Woody Allen

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Woody Allen
Allen with his hands at his sides
Allen in 2016
Born
Allan Stewart Konigsberg

(1935-11-30) November 30, 1935 (age 88)[a]
EducationCity College of New York (dropped out)
Occupations
  • Filmmaker
  • writer
  • actor
  • comedian
  • musician
Years active1956–present
WorksFull list
Spouses
  • Harlene Susan Rosen
    (m. 1956; div. 1962)
  • (m. 1966; div. 1970)
  • (m. 1997)
Partners
Children5, including Ronan Farrow and Moses Farrow
RelativesLetty Aronson (sister)
AwardsFull list
Websitewww.woodyallen.com Edit this at Wikidata

Heywood Allen (born Allan Stewart Konigsberg; November 30, 1935)

Tony Award.[14] Allen was awarded an Honorary Golden Lion in 1995, the BAFTA Fellowship in 1997, an Honorary Palme d'Or in 2002, and the Golden Globe Cecil B. DeMille Award in 2014. Two of his films have been inducted into the National Film Registry by the Library of Congress
.

Allen began his career writing material for television in the 1950s, alongside Mel Brooks, Carl Reiner, Larry Gelbart, and Neil Simon. He also published several books of short stories and wrote humor pieces for The New Yorker. In the early 1960s, he performed as a stand-up comedian in Greenwich Village, where he developed a monologue style (rather than traditional jokes) and the persona of an insecure, intellectual, fretful nebbish.[15] During this time, he released three comedy albums, earning a Grammy Award for Best Comedy Album nomination for the self-titled Woody Allen (1964).[16]

After writing, directing, and starring in a string of slapstick comedies, such as Take the Money and Run (1969), Bananas (1971), Sleeper (1973), and Love and Death (1975), he directed his most successful film, Annie Hall (1977), a romantic comedy featuring Allen and his frequent collaborator Diane Keaton. The film won four Academy Awards, for Best Picture, Best Director, Best Original Screenplay, and Best Actress for Keaton.[17] Allen has directed many films set in New York City, including Manhattan (1979), Hannah and Her Sisters (1986), and Crimes and Misdemeanors (1989).

Allen continued to garner acclaim, making a film almost every year, and is often identified as part of the New Hollywood wave of auteur filmmakers whose work has been influenced by European art cinema.[18] His films include Interiors (1978), Stardust Memories (1980), Zelig (1983), Broadway Danny Rose (1984), The Purple Rose of Cairo (1985), Radio Days (1987), Husbands and Wives (1992), Bullets Over Broadway (1994), Deconstructing Harry (1997), Match Point (2005), Vicky Cristina Barcelona (2008), Midnight in Paris (2011), and Blue Jasmine (2013).[19]

In 1979, Allen began a professional and personal relationship with actress

Andre Previn's adopted daughter Soon-Yi Previn. Allen married Previn in 1997. They have two adopted daughters.[20] In 1992, Farrow publicly accused Allen of sexually abusing their adopted daughter, Dylan Farrow.[21][22] The allegation gained substantial media attention, but Allen was never charged or prosecuted, and vehemently denied the allegation. Hollywood remained largely split over the allegation. Some defended Dylan's allegation, while others vouched for Allen's innocence, citing potential extortion from Farrow as a result of Allen and Soon-Yi's courtship.[23]

Early life and education

Allen as a high school senior in 1953

Allen was born Allan Stewart Konigsberg

Midwood neighborhood.[31] Both their parents were born and raised on the Lower East Side of Manhattan.[32]

Allen's parents did not get along, and he had an estranged relationship with his authoritarian, ill-tempered mother.[33] He spoke German in his early years.[citation needed] He later joked that he was often sent to interfaith summer camps when he was young. While attending Hebrew school for eight years, he went to Public School 99 (now the Isaac Asimov School for Science and Literature)[34] and Midwood High School, graduating in 1953. Unlike his comic persona, he was more interested in baseball than school and his strong arm ensured he was picked first for teams.[35][24] He impressed students with his talent for cards and magic tricks.[36]

Allen wrote jokes (or "gags") for agent David O. Alber to make money, and Alber sold them to newspaper columnists. At age 17, he legally changed his name to Heywood Allen[37] and later began to call himself Woody.[38] According to Allen, his first published joke read: "Woody Allen says he ate at a restaurant that had O.P.S. prices—over people's salaries."[39] He was soon earning more than both of his parents combined.[35] After high school, he attended New York University, studying communication and film in 1953, before dropping out after failing the course "Motion Picture Production". He studied film at City College of New York in 1954, but left during the first semester.[40] He taught himself rather than studying in the classroom.[24] He later taught at The New School and studied with writing teacher Lajos Egri.[41]

