Wilanów Palace

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Wilanów Palace
Pałac w Wilanowie
National Museum in Warsaw
Design and construction
Architect(s)Augustyn Wincenty Locci
Website
www.wilanow-palac.pl

Wilanów Palace (

royal palace located in the Wilanów district of Warsaw, Poland. It was built between 1677–1696 for King of Poland John III Sobieski according to a design by architect Augustyn Wincenty Locci. Wilanów Palace survived Poland's partitions and both World Wars, and so serves as one of the most remarkable examples of Baroque architecture
in the country.

It is one of Poland's most important monuments. The

palace's museum, established in 1805, is a repository of the country's royal and artistic heritage and receives around 3 million visitors annually (2019), making it one of the most visited palaces and monuments in the world.[2]
The palace and park in Wilanów host cultural events and concerts, including Summer Royal Concerts in the Rose Garden and the International Summer Early Music Academy.

The palace, together with other elements of

National Heritage Board of Poland. Since 2006, the palace has been a member of the international association of European Royal Residences.[3]

History

Wilanów Palace was built for King

entre cour et jardin (between the entrance court and the garden). Its architecture is original, a merger of generally European art with distinctively Polish building traditions.[4] Upon its elevations and in the palace interiors ancient symbols glorify the Sobieski family, especially the military triumphs of the king.[5]

Wilanów Palace as seen from north-east by Bernardo Bellotto (1777).

After the death of John III Sobieski in 1696, the palace was owned by his sons and later by the famous magnate families Sieniawskis,

Izabela Lubomirska, called The Blue Marquise.[6] She refurbished some of the interiors in the neoclassical style between 1792–1793 and build a corps de garde, a kitchen building and a bathroom building under the supervision of Szymon Bogumił Zug.[6]

In the year 1805, the owner Stanisław Kostka Potocki, opened a museum in a part of the palace, one of the first public museums in Poland.[4] A most notable example of the collections is Potocki's equestrian portrait made by renowned neoclassical French artist Jacques-Louis David in 1781.[7] Besides European and Oriental art, the central part of the palace displayed a commemoration of king John III Sobieski and the glorious national past. The palace was damaged by German forces in World War II,[8] but it was not demolished after the 1944 Warsaw Uprising. After the war, the palace was renovated, and most of the collection stolen by Germany was repatriated. In 1962 it was reopened to the public.[9]

Design

Exterior structure

The structure was designed by Augustyn Wincenty Locci.

cour d'honneur.[11]

Sundial with Chronos.

During the first stage of construction, between 1677 and 1680, the building was a typical Polish

Villa Montagnana.[11] Shortly after the king's death the third stage of the reconstruction was accomplished. Between 1688 and 1696 the pavilion above the main building was erected and the towers were covered with baroque spires, all resembling the Villa Doria Pamphili in Rome (especially its initial design by Giovanni Francesco Grimaldi).[11]

The north wing, erected by Elżbieta Sieniawska.

The king and his

Masovia and Greater Poland, Samogitia, Red Ruthenia and Royal Prussia).[13] They were issued by sculptors Andreas Schlüter (many reliefs and other secondary aspects of the façade),[14] Stefan Szwaner and a stucco decorator named Antoni of Wilanów. Some of the sculptures were made in the Low Countries by Louis Willemsens and Artus Quellinus the Elder' workshop, shipped to Gdańsk and then transported to Warsaw.[15] An ornate sundial on the south wall with Chronos, together with the opposite composition with Uranus on the north wall, were intended to underline the king's patronage of science and orderliness in the Serenissima during his reign.[16] They were executed by Antoni of Wilanów, according to the design by Johannes Hevelius (astronomical aspect), Adam Adamandy Kochański (mathematical aspect) and Augustyn Locci (artistic aspect).[17][18]

The side wings embracing a courtyard, initiated by the king, were built long after his death by Elżbieta Sieniawska. They were constructed in the fourth stage of the enlargement between 1720 and 1729.[11] Powerful Sieniawska was very concerned in maintaining the substantial historical residence of the Rex victoriossimus (Victorious King), as it was called.[19] Despite that she transformed the palace into a French style palais enchanté according to a design by Giovanni Spazzio, with two new wings harmonious with the 17th century corps de logis. She employed the most renowned architects and artists for this undertaking, such as previously mentioned Spazzio, Johann Sigmund Deybel, Józef Fontana, Jan Jerzy Plersch and Giovanni Rossi. While the original royal palace was decorated with reliefs depicting the deeds of John III, the new wings were adorned with battlefield achievements of Sieniawska's husband and father-in-law - Adam Mikołaj and Mikołaj Hieronim Sieniawski (nota bene Sobieski's comrades).[20]

Interior space

Plafond with Allegory of Autumn by Jerzy Siemiginowski-Eleuter.

