premiere, advertisements, "special-look stunt interstitials, co-branded takeovers, on-air graphic integrations, in-show integrations, and custom talent content" appeared on the various channels and assets of Walt Disney Television, ESPN, and Hulu, while billboards were seen in major cities such as New York and Los Angeles. Talent and influencers were sent a "TV-dinner box that had a custom TV tray, utensil set, coasters, drinking glasses, and a [custom] journal designed to look like a vintage TV Guide". A "never-before-done 'reality bending' grid that updates on its own" was created for the series' Instagram account,[206] with Disney's marketing team uploading each post in a specific order while the account was private and then archiving them. Once the account became public, the different posts were un-archived and re-archived to show a different grid of images for each episode.[224] Custom emojis on Twitter updated each week as WandaVision progressed through the decades.[206]

In January 2021, Marvel announced their "Marvel Must Haves" program, which revealed new toys, games, books, apparel, home decor, and other merchandise related to each episode of WandaVision each Monday from January 18 to March 8, 2021.[225][226] Additional "Must Haves" merchandise was revealed on May 10, 2021.[227] From late February 2021 until the series concluded in early March, Marvel partnered with chef Justin Warner to release recipes for food featured in, or inspired by, each episode.[228][229] In June 2021, Hyundai Motor Company released a commercial featuring Olsen as Wanda promoting WandaVision and the Hyundai Tucson. The commercial was produced by Marvel alongside similar commercials for The Falcon and the Winter Soldier, Loki, and What If...?, and was meant to tell an "in-world" story set within the narrative of the series.[230]

In July 2023, Manta Lab announced limited edition

SteelBooks for the series with various accessories such as postcards, character cards, and stickers. DVD or Blu-ray discs were not included with the SteelBooks,[231][232] as it was not an official home media release from Walt Disney Studios Home Entertainment.[233]

Release

Streaming

WandaVision premiered on Disney+ on January 15, 2021, with its first two episodes.[234] The other seven episodes were released weekly until March 5.[74][234] Marvel Studios originally planned to release the first three episodes at once, but decided against this because the final episode would not have been completed in time for that release schedule.[96] They also considered releasing the entire series at once, but chose weekly releases after seeing the success that the Disney+ Star Wars series The Mandalorian had with that approach. The episodes were subsequently structured with the weekly release in mind, with Feige explaining that they wanted viewers to try to "guess what happens next, to have a week speculating or rewatching and building that anticipation." He felt binge-watching the series after all the episodes were released would be an "equally fun experience".[235]

According to Shakman, the series was able to premiere so soon after filming ended because post-production work had already begun during the series' COVID-19 production shutdown.[10]: 34  Schaeffer felt the series was "suited to [being released during] this moment in time", amidst the pandemic, because it is a "reflection of a lot of the anxiety that we're feeling, and a lot of the pathos and chaos of [2020], so it feels very right to me".[10]: 35  Esquire's Matt Miller felt WandaVision had incredible timing with its release since much of the audience was "collectively escaping to nostalgia to cope with a pandemic and the general chaos of the real world". He also felt WandaVision was "commenting on the very nature and purpose of consuming comic book entertainment".[236] The series was originally set for release in early 2021,[237] before being moved forward to a December 2020 release in February 2020.[238] It was then moved back to the early 2021 slot in November 2020.[239] It is the first series in, and the start of, Phase Four of the MCU.[27][240]

Home media

WandaVision was released on

The Making of WandaVision".[242]

Reception

Audience viewership

WandaVision was Disney+'s most-watched series premiere on its opening weekend, ahead of the second season of The Mandalorian, until Disney+ announced that it had been surpassed by the series premiere of The Falcon and the Winter Soldier in March 2021.[244] When compared to other streaming series in each week of its release, WandaVision did not have the highest number of minutes viewed using Nielsen Media Research's measurements. Scott Mendelson of Forbes felt that this could be attributed to WandaVision's weekly release schedule, and opined that Disney accepted this in exchange for the continued discussions and coverage that the weekly release had given to event series such as Game of Thrones and The Mandalorian.[245] According to analytics provider TVision, who count U.S. viewers on connected televisions who have watched at least two minutes within a session of watching content for at least five minutes, WandaVision was the most viewed title of January 2021 across all major U.S. streaming and advertising video on demand services. The series had an 8,127 indexed audience size, which was 81 times more views than the average series measured by the service.[246]

Critical response

WandaVision: Critical reception by episode

Percentage of positive critics' reviews tracked by the website Rotten Tomatoes[247]

The review aggregator website Rotten Tomatoes reported a 91% approval rating with an average rating of 7.80/10, based on 414 reviews. The site's critical consensus reads, "Part loving homage to TV history, part off-kilter mystery, WandaVision is a wonderfully weird and strikingly bold step into the small screen for the MCU—and a perfect showcase for Elizabeth Olsen and Paul Bettany."[247] Metacritic, which uses a weighted average, assigned a score of 77 out of 100 based on 43 critics, indicating "generally favorable reviews".[248]

The first three episodes were given to critics to review the series ahead of its premiere, and TVLine's Rebecca Iannucci gave them an "A", praising WandaVision for deviating from the expectations of an MCU story.[249] Daniel Fienberg of The Hollywood Reporter said it was "creatively courageous" for an action-focused franchise to make a "postmodern exploration of sitcom conventions" that its core fans may not enjoy.[23] Shirley Li at The Atlantic praised the series' small stakes and focus on Wanda's grief and trauma, giving the character a chance to process loss in a way that superhero films generally do not allow.[250] Caroline Framke, writing for Variety, was more critical of the series, believing it would be too confusing for casual fans and stating that it was not as good at being a sitcom as the series it was copying. She preferred when it focused on its underlying mysteries.[45] Dominic Patten of Deadline Hollywood was also critical, describing it as a "baby boomer punchline in search of a joke" and believing that Marvel Television's Netflix series and ABC's Agents of S.H.I.E.L.D. were better.[251]

Many critics praised the recreation of sitcom styles and tropes.[249][250][252][253][254] Iannucci felt WandaVision was able to perfectly encapsulate the sitcoms it was replicating, and this helped make its mystery elements compelling during the first three episodes.[249] Richard Roeper of the Chicago Sun-Times described the series as a "painstakingly crafted, impressively spot-on tribute to the evolution of the American sitcom", and gave it 3.5 stars out of 4,[252] while Melanie McFarland at Salon said the creative team had recreated the sitcoms with "admirable precision", and especially praised Shakman's work. She did question whether the unique style of the first three episodes would be maintained until the end of the series, but felt it was going to be worth watching it all either way.[253] Li and Slant Magazine's Niv M. Sultan both felt it was likely that the series would move towards a more traditional MCU format, but still praised the sitcom elements in the early episodes.[250][254] Roxana Hadadi at RogerEbert.com was less positive about the sitcom elements and the way they had "sidelined" Wanda and Vision. Hadadi questioned what role the sitcom recreations played in the story and character development, which was not clear in the first three episodes.[255] Michael Phillips, writing for the Chicago Tribune, was critical of the sitcom tropes themselves, such as "canned and deadly" laugh tracks, as well as the episodes' pacing,[256] though he went on to enjoy episodes four through seven more because he felt those sitcom elements were a better fit for the cast.[257]

Reviewing the full series for Polygon, Joshua Rivera criticized its ending for setting up future MCU projects rather than resolving its own story. He said the series' biggest success was not being interested in heroism or justifying Wanda's actions, but felt it had undermined its exploration of Wanda's grief by not exploring Rambeau's grief as well.[258] Rolling Stone's Alan Sepinwall and Entertainment Weekly's Chancellor Agard also expressed concern with the series' focus on setting up other MCU stories in its finale, but both felt that this did not take away from the series' success.[36][259] Agard enjoyed the series' lower-stakes goals of exploring grief and developing Wanda into a fully fleshed-out character in a way that previous MCU films had never done. He gave the full series a "B+".[259] Sepinwall praised the series for its use of "narrative form to serve emotional function" and expressed hope that Marvel Studios would continue to experiment with its MCU projects in a similar way.[36] Zaki Hasan at the San Francisco Chronicle felt WandaVision worked as both an installment in the MCU franchise and also as an "introspective tale", with an ending that was "honest with its audience [and] true to itself". He also felt that it was a story suited to serialized television, with the central mysteries giving way to "meditations on love and loss" across its episodes.[260] Matt Purslow from IGN gave the series an 8 out of 10 and praised it as a bold change for the MCU that was unlike any other mainstream television series. He felt the series' biggest flaw was the fact that its emotional stakes were kept a mystery for so long, but with hindsight he praised the structure of the series' episodes which had no formula and made "each installment feel like a genuinely new adventure".[76]

The performances of Olsen, Bettany, Hahn, and Parris were all praised by critics,[23][76][249][253][260] and the roles of Dennings and Park as comic relief were also appreciated.[257] Sam Barsanti of The A.V. Club said the series' greatest strength was the way it took established MCU characters and put them into a new kind of story for the franchise.[261] Olsen received particular praise, with Iannucci describing the series as an opportunity for the actress to showcase her acting skills,[249] and Feinberg calling it a better "acting vehicle" than Olsen's roles in the MCU films.[23] Framke praised the way Olsen balanced her existing portrayal of Wanda with the series' sitcom influences, and felt the series would not work without a "nuanced actor like Olsen tethering it to some kind of reality".[45] Purslow highlighted Olsen's "chameleon-like ability" to replicate the performances of actresses from the different sitcom eras while also providing the required "heft" for the character's more dramatic scenes.[76] Discussing the series for The Ringer, Alison Herman praised it for focusing on Olsen as Wanda and exploring themes of grief, motherhood, and the history of gender in media without being marketed as a female-focused superhero series. She described WandaVision as a "piece of mass entertainment that's centered on women and adds depth as a result, but doesn't demand up front to be read as such".[262]

Analysis

Theories and speculation

After the first three episodes, Iannucci questioned if the series would have been better suited releasing its episodes all at once as opposed to weekly.[249] William Hughes of The A.V. Club agreed, believing that the slowly-revealed "mystery-box" format was "in direct opposition to the MCU ethos, which can tolerate a mystery for exactly as long as it takes its antsiest audience member to start to squirm. To withhold information—to withhold anything—is counter to what turned these films into a pop culture institution, and that necessity to provide gives WandaVision the sense of a show being pulled in even more directions than its already bifurcated premise might suggest." Hughes also felt that the less subtle mystery clues, such as changes in cinematography style, were distracting from the "legitimately wonderful work [that the series'] leads are doing in their homage to classic comedy styles".[263] Miles Surrey, writing for The Ringer, disagreed with Hughes, thinking the series understood the expectations of the audience by explaining the mysteries that the audience was likely already deducing in the fourth episode. Surrey added that WandaVision "isn't really trying to hide what it's about, but that works to the show's advantage. The series is getting better—and way creepier—the more it draws the curtain... [paving] the way for Marvel to make a concerted effort to dabble with horror; at least by the MCU's standards."[264]