Career

1955–1959: Comedy writer and television work

Allen in the 1960s

Allen began writing short jokes when he was 15,[42] and the following year began sending them to various Broadway writers to see if they'd be interested in buying any.: 539  One of those writers was Abe Burrows, coauthor of Guys and Dolls, who wrote, "Wow! His stuff was dazzling." Burrows then wrote Allen letters of introduction to Sid Caesar, Phil Silvers, and Peter Lind Hayes, who immediately sent Allen a check for just the jokes Burrows included as samples.[43]

As a result of the jokes Allen mailed to various writers, he was invited, then age 19, to join the NBC Writer's Development Program in 1955, followed by a job on The NBC Comedy Hour in Los Angeles. He was later hired as a full-time writer for humorist Herb Shriner, initially earning $25 a week.[39] He began writing scripts for The Ed Sullivan Show, The Tonight Show, specials for Sid Caesar post-Caesar's Hour (1954–1957), and other television shows.[44] By the time he was working for Caesar, he was earning $1,500 a week. He worked alongside Mel Brooks, Carl Reiner, Larry Gelbart, and Neil Simon. He also worked with Danny Simon, whom Allen credits for helping form his writing style.[39][45] In 1962 alone, he estimated that he wrote twenty thousand jokes for various comics.[46] Allen also wrote for the Candid Camera television show, and appeared in some episodes.[47]

He wrote jokes for the Buddy Hackett sitcom Stanley and for The Pat Boone Chevy Showroom, and in 1958 he co-wrote a few Sid Caesar specials with Larry Gelbart.[48] After writing for many of television's leading comedians and comedy shows, Allen was gaining a reputation as a "genius", composer Mary Rodgers said. When given an assignment for a show he would leave and come back the next day with "reams of paper", according to producer Max Liebman.[48] Similarly, after he wrote for Bob Hope, Hope called him "half a genius".[48] His daily writing routine could last as long as 15 hours, and he could focus and write anywhere necessary. Dick Cavett was amazed at Allen's capacity to write: "He can go to a typewriter after breakfast and sit there until the sun sets and his head is pounding, interrupting work only for coffee and a brief walk, and then spend the whole evening working."[49] When Allen wrote for other comedians, they would use eight out of ten of his jokes. When he began performing as a stand-up, he was much more selective, typically using only one out of ten jokes. He estimated that to prepare for a 30-minute show, he spent six months of intensive writing.[49] He enjoyed writing, despite the work: "Nothing makes me happier than to tear open a ream of paper. And I can't wait to fill it! I love to do it."[49]

Allen started writing short stories and cartoon captions for magazines such as

Grammy Award for Best Spoken Word Album.[56]

1960–1969: Stand-up comedian

Allen, Polly Bergen, and Andy Williams on The Andy Williams Show in 1965

From 1960 to 1969 Allen performed as a comedian to supplement his comedy writing. He worked in various places around

Gerald Nachman writes that Allen, while not the first to do standup, eventually had greater impact than all the others in the 1960s, and redefined standup comedy: "He helped turn it into biting, brutally honest satirical commentary on the cultural and psychological tenor of the times."[38]

After Allen was taken under the wing of his new manager, Jack Rollins, who had recently discovered Nichols and May, Rollins suggested he perform his written jokes as a stand-up. Allen was resistant at first, but after seeing Mort Sahl on stage, he felt safer to give it a try: "I'd never had the nerve to talk about it before. Then Mort Sahl came along with a whole new style of humor, opening up vistas for people like me."[59] Allen made his professional stage debut at the Blue Angel nightclub in Manhattan in October 1960, where comedian Shelley Berman introduced him as a young television writer who would perform his own material.[59]

His early stand-up shows with his different style of humor were not always well received or understood by his audiences. Unlike other comedians, Allen spoke to his audiences in a gentle and conversational style, often appearing to be searching for words, although he was well rehearsed. He acted "normal", dressed casually, and made no attempt to project a stage "personality". And he did not improvise: "I put very little premium on improvisation," he told Studs Terkel.[60] His jokes were created from life experiences, and typically presented with a dead serious demeanor that made them funnier: "I don't think my family liked me. They put a live teddy bear in my crib."[46] The subjects of his jokes were rarely topical, political or socially relevant. Unlike Bruce and Sahl, he did not discuss current events such as civil rights, women's rights, the Cold War, or Vietnam. And although he was described as a "classic nebbish", he did not tell the standard Jewish jokes of the period.[61] Comedy screenwriter Larry Gelbart compared Allen's style to Elaine May's: "He just styled himself completely after her".[62] Like Nichols and May, he often made fun of intellectuals.

