William Mitchell (sculptor)
William George Mitchell | |
---|---|
Born | |
Died | 30 January 2020 | (aged 94)
Nationality | British |
Education | The Southern College of Art, Portsmouth, Royal College of Art, London, British School at Rome |
Known for | Sculpture |
Style | Abstract |
Awards | Royal College of Art Silver Medal and Abbey Award |
William George Mitchell (30 April 1925 – 30 January 2020) was an English sculptor, artist and designer. He is best known for his large scale concrete murals and public works of art from the 1960s and 1970s. His work is often of an abstract or stylised nature with its roots in the traditions of craft and "buildability". His use of heavily modelled surfaces created a distinctive language for his predominantly concrete and glass reinforced concrete (GRC) sculptures. After long years of neglect, many of William Mitchell's remaining works in the United Kingdom are now being recognised for their artistic merit and contemporary historic value, and have been granted protective, listed status.
Life and career
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William Mitchell was born in April 1925 in London's Maida Vale. Serious illness in his early years and extensive periods in hospitals and convalescent homes, resulted in virtually no schooling.
In 1938 Mitchell was apprenticed to an established London firm of decorators, where he was taught the basics of the trade, and developed a taste for the history and tradition of the craft. A three-year period of service in the Royal Navy followed after which he got a job painting scenes and panoramic views for the Navy, Army and Air Force Institutes (NAAFI), refurbishing and decorating their clubs and canteens across the world. After working for the Pearl Insurance Company as an Insurance Agent, Mitchell earned and saved enough money to pay for a more formal art education. After studying at The Southern College of Art in Portsmouth and then at the Royal College of Art in London between 1953 and 1957 where he studied woods, metals and plastics and won both a Silver Medal and the Abbey Award entitling him to a fourth post-graduate year at the British School at Rome.[1][2]
Upon his return from Italy, (where he had spent time in the offices of Gio Ponti, Pier Luigi Nervi and Pininfarina), Mitchell replied to a newspaper advertisement for a designer or artist to assist the London County Council, LCC, Architects Department to design and produce decorative works for the many new developments then springing up across the City. His appointment as a Design Consultant to the LCC enabled Mitchell to work with some of the UK's most respected builders, architects and engineers of the time including Sir Frederick Gibberd, Sir Basil Spence, The Building Design Partnership and Sir Ove Arup.
From the 1950s, Mitchell produced work for a wide variety of clients. His initial appointment at the London County Council allowed him to set up his own company in the early 1960s, a company which at one point employed over 40 skilled craftsmen and artists.[2] Mitchell gained a reputation for reliability during this period, and this would help him develop a style that became known throughout Britain and internationally,[3] with his work appearing on schools, public housing, public subways, civic gardens, shopping centres and religious buildings. He is thought to have produced around 100 pieces of public art in London alone.[4]
Mitchell's interest in experimentation, resulted in a wide range of projects that varied in both finish and style and which included the use of recycled timber and old furniture to create mosaics; the use of recycled glass, melted down and recast; the use of poured resin and polyurethane to add colour and the use of contemporary construction materials such as GRP (Glass reinforced plastic) and GRC (Glass reinforced concrete) to create large scale panelled installations. He was one of the few artists to investigate Faircrete, a John Laing developed concrete product that could be carved whilst still wet, retaining these shapes once dry. His 1973
Mitchell appeared on several editions of the BBC show Tomorrow's World. In one appearance he explained a proposal for attaching a series of photoelectric cells to the 30m high flank wall of the Piccadilly Plaza Tower in Manchester.[8]
In the 1980s Mitchell went to work in
Mitchell spent many years as artistic design adviser to
Mitchell was a member of the Design Advisory Board,
He died in Cumbria, England, in January 2020 at the age of 94.[11]
Works
Mitchell's key works from the 1960s and 1970s include:
Listed works
- The
- The Grade II listed 1964 ceramic and glass mural at Islington Green School, now the City of London Academy Islington.[13]
- The Grade II listed 1964 Corn King and Spring Queen sculptures at the former Cement and Concrete Association HQ in Wexham.[2]
- The Grade II listed 1965 large mural at reception to Lee Valley Water Works.
