White hunter

The term "great white hunter" emphasizes the racial and colonial aspects of the profession, as well as its colorful aspects. Depending on the author and intention, the term can be used straightforwardly, in parody, or as a criticism.

Hunting in Africa

White men from Western countries had been hunting big game in Africa throughout the 19th century, particularly in the more settled southern portion of the continent. But the region most associated with the term "white hunters" is East Africa. By the start of the 20th century, as part of the "scramble for Africa", European colonial powers had taken possession of territories on the eastern half of the continent—territories now recognized as the nations of Kenya, Rwanda, Uganda, and Tanzania.

There were many factors that led to the spread of big-game hunting in East Africa, but two were foremost among them: first, a romantic European conception of hunting that combined aristocratic privilege and sportsmanship, and second, the desire by the colonizing powers to create new agricultural economies, to which unchecked animal populations posed a serious threat.^{[citation needed]}

Although the origins of the phrase cannot be confirmed, the first European to go by the title of "white hunter" is generally considered to have been Alan Black. Black was hired in the 1890s by Lord Delamere. Delamere employed both Alan Black and a native Somali hunter to lead safaris in Somaliland. As the story goes, in order to avoid confusion, the Somali was referred to as the "black hunter", and Black was called the "white hunter".^[1]

Rise of the hunting safari

Around the start of the 20th century, East African hunting safaris became a fashionable pursuit among members of the privileged classes, particularly in Britain and the United States. The completion of the

Typically, the hunter was hired or booked by an outfitting company (the first and most famous of these was Newland, Tarlton & Co. in Nairobi); the outfitter would make the local arrangements, gathering and packing supplies and hiring the many African workers without whom a safari was impossible. Porters, tent attendants, armed guards (known as askaris), horse-trainers, and gun-bearers, all worked under the supervision of a "headman".^[4] Before the mass importation of motor vehicles, most safaris traveled on foot and horseback and could employ anywhere from 50 to several hundred African workers.^[5]

The British colonial government also turned big-game hunting into a source of revenue, charging the tourists and hunters licensing fees for permission to kill the game animals. In 1909, a £50 hunting license (equivalent to £5,500 in 2021) in the

White hunters were colorful and romantic figures, often from privileged English backgrounds, who embraced a life of danger and adventure. The first acclaimed white hunters in East Africa were Alan Black, Bill Judd, Frederick Selous (remembered as the namesake of the Selous Scouts and whose real-life adventures inspired Sir H. Rider Haggard to create the fictional Allan Quatermain),^[7][8] and R.J. Cunninghame (sometimes spelled Cuningham), all of whom began their exploits at the end of the 19th century.^[9] In 1909 Cunninghame was selected to lead what was probably the best-publicized African safari, Theodore Roosevelt's excursion into British East Africa. Roosevelt's fame and popularity, and his gift for generating publicity, prompted a craze for safaris among those who could afford the sizeable price tag.^[10] After the First World War, when most of German East Africa was ceded to Britain, eager customers poured into Africa, creating a market for the skills of several more decades of hunters.^[11]

Among the better-known white hunters who succeeded Cunninghame's generation were

The exploits of white hunters were subjects first for novels and later for films. They were romanticized in

Abbott and Costello lampooned the type in Africa Screams (1949), which was a parody of a 1930 documentary, Africa Speaks! (1930). Bob Hope parodied the safari genre in Road to Zanzibar (1941) and Call Me Bwana (1963).

Hemingway's safari story "The Short Happy Life of Francis Macomber" (1936) richly addresses the questions of courage, cowardice, racism, and power on safari. The story was made into a film titled The Macomber Affair (1947), but it was reissued in the United States under the title, The Great White Hunter. The title character is an American tourist looking to find his own courage by facing danger on safari. In the story, Hemingway accurately refers to the professional hunter leading the safari, a character named Wilson, as a "white hunter". (Wilson is said to have been based on Hemingway's own guides, Philip Percival and Bror von Blixen-Finecke).^[14] The addition of "great" in the movie release title may have helped to lodge the ironic use of the phrase in the popular culture.^{[citation needed][original research?]}

In Congo (1995), Ernie Hudson introduces himself as the unexpectedly black "white hunter" hired to guide a jungle expedition.

Origins

The phrase "great white hunter" probably has its origins in these popular depictions of safari adventures.