Cavett, who was among the minority to quickly appreciate Allen's style, recalls seeing the Blue Angel audience mostly ignore Allen's monologue: "I recognized immediately that there was no young comedian in the country in the same class with him for sheer brilliance of jokes, and I resented the fact that the audience was too dumb to realize what they were getting."[63] It was his subdued stage presence that eventually became one of Allen's strongest traits, Nachman argues: "The utter absence of showbiz veneer and shtick was the best shtick any comedian had ever devised. This uneasy onstage naturalness became a trademark."[64] When the media finally noticed, writers like The New York Times's Arthur Gelb described Allen's nebbish quality as "Chaplinesque" and "refreshing". Allen developed an anxious, nervous, and intellectual persona for his stand-up act, a move that secured regular gigs for him in nightclubs and on television. He brought innovation to the comedy monologue, genre and his stand-up comedy is considered influential.[65]

Allen on The Tonight Show Starring Johnny Carson in 1964

Allen first appeared on The Tonight Show Starring Johnny Carson on November 1, 1963, and over nine years his guest appearances included 17 in the host's chair. He subsequently released three LP albums of live nightclub recordings: the self-titled Woody Allen (1964), Volume 2 (1965), and The Third Woody Allen Album (1968), recorded at a fund-raiser for Senator Eugene McCarthy's presidential run.[66] In 1965, Allen filmed a half-hour standup special in England for Granada Television, titled The Woody Allen Show in the U.K. and Woody Allen: Standup Comic in the U.S.[67] It is the only complete standup show of Allen's on film.[67] The same year, Allen, along with Nichols and May, Barbra Streisand, Carol Channing, Harry Belafonte, Julie Andrews, Carol Burnett, and Alfred Hitchcock, took part in Lyndon B. Johnson's inaugural gala in Washington, D.C., on January 18, 1965. First Lady Lady Bird Johnson described Allen and the event in her published diary, A White House Diary, writing in part, "Woody Allen, that forlorn, undernourished little comedian, stopped shooting a movie in Paris and flew across the Atlantic for about five minutes of jokes".[68]

In 1966, Allen wrote an hourlong musical comedy television special for

Billy Graham.[73][74]

Allen also performed standup comedy on other series, including The

Andy Williams Show and The Perry Como Show, where he interacted with other guests and occasionally sang.[citation needed] In 1971, he hosted one of his final Tonight Shows, with guests Bob Hope and James Coco.[75] Hope praised Allen on the show, calling him "one of the finest young talents in show business and a great delight".[76] Life magazine put Allen on the cover of its March 21, 1969, issue.[77]

1965–1976: Broadway debut and early films

Allen with the Broadway cast of Play It Again, Sam (1969)

Allen's first movie was the Charles K. Feldman production What's New Pussycat? (1965), for which he wrote the screenplay. He was disappointed with the final product, which led him to direct every film he wrote thereafter except Play It Again, Sam.[78] Allen's first directorial effort was What's Up, Tiger Lily? (1966, co-written with Mickey Rose), in which an existing Japanese spy movie—Kokusai himitsu keisatsu: Kagi no kagi (International Secret Police: Key of Keys, 1965)—was redubbed in English by Allen and friends with fresh new, comic dialogue. In 1967, Allen played Jimmy Bond in the James Bond spoof Casino Royale.

In 1966, Allen wrote the play Don't Drink the Water. The play starred Lou Jacobi, Kay Medford, Anita Gillette and Allen's future movie co-star Tony Roberts.[79] A film adaptation of the play, directed by Howard Morris, was released in 1969, starring Jackie Gleason. Because he was not particularly happy with that version, in 1994 Allen directed and starred in a second version for television, with Michael J. Fox and Mayim Bialik.[80]

The next play Allen wrote for Broadway was Play It Again, Sam, in which he also starred. The play opened on February 12, 1969, and ran for 453 performances. It featured Diane Keaton and Roberts.[81] The play was significant to Keaton's budding career, and she has said she was in "awe" of Allen even before auditioning for her role, which was the first time she met him.[82] In a 2013 interview Keaton said that she "fell in love with him right away", adding, "I wanted to be his girlfriend so I did something about it."[83] After co-starring alongside Allen in the subsequent film version of Play It Again, Sam, she later co-starred in Sleeper, Love and Death, Annie Hall, Interiors and Manhattan. "He showed me the ropes and I followed his lead. He is the most disciplined person I know. He works very hard," Keaton has said.[83]

Diane Keaton, Allen, and Jerry Lacy in Play it Again, Sam (1972)

In 1969, Allen directed, starred in, and co-wrote (with Mickey Rose)

Writers Guild of America Award nomination and later signed a deal with United Artists
to produce several films.

