Western (genre)
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The Western is a
The frontier was commonly referred to as the "Old West" or the "Wild West" and depicted in Western media as a sparsely populated hostile region patrolled by cowboys, outlaws, sheriffs, and numerous other stock "gunslinger" characters. Western narratives often concern the gradual attempts to tame the crime-ridden American West using wider themes of justice, freedom, rugged individualism, manifest destiny, and the national history and identity of the United States. Native American "Indian" populations were often portrayed as averse foes and/or savages.
Originating in
Throughout the history of the genre, it has seen popular revivals and been incorporated into various subgenres.Characteristics
Stories and characters
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The classic Western is a
Women are generally cast in secondary roles as
The ambience is usually punctuated with a Western music score, including American folk music and Spanish/Mexican folk music such as country, Native American music, New Mexico music, and rancheras.
Locations
Westerns often stress the harshness of the wilderness and frequently set the action in an
Themes
The Western genre sometimes portrays the conquest of the wilderness and the subordination of nature in the name of civilization or the confiscation of the territorial rights of the original, Native American, inhabitants of the frontier.[10] The Western depicts a society organized around codes of honor and personal, direct or private justice–"frontier justice"–dispensed by gunfights. These honor codes are often played out through depictions of feuds or individuals seeking personal revenge or retribution against someone who has wronged them (e.g., True Grit has revenge and retribution as its main themes). This Western depiction of personal justice contrasts sharply with justice systems organized around rationalistic, abstract law that exist in cities, in which social order is maintained predominantly through relatively impersonal institutions such as courtrooms. The popular perception of the Western is a story that centers on the life of a seminomadic wanderer, usually a cowboy or a gunfighter.[10] A showdown or duel at high noon featuring two or more gunfighters is a stereotypical scene in the popular conception of Westerns.
In some ways, such protagonists may be considered the literary descendants of the
The Western typically takes these elements and uses them to tell simple morality tales, although some notable examples (e.g. the later Westerns of John Ford or
Plots
Author and screenwriter Frank Gruber identified seven basic plots for Westerns:[11]
- Union Pacific story: The plot concerns construction of a railroad, a telegraph line, or some other type of modern technology on the wild frontier. Wagon-train stories fall into this category.
- Ranch story: Ranchers protecting their family ranch from rustlersor large landowners attempting to force out the proper owners.
- Empire story: The plot involves building a ranch empire or an oil empire from scratch, a classic rags-to-riches plot, often involving conflict over resources such as water or minerals.
- Revenge story: The plot often involves an elaborate chase and pursuit by a wronged individual, but it may also include elements of the classic mystery story.
- Cavalry and Indian story: The plot revolves around "taming" the wilderness for White settlers and/or fighting Native Americans.
- Outlaw story: The outlaw gangs dominate the action.
- Marshal story: The lawman and his challenges drive the plot.
Gruber said that good writers used dialogue and plot development to develop these basic plots into believable stories.