The most prominent Polish and foreign artists participated in the decoration of the palace interiors. It was entrusted to painters Martino Altomonte, Jan Rayzner of Lviv, Michelangelo Palloni, sculptor Stefan Szwaner and stucco decorators Szymon Józef Bellotti, Antoni of Wilanów and Abraham Paris.[21] They were supervised by the official court painters Claude Callot and later by Jerzy Siemiginowski-Eleuter. The latter, one of the greatest Polish painters of that time, had a significant influence on the palace's subsequent internal aspects (plafonds in the state rooms, frescoes).[21] Internal decoration was also superintended by Adam Kochański, a great admirer of China, who supported closer economic relations of the Commonwealth with the "Central nation". Due to his influence, Wilanów and other residencies were full of luxury Chinese imports and chinoiserie.[22][23]

African servant carrying a parrot (detail of a fresco by Giuseppe Rossi).

The 17th-century palace

tortoise-shell cabinet, never retrieved).[26]

Among the artists appointed for decoration of the palace's interiors in the 18th century were Giuseppe Rossi, an Italian fresco painter, who adorned the chambers with trompe-l'œil paintings and stucco decorators Francesco Fumo and Pietro Innocente Comparetti. Following the example of Queen Marie Casimire, who ordered a painting of herself as a goddess on the palace plafonds, Elżbieta Sieniawska embellished the Lower Vestibule with a fresco of Flora. On her initiative, the walls in the royal chambers were covered with Genoan velvet.[27] The walls of the second floor, that is the Great Dining Room, were covered with frescoes depicting Apollo, Minerva and Hercules as an allegory of Virtus Heroica (Heroic Valor), Hebe symbolizing Venustas (Beauty) completed with panoplies. Sieniawska's daughter, Maria Zofia Czartoryska, furnished the palace with new fireplaces made of white-cherry marble and crowned with mirrors in rich rococo frames.[28]

In the contract with King Augustus II Maria Zofia obliged him to preserve the palace unchanged. Therefore, his actions were limited to finishing the new dining room, called the White Room in the southern wing and to the decoration of some unfinished interiors.[29] The plafonds and other paintings were executed by Julien Poison, Johann Samuel Mock and Lorenzo Rossi, while the decorative lacquer panneaux in the Chinese Room were made by Martin Schnell.[30]

Garden

The palace gardens

An integral part of the palace, almost since its beginning, is the garden. Initially, it had the character of a baroque Italian garden in a semicircular form surrounding the palace on the east. In its composition this geometric garden fitted in well with the ancient patterns and the palace arrangement. It consisted of an upper garden located on a terrace with two

William Chambers, Thomas Whately and August Moszyński.[33]

Panorama

cour d'honneur

Gallery

  • The Palace in Wilanów, an engraving by Michał Kluczewski, 1874
    The Palace in Wilanów, an engraving by Michał Kluczewski, 1874
  • Queen's Bedroom in the Wilanów Palace by Aleksander Gryglewski, 1874
    Queen's Bedroom in the Wilanów Palace by Aleksander Gryglewski, 1874
  • The White Room by Willibald Richter, 1850
    The White Room by Willibald Richter, 1850
  • Portrait of Count Stanislas Potocki by Jacques-Louis David, 1781
    Portrait of Count Stanislas Potocki by Jacques-Louis David
    , 1781
  • The interior of the palace featuring a gallery of paintings
    The interior of the palace featuring a gallery of paintings
  • The palace interior
    The palace interior
  • King's apartments
    King's apartments
  • View of the palace from the gardens
    View of the palace from the gardens
  • The south wing of the palace
    The south wing of the palace
  • The main palace gate
    The main palace gate
  • Statue of King John III Sobieski
    Statue of King John III Sobieski
  • The King's Antechamber
    The King's
    Antechamber
  • Garden sculptures
    Garden sculptures
  • Fountain in the palace garden
    Fountain in the palace garden
  • St. Anne's Church near the palace
    St. Anne's Church near the palace
  • Mausoleum of the Potocki family
    Mausoleum of the Potocki family