During the 1970s, Allen wrote, directed and starred in films later known as his "early, funny" work. In 1971, he made Bananas, in which he plays Fielding Mellish, a bumbling New Yorker who travels to Latin America, where he unwittingly becomes a leader of a nation amid a rebellion. The film co-stars Allen's then girlfriend, Louise Lasser, and Carlos Montalbán. It also features a brief appearance by Sylvester Stallone as a train thief and Howard Cosell as himself. In an interview with Roger Ebert, Allen said of making the movie, "The big, broad laugh comedy is a form that's rarely made these days and sometimes I think it's the hardest kind of movie to make...with a comedy like 'Bananas,' if they're not laughing, you're dead, because laughs are all you have."[85]

The next year, he made the anthology comedy film Everything You Always Wanted to Know About Sex* (*But Were Afraid to Ask), loosely based on the 1969 book of the same name. It stars Allen, Gene Wilder, Lou Jacobi, Anthony Quayle, Tony Randall, and Burt Reynolds. The film received mixed reviews, with Time writing, "the jokes are well-worn, and good, manic ideas are congealing into formulas".[86] The same year, Allen wrote and starred in the film Play It Again, Sam, based on his 1969 play of the same name. It was directed by Herbert Ross and co-stars Diane Keaton (their first film collaboration). He reunited with Keaton in Sleeper (1973), about a man who is cryogenically frozen and later defrosted in a science fiction dystopia. Allen has said the film is a tribute to Groucho Marx and Bob Hope. Sleeper was the first of four screenplays co-written by Allen and Marshall Brickman.[87][88]

Allen collaborated again with Keaton in the comedy

blacklisting during the 1950s; Ritt, screenwriter Walter Bernstein, and three cast members—Zero Mostel, Herschel Bernardi, and Lloyd Gough
—had been blacklisted.

1977–1989: Established career

Then came two of Allen's most popular films: Annie Hall and Manhattan. Annie Hall (1977) won four Academy Awards, including Best Picture, Best Actress in a Leading Role for Diane Keaton, Best Original Screenplay and Best Director for Allen. It set the standard for modern romantic comedy and ignited a fashion trend with the clothes Keaton wore in the film. In an interview with journalist Katie Couric, Keaton did not deny that Allen wrote the part for and about her.[89] The film is ranked 35th on the American Film Institute's "100 Best Movies" and fourth on the AFI list of the "100 Best Comedies".

In 1979, Allen paid tribute to one of his comedy idols, Bob Hope, at the Film Society at Lincoln Center, creating a special for the event titled "My Favorite Comedian" that included clips from Hope's films, selected and narrated by Allen. Hope said of the honor, "It's great to have your past spring up in front of your eyes, especially when it's done by Woody Allen, because he's a near genius. Not a whole genius, but a near genius".[90] Dick Cavett hosted the event, but Allen was absent, editing Manhattan. Guests included Keaton, Kurt Vonnegut, and Andy Warhol.

Academy Award nominations, for Hemingway for Best Supporting Actress and for Allen's screenplay. Keaton, who has made eight movies with Allen, has said, "He just has a mind like nobody else. He's bold. He's got a lot of strength, a lot of courage in terms of his work. And that is what it takes to do something really unique. Along with a genius imagination."[89]

Allen's films in the 1980s, even the comedies, became somber with philosophical undertones, influenced by European directors, especially Ingmar Bergman and Federico Fellini. Stardust Memories was based on , which it parodies, and Wild Strawberries. A Midsummer Night's Sex Comedy was adapted from Smiles of a Summer Night. In Hannah and Her Sisters, part of the film's structure and background is borrowed from Fanny and Alexander. Fellini's Amarcord inspired Radio Days. September resembles Bergman's Autumn Sonata. Another Woman and Crimes and Misdemeanors have elements reminiscent of Wild Strawberries.[91]

Stardust Memories (1980) features Sandy Bates, a successful filmmaker played by Allen, who expresses resentment and scorn for his fans. Overcome by the recent death of a friend from illness, Bates says, "I don't want to make funny movies anymore" and a running gag has various people (including visiting space aliens) telling him that they appreciate his films, "especially the early, funny ones."[92] Allen considers this one of his best films.[93]

Mia's a good actress who can play many different roles. She has a very good range, and can play serious to comic roles. She's also very photogenic, very beautiful on screen. She's just a good realistic actress ... and no matter how strange and daring it is, she does it well.

—Woody Allen (1993)[94]

In 1981, Allen's play The Floating Light Bulb, starring Danny Aiello and Bea Arthur, premiered on Broadway and ran for 65 performances.[95] While receiving mixed reviews, it gave autobiographical insight into Allen's childhood, specifically his fascination with magic tricks. The play, set in 1945, is a semi-autobiographical tale of a lower-middle-class Brooklyn family. New York Times critic Frank Rich gave the play a mild review, writing, "there are a few laughs, a few well-wrought characters, and, in Act II, a beautifully written scene that leads to a moving final curtain".[96] Rich compared it to Tennessee Williams's work.[96] Allen has written several off-Broadway one-act plays, including Riverside Drive, Old Saybrook (at the Atlantic Theater Company), and A Second Hand Memory (at the Variety Arts Theatre).[96][97]

A Midsummer Night's Sex Comedy (1982) was the first movie Allen made starring Mia Farrow, who stepped into Diane Keaton's role when Keaton was shooting Reds.[98] He next directed Zelig, in which he starred as a man who has the ability to transform his appearance to match the people around him.[99]

