Western comics

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Western comics
Subgenres

Western comics is a

American comic books genre published from the late 1940s through the 1950s (though the genre had continuing popularity in Europe, and persists in limited form in American comics today). Western comics of the period typically featured dramatic scripts about cowboys, gunfighters, lawmen, bounty hunters, outlaws, and Native Americans. Accompanying artwork depicted a rural America populated with such iconic images as guns, cowboy hats, vests, horses, saloons
, ranches, and deserts, contemporaneous with the setting.

Origins

pulp magazines were extremely popular in the United States
from the late 1930s to the 1960s.

Western comics first appeared in syndicated newspaper strips in the late 1920s. Harry O'Neill's Young Buffalo Bill (later changed to Buckaroo Bill and then, finally, Broncho Bill), distributed by United Feature Syndicate beginning in 1927, , and was a pioneering example of the form.[1] Starting in the 1930s, Red Ryder, Little Joe, and King of the Royal Mounted were syndicated in hundreds of newspapers across the United States. Garrett Price's White Boy (later changed to Skull Valley) was another syndicated strip from the 1930s.[2]

The first Western stories to appear in the comics were in the mid-1930s:

B-movie Westerns starting in vol. 2, issue #20 (May 1938). Whitman Comics' Crackajack Funnies ran regular Western features (including Tom Mix
stories) beginning with issue #1 in June 1938.

The first stand-alone Western comics titles were published by Centaur Publications. Star Ranger and Western Picture Stories

initially reprinting the long-running comic strip, in 1941.

"Golden Age": 1948–1960

Western comics became popular in the years immediately following World War II, when superheroes went out of style. Adult readership had grown during the war years, and returning servicemen wanted subjects other than superheroes in their books. The popularity of the Western genre in comic strips and other media gave birth to Western comics, many of which began being published around 1948.[5][4]

Most of the larger publishers of the period jumped headfirst into the Western arena during this period, particularly

Kid Colt Outlaw debuted in 1948, running until 1979 (though it was primarily a reprint title after 1967). The company soon established itself as the most prolific publisher of Western comics[6] with other notable long-running titles, including Rawhide Kid, Two-Gun Kid, and Wild Western
.

The six-issue 1950

Avon Comics published a number of Western comics, the most notable titles being based on historical figures like Jesse James and Wild Bill Hickok. Youthful published the Western titles Gunsmoke, Indian Fighter, and Redskin (later known as Famous Western Badmen). And Toby Press published its own Billy the Kid
Adventure Magazine.

Characters

The first Western hero to have his adventures published in the comics was the Masked Raider, published by Timely Comics beginning in 1939.

Timely/Atlas/Marvel favored Western characters with the word "Kid" in their name, including the

Cisco Kid
.

African-American
character to headline his own series.

Cowboy actor comics

The years 1946–1949 saw an explosion of titles "starring" Western film actors and cowboy singers. Almost every star, major or minor, had their own title at some point; and almost every publisher got in on the action:

Gabby Hayes, Lash LaRue, Tex Ritter, and Tom Mix comics; Dell published Gene Autry, Rex Allen, Roy Rogers, and Wild Bill Elliott comics; Magazine Enterprises published Charles Starrett and Tim Holt comics; Toby Press published a John Wayne title; and DC produced short-lived Dale Evans and Jimmy Wakely titles. (Dale Evans and Reno Browne were the only two Western actresses to have comics based on their characters.)[citation needed
] Most of the cowboy actor titles featured photo covers of the stars; most series had been canceled by 1957.

Creators

Since Westerns were such a popular genre in the 1950s, many of the period's notable creators spent at least some time doing Western comics.

Writer

under both the Dell and Gold Key imprints, and many other animal stories for a number of publishers.

.

Artist

Jim Bowie, Rocky Lane's Black Jack, Sheriff of Tombstone, Six-Gun Heroes, Texas Rangers in Action, and Wyatt Earp, Frontier Marshal. Pat Boyette
worked on such Charlton Western series as Billy the Kid, Cheyenne Kid, and Outlaws of the West.

1960s decline

The Western genre in general peaked around 1960, largely due to the tremendous number of Westerns on American television.[citation needed] Increasingly, the genre reflected a Romantic view of the American West—and American history in general. As the country grappled with the cultural issues of the 1960s and the Vietnam War, the genre seemed increasingly out of touch.[citation needed]

As the

Kid Colt Outlaw, and Rawhide Kid
were the only Western titles to make it through the 1960s.

Gary Friedrich, Mike Esposito, and Ogden Whitney are three of the few notable Western comics creators from the 1960s.

Weird West and continuing appeal

The late 1960s and early 1970s saw the rise of revisionist Western film. Elements include a darker, more cynical tone, with focus on the lawlessness of the time period, favoring realism over romanticism, and an interest in greater historical authenticity. Anti-heroes were common, as were stronger roles for women and more-sympathetic portrayal of Native Americans and Mexicans. The films were often critical of big business, the American government, and masculine figures (including the military and their policies).

Reflecting the trend, in 1968 DC debuted the new character

Quentin Turnbull
.