See also

References

  1. ^ a b "History of Wilanów Palace – official website". 19 May 2010.
  2. ^ "EGMUS 2016". Retrieved 23 November 2019.
  3. ^ "European Royal Residences". Retrieved 19 May 2010.
  4. ^ a b c d "Palace". wilanow-palac.art.pl. Retrieved 21 February 2008.
  5. ^ Fijałkowski 1983, p. 31
  6. ^ a b c Fijałkowski 1983, p. 115,119
  7. ^ "Equestrian portrait of Stanislaw Kostka Potocki". wilanow-palac.art.pl. Retrieved 3 November 2011.
  8. ^ Monika Kuhnke (1997). "Apollo i dwie Muzy - szczęśliwy powrót z Pawłowska". www.nimoz.pl (in Polish). valuable, priceless, lost. Archived from the original on 10 March 2016. Retrieved 21 February 2008.
  9. ^ "Walka o zabytki Wilanowa". wilanow-palac.art.pl (in Polish). Retrieved 21 February 2008.[permanent dead link]
  10. ^ Augustyn Wincenty Locci, the author of Wilanów Palace at the Wilanów Palace Museum retrieved 9 November 2011
  11. ^ a b c d Fijałkowski 1983, pp. 17–20
  12. ^ Fijałkowski 1983, p. 21
  13. ^ Statues of Polesia, Podolia, Volhynia and Smolensk with Chernihiv, intended to embellish the façade of the southern gallery were never accomplished. Fijałkowski 1983, pp. 45–47, 53
  14. ^ Wiesław Gierlowski. "The Amber Study of King Frederick I". amber.com.pl. Retrieved 5 November 2011.
  15. ^ Fijałkowski 1983, p. 30,38
  16. ^ Fijałkowski 1983, p. 54
  17. ^ "Astronomia w Wilanowie". wilanow-palac.art.pl (in Polish). Retrieved 21 February 2008.
  18. ^ Z. Mrugalski. "Historia zegarmistrzostwa - osoby polskiego zegarmistrzostwa". zegarkiclub.pl (in Polish). Retrieved 21 February 2008.
  19. ^ Fijałkowski 1983, p. 12,111
  20. ^ Fijałkowski 1983, p. 112
  21. ^ a b Fijałkowski 1983, pp. 21–23
  22. ^ Fijałkowski 1983, pp. 23–24
  23. ^ "Fashion for chinoiserie at Wilanów Palace". wilanow-palac.art.pl. Retrieved 2 November 2011.
  24. ^ a b Fijałkowski 1983, pp. 96–97
  25. ^ Kieniewicz 1984, p. 149,212
  26. ^ Monika Kuhnke (2000). "Cenny dar dla zwycięzcy spod Wiednia". www.nimoz.pl (in Polish). valuable, priceless, lost. Archived from the original on 7 March 2016. Retrieved 21 February 2008.
  27. ^ Fijałkowski 1983, p. 114
  28. ^ a b Fijałkowski 1983, p. 115
  29. ^ Fijałkowski 1983, p. 116
  30. ^ Fijałkowski 1983, p. 117
  31. ^ Fijałkowski 1983, p. 102
  32. ^ Fijałkowski 1983, p. 104
  33. ^ Fijałkowski 1983, p. 120

Sources

  1. Fijałkowski, Wojciech (1983), Wilanów. Rezydencja Króla Zwycięzcy (Wilanów. The residence of the Victorious King) (in Polish), Warsaw: Krajowa Agencja Wydawnicza.
  2. Kieniewicz, Stefan (1984), Warszawa w latach 1526-1795 (Warsaw in 1526-1795) (in Polish), Warsaw: Krajowa Agencja Wydawnicza,
    ISBN 83-01-03323-1
    .

External links

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