Allen has combined tragic and comic elements in such films as Hannah and Her Sisters (1986) and Crimes and Misdemeanors (1989), in which he tells two stories that connect at the end. He has also made three films about show business: Broadway Danny Rose, in which he plays a down-on-his-luck New York show business agent; The Purple Rose of Cairo, set during the Great Depression, in which a movie character comes to life to romance an unhappy housewife; and Radio Days, a film about his childhood in Brooklyn and the importance of the radio. The film co-starred Farrow in a part Allen wrote for her.[94] Time magazine called The Purple Rose of Cairo one of the 100 best films of all time.[100] Allen has called it one of his three best films, with Stardust Memories and Match Point.[101] By "best", he said he meant they came closest to his vision. In 1989, Allen and directors Francis Ford Coppola and Martin Scorsese made New York Stories, an anthology film about New Yorkers. Allen's short, Oedipus Wrecks, is about a neurotic lawyer and his critical mother. Film critic Vincent Canby of The New York Times praised the segment as a "priceless contribution" to the film.[102]

1990–2004: Continued work

Allen's 1991 film

German expressionists and features the music of Kurt Weill.[103] Allen then made his critically acclaimed comedy-drama Husbands and Wives (1992), which received two Oscar nominations: Best Supporting Actress for Judy Davis and Best Original Screenplay for Allen. Manhattan Murder Mystery (1993) combined suspense with dark comedy and marked the return of Diane Keaton, Alan Alda and Anjelica Huston
.

He returned to lighter fare such as the showbiz comedy involving mobsters Bullets Over Broadway (1994), which earned an Academy Award nomination for Best Director, followed by a musical, Everyone Says I Love You (1996). The singing and dancing scenes in Everyone Says I Love You are similar to musicals starring Fred Astaire and Ginger Rogers. The comedy Mighty Aphrodite (1995), in which Greek drama plays a large role, won an Academy Award for Best Supporting Actress for Mira Sorvino. Allen's 1999 jazz-based comedy-drama Sweet and Lowdown was nominated for two Academy Awards, for Sean Penn (Best Actor) and Samantha Morton (Best Supporting Actress). In contrast to these lighter movies, Allen veered into darker satire toward the end of the decade with Deconstructing Harry (1997) and Celebrity (1998).

On March 8, 1995, Allen's one-act play Central Park West[104] opened[105] off-Broadway as a part of a larger piece titled Death Defying Acts,[106] with two other one-act plays, one by David Mamet and one by Elaine May. Critics described Allen's contribution as "the longest and most substantial of the evening".[107] During this decade Allen also starred in the television film The Sunshine Boys (1995), based on the Neil Simon play of the same name,[108] and made a sitcom "appearance" via telephone in a 1997 episode, "My Dinner with Woody", of Just Shoot Me! that paid tribute to several of his films. He provided the voice of Z in DreamWorks' first animated film, Antz (1998), which featured many actors he had worked with; Allen's character was similar to his earlier roles.[109]

Small Time Crooks (2000) was Allen's first film with the DreamWorks studio and represented a change in direction: he began giving more interviews and made an attempt to return to his slapstick roots. The film is similar to the 1942 film Larceny, Inc. (from a play by S. J. Perelman).[110] Allen never commented on whether this was deliberate or if his film was in any way inspired by it. Small Time Crooks was a relative financial success, grossing over $17 million domestically, but Allen's next four films foundered at the box office, including Allen's most costly film, The Curse of the Jade Scorpion (with a budget of $26 million). Hollywood Ending, Anything Else, and Melinda and Melinda have "rotten" ratings on film-review website Rotten Tomatoes and each earned less than $4 million domestically.[111] Some critics claimed that Allen's early 2000s films were subpar and expressed concern that his best years were behind him.[112] Others were less harsh; reviewing the little-liked Melinda and Melinda, Roger Ebert wrote, "I cannot escape the suspicion that if Woody had never made a previous film, if each new one was Woody's Sundance debut, it would get a better reception. His reputation is not a dead shark but an albatross, which with admirable economy Allen has arranged for the critics to carry around their own necks."[113]

2005–2014: Career resurgence

Allen in 2006

"In the United States things have changed a lot, and it's hard to make good small films now", Allen said in a 2004 interview. "The avaricious studios couldn't care less about good films—if they get a good film they're twice as happy but money-making films are their goal. They only want these $100 million pictures that make $500 million."

Premiere Magazine he said it was the best film he had ever made.[117]

Allen reached an agreement to film Vicky Cristina Barcelona in Avilés, Barcelona, and Oviedo, Spain, where shooting started on July 9, 2007. The movie featured Scarlett Johansson, Javier Bardem, Rebecca Hall and Penélope Cruz.[118][119] The film premiered at the 2008 Cannes Film Festival to rapturous reviews, and became a box office success. Vicky Cristina Barcelona won Best Motion Picture – Musical or Comedy at the Golden Globe awards. Cruz received the Academy Award for Best Supporting Actress.