- The Grade II listed 1966 decorative interior fibreglass panelling and also a sliding screen for the box office of the Curzon Mayfair Cinema in London.[14]
- The Grade II listed Egyptian Rooms at Harrods, London.
- The Grade II listed 1966 large decorative cast concrete wall of the former Three Tuns public house in Coventry City precinct.[15]
- The Grade II 1966 abstract stained glass window at Archbishop Temple School, Preston.
- The Grade II listed 1967 Minute Men sculptures at Salford University, in Manchester.
- The Grade II* listed 1967 cold cast bronze sliding doors and carved stone bell tower of the Liverpool Metropolitan Cathedral.
- The Grade II 1968 Sculptural Wall, London Road, Manchester, with Antony Hollaway.[16]
- The Grade II 1968 Story of Wool sculptural mural, Wool International Development Centre, Ilkley.
- The Grade II* listed 1973 carved stations of the cross at Clifton Cathedral in Bristol
- The Grade II 320 metre long decorative cast concrete retaining wall along a section of the Kidderminster ring road (1973)
- "Brutalist Climbing Wall" – Decorative cast concrete climbing wall in three parts, under Hockley Flyover, Hockley Birmingham (1968). Grade II listed in 2022.[17][18][19]
- Scenes of Contemporary Life, a two-part mural at the Park Place underpass in Stevenage, listed as Grade II in 2022.[19]
Non Listed
- Swanley Town Square (1968), Swanley, Kent multiple exterior panels up two flat stairways (town square and centre redevelopment imminent)
- The (now demolished) exterior panels of Basil Spence's swimming pool at Swiss Cottage (1964)
- A series of up to 20 concrete reliefs on the podium of Quayside Tower, Birmingham (1965)
- Erith Riverside Swimming Pool Mural in glass and epoxy resin (1968)
- The Spirit of Brighton, Churchill Square, Brighton (1968) (demolished 1992)[20]
- Abstract concrete mural above the entrance to the Turnpike Centre, Leigh, Greater Manchester (1971)[21][22]
- Structural column & other works at Leon House, Croydon.[23]
- Tapton Hall entrance mural wall, Sheffield.
- Barkers Pool House, Burgess Street, Sheffield. Work to remove the frieze commenced in July 2020 owing to the planned demolition of Barkers Pool House. Sheffield City Council opened a public consultation to find a new home for the work, either close to the original site, or elsewhere in the Heart of the City II regeneration scheme.[24]
- Frieze at first floor level of the Emanuel House flats, Rochester Row, Victoria, London.
- Civic Fountain, Southend-on-Sea, Essex.
- Concrete Frieze on the Hatton Cross tube station box, London.[25]
- Ceiling of the Cobalt Unit (July 1970) at The Clatterbridge Cancer Centre, Merseyside. Now used as a meeting room at the hospital.
- Mural to mark the 25th anniversary of Bracknell New Town (1974). Now mounted on the side of a car park[26]
- History of Coventry (1974) relief mural carved from faircrete in the foyer of Hertford House, Coventry.[27]
- The Pineapple, (1977), a fountain made from hand-cut, rusted steel which was installed outside a Basildon office block. It was placed in storage in 2011 and reported missing in 2012.[28]
- Inside village hall in the Brooklands Park Estate in Blackheath, London. Completed in 1958 and in 2024 was considered his earliest work still in situ and in good condition. It is made of 13 panels carved then filled with resin. In 2024, plans for new housing meant that it was in danger of demolition along with the building housing it.[4]
Published work
- Self Portrait, The Eyes Within, Mitchell's autobiography, ISBN 978-184995-079-4.[29]
See also
- Edmund Percey, architect known for his use of concrete.