The series' mystery elements and use of red herrings led to many theories that were widely discussed.[265][266][267] These red herrings included the character "Dottie",[15][46] and elements of the sets and visual effects.[268] Recurring imagery such as hexagons was also identified and analyzed.[269][270] The casting of Peters as "Pietro Maximoff" was particularly discussed, with many fans believing that his role was related to the multiverse and indicated a crossover with the X-Men film series;[271] speculation also arose that additional members of the X-Men would appear in the series.[102][83][272] The fact that this was not the case led Carlos Morales of IGN to describe the casting as unnecessary and a "hollow move, because it simultaneously dilutes what should be an important character beat into an 'I know him!' cameo, while also opening up a well of speculation that doesn't really go anywhere."[273] Schaeffer defended the casting, explaining that it was not meant to feel like a prank and instead was done as part of the series' larger exploration of Wanda's grief. She added that using another actor was "not going to have the same thrill, and craziness, and questions, and be as disorienting".[38] Screen Rant's Daniel Gillespie agreed, and called the casting a smart move that helped spark discussion of the series which might not have happened with another actor.[274] Adam B. Vary from Variety felt the casting was a good joke, but pointed out that it only worked if the viewer knew Peters had previously portrayed Peter Maximoff in the X-Men films. This is where Vary felt the series "got itself into some trouble" since "all kinds of multiverse shenanigans seemed to be at play, and the serious (and seriously online) fandom took that and sprinted with it".[271]

Other theories that fans and commentators speculated about include an aerospace engineer mentioned by Rambeau turning out to be an existing Marvel Comics character such as Reed Richards of the Fantastic Four;[102][265][272] Benedict Cumberbatch reprising his role as Stephen Strange;[272] and the Marvel Comics character Mephisto being the series' secret villain.[102][120][269][275] These theories did not pan out, though it was later revealed that there were early plans for Cumberbatch to appear in the series.[25][102] Schaeffer felt the series never presented the expectations that any of this speculation would be part of the series, and believed that it delivered on the expectations and promises it did make.[120] Collider's Carly Lane agreed with this sentiment, believing the series never strayed from the story it set out to tell, adding that WandaVision's weekly release allowed viewers to create "expectation over what they hoped the show would satisfy, rather than focusing on what it actually gave us". Lane concluded that there was nothing inherently wrong with fan theories, but equating a rewarding experience to how many theories come true "overlooks all of the places where the story has already succeeded".[266]

Grief and nostalgia

Trauma therapist Erin Qualey felt WandaVision was a positive representation of complex mental health issues in media, stating the exploration of Wanda's grief in the series made her "quickly become one of the most relatable characters on television" in the COVID-19 era, in which many were living with similar traumas. Qualey added, "By exploring how the process of admitting weakness can become an inherent strength, Wanda's story marks a refreshing, if temporary, departure from the usual comic book formula", and enjoyed that the series was exploring a person's internal struggles that people could relate to, rather than relying on a catastrophic event or fighting villains for spectacle. Speaking to a moment in the eighth episode when Vision likens grief to love persevering, Qualey said it was fantastic that Marvel "took an earnest pause to convey this sentiment".[276]

Candace Davison of

Film Companion also discussed how the sitcom nostalgia was not just a gimmick, noting that the series shows Wanda's parents using sitcoms as a coping mechanism for their family in war-torn Sokovia, and Wanda then uses the same strategy herself during traumatic moments of her adult life. Sequeira also discussed how the series examines this coping mechanism, stating, "The show does champion entertainment as a safe and welcoming space for those looking for an escape, but it also acts as a cautionary tale for those who employ it as an unhealthy coping mechanism... The show's release during a global pandemic, a time when people are turning to entertainment as a means of coping more than ever, drives home the point."[278]

At io9, Charles Pulliam-Moore called the series a "quirky character study" for Vision since the series has allowed him to "inhabit his identities as a hero, a goofball, and a loving husband" wrapped in the construct of an American sitcom. Pulliam-Moore was particularly fascinated by Vision becoming a father, given he "toils at a job he doesn't understand, checks when things go bump in the night, and does his best to take care of chores around the house before [Wanda] can get to them with her magic", all to ensure Wanda stays happy in their charade. He also felt the series was being purposeful with its exploration of romance and intimacy, which he felt was "largely missing" from superhero films.[279]

Accolades

WandaVision was nominated for eight

Writers Guild of America Award, among others.[294]

Bettany and Hahn were widely considered to be the front-runners to win Outstanding Lead Actor and Outstanding Supporting Actress in a Limited or Anthology Series or Movie, respectively, at the Emmys, with their losses deemed a surprise, along with the series only receiving wins at the Creative Arts Emmys.[295][296][297][298] The series is one of 117 television series that received the ReFrame Stamp for the years 2020 to 2021. The stamp is awarded by the gender equity coalition ReFrame as a "mark of distinction for projects that ... hire female-identifying people in four out of eight critical areas of production" to show progress in gender-balanced television production.[299]

Documentary special

In February 2021, the documentary series

The Making of WandaVision", explores the making of the series, with Schaeffer, Shakman, Olsen, Bettany, Rupp, Hahn, Parris, Park, Dennings, Peters, and others discussing the classic sitcoms that inspired the series, how the crew emulated the production processes of early sitcoms, and the experience of filming in front of a live studio audience. The special was released on Disney+ on March 12, 2021,[301] and will be included as part of the series' home media release on November 28, 2023.[242]

Future

Continuation

In January 2021, Schaeffer said she was unable to talk about any potential plans for a second season, but said the series would feel "very complete".[302] Shakman said there were no plans "at all" for a second season and one would only be made if a specific story came about that would warrant it.[303] Feige did not rule out a second season being made, but said one was not planned and pointed to Doctor Strange in the Multiverse of Madness instead as the continuation of the story set up in WandaVision,[304] with the story also continuing in other places;[305] Parris will star as Rambeau in the film The Marvels (2023), the sequel to Captain Marvel,[306] with WandaVision writer Megan McDonnell as one of its writers.[92][307] In June 2021, Olsen referred to WandaVision as a limited series.[104]

Spin-offs

Agatha

By October 2021, a "dark comedy" spin-off series was in development, with Hahn returning to reprise her role as Agatha Harkness along with Schaeffer returning as writer and executive producer.[308] Schaeffer also directs episodes of the series, with Gandja Monteiro and Rachel Goldberg also directing.[309] Hahn's involvement was part of a larger deal she signed with Marvel Studios to reprise the role in additional series and films.[310] Marvel Studios officially announced the series in November 2021.[311] Actors reprising their WandaVision roles include Ford,[312] Rupp,[313] Payton, Lengel, Ali, Glick, Brian Brightman, and Forbes,[309] starring alongside Joe Locke,[314] Aubrey Plaza,[315] Ali Ahn, Maria Dizzia,[316] Sasheer Zamata,[317] Patti LuPone,[318] Miles Gutierrez-Riley, and Okwui Okpokwasili in undisclosed roles.[309] Rupp described the series as the second season of WandaVision.[319] Agatha is scheduled to premiere in late 2024.[320][321]

Vision Quest

By October 2022, a second spin-off series centered on Bettany's Vision was in development, titled Vision Quest, with Bettany starring along with Schaeffer set as head writer.[322][323] The series centers on "White Vision" as he attempts to regain his memory and humanity.[323]

Notes

  1. ^ As depicted in Avengers: Age of Ultron (2015).
  2. ^ As a result of the actions of the Avengers during the events of Avengers: Endgame (2019).
  3. ^ As depicted in Avengers: Infinity War (2018).