In April 2008 he began filming Whatever Works,[120] a film aimed more toward older audiences, starring Larry David, Patricia Clarkson, and Evan Rachel Wood.[121] Released in 2009 and described as a dark comedy, it follows the story of a botched suicide attempt turned messy love triangle. Allen wrote Whatever Works in the 1970s, and David's character was written for Zero Mostel, who died the year Annie Hall came out. Allen was elected a Fellow of the American Academy of Arts and Sciences in 2001.[122] You Will Meet a Tall Dark Stranger, filmed in London, stars Antonio Banderas, Josh Brolin, Anthony Hopkins, Anupam Kher, Freida Pinto and Naomi Watts. Filming started in July 2009. It was released theatrically in the U.S. on September 23, 2010, following a Cannes debut in May 2010, and a screening at the Toronto International Film Festival on September 12, 2010.

Allen announced that his next film would be titled

Academy Award for Best Original Screenplay and became his highest-grossing film, making $151 million worldwide on a $17 million budget.[126]

On October 20, 2011, Allen's one-act play Honeymoon Motel opened on Broadway as part of a larger piece titled

Ethan Coen and Elaine May.[127] In February 2012, Allen appeared on a panel at the 92nd Street Y in New York City with moderators Dick Cavett and Annette Insdorf, discussing his films and career.[128]

His next film,

Penelope Cruz, Greta Gerwig, and Judy Davis. The film was structured in four vignettes featuring dialogue in both Italian and English. It marked Allen's return to acting since his last role in Scoop.[129] Bob Mondello gave it a mixed review, writing, "To Rome with Love is just froth—a romantic sampler with some decent jokes and gorgeous Roman backdrops. It goes down easily, but I have to say it's interesting less for what it is than for how it is."[130]

Allen's next film,

Best Original Screenplay,[134] and Blanchett received the Academy Award for Best Actress.[135] Allen co-starred with John Turturro in Fading Gigolo, written and directed by Turturro, which premiered in September 2013.[136] Also in 2013, Allen shot the romantic comedy Magic in the Moonlight with Emma Stone, and Colin Firth in Nice, France. The film is set in the 1920s on the French Riviera.[137] The film was a modest financial success, earning $51 million on a budget of $16 million.[138] For the BBC, Owen Gleiberman wrote, "Magic in the Moonlight is Allen's most gratifyingly airy concoction in a while, but it's also a comedy that insists, in the end, on making an overly rational case for the power of the irrational."[139]

On March 11, 2014, Allen's musical

Tony Award nomination for Best Book of a Musical. The show received six Tony nominations.[142]

In July and August 2014, Allen filmed the mystery drama Irrational Man in Newport, Rhode Island, with Joaquin Phoenix, Emma Stone, Parker Posey and Jamie Blackley.[143] Allen said that this film, as well as the next three he had planned, had the financing and full support of Sony Pictures Classics.[144] Jonathan Romney of Film Comment gave the film a mixed review, praising Stone's performance but calling the film "disconcertingly impersonal—all the more so as it overtly carries certain traditional marks of his patented brand, being a light-highbrow comedy of manners, peppered with bookish in-jokes."[145]

2015–2019

Allen at the 2015 Cannes Film Festival

On January 14, 2015,

Amazon Video debuted Allen's first television series production, Crisis in Six Scenes. The series is a comedy set during the 1960s. It focuses on the life of a suburban family after a surprise visitor creates chaos among them. It stars Allen, Elaine May, and Miley Cyrus, with the latter playing a radical hippie fugitive who sells marijuana.[150][151]

Allen's next film,

Amazon Studios, and opened the 2016 Cannes Film Festival on May 11, 2016, the third time Allen has opened the festival.[154] Peter Bradshaw of The Guardian gave the film a positive review, writing, "The film looks ravishing, with shots of New York which recall images in Allen's great work, Manhattan, but however wonderfully composed, there is something almost touristy in both them, and in his evocation of golden age Tinseltown, like his homages to Paris and Rome. Allen brings it all together in his closing moments which conjure something unexpectedly melancholy and shrewdly judged. It has entertainment and charm."[155]

Emma Stone, Allen, and Parker Posey at the Cannes Film Festival in 2015

In September 2016 Allen started filming the drama film

Amazon Studios.[159] The film received mixed reviews, with critics praising Winslet's leading performance. Owen Gleiberman of Variety wrote, "Wonder Wheel isn't a comedy—on the contrary, it often feels like the most earnest kitchen-sink drama that Clifford Odets never wrote. It may or may not turn out to be an awards picture, but it's a good night out, and that's not nothing."[160] In 2017, Allen received a standing ovation when he made a rare public appearance at the 45th Annual Life Achievement Tribute award ceremony for Diane Keaton. Before presenting her with the award he spoke about their longtime collaboration and friendship, saying, "From the minute I met her, she was a great, great inspiration to me. Much of what I have accomplished in my life I owe for sure to her".[161]