Media
Film
The
Most of the characteristics of Western films were part of 19th-century popular Western fiction, and were firmly in place before film became a popular art form.[14][page needed] Western films commonly feature protagonists such as cowboys, gunslingers, and bounty hunters, who are often depicted as seminomadic wanderers who wear Stetson hats, bandannas, spurs, and buckskins, use revolvers or rifles as everyday tools of survival and as a means to settle disputes using "frontier justice". Protagonists ride between dusty towns and cattle ranches on their trusty steeds.[citation needed]
The first films that belong to the Western genre are a series of short single reel silents made in 1894 by Edison Studios at their Black Maria studio in West Orange, New Jersey. These featured veterans of Buffalo Bill's Wild West show exhibiting skills acquired by living in the Old West – they included Annie Oakley (shooting) and members of the Sioux (dancing).[15]
The earliest known Western narrative film is the British short Kidnapping by Indians, made by Mitchell and Kenyon in Blackburn, England, in 1899.[16][17] The Great Train Robbery (1903, based on the earlier British film A Daring Daylight Burglary), Edwin S. Porter's film starring Broncho Billy Anderson, is often erroneously cited as the first Western, though George N. Fenin and William K. Everson point out (as mentioned above) that the "Edison company had played with Western material for several years prior to The Great Train Robbery". Nonetheless, they concur that Porter's film "set the pattern—of crime, pursuit, and retribution—for the Western film as a genre".[18] The film's popularity opened the door for Anderson to become the screen's first Western star; he made several hundred Western film shorts. So popular was the genre that he soon faced competition from Tom Mix and William S. Hart.[19]
Western films were enormously popular in the
The period from 1940 to 1960 has been called the "Golden Age of the Western".[22] It is epitomized by the work of several prominent directors including Robert Aldrich, Budd Boetticher, Delmer Daves, John Ford, and others. Some of the popular films during this era include Apache (1954), Broken Arrow (1950), and My Darling Clementine (1946).[citation needed]
The changing popularity of the Western genre has influenced worldwide pop culture over time.[23][24] During the 1960s and 1970s, Spaghetti Westerns from Italy became popular worldwide; this was due to the success of Sergio Leone's storytelling method.[25][26] After having been previously pronounced dead, a resurgence of Westerns occurred during the 1990s with films such as Dances with Wolves (1990), Unforgiven (1992), and Geronimo (1993), as Westerns once again increased in popularity.[27][28]
Television
When television became popular in the late 1940s and 1950s, Television Westerns quickly became an audience favorite.[29][page needed] Beginning with rebroadcasts of existing films, a number of movie cowboys had their own TV shows. As demand for the Western increased, new stories and stars were introduced. A number of long-running TV Westerns became classics in their own right, such as: The Lone Ranger (1949–1957), Death Valley Days (1952–1970), The Life and Legend of Wyatt Earp (1955–1961), Cheyenne (1955–1962), Gunsmoke (1955–1975), Maverick (1957–1962), Have Gun – Will Travel (1957–1963), Wagon Train (1957–1965), The Rifleman (1958–1963), Rawhide (1959–1966), Bonanza (1959–1973), The Virginian (1962–1971), and The Big Valley (1965–1969). The Life and Legend of Wyatt Earp was the first Western television series written for adults,[30] premiering four days before Gunsmoke on September 6, 1955.[31]: 570, 786 [32]: 351, 927
The peak year for television Westerns was 1959, with 26 such shows airing during primetime. At least six of them were connected in some extent to
Literature
Literary forms that share similar themes include stories of the American frontier, the gaucho literature of Argentina, and tales of the settlement of the Australian Outback.
Visual arts
A number of visual artists focused their work on representations of the American Old West. American West-oriented art is sometimes referred to as "Western Art" by Americans. This relatively new category of art includes paintings, sculptures, and sometimes Native American crafts. Initially, subjects included exploration of the Western states and cowboy themes.
Some art museums, such as the
Anime and manga
With
Comics
Western comics have included serious entries, (such as the classic comics of the late 1940s and early 1950s (namely Kid Colt, Outlaw, Rawhide Kid, and Red Ryder) or more modern ones as Blueberry), cartoons, and parodies (such as Cocco Bill and Lucky Luke). In the 1990s and 2000s, Western comics leaned towards the fantasy, horror and science fiction genres, usually involving supernatural monsters, or Christian iconography as in Preacher. More traditional Western comics are found throughout this period, though (e.g., Jonah Hex and Loveless).
Games
Western
Radio dramas
Western radio dramas were very popular from the 1930s to the 1960s. There were five types of Western radio dramas during this period: anthology programs, such as Empire Builders and Frontier Fighters; juvenile adventure programs such as Red Ryder and Hopalong Cassidy; legend and lore like Red Goose Indian Tales and Cowboy Tom's Round-Up; adult Westerns like Fort Laramie and Frontier Gentleman; and soap operas such as Cactus Kate.[40]: 8 Some popular shows include The Lone Ranger (first broadcast in 1933), The Cisco Kid (first broadcast in 1942), Dr. Sixgun (first broadcast in 1954), Have Gun–Will Travel (first broadcast in 1958), and Gunsmoke (first broadcast in 1952).[41] Many shows were done live, while others were transcribed.[40]: 9–10
Web series
Westerns have been showcased in short-episodic web series. Examples include League of STEAM, Red Bird, and Arkansas Traveler.