References

  1. ^ a b Mancuso, Vinnie (January 29, 2021). "Here's Exactly When 'WandaVision' Takes Place in the MCU Timeline". Collider. Archived from the original on January 30, 2021. Retrieved January 29, 2021.
  2. ^ a b c d e f g h i j k l m n o p q Coggan, Devan (November 10, 2020). "Honey, I'm Chrome: Marvel prepares to take over TV with WandaVision". Entertainment Weekly. Archived from the original on November 10, 2020. Retrieved November 10, 2020.
  3. ^
    Marvel.com. Archived
    from the original on April 12, 2019. Retrieved April 12, 2019.
  4. from the original on September 21, 2020. Retrieved September 21, 2020.
  5. ^ Purslow, Matt (February 26, 2021). "WandaVision: Season 1, Episode 8 Review". IGN. Archived from the original on February 26, 2021. Retrieved February 26, 2021.
  6. ^ Shattuck, Kathryn (October 11, 2019). "Elizabeth Olsen on Grief, the Scarlet Witch and Her Next Life". The New York Times. Archived from the original on August 7, 2020. Retrieved October 21, 2020.
  7. ^ a b c d e Alter, Ethan (November 5, 2019). "'WandaVision': Everything we know about Marvel's 'first sitcom'". Yahoo!. Archived from the original on November 5, 2019. Retrieved November 9, 2019.
  8. ^ a b Travis, Ben (November 23, 2020). "WandaVision Explores Scarlet Witch's 'Ill-Defined Power-Set', Says Kevin Feige – Exclusive Images". Empire. Archived from the original on November 23, 2020. Retrieved November 23, 2020.
  9. ^ a b c d e Coggan, Devan (November 10, 2020). "Welcome to the neighborhood: Meet WandaVision's major players". Entertainment Weekly. Archived from the original on November 10, 2020. Retrieved November 10, 2020.
  10. ^
    SFX Magazine
    . No. 335. pp. 26–35.
  11. ^ a b c d e f Radish, Christina (January 11, 2021). "How 'WandaVision' Was Made: Cast and Crew on Iconic TV Influences, Big Swings, and More". Collider. Archived from the original on January 12, 2021. Retrieved January 11, 2021.
  12. ^ a b Robinson, Stephen (February 26, 2021). "The Scarlet Witch stands revealed in the penultimate installment of WandaVision". The A.V. Club. Archived from the original on February 26, 2021. Retrieved February 26, 2021.
  13. ^ Travers, Ben (February 26, 2021). "'WandaVision' Review: The Ghost of Grief's Past Ushers in the Series' Best Episode Yet — Spoilers". IndieWire. Archived from the original on February 27, 2021. Retrieved February 26, 2021.
  14. ^ D'Alessandro, Anthony (March 5, 2021). "'WandaVision' "The Series Finale" Recap: What Now For Scarlet Witch, Vision & The Kids?". Deadline Hollywood. Archived from the original on March 10, 2021. Retrieved March 13, 2021.
  15. ^ a b c d e f g h Boone, John (March 10, 2021). "'WandaVision' Creator on Agatha's Master Plan, That Ralph Bohner Reveal and White Vision (Exclusive)". Entertainment Tonight. Archived from the original on March 10, 2021. Retrieved March 11, 2021.
  16. ^
    Marvel.com. Archived
    from the original on March 6, 2021. Retrieved March 5, 2021.
  17. ^ from the original on February 27, 2021. Retrieved February 27, 2021.
  18. ^ a b c Vary, Adam B. (January 15, 2021). "'WandaVision' Series Premiere: What the Heck Is Going On, and More Burning Questions". Variety. Archived from the original on January 15, 2021. Retrieved January 15, 2021.
  19. ^ a b c d e Robinson, Stephen (January 29, 2021). "WandaVision returns with a wallop to the Marvel Cinematic Universe proper". The A.V. Club. Archived from the original on January 29, 2021. Retrieved January 29, 2021.
  20. ^ a b Purslow, Matt (February 19, 2021). "WandaVision: Season 1, Episode 7 Review". IGN. Archived from the original on February 19, 2021. Retrieved February 19, 2021.
  21. ^ Itzkoff, Dave (March 7, 2021). "Kathryn Hahn Talks About Her Insidious, Perfidious Role on 'WandaVision'". The New York Times. Archived from the original on March 7, 2021. Retrieved March 7, 2021.
  22. ^ Purslow, Matt (January 29, 2021). "WandaVision: Season 1, Episode 4 Review". IGN. Archived from the original on January 29, 2021. Retrieved January 29, 2021.
  23. ^ a b c d Fienberg, Daniel (January 14, 2021). "'WandaVision': TV Review". The Hollywood Reporter. Archived from the original on January 14, 2021. Retrieved January 14, 2021.
  24. ^ Deckelmeier, Joe (February 4, 2021). "Jac Schaeffer Interview: WandaVision". Screen Rant. Archived from the original on February 6, 2021. Retrieved February 6, 2021.
  25. ^ a b c d e f g h i j Hiatt, Brian (June 1, 2021). "The Oral History of 'WandaVision'". Rolling Stone. Archived from the original on June 2, 2021. Retrieved June 2, 2021.
  26. ^ a b c Ramos, Dino-Ray (July 20, 2019). "Teyonah Parris Joins Elizabeth Olsen And Paul Bettany For 'WandaVision' As Monica Rambeau". Deadline Hollywood. Archived from the original on December 9, 2019. Retrieved February 3, 2020.
  27. ^ a b c d e D'Alessandro, Anthony (January 10, 2021). "'WandaVision' Team On MCU Connections & How Disney+ Series Is "Cute-Cute Until It's Not"". Deadline Hollywood. Archived from the original on January 10, 2021. Retrieved January 10, 2021.
  28. ^ Baysinger, Tim (January 12, 2021). "There's a Very Specific Reason Monica Rambeau Is in 'WandaVision,' Kevin Feige Says". TheWrap. Archived from the original on January 12, 2021. Retrieved January 30, 2021.
  29. ^
    ComicBook.com. Archived
    from the original on January 9, 2021. Retrieved January 9, 2021.
  30. ^ Baysinger, Tim (February 1, 2021). "Randall Park Loved Jimmy Woo's Card Trick Mastery in 'WandaVision' Just as Much as You Did". TheWrap. Archived from the original on February 2, 2021. Retrieved February 1, 2021.
  31. ^ Guerrasio, Jason (February 2, 2021). "Randall Park explains how he learned Jimmy Woo's impressive card trick for 'WandaVision'". Insider. Archived from the original on February 6, 2021. Retrieved February 6, 2021.
  32. ^ a b c d Coggan, Devin (August 23, 2019). "Kat Dennings, Randall Park, and Kathryn Hahn join Disney+'s WandaVision". Entertainment Weekly. Archived from the original on August 24, 2019. Retrieved August 24, 2019.
  33. ^ a b Agard, Chancellor (February 1, 2021). "WandaVision star Kat Dennings discusses her 'unexpected' MCU return". Entertainment Weekly. Archived from the original on February 2, 2021. Retrieved February 1, 2021.
  34. ^ a b c Agard, Chancellor (February 5, 2021). "WandaVision recap: Family ties, for real". Entertainment Weekly. Archived from the original on February 6, 2021. Retrieved February 5, 2021.
  35. ^ Holub, Christian (February 26, 2021). "WandaVision recap: The one where they explain things". Entertainment Weekly. Archived from the original on February 26, 2021. Retrieved February 26, 2021.
  36. ^ a b c d Sepinwall, Alan (March 5, 2021). "'Wandavision' Series Finale Recap: The Lyin', the Witch and the Wardroid". Rolling Stone. Archived from the original on March 5, 2021. Retrieved March 5, 2021.
  37. ^
    Marvel.com. Archived
    from the original on February 8, 2021. Retrieved February 8, 2021.
  38. ^ a b Ankers, Adele (March 10, 2021). "WandaVision Writer Didn't Want Quicksilver Cameo to Feel Like a 'Prank'". IGN. Archived from the original on March 10, 2021. Retrieved March 12, 2021.
  39. ^ Erao, Math (March 9, 2021). "WandaVision Director Explains the Show's Unexpected Iron Man 3 Parallel". Comic Book Resources. Archived from the original on March 9, 2021. Retrieved March 12, 2021.
  40. ^ a b c d e f Itzkoff, Dave (March 8, 2021). "How the 'WandaVision' Creator Brought Her Vision (and Wanda's) to Life". The New York Times. Archived from the original on March 8, 2021. Retrieved March 8, 2021.
  41. ^ a b c d e f g Hood, Cooper (January 15, 2021). "WandaVision Episodes 1 & 2 Cast Guide: Every Marvel Character". Screen Rant. Archived from the original on January 15, 2021. Retrieved January 15, 2021.
  42. ComicBook.com. Archived
    from the original on February 12, 2021. Retrieved February 13, 2021.
  43. ^ Ellard, Andrew (February 26, 2021). "WandaVision episode eight: which witch will come out on top?". The Guardian. Archived from the original on February 26, 2021. Retrieved February 26, 2021.
  44. ^ a b Erao, Math (March 9, 2021). "WandaVision Director Says Your Commercial Fan Theories Are All Wrong". Comic Book Resources. Archived from the original on March 10, 2021. Retrieved March 10, 2021.
  45. ^ a b c Framke, Caroline (January 14, 2021). "'WandaVision' Is Better as a Weird Marvel Swing Than Sitcom Twist: TV Review". Variety. Archived from the original on January 14, 2021. Retrieved January 14, 2021.
  46. ^ a b c d Robinson, Joanna (March 5, 2021). "WandaVision's Emma Caulfield on the Perils of Being a Red Herring". Vanity Fair. Archived from the original on March 6, 2021. Retrieved March 5, 2021.
  47. ^ Kleinman, Jake (January 29, 2021). "Tyler Hayward: WandaVision's new character is hiding an evil secret". Inverse. Archived from the original on January 29, 2021. Retrieved January 29, 2021.
  48. ^ Hood, Cooper (January 29, 2021). "WandaVision Episode 4 Cast Guide: Every New & Returning MCU Character". Screen Rant. Archived from the original on January 29, 2021. Retrieved January 29, 2021.
  49. ^ Hood, Cooper (February 5, 2021). "WandaVision Episode 5 Cast Guide: Every Marvel Character". Screen Rant. Archived from the original on February 6, 2021. Retrieved February 5, 2021.
  50. ^ a b Schaeffer, Jac (March 5, 2021). "The Series Finale". WandaVision. Season 1. Episode 9. Disney+. End credits begin at 40:02.
  51. ComicBook.com. Archived
    from the original on January 29, 2021. Retrieved January 29, 2021.
  52. ^ Kaye, Don (January 22, 2021). "WandaVision Episode 3 Review: Now in Color". Den of Geek. Archived from the original on January 24, 2021. Retrieved January 24, 2021.
  53. ^ Hood, Cooper (January 22, 2021). "WandaVision Episode 3 Cast Guide: Every Marvel Character". Screen Rant. Archived from the original on January 22, 2021. Retrieved January 22, 2021.
  54. ^ Abrams, Simon (February 26, 2021). "'WandaVision' Fills In Gaps in Marvel History". The New York Times. Archived from the original on March 3, 2021. Retrieved March 5, 2021.
  55. ^ Kroll, Justin (September 18, 2018). "Loki, Scarlet Witch, Other Marvel Heroes to Get Own TV Series on Disney Streaming Service (Exclusive)". Variety. Archived from the original on September 20, 2018. Retrieved September 18, 2018.
  56. ^ Boucher, Geoff; Hipes, Patrick (October 30, 2018). "Marvel Duo Falcon & Winter Soldier Teaming For Disney Streaming Series". Deadline Hollywood. Archived from the original on October 31, 2018. Retrieved October 31, 2018.