Allen returned to filming in New York City with the romantic film

Me Too movement, that they would donate their salaries to various charities.[163] The film received mixed reviews but earned praise for its performances. In February 2019 it was announced that Amazon Studios had dropped A Rainy Day in New York and would no longer finance, produce, or distribute films with Allen. He filed a lawsuit for $68 million, alleging Amazon gave "vague reasons" to terminate the contract, dropped the film over "a 25-year old, baseless allegation", and did not make payments.[164][165] The case was later settled and dismissed.[166][167] It was released throughout Europe beginning in July 2019,[168][169] receiving mixed reviews and grossing $20 million.[170][171][172] After over a year's delay, the film was released in the U.S. on October 9, 2020, by MPI Media Group and Signature Entertainment.[173]

In May 2019, it was announced that Allen's next film would be titled Rifkin's Festival, and Variety magazine confirmed that its cast would include Christoph Waltz, Elena Anaya, Louis Garrel, Gina Gershon, Sergi López, and Wallace Shawn, and that it would be produced by Gravier Productions.[174] The film was produced with Mediapro, an independent Spanish TV-film company.[175] Rifkin's Festival completed filming in October 2019.[176][177] On September 18, 2020, it premiered at the San Sebastián International Film Festival. It received mixed reviews, though Jessica Kiang of The New York Times called it "to the ravenous captive, like finding an unexpected stash of dessert".[178]

2020 to present

On March 2, 2020, it was announced that after shopping the book from publishers it was decided that Grand Central Publishing would release Allen's autobiography, Apropos of Nothing, on April 7, 2020.[179][180][181] According to the publisher, the book is a "comprehensive account of Allen's life, both personal and professional, and describes his work in films, theater, television, nightclubs, and print...Allen also writes of his relationships with family, friends, and the loves of his life."[182][183] The decision to publish the book was criticized by Dylan and Ronan Farrow, the latter of whom cut ties with the publisher.[184][185] The announcement also incited criticism from employees of the publishers.[186][187] On March 6, the publisher announced that it had canceled the book's release, saying in part, "The decision to cancel Mr. Allen's book was a difficult one."[188] Hachette's decision also drew criticism from novelist Stephen King, Executive director of PEN America Suzanne Nossel, and others.[189][190] On March 6, 2020, Manuel Carcassonne of Hachette's French branch, the publishing company Stock, announced it would publish the book if Allen permitted it.[189] On March 23, 2020, Arcade published the memoir.[191][192][193]

In June 2020, Allen appeared on Alec Baldwin's podcast Here's the Thing and talked about his career as a standup comedian, comedy writer, and filmmaker, and his life during the COVID-19 pandemic.[194] In September 2022, Allen suggested that he might retire from filmmaking after the release of his next film.[195] In an interview with La Vanguardia, Allen said, "My idea, in principle, is not to make more movies and focus on writing."[196] Allen's publicist later said, "Woody Allen never said he was retiring, nor did he say he was writing another novel. He said he was thinking about not making films, as making films that go straight or very quickly to streaming platforms is not so enjoyable for him, as he is a great lover of the cinema experience. Currently, he has no intention of retiring and is very excited to be in Paris shooting his new movie, which will be the 50th."[197]

Allen has made 50 feature films to date, with his latest film,

Rolling Stone called it "a pretty slight and minor film, but for an 87-year-old American working in a second language, it can't help but seem impressive".[200] Owen Gleiberman of Variety called it "his best since Blue Jasmine".[201]

In February 2024, it was reported that Allen had expressed interest in starting a new film as soon as summer 2024: "In a new interview with Spanish filmmaker David Trueba, the 88-year-old Allen confirms that he is currently trying to launch a new film, which could start shooting as early as this summer in Italy."[202]

Theater

While best known for his films, Allen has also had a successful theater career, starting as early as 1960, when he wrote sketches for the revue From A to Z. His first great success was Don't Drink the Water, which opened in 1968 and ran for 598 performances on Broadway. His success continued with Play It Again, Sam, which opened in 1969, starring Allen and Diane Keaton. The show played for 453 performances and was nominated for three Tony Awards, although none of the nominations were for Allen's writing or acting.[203]

In the 1970s, Allen wrote a number of one-act plays, such as

Theater World Award and a Drama Desk Award for his work), the play only ran for 62 performances.[204]

In 1995, after a long hiatus from the stage, Allen returned to theater with the one-act Central Park West,[205] an installment in an evening of theater, Death Defying Acts, that also included new work by David Mamet and Elaine May.[206]

For the next few years, Allen had no direct involvement with the stage, but productions of his work were staged. God was staged at The Bank of Brazil Cultural Center in Rio de Janeiro,[207] and theatrical adaptations of Allen's films Bullets Over Broadway[208] and September[209] were produced in Italy and France, respectively, without Allen's involvement.