Marvel also attempted to capitalize on the renewed interest in the Western with two mostly reprint titles, The Mighty Marvel Western (1968–1976) and Western Gunfighters vol. 2 (1970–1975).

The short-lived publisher Skywald Publications attempted a line of Western titles in the early 1970s, but nothing came of it.

Weird Western Tales survived until 1980, and Jonah Hex until 1985. By then no major publishers were producing Western titles, though iconic characters from the DC and Marvel canons would occasionally make cameo appearances in other books.

The

Vertigo reintroduced the Western genre in 1995 with Preacher, set in a contemporary version of the West. In the 1990s and 2000s, the Western comic leaned toward the Weird West subgenre, usually involving supernatural monsters. However, more traditional Western comics are found throughout this period, from Jonah Hex to Loveless. Series like Desperadoes, High Moon, and Scalped demonstrate the genre's continuing appeal. Creators like Joe R. Lansdale, Michael Fleisher, and Tony DeZuniga
were notable contributors to Western comics from this period.

In addition, publishers like

have reprinted a number of Western comics from the genre's "Golden Age."

The Goodbye Family, about a family of Weird West undertakers, started in 2015 and continues in both online and print formats.

Outside of the United States

The Western genre's overall popularity in Europe spawned a Western comics trend, particularly in

L. Miller & Son were also particularly known for their Western comics reprint titles. Se-Bladene's Texas ran 606 issues between 1954 and 1975. The Australian publishers Ayers & James, Cleland, Federal Publishing, Gredown, and Horwitz Publications
all published reprints of American Western comics during the 1950s and 1960s.

Italy

The most popular and long-running Italian-produced Western comic is

Hebrew
.

Gabby Hayes and the popular 1939 Western film Stagecoach. EsseGesse also produced the popular series Il Grande Blek. Benito Jacovitti's Cocco Bill
is a Western humor comic produced since the mid-1950s.

Ken Parker
is a popular Western hero appearing in Italian comics since 1977.

In the late 1990s and early 2000s, writer Gianfranco Manfredi's Magico Vento was a popular title from Sergio Bonelli Editore. Since the late 1990s, Enrico Teodorani's Djustine has been featured in erotic "Weird West" stories in Italy and the United States.

Franco-Belgian Western comics

The Western humor comic Lucky Luke, published since 1946, debuting in Spirou magazine, is one of the most popular and best-selling comics series in continental Europe. Popular in Canada, about half of the series' adventures have been translated into English. Lucky Luke comics have been translated into 23 languages, including many European languages, and some African and Asian languages.

Tibet. The competing magazine Spirou published Jijé's Jerry Spring
, in a realistic vein, beginning in 1954. Albums from the Jerry Spring series were published until 1990.

Jean-Michel Charlier and Jean Giraud's Blueberry is a Western series published beginning in 1963 and continuing until 2005. The series were inspired by Jerry Spring, and the artist Giraud had been mentored by Jijé. Charlier and Giraud created the Jim Cutlass series in 1981; subsequent volumes were written by Giraud and drawn by Christian Rossi.

Greg and

Comanche was published from 1972 to 1983 (with the series being continued by Rouge for four more stories). The Belgian publisher Le Lombard produced the title Buddy Longway, by Swiss comics creator Derib
, from 1972 to 1987, and from 2002 to 2006.

Durango is a western series created by the Belgian Yves Swolfs in 1981. Currently 17 tomes are available.

Other countries

England's

L. Miller & Son's original Western comics titles included Colorado Kid, Davy Crockett, Kid Dynamite Western Comic, Pancho Villa Western Comic, and Rocky Mountain King Western Comic, all published in the 1950s. Jim Edgar and Tony Weare's "Matt Marriott" was a daily strip which ran in the London Evening News
from 1955 to 1977.

Spanish cartoonist Manuel Gago Garcia's The Little Fighter was a popular series of Western comics between 1945 and 1956. Yuki the Bold (debuting in 1958) is another popular Spanish series, as were the shorter-lived series Apache and Red Arrow. Other Spanish Western comics include Sheriff King (beginning in 1964), Sunday (1968), and Kelly Hand (1971).

Hugo Pratt and Héctor Germán Oesterheld's Sergeant Kirk was a popular Western comics title in Argentina during the 1950s. Additional Sergeant Kirk stories were published into the early 1970s.

Western comics were popular in Japan in the early 1950s, both translations of American titles like

Durango Kid, and Tim Holt; and original Japanese manga. The story goes that during the American occupation of Japan directly after World War, General Eisenhower forbade Japanese publishers to publish samurai comics, and that the next best thing were Western stories of adventure.[7]

Hyung Min-woo's manhwa series Priest was published in Korea and the U.S. from 1998 to 2007.