  57. ^ Friedman, Mark (January 13, 2023). "Filing Reveals That Disney Awarded Bob Chapek's Son a Half-a-Million Dollar Bonus". Inside the Magic. Archived from the original on January 13, 2023. Retrieved April 6, 2023.
  58. ^ Sciretta, Peter (October 30, 2018). "Falcon/Winter Soldier TV Series Planned for Disney Streaming Service, Scarlet Witch Show May Co-Star Vision". /Film. Archived from the original on November 1, 2018. Retrieved November 1, 2018.
  59. ^ Boucher, Geoff (November 30, 2018). "Spider-Women, Captain Marvel & Harley Quinn: Females Fly In The Face Of Old Hollywood Perceptions". Deadline Hollywood. Archived from the original on December 1, 2018. Retrieved November 30, 2018.
  60. ^ a b c Kit, Borys (January 9, 2019). "Marvel's 'Vision and Scarlet Witch' Series Lands 'Captain Marvel' Writer (Exclusive)". The Hollywood Reporter. Archived from the original on January 10, 2019. Retrieved January 10, 2019.
  61. ^ Petski, Denise; Patten, Dominic (January 9, 2019). "Marvel's Scarlet Witch Series Taps 'Captain Marvel's Jac Schaeffer As Writer". Deadline Hollywood. Archived from the original on January 10, 2019. Retrieved January 12, 2019.
  62. ^ Tubbs, Juniper (July 5, 2021). "WandaVision: Marvel Rejected Writers Who Didn't Get the Show's Sitcom Premise". Comic Book Resources. Archived from the original on July 6, 2021. Retrieved July 7, 2021.
  63. ^
    Marvel.com. Archived
    from the original on November 14, 2019. Retrieved November 14, 2019.
  64. ^ Fischer, Jacob (August 21, 2019). "Matt Shakman In Talks To Direct 6-Episode Marvel Studios Series For Disney+ (Exclusive)". DiscussingFilm. Archived from the original on August 24, 2019. Retrieved August 24, 2019.
  65. ^
    Emmy. Archived
    from the original on December 20, 2020. Retrieved December 19, 2020.
  66. ^
    Emmy. Vol. XLII, no. 12. pp. 42–50. Archived
    from the original on December 20, 2020.
  67. ^ a b c d e f g h i "WandaVision Production Brief" (PDF). Disney Media and Entertainment Distribution. Archived (PDF) from the original on January 8, 2021. Retrieved January 11, 2021.
  68. ^ Miller, Liz Shannon (February 8, 2021). "'WandaVision' Creator Jac Schaeffer on the Show's More Unusual Inspirations, and Why the Title Is Perfect". Collider. Archived from the original on February 8, 2021. Retrieved February 10, 2021.
  69. ^ Mancuso, Vinnie (December 7, 2019). "'WandaVision' Will Finally Introduce the Name "Scarlet Witch" and Affect All of Marvel's Phase 4". Collider. Archived from the original on December 8, 2019. Retrieved December 14, 2019.
  70. ^ a b c Couch, Aaron (August 23, 2019). "Marvel Unveils 3 New Disney+ Shows Including 'She-Hulk' and 'Moon Knight'". The Hollywood Reporter. Archived from the original on August 23, 2019. Retrieved August 23, 2019.
  71. ^ Schwartz, Terri (August 27, 2019). "WandaVision Will Be the 'Oddest of All the Marvel Endeavors So Far'". IGN. Archived from the original on September 15, 2019. Retrieved October 10, 2019.
  72. ^ Labonte, Rachael (November 3, 2020). "WandaVision Is Like A Full-On Action Movie Says Star". Screen Rant. Archived from the original on November 3, 2020. Retrieved November 7, 2020.
  73. ^ Sepinwall, Alan (March 10, 2021). "'We Started With Sitcom Boot Camp': Director Matt Shakman on the Making of 'WandaVision'". Rolling Stone. Archived from the original on March 10, 2021. Retrieved June 5, 2021.
  74. ^ a b Lee, Janet W. (January 4, 2021). "Disney Plus Unveils 'WandaVision' TV Spot, Releases Original Theme Song". Variety. Archived from the original on January 4, 2021. Retrieved January 4, 2021.
  75. ^ Schedeen, Jesse (January 12, 2021). "She-Hulk: Kevin Feige Reveals Length and Episode Count for the Disney Plus Series". IGN. Archived from the original on January 12, 2021. Retrieved January 12, 2021.
  76. ^ a b c d Purslow, Matt (March 12, 2021). "WandaVision: Full Series Review". IGN. Archived from the original on March 12, 2021. Retrieved March 14, 2021.
  77. ^ Jarvey, Natalie (October 16, 2019). "Disney Over the Top: Bob Iger Bets the Company (and Hollywood's Future) on Streaming". The Hollywood Reporter. Archived from the original on October 17, 2019. Retrieved October 17, 2019.
  78. ^ a b c d Shafer, Ellise (January 10, 2021). "Kevin Feige Hints at a 'Full House' Homage on 'WandaVision' and Everything Else We Learned About the Marvel Series". Variety. Archived from the original on January 11, 2021. Retrieved January 10, 2021.
  79. ^ a b Bui, Hoai-Tran (January 11, 2021). "Kevin Feige on How 'WandaVision' and Other Marvel Disney+ Shows Will Expand the Marvel Cinematic Universe [Interview]". /Film. Archived from the original on January 11, 2021. Retrieved January 11, 2021.
  80. ^ Erao, Math (October 4, 2019). "WandaVision Takes Inspiration From King and Walta's Vision". Comic Book Resources. Archived from the original on October 5, 2019. Retrieved November 9, 2019.
  81. ^
    Nerdist. Archived
    from the original on January 16, 2021. Retrieved January 16, 2021.
  82. ^ Malkin, Marc (January 15, 2021). "'WandaVision' Star Paul Bettany on Why Sitcom Acting Was 'Frightening at Times'". Variety. Archived from the original on January 15, 2021. Retrieved January 23, 2021.
  83. ^ a b c d e Vary, Adam B. (March 10, 2021). "'WandaVision': Elizabeth Olsen and Jac Schaeffer on Wanda's Kids, Fan Theories and the Future of the Show". Variety. Archived from the original on March 12, 2021. Retrieved March 12, 2021.
  84. ^ Pulliam-Moore, Charles (February 2, 2021). "These '80s West Coast Avengers Comics May Be the Key to Solving WandaVision's Mysteries". io9. Archived from the original on February 6, 2021. Retrieved February 8, 2021.
  85. ^ a b c Pulliam-Moore, Charles (September 21, 2020). "Breaking Down WandaVision's First Reality-Warping Trailer". io9. Archived from the original on September 22, 2020. Retrieved September 22, 2020.
  86. ^ a b Newby, Richard (September 21, 2020). "Inside the Spellbinding 'WandaVision' Trailer". The Hollywood Reporter. Archived from the original on September 23, 2020. Retrieved September 22, 2020.
  87. ^ a b c Lopez, Kristen (February 2, 2021). "'WandaVision' Creator: Series Was Never Intended to Be a Feature Film". IndieWire. Archived from the original on February 4, 2021. Retrieved February 6, 2021.
  88. ^ a b c Taylor-Foster, Kim (February 4, 2021). "WandaVision Showrunner Discusses Changing Character Origin Stories". Fandom. Archived from the original on February 4, 2021. Retrieved February 6, 2021.
  89. ^ a b c Rome, Emily (July 31, 2019). "'Black Widow' Writer Jac Schaeffer Isn't Scared to Make the Fanboys Mad". Inverse. Archived from the original on August 3, 2019. Retrieved August 11, 2019.
  90. ^
    Marvel.com. Archived
    from the original on March 21, 2021. Retrieved March 26, 2021.
  91. ^ D'Alessandro, Anthony (March 9, 2021). "'WandaVision' EP & Head Scribe Jac Schaeffer On Scarlet Witch's Grief & Who Didn't Show Up In "The Series Finale" – Q&A". Deadline Hollywood. Archived from the original on March 9, 2021. Retrieved March 9, 2021.
  92. ^ a b Kit, Borys (January 22, 2020). "'Captain Marvel 2' in the Works With 'WandaVision' Writer". The Hollywood Reporter. Archived from the original on January 23, 2020. Retrieved January 22, 2020.
  93. ^
    Marvel.com. Archived
    from the original on February 1, 2021. Retrieved February 6, 2021.
  94. ^ Barfield, Charles (January 29, 2021). "'WandaVision' Creator Jac Schaeffer Talks Viewers' Impatience, Those Wonder Man Rumors & More [Interview]". The Playlist. Archived from the original on January 30, 2021. Retrieved January 31, 2021.
  95. ^ Moye, Clarence (June 16, 2021). "Director Matt Shakman Shaped 'WandaVision' From Personal Passions". Awards Daily. Archived from the original on June 16, 2021. Retrieved July 17, 2021.
  96. ^ a b Bui, Hoai-Tran (March 8, 2021). "'WandaVision' Finale Originally Had Larger Roles for Monica Rambeau and That Creepy Rabbit, Director Matt Shakman Reveals". /Film. Archived from the original on March 8, 2021. Retrieved March 8, 2021.
  97. ^ Sepinwall, Alan (January 29, 2021). "'WandaVision' Recap: Behind the Screens". Rolling Stone. Archived from the original on January 29, 2021. Retrieved January 29, 2021.
  98. ^ a b c d e f Davids, Brian (January 15, 2021). "How 'WandaVision' Director Matt Shakman Went from Westeros to Westview". The Hollywood Reporter. Archived from the original on January 15, 2021. Retrieved January 15, 2021.
  99. ^ Allen, Paige (March 11, 2021). ""WandaVision" creator Jac Schaeffer '00 discusses Princeton connections, sitcom inspiration, and female representation". The Daily Princetonian. Archived from the original on March 12, 2021. Retrieved April 7, 2021.
  100. ^ Sepinwall, Alan (February 26, 2021). "'WandaVision' Recap: Some Assembly Required". Rolling Stone. Archived from the original on February 26, 2021. Retrieved February 26, 2021.
  101. ^ a b c Coggan, Devan (March 2, 2021). "WandaVision director breaks down 'Agatha All Along' and teases the 'surprising but satisfying' finale". Entertainment Weekly. Archived from the original on March 2, 2021. Retrieved March 2, 2021.
  102. ^ a b c d e f g Amaya, Erik (March 12, 2021). "WandaVision Creative Team Discusses The Darkhold, the Scarlet Witch, and Fan Theories". Rotten Tomatoes. Archived from the original on March 13, 2021. Retrieved May 17, 2021.
  103. ^ Pearson, Ben (February 3, 2021). "'WandaVision' Showrunner on Red Herrings, How the TV Broadcasts Work For Darcy and Jimmy, Episode 4's Hospital Scene, and More [Interview]". /Film. Archived from the original on February 3, 2021. Retrieved February 3, 2021.
  104. ^ a b Aurther, Kate (June 8, 2021). "Elizabeth Olsen Answers All Our Burning Questions About 'WandaVision' — and What About a Season 2?". Variety. Archived from the original on June 18, 2021. Retrieved June 22, 2021.
  105. ^ a b Boone, John (March 10, 2021). "'WandaVision' Director Explains Why the Series Didn't Introduce Wiccan and Speed (Exclusive)". Entertainment Weekly. Archived from the original on March 11, 2021. Retrieved March 12, 2021.
  106. ^ Donnelly, Matt (July 20, 2019). "'Doctor Strange' Sequel Billed as First MCU Horror Film at Comic-Con". Variety. Archived from the original on July 21, 2019. Retrieved July 21, 2019.
  107. ComicBook.com. Archived
    from the original on January 14, 2021. Retrieved January 23, 2021.
