William Mulready

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William Mulready
1860s albumen print portrait
by Cundall, Downes & Co
Born(1786-04-01)1 April 1786
Ennis, County Clare, Ireland
Died7 July 1863(1863-07-07) (aged 77)
Bayswater, London, England
NationalityIrish

William Mulready

RA (1 April 1786 – 7 July 1863) was an Irish genre painter living in London. He is best known for his romanticising depictions of rural scenes, and for creating Mulready stationery letter sheets, issued at the same time as the Penny Black postage stamp.[1]

Life and family

William Mulready was born in Ennis, County Clare. Early in his life, in 1792, the family moved to London, where he was able to get an education and was taught painting well enough so that he was accepted at the Royal Academy School at the age of fourteen.

Vicar of Wakefield by Oliver Goldsmith

In 1802, he married Elizabeth Varley (1784–1864), a landscape painter. She came from a family of established artists; her brothers included John Varley, friend of William Blake, Cornelius Varley, and William Fleetwood Varley.

Their three children, Paul Augustus (1805–1864), William (1805–1878), and Michael (1807–1889) also became artists. His relationship with his wife however deteriorated gradually over the years, which is detailed in papers stored at the library of the Victoria and Albert Museum. His strong Catholic beliefs prevented any chance of a divorce but they separated. He accused her of "bad conduct" but shied from providing details. In a letter to him in 1827 she blamed him entirely for the collapse of their marriage, suggesting cruelty, pederastic activities and adultery were the reasons,[2][3] writing that one of his pupils, Harriet Gouldsmith, had told her Malready "preferred her little finger" to his wife and children, and accusing him having "had taken a low boy to your bed, and turned one adrift at midnight, to seek one at the house of an unmarried man."[4][5]

His son, William Mulready Junior (1805–1878), lived in London and maintained a career of a portrait painter and picture restorer. He had five children (Ellen, Mary, Augustus Edwin, Henry William, and John[6]). They also were trained as artists, but not all of them pursued the artistic career: Henry William and John described themselves as 'house painters'.[6] Augustus Edwin Mulready (1844–1904) was the most successful of them and became known as a member of the Cranbrook Colony of artists.

Artistic career

Charles and Mary Lamb's Tales from Shakespeare in 1807;[7] William Roscoe's entertaining poem The Butterfly's Ball, and the Grasshopper's Feast in the same year; and a sequel to the latter by Catherine Ann Dorset.[8] Some of these were for the Juvenile Library of William Godwin and Mary Jane Clairmont; Godwin in turn wrote, under a pseudonym, an account of Mulready's early life, suitable for children.[9]

Tate Gallery
, London, under the title Fair Time, appeared in 1809.

In 1815 he became an Associate of the Royal Academy (A.R.A.) and R.A. in 1816.

Légion d'honneur". Mulready's most important pictures are in the Victoria and Albert Museum and in the Tate Gallery. In the former are 33, among them Hampstead Heath (1806); Giving a Bite (1836); First Love (1839); The Sonnet (1839); Choosing the Wedding Gown (1846); and The Butt (Shooting a Cherry) (1848). In the latter are five, including a Snow Scene. In the National Gallery, Dublin
, are Young Brother and The Toy Seller. His Wolf and the Lamb is in Royal possession.

In 1840, Mulready designed the illustrations for the

lettersheets
that were cut in rectangles, folded over and sealed or tucked in. Stationery manufacturers, whose livelihood was threatened by the new lettersheet, produced many
folly.[13]

Death

Funerary monument, Kensal Green Cemetery, London

He died at the age of 77 in Bayswater, London and is buried[14] in the nearby Kensal Green Cemetery where a monument to his memory was erected. The monument lies on the north side of the main path, midway between the entrance and the main chapel, and although not in the front line of graves it is easily spotted due to its unique form. The tomb was designed by Godfrey Sykes.[15]

See also

References

  1. ^ "Mulready, William" . Dictionary of National Biography. London: Smith, Elder & Co. 1885–1900.
  2. ISBN 978-0-7864-2531-0
    .
  3. ^ Brian Reade, Sexual Heretics, London, 1970. p. 16
  4. ^ A Family History
  5. ^ Clairmont, Clara Mary Jane; Stocking, Marion Kingston The Clairmont correspondence: letters of Claire Clairmont, Charles Clairmont, and Fanny Imlay Godwin, Volume 1, Johns Hopkins University Press, 1995, p4.
  6. ^ a b Censuses 1861, 1871, 1881
  7. ^ Lamb, Charles (1807). Tales from Shakespear designed for the use of young persons. London: Thomas Hodgkins.
  8. ISBN 0801866405
    . Retrieved 11 October 2014.
  9. ^ mitchell, Sally (1988). Victorian Britain (Routledge Revivals): An Encyclopedia. p. 516.
  10. The Walters Art Museum
    .
  11. ^ Melville, Fred J, Postage Stamps in the Making, p71, Stanley Gibbons, 1916.
  12. ^ "Mulready stationery: Caricatures". The Queen's Own: Stamps That Changed the World. National Postal Museum. Retrieved 13 November 2020.
  13. ^ "Mulready Letter Sheets". Alphabetilately. Retrieved 9 November 2017.
  14. ^ "Mulready, William".
  15. ^ "Tomb of William Mulready, by Godfrey Sykes, Kensal Green Cemetery, London".

Further reading

  • Stephens, Memorials of Mulready (London, 1867)

External links

Wikimedia Commons has media related to William Mulready.
Wikisource has original works by or about:
William Mulready

Artistic

Philatelic

Other

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