Notable American Western comics

Golden Age of Comic Books

Title Publisher Issues published Publication dates Notes
All-Star Western DC 62 1951–1961 vol. 1 (vol. 2, published from 1970 to 1972, became Weird Western Tales)
Billy the Kid Charlton 145 1957–1983 Mostly a reprint title from issue #125 (Jan. 1979) onward
Black Fury
Charlton 57 1955–1966
Gunfighter EC 9 1948–1950 Continued as The Haunt of Fear
Cheyenne Kid Charlton 92 1957–1973
The Cisco Kid Dell 41 1951–1958
Crack Western Quality 22 1949–1953 took over the numbering of Quality's Crack Comics
Gene Autry Comics Dell 121 1946–1959 title changed to Gene Autry and Champion with issue #102
Gunsmoke Western Marvel 46 1948–1963 began as
Black Rider (#8–27), Western Tales of Black Rider (#28–31), and, finally, Gunsmoke Western (#32–77), the last primarily starring Kid Colt, Outlaw
Hopalong Cassidy Fawcett/DC 134 1946–1959 DC takes over titles in 1953 after Fawcett's demise
Kid Colt Outlaw
Marvel 225 1949–1979 Mostly a reprint title from issue #130 (Sept. 1966) onward
The Lone Ranger
Dell 145 1948–1962 Gold Key picked up the character, sporadically publishing 28 issues from 1964 to 1977, making heavy use of reprint material from the Dell comics, adding in new material toward the end of the run.
The Lone Ranger's Famous Horse Hi-Yo Silver Dell 34 1952–1960
Outlaws of the West Charlton 71 1957–1980 numbering continues in 7-issue reprint series published in 1979–1980
Prize Comics Western Prize 51 1948–1956
Rawhide Kid Marvel 151 1955–1957
1960–1979
Mostly a reprint title from issue #116 (Oct. 1973) onward
Red Ryder Dell 151 1941–1956 Initially reprints of the long-running syndicated newspaper strip. With issue #47 (June 1947), began producing original material.[8]
Straight Arrow Magazine Enterprises 55 1950–1956 Adapted from a popular radio program
Texas Rangers in Action Charlton 75 1956–1970
Tomahawk
DC 140 1950–1972
Two-Gun Kid Marvel 126 1948–1962 Mostly a reprint title from issue #93 (July 1970) onward
Western Comics DC 85 1948–1961
Wild Western Marvel 55 1948–1957 Published by the Marvel forerunner Atlas
Wrangler Great Moments in Rodeo American Comics Group 50 1955–1966

Cowboy actor comics

  • Charles Starrett as the Durango Kid, 41 issues (Magazine Enterprises, 1949–1955)
  • Dale Evans Comics, 24 issues (DC, 1948–1952)
  • Gabby Hayes
    Western
    , 50 issues (Fawcett/Charlton, 1948–1957)
  • Gene Autry, 121 issues (Dell, 1946–1955)
  • Jimmy Wakely, 18 issues (DC, 1949–1952)
  • John Wayne Adventure Comics, 31 issues (Toby Press, 1949–1955)
  • Lash LaRue Western, 84 issues (Fawcett/Charlton, 1949–1961)
  • Monte Hale Western, 60 issues (Fawcett/Charlton, 1948–1956)
  • Rex Allen, 30 issues (Dell, 1951–1959)
  • Rocky Lane Western, 87 issues (Fawcett/Charlton, 1949–1959) – many issues featured Slim Pickens
    backup stories
  • Roy Rogers Comics, 91 issues (Dell, 1948–1961)
  • Six-Gun Heroes, 83 issues (Fawcett/Charlton, 1950–1965) – featured cowboy actors like
    Allan "Rocky" Lane, Lash LaRue, Monte Hale, Smiley Burnette, and Tex Ritter
  • Tex Ritter Western, 46 issues (Fawcett/Charlton, 1950–1959)
  • Tim Holt, 41 issues (Magazine Enterprises, 1948–1954)
  • Tom Mix Western, 61 issues (Fawcett, 1948–1953)
  • Western Hero, 112 issues (Fawcett, 1948–1952) – featured cowboy actors like Tom Mix and Monte Hale; formerly known as Real Western Hero
  • Wild Bill Elliott, 14 issues (Dell, 1950–1955)

Contemporary titles

References

Notes

  1. ^ Markstein, Don. "Broncho Bill," Don Markstein's Toonopedia. Accessed Nov. 23, 2011.
  2. ^ Markstein, Don. "Whiteboy," Don Markstein's Toonopedia. Accessed Nov. 23, 2011.
  3. ^ Sexton, Lansing and Sexton, Andrea. "Cowboy Comic Books - an Overview: Tim Holt," The Old Corral. Accessed July 25, 2011.
  4. ^ a b Schelly, Bill and Keith Dallas. American Comic Book Chronicles: The 1950s (TwoMorrows Publishing, 2013), p. 17.
  5. ^ Rhoades, Shirrel (2008). A Complete History of American Comic Books. New York: Peter Lang Publishing, p. 47.
  6. ^ Markstein, Don. "Two-Gun Kid," Don Markstein's Toonopedia. Accessed Dec. 19, 2011.
  7. ^ FALK, RAY. "Howdy! Pardner-San," New York Times (May 3, 1953), p. 296.
  8. ^ Sexton, Lansing and Sexton, Andrea. "Cowboy Comic Books - an Overview: Red Ryder," The Old Corral. Accessed July 25, 2011.

Sources

External links