  108. ^ a b c Boone, John (January 26, 2021). "'WandaVision' Creator on Post-Credits Scenes and Why It Was Important to Talk About Pietro (Exclusive)". Entertainment Tonight. Archived from the original on January 27, 2021. Retrieved January 27, 2021.
  109. ComicBook.com. Archived
    from the original on August 12, 2021. Retrieved August 12, 2021.
  110. ^ Robinson, Joanna (June 3, 2021). "How the Man Behind Loki Is Shaping Marvel's Phase 4 and Beyond". Vanity Fair. Archived from the original on June 3, 2021. Retrieved June 3, 2021.
  111. ^ a b c d Radish, Christina (November 25, 2020). "Paul Bettany & Alan Ball on 'Uncle Frank,' 'WandaVision,' & Having Similar Directing Styles". Collider. Archived from the original on December 7, 2020. Retrieved December 12, 2020.
  112. ^ Ryan, Mike (January 27, 2021). "'WandaVision' Head Writer Jac Schaeffer Reveals What Deep-Cut Sitcom Inspired The Series". Uproxx. Archived from the original on January 27, 2021. Retrieved January 27, 2021.
  113. ^ Robinson, Stephen (February 12, 2021). "Halloween arrives early on a creepy, chilling WandaVision". The A.V. Club. Archived from the original on February 13, 2021. Retrieved February 13, 2021.
  114. ^ Boone, John (January 14, 2021). "How a Lunch With Dick Van Dyke Helped Inspire Marvel's 'WandaVision' (Exclusive)". Entertainment Tonight. Archived from the original on January 16, 2021. Retrieved January 18, 2021.
  115. ^ Salazar, Savannah (January 22, 2021). "What Are the Commercials in WandaVision Telling Us?". Vulture. Archived from the original on January 23, 2021. Retrieved January 22, 2021.
  116. ^ Bacon, Thomas (January 22, 2021). "WandaVision: Every MCU Easter Egg In Episode 3". Screen Rant. Archived from the original on January 23, 2021. Retrieved January 22, 2021.
  117. ^ Edwards, Molly (January 22, 2021). "The secret message behind WandaVision's commercials explained". Total Film. Archived from the original on January 23, 2021. Retrieved January 23, 2021.
  118. ^ a b Miller, Liz Shannon (March 10, 2021). "'WandaVision' Creator on That Ending, Wanda Criticism, and Why Paul Bettany Is Allowed to Troll". Collider. Archived from the original on March 11, 2021. Retrieved March 12, 2021.
  119. ^ a b c Buchanan, Kyle (May 9, 2022). "How Elizabeth Olsen Came Into Her Powers". The New York Times. Archived from the original on May 10, 2022. Retrieved May 10, 2022.
  120. ^ a b c Davids, Brian (March 10, 2021). "'WandaVision' Boss Jac Schaeffer on Fan Theories: "Even At This Point, I Don't Want Mephisto or Magneto"". The Hollywood Reporter. Archived from the original on March 11, 2021. Retrieved March 12, 2021.
  121. ^ Davids, Brian (January 12, 2021). "Kathryn Hahn on 'WandaVision': "I Couldn't Have Dreamt a Cooler Part"". The Hollywood Reporter. Archived from the original on January 13, 2021. Retrieved April 11, 2021.
  122. ^ Bundel, Ani (September 21, 2020). "These Details In Disney+'s First 'WandaVision' Trailer Hint At What's Coming". Elite Daily. Archived from the original on September 20, 2020. Retrieved September 21, 2020.
  123. ^ Miller, Liz Shannon (January 19, 2021). "'WandaVision': Sitcom Legend Debra Jo Rupp Says Playing Mrs. Hart "Was the Most Fun Thing Ever"". Collider. Archived from the original on January 20, 2021. Retrieved January 20, 2021.
  124. ^ Kleinman, Jake (March 2, 2021). "Fred Melamed is the Only Supervillain WandaVision Really Needs". Inverse. Archived from the original on March 2, 2021. Retrieved March 7, 2021.
  125. ^ Opie, David (January 26, 2021). "WandaVision star Emma Caulfield on keeping secrets and Marvel fan theories". Digital Spy. Archived from the original on January 27, 2021. Retrieved January 27, 2021.
  126. ^ Kroll, Justin (October 13, 2020). "Sydney Chandler, Nick Kroll, Douglas Smith, Kate Berlant, Asif Ali Round Out Cast Of Olivia Wilde's 'Don't Worry Darling'". Deadline Hollywood. Archived from the original on October 14, 2020. Retrieved October 14, 2020.
  127. ^ Petski, Denise (October 30, 2020). "'The White Lotus': Molly Shannon Among Five Cast In HBO's Limited Social Satire". Deadline Hollywood. Archived from the original on October 30, 2020. Retrieved October 30, 2020.
  128. ^ a b Altman, Randi (April 29, 2021). "WandaVision Director Matt Shakman Talks Post and VFX". postPerspective. Archived from the original on April 30, 2021. Retrieved June 13, 2021.
  129. ^ a b c d McGowan, Chris (April 12, 2021). "The Future Of Film In The Post-COVID Era". VFX Voice Magazine. Archived from the original on June 13, 2021. Retrieved June 13, 2021.
  130. ^ a b c Miller, Liz Shannon (February 12, 2021). "How 'WandaVision' Production Designer Mark Worthington Created Both a Sitcom World and S.W.O.R.D." Collider. Archived from the original on February 12, 2021. Retrieved June 13, 2021.
  131. ^
    Looper.com. Archived
    from the original on February 27, 2021. Retrieved June 13, 2021.
  132. ^ Sayej, Nadja (March 15, 2021). "WandaVision: Inside the Retro Sets". Architectural Digest. Archived from the original on March 15, 2021. Retrieved June 13, 2021.
  133. Marvel.com
    . Retrieved June 20, 2021.
  134. ^ a b Turchiano, Danielle (June 14, 2021). "'WandaVision' Costume Designer on Creating a 'More Mature' Scarlet Witch Look". Variety. Archived from the original on June 14, 2021. Retrieved June 20, 2021.
  135. ^ Lopez, Kristen (February 23, 2021). "'WandaVision': Yes, Pietro's Halloween Hair Was a Tribute to Wolverine". IndieWire. Archived from the original on February 24, 2021. Retrieved February 25, 2021.
  136. ^ a b c Fraser, Emma (February 26, 2021). "How 'WandaVision' Travels the Decades Through Hair and Makeup". Elle. Archived from the original on February 26, 2021. Retrieved June 20, 2021.
  137. Marvel.com. Archived
    from the original on February 23, 2021. Retrieved June 20, 2021.
  138. ^ from the original on March 9, 2021. Retrieved June 20, 2021.
  139. ^
    Gold Derby
    . Retrieved June 20, 2021.
  140. ^ Blyth, Antonia (April 27, 2018). "Elizabeth Olsen Wouldn't Mind Tweaking Her 'Avengers' Cleavage Corset". Elle. Archived from the original on April 28, 2018. Retrieved June 20, 2021.
  141. ^ Fashion Institute of Design & Merchandising (June 25, 2021). Creating The Costumes of WandaVision, With Costume Designer Mayes C. Rubeo. Retrieved June 27, 2021 – via YouTube.
  142. ^ Sarkisian, Jacob (April 10, 2021). "Kathryn Hahn had to wear a cooling suit underneath her 'WandaVision' costume because they shot at the height of summer". Insider Inc. Archived from the original on April 10, 2021. Retrieved June 20, 2021.
  143. ^ a b c d e "WandaVision | Main on End Title Design". Perception. Archived from the original on May 2, 2021. Retrieved June 5, 2021.
  144. ^ a b Cecchini, Mike; Bojalad, Alec (January 15, 2021). "Marvel's WandaVision Episode 1: MCU Easter Eggs and Reference Guide". Den of Geek. Archived from the original on January 16, 2021. Retrieved January 16, 2021.
  145. ^ a b Pulliam-Moore, Charles (January 15, 2021). "WandaVision Opened With a Stylishly Old-Fashioned Web of Lies and Intrigue". io9. Archived from the original on January 16, 2021. Retrieved January 16, 2021.
  146. ^ Krajnyak, Zack (January 15, 2021). "What WandaVision's Credits Reveal About The Mystery". Screen Rant. Archived from the original on January 16, 2021. Retrieved January 16, 2021.
  147. ^ Marsh, Calum (March 4, 2021). "How WandaVision's Pitch-Perfect Title Sequences Channeled TV's Past". Vulture. Archived from the original on March 6, 2021. Retrieved March 5, 2021.
  148. ^ Couch, Aaron (November 10, 2019). "Marvel's Kevin Feige Breaks Silence on Scorsese Attack: "It's Unfortunate" (Exclusive)". The Hollywood Reporter. Archived from the original on November 11, 2019. Retrieved November 10, 2019.
  149. ^
    ComicBook.com. Archived
    from the original on September 20, 2019. Retrieved October 21, 2019.
  150. ^ Fisher, Jacob (September 29, 2019). "Jess Hall Joins 'WandaVision' (Exclusive)". Discussing Film. Archived from the original on November 3, 2019. Retrieved November 17, 2019.
  151. ^ a b c d Shannon Miller, Liz (February 23, 2021). "Here's How (and Why) the 'WandaVision' Team Changed the Show's Cinematography and Aspect Ratio Each Week". Collider. Archived from the original on February 23, 2021. Retrieved February 24, 2021.
  152. ^ Giardina, Carolyn (June 6, 2021). "How 'WandaVision' Re-created Classic Sitcom Camera Magic". The Hollywood Reporter. Archived from the original on June 6, 2021. Retrieved June 6, 2021.
  153. ^ Bui, Hoai-Tran (January 11, 2021). "How 'WandaVision' Director Matt Shakman Went From Starring in Sitcoms to Helming a Superhero Sitcom Love Letter [Interview]". /Film. Archived from the original on January 12, 2021. Retrieved January 11, 2021.
  154. ^ Walljasper, Matt (December 30, 2019). "What's filming in Atlanta now? WandaVision, The Falcon and the Winter Soldier, Queen of Soul, The Tomorrow War, and more". Atlanta. Archived from the original on March 2, 2020. Retrieved April 3, 2020.
  155. ^ Walljasper, Matt (February 29, 2020). "What's filming in Atlanta now? Loki, WandaVision, The Falcon and the Winter Soldier, Samaritan, DMZ, and more". Atlanta. Archived from the original on March 2, 2020. Retrieved March 2, 2020.
  156. ComicBook.com. Archived
    from the original on March 2, 2020. Retrieved March 2, 2020.
  157. ^ a b Television Academy (December 18, 2020). Under the Cover with WandaVision. Archived from the original on December 22, 2020. Retrieved December 20, 2020 – via YouTube.
  158. ^ Kroll, Justin (March 14, 2020). "Marvel's Disney Plus Shows Pause Production Due to Coronavirus". Variety. Archived from the original on March 14, 2020. Retrieved March 14, 2020.
  159. ^ Baysinger, Tim (January 10, 2021). "How 'WandaVision' Reassembles the MCU With a Crash Course Through TV Sitcom History". TheWrap. Archived from the original on January 11, 2021. Retrieved January 10, 2021.
  160. Fatman Beyond (March 7, 2021). *Spoiler* WandaVision Finale & Special Guest Matt Shakman!! FMB 3/7/21. Event occurs at 55:35. Retrieved March 10, 2021 – via YouTube
    .
  161. ^ Douglas, Edward (June 10, 2021). "Contender Profile: Production Designer Mark Worthington Breaks New and Vintage Ground with Marvel's WandaVision". Below the Line. Archived from the original on June 10, 2021. Retrieved June 13, 2021.
  162. ^ Scholz, Pablo (November 13, 2020). "Entrevista exclusiva: quién es la argentina vicepresidenta de Marvel, la mujer más poderosa de Hollywood" [Exclusive interview: who is the Argentinian vice president of Marvel, the most powerful woman in Hollywood]. Clarín (in Spanish). Archived from the original on November 13, 2020. Retrieved November 13, 2020.