Subgenres
Within the larger scope of the Western genre, there are several recognized subgenres. Some subgenres, such as
Influence on other genres
Being
Despite the
Many elements of space-travel series and films borrow extensively from the conventions of the Western genre. This is particularly the case in the space Western subgenre of science fiction. Peter Hyams's Outland transferred the plot of High Noon to Io, moon of Jupiter. More recently, the space opera series Firefly used an explicitly Western theme for its portrayal of frontier worlds. Anime shows such as Cowboy Bebop, Trigun and Outlaw Star have been similar mixes of science-fiction and Western elements. The science fiction Western can be seen as a subgenre of either Westerns or science fiction. Elements of Western films can be found also in some films belonging essentially to other genres. For example, Kelly's Heroes is a war film, but its action and characters are Western-like.
The character played by Humphrey Bogart in noir films such as Casablanca and To Have and Have Not—an individual bound only by his own private code of honor—has a lot in common with the classic Western hero. In turn, the Western has also explored noir elements, as with the films Pursued and Sugar Creek.[citation needed]
In many of
George Lucas's Star Wars films use many elements of a Western, and Lucas has said he intended for Star Wars to revitalize cinematic mythology, a part the Western once held. The Jedi, who take their name from Jidaigeki, are modeled after samurai, showing the influence of Kurosawa. The character Han Solo dressed like an archetypal gunslinger, and the Mos Eisley cantina is much like an Old West saloon.[47]
Meanwhile, films such as The Big Lebowski, which plucked actor Sam Elliott out of the Old West and into a Los Angeles bowling alley, and Midnight Cowboy, about a Southern-boy-turned-gigolo in New York (who disappoints a client when he does not measure up to Gary Cooper), transplanted Western themes into modern settings for both purposes of parody and homage.[48]
See also
- Dime Western
- Wild West shows
- List of Western computer and video games
- List of Western fiction authors
- Lists of Western films
- List of Western television series
- Western lifestyle
References
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- ^ "Wild Bill Hickok fights first western showdown". History.com. July 21, 2014. Archived from the original on October 6, 2014. Retrieved October 4, 2014.
- ^ a b c Newman, Kim (1990). Wild West Movies. Bloomsbury.
- ^ Gruber, Frank The Pulp Jungle Sherbourne Press, 1967
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- ^ Smith, Henry Nash (1970). Virgin Land: The American West as Symbol and Myth. Harvard University Press.
- ^ "Sioux ghost dance". Library of Congress. 1894. Archived from the original on January 22, 2022. Retrieved September 9, 2021.
- ^ "World's first Western movie 'filmed in Blackburn'". BBC News. October 31, 2019. Archived from the original on January 22, 2023. Retrieved November 1, 2019.
- ^ "Kidnapping by Indians". BFI. Archived from the original on January 22, 2023. Retrieved November 1, 2019.
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Further reading
- Buscombe, Edward, and Christopher Brookeman. The BFI Companion to the Western (A. Deutsch, 1988)
- Everson, William K. A Pictorial History of the Western Film (New York: Citadel Press, 1969)
- Kitses, Jim. Horizons West: The Western from John Ford to Clint Eastwood (British Film Institute, 2007).
- Lenihan, John H. Showdown: Confronting Modern America in the Western Film (University of Illinois Press, 1980)
- Nachbar, John G. Focus on the Western (Prentice Hall, 1974)
- Simmon, Scott. The Invention of the Western Film: A Cultural History of the Genre's First Half Century (Cambridge University Press, 2003)
External links
- Articles on Western film and TV in Western American Literature
- Special issue of Western American Literature on Global Westerns
- Most Popular Westerns at the Internet Movie Database
- Western Writers of America website
- "The Western", St. James Encyclopedia of Pop Culture, 2002
- I Watch Westerns, Ludwig von Mises Institute
- Film Festival for the Western Genre website
- Western Filmscript Collection. Yale Collection of Western Americana, Beinecke Rare Book and Manuscript Library.