References
- ^ ISBN 0-953260-95-X.
- ^ a b c Dawn Pereira (2009). "The concrete legacy of William Mitchell". Concrete. Academia.edu. Retrieved 4 February 2013.
- ^ "William Mitchell and the London County Council: the evolution of a classless form of public art". Sculpture Journal – Volume 21, Number 1. Liverpool.metapress.com. 27 June 2012. Retrieved 4 February 2013.
- ^ ISSN 0261-3077. Retrieved 18 February 2024.
- ^ Harrison, Peter (2020). Guide to Clifton Cathedral. Bristol: Clifton Cathedral.
- ^ "CQ 1964". Concretecentre.com. Retrieved 4 February 2013.
- ^ "Archived copy" (PDF). Archived from the original (PDF) on 15 August 2012. Retrieved 4 February 2013.
{{cite web}}
: CS1 maint: archived copy as title (link) - ^ Richard Brook (8 July 2012). "plaza in space " re_map". Remap.wordpress.com. Retrieved 4 February 2013.
- ^ Johnston, Chris (13 January 2018). "'Tacky' statue of Diana and Dodi Fayed to be removed from Harrods". The Guardian. Retrieved 13 January 2018 – via www.theguardian.com.
- ^ "Report on TACS Postwar Murals Study Day 2007". Tilesoc.org.uk. 20 November 2007. Retrieved 4 February 2013.
- ^ "Creator of the Lions Head in The Water Gardens has died". Your Harlow. 2020. Retrieved 19 February 2020.
- ^ Historic England. "Water Gardens (1389446)". National Heritage List for England. Retrieved 19 February 2020.
- ^ "Mural at City of London Academy Islington". britishlistedbuildings.co.uk. Retrieved 5 February 2013.
- ^ Historic England. "Curzon Mayfair Cinema (1272023)". National Heritage List for England. Retrieved 15 March 2023.
- ^ "MURAL AT THE THREE TUNS PUB, Non Civil Parish - 1393443 | Historic England". historicengland.org.uk. Retrieved 31 October 2023.
- ^ Historic England. "Sculptural wall, Manchester (1400857)". National Heritage List for England. Retrieved 15 March 2023.
- ^ "Recreational Structures". William George Mitchell. Archived from the original on 24 January 2018.
{{cite web}}
: CS1 maint: unfit URL (link) - ^ "Birmingham's 'Brutalist Climbing Wall' Mitchell murals listed". The Twentieth Century Society. Retrieved 16 May 2022.
- ^ a b Jessica Murray (26 May 2022). "Birmingham Hockley flyover murals get listed status". The Guardian. Retrieved 27 May 2022.
- ^ Ben James (29 December 2015). "Search is on for Sussex's missing public art". The Argus. Retrieved 16 May 2022.
- ^ "New era for Turnpike Gallery, Leigh: "Art and culture are a catalyst for the town"". a-n The Artists Information Company. Retrieved 14 May 2018.
- ^ Chris Moss (13 April 2022). "Where tourists seldom tread, part 2: Five great UK towns left out of the guidebooks". The Guardian. Retrieved 15 March 2023.
- ^ "Forgotten sculpture unveiled at Leon House". Develop Croydon. 4 December 2018. Retrieved 17 July 2019.
- ^ "William Mitchell frieze to be safely removed and relocated". Retrieved 3 July 2020.
- ^ "Hatton Cross Station". MODERNISM IN METRO-LAND. Retrieved 27 January 2022.
- ^ "William Mitchell Mural returns to Bracknell town centre". BBC News. 16 September 2020. Retrieved 2 January 2024.
- ^ "William Mitchell's History of Coventry mural revealed". BBC News. 29 October 2023. Retrieved 31 October 2023.
- ^ Cahal Milmo (15 December 2015). "Historic England on a mission to locate publicly subsidised art that has disappeared from view". The Independent. Retrieved 19 February 2020.
- ISBN 978-1-84995-079-4.