  163. ^ Dumaraog, Ana (November 27, 2020). "Doctor Strange 2 Shooting Straight After WandaVision Makes Scarlet Witch Better, Says Olsen". Screen Rant. Archived from the original on November 27, 2020. Retrieved November 27, 2020.
  164. ^ a b c d e f "WandaVision | Editors – Tim Roche ACE, Zene Baker ACE, Nona Khodai ACE" (Podcast). The Rough Cut. March 15, 2021. Retrieved June 6, 2021.
  165. ^ Travers, Ben (January 14, 2021). "'WandaVision' Review: Marvel's First Disney+ Series Is Good, All-Too-Fleeting Fun". IndieWire. Archived from the original on January 15, 2021. Retrieved January 24, 2021.
  166. ^ a b Pennington, Adrian (April 19, 2021). "Behind the Scenes: WandaVision". IBC. Archived from the original on August 9, 2021. Retrieved January 18, 2022.
  167. ^ Russell, Bradley (June 6, 2021). "Marvel is sneaking 'deleted scenes' into its WandaVision recaps". GamesRadar+. Archived from the original on June 6, 2021. Retrieved June 6, 2021.
  168. ^ Frei, Vincent (January 5, 2021). "WandaVision". Art of VFX. Archived from the original on January 13, 2021. Retrieved January 15, 2021.
  169. ^ Desowitz, Bill (June 9, 2021). "'WandaVision': How Marvel Went Retro for Recreating the TV Sitcom World with VFX". IndieWire. Archived from the original on June 10, 2021. Retrieved June 12, 2021.
  170. ^ Pearson, Ben (January 11, 2021). "'WandaVision' Has More VFX Shots Than 'Avengers: Endgame', Will Feature Some of Marvel's Biggest Setpieces". /Film. Archived from the original on January 12, 2021. Retrieved January 11, 2021.
  171. ^ a b c Marshall, Rick (March 28, 2021). "How WandaVision's VFX Gave TV Magic A Marvel Makeover". Digital Trends. Archived from the original on March 28, 2021. Retrieved June 8, 2021.
  172. ^ a b Moltenbrey, Karen. "Cover Story: Disney+'s WandaVision". Post Magazine. Archived from the original on June 13, 2021. Retrieved June 13, 2021.
  173. ^ Francisco, Eric (March 23, 2021). "'WandaVision' VFX team reveals exactly how Vision came back to life". Inverse. Archived from the original on April 26, 2021. Retrieved June 13, 2021.
  174. Looper.com. Archived
    from the original on June 12, 2021. Retrieved June 12, 2021.
  175. ^ Taylor-Foster, Kim (March 25, 2021). "WandaVision VFX Supervisor Reveals the Series' Most Surprising CGI". Fandom. Archived from the original on March 25, 2021. Retrieved June 13, 2021.
  176. ^ Frei, Vincent (April 7, 2021). "WandaVision: Marion Spates – VFX Supervisor – Digital Domain". Art of VFX. Archived from the original on April 7, 2021. Retrieved June 8, 2021.
  177. ^ "WandaVision". Framestore. March 19, 2021. Archived from the original on June 12, 2021. Retrieved June 12, 2021.
  178. ^ "MR. X partners with Marvel Studios to deliver magical VFX for 'WandaVision'". AnimationXpress. April 13, 2021. Archived from the original on June 12, 2021. Retrieved June 12, 2021.
  179. ^ a b c d e f g h "Vision getting ahead in WandaVision". fxguide. March 22, 2021. Archived from the original on March 23, 2021. Retrieved June 8, 2021.
  180. ^ a b Failes, Ian (March 25, 2021). "What it takes to make Vision's face". befores & afters. Archived from the original on March 25, 2021. Retrieved June 12, 2021.
  181. ^ Stone, Sam (March 26, 2021). "WandaVision: Ryan Freer Spills the VFX Secrets Behind the MCU Series". Comic Book Resources. Archived from the original on March 26, 2021. Retrieved June 8, 2021.
  182. ^ a b Webster, Andrew (March 22, 2021). "Creating WandaVision's visual effects, from old-school sitcom gags to Vision's CG face". The Verge. Archived from the original on March 22, 2021. Retrieved June 8, 2021.
  183. Marvel.com. Archived
    from the original on March 16, 2021. Retrieved March 16, 2021.
  184. ^ "WandaVision". Cantina Creative. Archived from the original on June 13, 2021. Retrieved June 13, 2021.
  185. ^ Siegel, Tatiana (November 1, 2023). "Crisis at Marvel: Jonathan Majors Back-Up Plans, 'The Marvels' Reshoots, Reviving Original Avengers and More Issues Revealed". Variety. Archived from the original on November 1, 2023. Retrieved November 1, 2023.
  186. Superhero Hype!. Archived
    from the original on January 22, 2020. Retrieved January 21, 2020.
  187. ^ from the original on February 4, 2021. Retrieved February 6, 2021.
  188. ^ Beck, Christophe [@CBeckOfficial] (January 12, 2021). "Thrilled to announce the release of score albums (incl. great themes by @Lyrikris10 and #bobbylopez) for each episode of Marvel's @wandavision on all major streaming platforms the week after video release. Flick o' the mind stone to my co-composers @mparaskevas and @alexkovacs 🙏🏼" (Tweet). Archived from the original on January 13, 2021. Retrieved January 12, 2021 – via Twitter.
  189. ^ a b Taylor, Drew (January 4, 2021). "Each Episode of 'WandaVision' Will Have a Different Theme Song Written by 'Frozen' Songwriters". Collider. Archived from the original on January 4, 2021. Retrieved January 4, 2021.
  190. ComicBook.com. Archived
    from the original on January 4, 2021. Retrieved January 4, 2021.
  191. ^ a b Vary, Adam B. (March 5, 2021). "Watch the 'WandaVision' Songwriters Reveal the Secret Melody They Hid in Each Theme Song". Variety. Archived from the original on March 6, 2021. Retrieved March 6, 2021.
  192. ^ a b c d Coggan, Devan (January 22, 2021). "WandaVision theme songwriters break down their decade-hopping tributes to classic TV". Entertainment Weekly. Archived from the original on January 22, 2021. Retrieved January 25, 2021.
  193. Marvel.com. Archived
    from the original on February 8, 2021. Retrieved February 9, 2021.
  194. ^ a b Miller, Liz Shannon (January 20, 2021). "'WandaVision' Songwriters Kristen Anderson-Lopez & Robert Lopez on What Decade was the Hardest". Collider. Archived from the original on January 20, 2021. Retrieved January 23, 2021.
  195. Gold Derby
    . Retrieved June 13, 2021.
  196. ^ Burlingame, Jon (June 3, 2021). "Music From 'WandaVision,' 'The Falcon and the Winter Soldier' Generates Emmys Buzz for Marvel". Variety. Archived from the original on June 3, 2021. Retrieved June 5, 2021.
  197. ^ "Project Poster Gallery – Synchron Stage Vienna". SynchronStage.com. Archived from the original on December 5, 2022. Retrieved February 7, 2023.
  198. ^ "Details for 'WandaVision' Episodes 1 & 2 Soundtrack Albums Revealed". Film Music Reporter. January 21, 2021. Archived from the original on January 22, 2021. Retrieved January 21, 2021.
  199. ^ Anderton, Ethan (January 24, 2021). "Marvel's 'WandaVision' Soundtracks Released for the First Two Episodes". /Film. Archived from the original on January 25, 2021. Retrieved January 27, 2021.
  200. ^ "Details for 'WandaVision' Episode 9 Soundtrack Album Revealed". Film Music Reporter. March 11, 2021. Archived from the original on March 11, 2021. Retrieved March 12, 2021.
  201. ^ Garvey, Marianne (February 24, 2021). "Marvel releases catchy 'Agatha All Along' song from 'WandaVision'". CNN. Archived from the original on February 25, 2021. Retrieved February 24, 2021.
  202. ^ Morona, Joey (February 24, 2021). "Cleveland actress Kathryn Hahn scores hit song with 'Agatha All Along' from 'WandaVision'". The Plain Dealer. Archived from the original on February 25, 2021. Retrieved February 25, 2021.
  203. ^ "'WandaVision' Song 'Agatha All Along' Is Now a Billboard Chart Hit". Billboard. March 3, 2021. Archived from the original on March 3, 2021. Retrieved March 3, 2021.
  204. ^ a b Giardina, Carolyn; Chuba, Kirsten; Beresford, Trilby; Drury, Sharareh (September 12, 2021). "Creative Arts Emmys: Complete Winners List". The Hollywood Reporter. Archived from the original on September 11, 2021. Retrieved September 12, 2021.
  205. ^ Willman, Chris; Aswad, Jem (November 23, 2021). "Grammy Awards Nominations 2022: The Complete List". Variety. Archived from the original on November 24, 2021. Retrieved November 24, 2021.
  206. ^ a b c d D'Alessandro, Anthony (January 15, 2021). "How The Disney Marketing Team Revitalized The MCU With 'WandaVision', 20 Months After 'Avengers: Endgame'". Deadline Hollywood. Archived from the original on January 21, 2021. Retrieved January 22, 2021.
  207. ^ Mancuso, Vinnie (December 7, 2019). "First 'WandaVision' Image Sees Elizabeth Olsen and Paul Bettany Going Old School". Collider. Archived from the original on December 8, 2019. Retrieved December 14, 2019.
  208. ^ Coogan, Devan (February 2, 2020). "Disney+ drops surprise look at Loki, WandaVision, and The Falcon and the Winter Soldier". Entertainment Weekly. Archived from the original on February 3, 2020. Retrieved February 3, 2020.
  209. ^ Johnston, Dais (February 3, 2020). "Six Classic Sitcoms Reference in the WandaVision Super Bowl Teaser". Inverse. Archived from the original on February 5, 2020. Retrieved February 3, 2020.
  210. ^ Alexander, Julia (February 2, 2020). "Marvel gives first looks at Falcon and Winter Soldier, Loki, and WandaVision Disney+ series during Super Bowl". The Verge. Archived from the original on February 3, 2020. Retrieved February 3, 2020.
  211. ^ Foutch, Haleigh (February 2, 2020). "'WandaVision', 'Loki', & 'Falcon and the Winter Soldier' Reveal First Footage in Disney+ Super Bowl Trailer". Collider. Archived from the original on February 4, 2020. Retrieved February 3, 2020.
  212. ^ Couch, Aaron (September 20, 2020). "Marvel's 'WandaVision' Trailer Shows Off '50s Sitcom Vibe". The Hollywood Reporter. Archived from the original on September 21, 2020. Retrieved September 20, 2020.
  213. ^ D'Alessandro, Anthony (September 22, 2020). "'WandaVision' Trailer Racks Up Massive Traffic In 24 Hours Post-Emmys". Deadline Hollywood. Archived from the original on September 23, 2020. Retrieved September 22, 2020.
  214. ^ Anderton, Ethan (September 20, 2020). "'WandaVision' Trailer: Scarlet Witch and Vision Are Back in a Warped Sitcom". /Film. Archived from the original on September 21, 2020. Retrieved September 21, 2020.
  215. ^ Patches, Matt (September 20, 2020). "First trailer for Marvel's WandaVision shows off the scope of Disney Plus series". Polygon. Archived from the original on September 21, 2020. Retrieved September 21, 2020.
  216. ^ Dominguez, Noah (September 20, 2020). "WandaVision: Reality Comes Apart in Disney+ Series' First Trailer". Comic Book Resources. Archived from the original on September 21, 2020. Retrieved September 21, 2020.
  217. ^ McMillan, Graeme (December 8, 2020). "How the Multiverse Can Reshape Marvel". The Hollywood Reporter. Archived from the original on December 9, 2020. Retrieved December 8, 2020.
  218. ^ Pulliam-Moore, Charles (December 9, 2020). "WandaVision's Teaser Posters Have Been Telling a Warped Story". io9. Archived from the original on December 10, 2020. Retrieved December 10, 2020.
  219. ^ Anderton, Ethan (December 10, 2020). "New 'WandaVision' Trailer: Wanda Maximoff and Vision Are Ready to Fight". /Film. Archived from the original on December 11, 2020. Retrieved December 13, 2020.
  220. ^ Gartenberg, Chaim (December 10, 2020). "WandaVision gets a mind-bending new trailer ahead of its January 15th release". The Verge. Archived from the original on December 11, 2020. Retrieved December 13, 2020.
  221. ^ Reimann, Tom (December 10, 2020). "Check Out the Delightfully Weird New 'WandaVision' Trailer". Collider. Archived from the original on December 13, 2020. Retrieved December 13, 2020.
  222. ^ Sokol, Tony (December 10, 2020). "Marvel's New WandaVision Trailer Uses Classic Song to Chilling Effect". Den of Geek. Archived from the original on December 13, 2020. Retrieved December 13, 2020.
  223. Marvel.com. Archived
    from the original on December 15, 2020. Retrieved December 15, 2020.
  224. ^ "@WandaVision – Interactive Instagram Account". Shorty Awards. Archived from the original on May 17, 2021. Retrieved May 16, 2021.
  225. Marvel.com. Archived
    from the original on January 20, 2021. Retrieved January 31, 2021.
  226. from the original on March 8, 2021. Retrieved March 8, 2021.
  227. from the original on May 12, 2021. Retrieved May 12, 2021.
  228. from the original on February 27, 2021. Retrieved February 27, 2021.
  229. from the original on March 7, 2021. Retrieved March 7, 2021.
  230. ^ Faughnder, Ryan (June 15, 2021). "Meet Loki, Hyundai pitchman. Can Marvel streaming shows sell SUVs and Disney+?". Los Angeles Times. Archived from the original on June 16, 2021. Retrieved June 15, 2021.
  231. ComicBook.com. Archived
    from the original on July 24, 2023. Retrieved July 23, 2023.
  232. ^ Dick, Jeremy (July 23, 2023). "WandaVision Steelbook Unveiled, Doesn't Include Any Discs". Comic Book Resources. Archived from the original on July 24, 2023. Retrieved July 23, 2023.
  233. ^ Hunt, Bill (July 24, 2023). "No, Marvel Hasn't Announced a WandaVision Blu-Ray, Plus WDSHE Reportedly Exits Australia & Updates on The Exorcist, Rosemary's Baby, Scream 3 & More in 4K Ultra HD". The Digital Bits. Archived from the original on July 24, 2023. Retrieved July 25, 2023.
  234. ^ a b Alexander, Julia (January 8, 2021). "WandaVision will premiere with two episodes on Disney Plus". The Verge. Archived from the original on January 8, 2021. Retrieved January 8, 2021.
  235. ^ Mitovich, Matt Webb (January 11, 2021). "WandaVision: How Baby Yoda Changed the Binge Release Plan — Plus, Will Episodes Run More Than 30 Minutes?". TVLine. Archived from the original on January 11, 2021. Retrieved January 11, 2021.
  236. ^ Miller, Matt (February 2, 2021). "The Real Genius of WandaVision Is Hiding in Plain Sight". Esquire. Archived from the original on February 2, 2021. Retrieved February 2, 2021.
  237. ^ Sandwell, Ian (July 21, 2019). "Marvel finally confirm Phase 4 movies at Comic-Con". Digital Spy. Archived from the original on July 21, 2019. Retrieved July 21, 2019.
  238. ^ Mitovitch, Matt Webb (February 4, 2020). "The Mandalorian Set for Early Return, Disney+ Marvel Slate Starts in August". TVLine. Archived from the original on February 5, 2020. Retrieved February 4, 2020.
  239. ^ Couch, Aaron (November 12, 2020). "Marvel's 'WandaVision' Moves to January 2021". The Hollywood Reporter. Archived from the original on November 12, 2020. Retrieved November 12, 2020.
  240. ^ Oddo, Marco Vito (July 24, 2022). "'She-Hulk: Attorney at Law' and 'Black Panther: Wakanda Forever' End Marvel's Phase 4". Collider. Archived from the original on July 26, 2022. Retrieved July 26, 2022.
  241. ^ Taylor, Drew (August 21, 2023). "Disney+ Series 'The Mandalorian,' 'WandaVision' and 'Loki' Coming to Blu-ray and 4K UHD Later This Year". TheWrap. Archived from the original on August 21, 2023. Retrieved August 21, 2023.
  242. ^ a b c d Eddy, Cheryl (November 21, 2023). "WandaVision Creator Jac Schaeffer Explains Her Approach to the Marvel Series". Gizmodo. Archived from the original on November 21, 2023. Retrieved November 22, 2023.
  243. ^ Iannucci, Rebecca (November 27, 2023). "WandaVision Steelbook Release Includes First Glimpse at Agatha Spinoff Footage — Watch (Exclusive)". TVLine. Archived from the original on November 28, 2023. Retrieved November 29, 2023.
  244. ^ D'Alessandro, Anthony (March 22, 2021). "'The Falcon And The Winter Soldier': Disney+ Reports That Marvel Series Premiere Is Streamer's Most Watched Ever". Deadline Hollywood. Archived from the original on March 22, 2021. Retrieved March 22, 2021.
  245. ^ Mendelson, Scott (February 19, 2021). "'WandaVision': How Disney Traded Ratings For Buzz". Forbes. Archived from the original on February 21, 2021. Retrieved August 5, 2021.
  246. ^ Tran, Kevin (February 25, 2021). ""WandaVision" Audience Bigger Than Netflix's "Bridgerton" In January, Data Suggests". Variety Intelligence Platform. Archived from the original on February 25, 2021. Retrieved February 25, 2021.
  247. ^ a b "WandaVision: Season 1". Rotten Tomatoes. Fandango Media. Retrieved May 9, 2023.
  248. Fandom, Inc.
    Retrieved July 12, 2022.
  249. ^ a b c d e f Iannucci, Rebecca (January 14, 2021). "WandaVision Review: Marvel Studios' First TV Series Is an Ambitious, Refreshing Break From the MCU Norm". TVLine. Archived from the original on January 14, 2021. Retrieved January 14, 2021.
  250. ^ a b c Li, Shirley (January 16, 2021). "The Deep Sadness of Marvel's 'WandaVision'". The Atlantic. Archived from the original on January 16, 2021. Retrieved August 30, 2021.
  251. ^ Patten, Dominic (January 14, 2021). "'WandaVision' Review: Marvel's First Disney+ Series Is Too AARP & Not Enough MCU". Deadline Hollywood. Archived from the original on January 15, 2021. Retrieved January 14, 2021.
  252. ^ a b Roeper, Richard (January 15, 2021). "'Wandavision': They beat Thanos, but can 'Avengers' duo handle a wacky neighbor?". Chicago Sun-Times. Archived from the original on January 15, 2021. Retrieved August 30, 2021.
  253. ^ a b c McFarland, Melanie (January 15, 2021). ""WandaVision" is a bewitching, bizarre marriage between classic TV and Marvel superhero movies". Salon. Archived from the original on January 15, 2021. Retrieved August 30, 2021.
  254. ^ a b Sultan, Niv M. (January 18, 2021). "Review: WandaVision Occupies Its Own Quiet, Odd Space in the Marvel Universe". Slant Magazine. Archived from the original on January 18, 2021. Retrieved August 30, 2021.
  255. ^ Hadadi, Roxana (January 14, 2021). "The TV Homages of WandaVision are an Amusing, Unfulfilling Distraction". RogerEbert.com. Archived from the original on January 14, 2021. Retrieved January 14, 2021.
  256. ^ Phillips, Michael (January 14, 2021). "'WandaVision' review: A couple of Avengers struggle to assimilate in suburbia with mixed results — so far". Chicago Tribune. Archived from the original on January 14, 2021. Retrieved January 14, 2021.
  257. ^ a b Phillips, Michael (March 5, 2021). "Commentary: Was 'WandaVision' worth the wait?". Chicago Tribune. Archived from the original on March 5, 2021. Retrieved March 5, 2021.
  258. ^ Rivera, Joshua (March 10, 2021). "WandaVision ended without showing us who Wanda is". Polygon. Archived from the original on March 10, 2021. Retrieved August 30, 2021.
  259. ^ a b Agard, Chancellor (March 5, 2021). "WandaVision finale recap: Even an android can cry". Entertainment Weekly. Archived from the original on March 5, 2021. Retrieved March 5, 2021.
  260. ^ a b Hasan, Zaki (March 5, 2021). "'WandaVision' finale: What the Disney+ series' ending says about Marvel's future". San Francisco Chronicle. Archived from the original on March 6, 2021. Retrieved August 30, 2021.
  261. ^ Barsanti, Sam (January 14, 2021). "Disney+'s WandaVision unleashes the weird, untapped power of the Marvel Cinematic Universe". The A.V. Club. Archived from the original on January 14, 2021. Retrieved January 14, 2021.
  262. ^ Herman, Alison (March 8, 2021). "'WandaVision' Is Superhero Content Finally Centered on Womanhood, Not Girl Power". The Ringer. Archived from the original on March 9, 2021. Retrieved August 30, 2021.
  263. ^ Hughes, William (January 28, 2021). "WandaVision's Marvel Cinematic Universe roots undercut its puzzle-box ambitions". The A.V. Club. Archived from the original on January 29, 2021. Retrieved January 29, 2021.
  264. ^ Surrey, Miles (February 1, 2021). "'WandaVision' Hints at an Exciting—and Scary—Future for the MCU". The Ringer. Archived from the original on February 1, 2021. Retrieved February 1, 2021.
  265. ^
    ComicBook.com. Archived
    from the original on March 11, 2021. Retrieved March 12, 2021.
  266. ^ a b Lane, Carly (March 7, 2021). "'WandaVision' Told Us What Kind of Show It Was All Along". Collider. Archived from the original on March 11, 2021. Retrieved March 14, 2021.
  267. ^ Evangelista, Chris (March 3, 2021). "What We Talk About When We Talk About 'WandaVision': Grief, Trauma, and Fan Theories". /Film. Archived from the original on March 10, 2021. Retrieved March 14, 2021.
  268. ^ Khosla, Proma (March 10, 2021). "'WandaVision' creator Jac Schaeffer on grief, Fietro, and everything else that isn't Mephisto". Mashable. Archived from the original on March 11, 2021. Retrieved March 12, 2021.
  269. ^ a b Newby, Richard (January 26, 2021). "'WandaVision' and Marvel's Next Big Villain". The Hollywood Reporter. Archived from the original on January 27, 2021. Retrieved January 27, 2021.
  270. ^ Alexander, Julia (January 29, 2021). "WandaVision episode 4: Ready, A.I.M., theorize". The Verge. Archived from the original on January 29, 2021. Retrieved January 29, 2021.
  271. ^ a b Framke, Caroline; Vary, Adam B. (March 6, 2021). "'WandaVision': A Marvel Expert and Casual Fan Unpack 'The Series Finale' and the Double-Edged Sword of Fan Theories". Variety. Archived from the original on March 13, 2021. Retrieved March 15, 2021.
  272. ^ a b c Goldberg, Matt (March 6, 2021). "'WandaVision' Failed to Deliver Things That Were Never Promised to Me". Collider. Archived from the original on March 14, 2021. Retrieved March 14, 2021.
  273. ^ Morales, Carlos (March 8, 2021). "Why Doesn't Quicksilver Matter in WandaVision?". IGN. Archived from the original on March 10, 2021. Retrieved March 12, 2021.
  274. ^ Gillespie, Daniel (March 11, 2021). "WandaVision's Evan Peters Was Never Meant To Become The MCU's Quicksilver". Screen Rant. Archived from the original on March 12, 2021. Retrieved March 12, 2021.
  275. ^ Alexander, Julia (January 22, 2021). "In WandaVision's third episode, the devil really is in the details". The Verge. Archived from the original on January 28, 2021. Retrieved January 29, 2021.
  276. ^ Qualey, Erin (March 3, 2021). "A Trauma Therapist on What WandaVision Gets Right". Slate. Archived from the original on March 4, 2021. Retrieved March 4, 2021.
  277. ^ Davison, Candace (February 24, 2021). "WandaVision Is a Surprisingly Powerful Take on Dealing with Grief and Loss". PureWow. Archived from the original on February 28, 2021. Retrieved August 29, 2021.
  278. Film Companion. Archived
    from the original on March 1, 2021. Retrieved August 29, 2021.
  279. ^ Pulliam-Moore, Charles (January 26, 2021). "On WandaVision, Even a Synthezoid Can Be a Dad™". io9. Archived from the original on January 27, 2021. Retrieved January 27, 2021.
  280. ^ Phillips, Jevon (September 19, 2021). "Here's the full list of 2021 Emmy winners". Los Angeles Times. Archived from the original on September 20, 2021. Retrieved September 20, 2021.
  281. ^ Davis, Clayton (December 8, 2021). "AFI Awards: Top Films and Shows Include 'Dune,' 'The Power of the Dog' and 'Schmigadoon!'". Variety. Archived from the original on December 9, 2021. Retrieved December 8, 2021.
  282. ^ Giardina, Carolyn (March 12, 2022). "The Mitchells vs. the Machines Wins Big at Annie Awards". The Hollywood Reporter. Archived from the original on March 13, 2022. Retrieved March 13, 2022.
  283. ^ Giardina, Carolyn (March 5, 2022). "'Dune,' 'Nightmare Alley,' 'No Time to Die' Win Art Directors Guild Awards". The Hollywood Reporter. Archived from the original on March 6, 2022. Retrieved March 6, 2022.
  284. ^ Pedersen, Erik (December 6, 2021). "Critics Choice TV Nominations: 'Succession' Leads Field As HBO Edges Netflix". Deadline Hollywood. Archived from the original on December 6, 2021. Retrieved December 7, 2021.
  285. ^ Keegan, Rebecca; Lewis, Hilary (April 10, 2021). "DGA Awards: Chloe Zhao and 'Nomadland' Take Top Honor". The Hollywood Reporter. Archived from the original on April 16, 2021. Retrieved April 19, 2021.
  286. ^ Moreau, Jordan (January 9, 2022). "Golden Globes 2022 Winners List: 'The Power of the Dog,' 'West Side Story' Win Big in Untelevised Ceremony". Variety. Archived from the original on January 10, 2022. Retrieved January 10, 2022.
  287. ^ Lewis, Hilary; Nordyke, Kimberly (April 3, 2022). "Grammys: Complete List of Winners". The Hollywood Reporter. Archived from the original on April 4, 2022. Retrieved April 4, 2022.
  288. Tor.com. April 7, 2022. Archived
    from the original on April 7, 2022. Retrieved May 27, 2022.
  289. from the original on May 22, 2022. Retrieved May 27, 2022.
  290. ^ Huff, Lauren; Gettell, Oliver (December 7, 2021). "2021 People's Choice Awards: See the full list of winners". Entertainment Weekly. Archived from the original on December 8, 2021. Retrieved December 8, 2021.
  291. ^ Verhoeven, Beatrice (January 27, 2022). "'Dune,' 'West Side Story,' 'Squid Game' Among 2022 Producers Guild Award Nominees". The Hollywood Reporter. Archived from the original on January 27, 2022. Retrieved January 27, 2022.
  292. ^ Turchiano, Danielle (July 15, 2021). "Ted Lasso' Scores the Most 2021 TCA Awards Nominations". Variety. Archived from the original on July 15, 2021. Retrieved July 15, 2021.
  293. ^ Hipes, Patrick (January 18, 2022). "VES Awards Nominations Led By 'Dune', 'Encanto', 'Loki'". Deadline Hollywood. Archived from the original on January 26, 2022. Retrieved January 18, 2022.
  294. ^ Hipes, Patrick (January 13, 2022). "WGA Awards TV Nominations: 'Yellowjackets', 'Hacks', 'Loki', 'Only Murders In The Building' Join Usual Suspects On List". Deadline Hollywood. Archived from the original on January 13, 2022. Retrieved January 13, 2022.
  295. ^ Aurthur, Kate; Setoodeh, Ramin (September 19, 2021). "'WandaVision' Completely Shut Out at Primetime Emmys — and the Six Biggest Surprise Winners". Variety. Archived from the original on September 22, 2021. Retrieved September 23, 2021.
  296. ^ Vary, Adam B. (September 19, 2021). "From 'The Mandalorian' to Michael K. Williams, the Emmys Ignored a Great Year of Genre TV". Variety. Archived from the original on September 23, 2021. Retrieved September 23, 2021.
  297. ^ Lewis, Hilary (September 19, 2021). "Emmys: Michael K. Williams, 'Handmaid's Tale' Snubbed". The Hollywood Reporter. Archived from the original on September 21, 2021. Retrieved September 23, 2021.
  298. ^ Andreeva, Nellie (September 20, 2021). "Emmys: Ewan McGregor & Tobias Menzies' Wins, 'Hacks' Sweep & 'WandaVision' Shutout Among Top Surprises". Deadline Hollywood. Archived from the original on September 21, 2021. Retrieved September 23, 2021.
  299. ^ Cordero, Rosy (July 20, 2021). "ReFrame Gives 117 Shows Gender-Balance Seal of Approval Including 'Pose,' 'Bridgerton,' 'WandaVision,' More". Deadline Hollywood. Archived from the original on July 20, 2021. Retrieved July 21, 2021.
  300. Marvel.com. Archived
    from the original on February 16, 2021. Retrieved February 16, 2021.
  301. ^ Anderton, Ethan (March 12, 2021). "'Assembled: The Making of WandaVision' Trailer: Go Behind the Scenes of the Marvel Studios Series". /Film. Archived from the original on March 12, 2021. Retrieved May 14, 2021.
  302. ^ Couch, Aaron (January 22, 2021). "'WandaVision' Boss on Her "Dark, Bleak Moment" Writing the Pilot". The Hollywood Reporter. Archived from the original on January 23, 2021. Retrieved January 22, 2021.
  303. ^ Miller, Liz Shannon (March 2, 2021). "'WandaVision' Director on Pulling Back the Curtain in Episode 8, Agatha Easter Eggs, and Season 2". Collider. Archived from the original on March 2, 2021. Retrieved March 2, 2021.
  304. ^ D'Alessandro, Anthony (February 24, 2021). "'WandaVision': Elizabeth Olsen Character Will Head To 'Doctor Strange 2' Pic; No Season 2 Planned Yet". Deadline Hollywood. Archived from the original on February 24, 2021. Retrieved February 24, 2021.
  305. ^ D'Alessandro, Anthony (June 16, 2021). "So, Is There A Second Season Of 'WandaVision'? Marvel Boss Kevin Feige Responds". Deadline Hollywood. Archived from the original on June 18, 2021. Retrieved June 22, 2021.
  306. ^ Couch, Aaron (May 3, 2021). "Marvel Unveils 'Black Panther II' Title, First 'Eternals' Footage and More". The Hollywood Reporter. Archived from the original on May 3, 2021. Retrieved May 3, 2021.
  307. ^ Zogbi, Emily (January 2, 2023). "The Marvels Adds She-Hulk, Comic Book Writer Zeb Wells". Comic Book Resources. Archived from the original on January 3, 2023. Retrieved January 3, 2023.
  308. ^ Otterson, Joe (October 7, 2021). "'WandaVision' Spinoff Starring Kathryn Hahn in the Works at Disney Plus (Exclusive)". Variety. Archived from the original on October 7, 2021. Retrieved October 7, 2021.
  309. ^ a b c Kit, Borys (January 13, 2023). "'Agatha: Coven of Chaos' Sets Directors as Production Readies for Next Week". The Hollywood Reporter. Archived from the original on January 13, 2023. Retrieved January 13, 2023.
  310. ^ Andreeva, Nellie (October 7, 2021). "Kathryn Hahn To Headline 'WandaVision' Spinoff In Works At Disney+ As Part Of Marvel Deal". Deadline Hollywood. Archived from the original on October 7, 2021. Retrieved October 7, 2021.
  311. ^ Hipes, Patrick (November 12, 2021). "Disney+ Day: All The Streamer's Film & TV News From Premiere Dates To Series Orders". Deadline Hollywood. Archived from the original on November 12, 2021. Retrieved November 12, 2021.
  312. ^ Breznican, Anthony (October 4, 2022). "Emma Caulfield Ford Is Fighting MS, but "Not Crumbling" in Fear". Vanity Fair. Archived from the original on October 4, 2022. Retrieved October 4, 2022.
  313. ^ Andreeva, Nellie (January 3, 2023). "'Agatha: Coven Of Chaos': Debra Jo Rupp Joins 'WandaVision' Marvel Spinoff For Disney+". Deadline Hollywood. Archived from the original on January 3, 2023. Retrieved January 3, 2023.
  314. ^ Otterson, Joe (November 1, 2022). "'Heartstopper' Star Joe Locke Joins 'WandaVision' Spinoff 'Agatha: Coven of Chaos' for Disney+ (Exclusive)". Variety. Archived from the original on November 1, 2022. Retrieved November 1, 2022.
  315. ^ Andreeva, Nellie (November 2, 2022). "Aubrey Plaza Joins 'Agatha: Coven Of Chaos' Marvel Series For Disney+". Deadline Hollywood. Archived from the original on November 2, 2022. Retrieved November 2, 2022.
  316. ^ Andreeva, Nellie (November 3, 2022). "'Agatha: Coven Of Chaos': Ali Ahn & Maria Dizzia Cast In 'WandaVision' Marvel Spinoff For Disney+". Deadline Hollywood. Archived from the original on November 3, 2022. Retrieved November 3, 2022.
  317. ^ Andreeva, Nellie (November 7, 2022). "'Agatha: Coven Of Chaos': Sasheer Zamata Added To 'WandaVision' Marvel Spinoff For Disney+". Deadline Hollywood. Archived from the original on November 7, 2022. Retrieved November 7, 2022.
  318. ^ Andreeva, Nellie (December 21, 2022). "'Agatha: Coven Of Chaos': Patti LuPone Joins 'WandaVision' Marvel Spinoff For Disney+". Deadline Hollywood. Archived from the original on December 21, 2022. Retrieved December 21, 2022.
  319. ^ "10 Minutes with Debra Jo Rupp". Berkshire Magazine. February 23, 2023. Archived from the original on March 7, 2023. Retrieved July 6, 2023.
  320. ^ Kit, Borys (September 1, 2023). "Marvel Shuffles TV Calendar with New Dates for 'Agatha,' 'Echo,' X-Men '97' (Exclusive)". The Hollywood Reporter. Archived from the original on September 1, 2023. Retrieved September 1, 2023.
  321. ^ Glazebrook, Lewis (March 12, 2024). "Upcoming MCU Show Gets Third Name Change In 3 Years". Screen Rant. Archived from the original on March 12, 2024. Retrieved March 12, 2024.
  322. ^ Dominguez, Noah (October 27, 2022). "Report: Paul Bettany's Vision to Star in His Own Disney+ MCU Series". Comic Book Resources. Archived from the original on October 28, 2022. Retrieved October 27, 2022.
  323. ^ a b Andreeva, Nellie (October 28, 2022). "Vision Series Starring Paul Bettany In Works At Marvel Studios For Disney+". Deadline Hollywood. Archived from the original on October 28, 2022. Retrieved October 28, 2022.

External links