In 2003, Allen returned to the stage with Writer's Block, an evening of two one-acts, Old Saybrook[210] and Riverside Drive,[211][205] that played Off-Broadway's Atlantic Theatre.[212] The production marked his stage-directing debut[213] and sold out the entire run.[214]

In 2004, Allen's first full-length play since 1981, A Second Hand Memory,

Spoleto, Italy, in June 2009.[218]

In October 2011, Allen's one-act play

It was announced in February 2012 that Allen would adapt

Tony Award nominations, including one for Allen for Best Book of a Musical.[222]

Jazz band

Allen with Jerry Zigmont and Simon Wettenhall performing at Vienne Jazz Festival, Vienne, France, September 2003

Allen is a passionate fan of jazz, which appears often in the soundtracks to his films. He began playing clarinet as a child and took his stage name from clarinetist Woody Herman.[223] He has performed publicly at least since the late 1960s, including with the Preservation Hall Jazz Band on the soundtrack of Sleeper.[224]

Woody Allen and his New Orleans Jazz Band have been playing each Monday evening at the

New Orleans jazz from the early 20th century.[226] He plays songs by Sidney Bechet, George Lewis, Johnny Dodds, Jimmie Noone, and Louis Armstrong.[227] The documentary film Wild Man Blues (directed by Barbara Kopple) chronicles a 1996 European tour by Allen and his band, as well as his relationship with Previn. The band released the albums The Bunk Project (1993) and the soundtrack of Wild Man Blues (1997). In 2005, Allen, Eddy Davis and Conal Fowkes released the trio album Woody With Strings.[228] In a 2011 review of a concert by Allen's jazz band, critic Kirk Silsbee of the Los Angeles Times suggested that Allen should be regarded a competent musical hobbyist with a sincere appreciation for early jazz: "Allen's clarinet won't make anyone forget Sidney Bechet, Barney Bigard or Evan Christopher. His piping tone and strings of staccato notes can't approximate melodic or lyrical phrasing. Still his earnestness and the obvious regard he has for traditional jazz counts for something."[229]

Allen and his band played at the Montreal International Jazz Festival on two consecutive nights in June 2008.[230] For many years he wanted to make a film about the origins of jazz in New Orleans. Tentatively titled American Blues, the film would follow the different careers of Louis Armstrong and Sidney Bechet. Allen stated that the film would cost between $80 and $100 million and is therefore unlikely to be made.[231]

Influence

Allen has said that he was enormously influenced by comedians

W.C. Fields,[232] playwright George S. Kaufman and filmmakers Ernst Lubitsch and Ingmar Bergman.[233]

Many comedians have cited Allen as an influence, including

Many filmmakers have also cited Allen as an influence, including Wes Anderson,[254] Greta Gerwig,[255] Noah Baumbach,[256] Luca Guadagnino,[257] Nora Ephron,[258] Whit Stillman,[259] Mike Mills,[260] Ira Sachs,[261] Richard Linklater,[262] Charlie Kaufman,[263] Nicole Holofcener,[264] Rebecca Miller,[265] Tamara Jenkins,[266] Alex Ross Perry,[267] Greg Mottola,[268] Lynn Shelton,[269] Lena Dunham,[270] Lawrence Michael Levine,[271] Olivier Assayas,[272] the Safdie brothers,[273] and Amy Sherman-Palladino.[274]

Directors who admire Allen's work include

Sight & Sound.[279][280][281] Other admirers of his work include Olivia Wilde and Jason Reitman, who staged live readings of Hannah and Her Sisters and Manhattan respectively.[282][283] Filmmaker Edgar Wright listed five of Allen's films (Take the Money and Run, Bananas, Play It Again, Sam, Sleeper, Annie Hall) in his list of 100 Favorite Comedy films.[284]

Film critics including Roger Ebert and Barry Norman have highly praised Allen's work.[286][287] In 1980, on Sneak Previews, Siskel and Ebert called Allen and Mel Brooks "the two most successful comedy directors in the world today ... America's two funniest filmmakers."[288] Pauline Kael wrote of Allen that "his comic character is enormously appealing to people partly because he's the smart, urban guy who at the same time is intelligent, is vulnerable, and somehow by his intelligence, he triumphs".[citation needed]

Favorite films

In 2012, Allen participated in the

Sight & Sound film polls.[289] Held every ten years to select the greatest films of all time, contemporary directors were asked to select ten films of their choice. Allen's choices, in alphabetical order, were:[290][291]

In his 2020 autobiography Apropos of Nothing Allen praised Elia Kazan's A Streetcar Named Desire (1951):

the movie of Streetcar is for me total artistic perfection... It's the most perfect confluence of script, performance, and direction I've ever seen. I agree with Richard Schickel, who calls the play perfect. The characters are so perfectly written, every nuance, every instinct, every line of dialogue is the best choice of all those available in the known universe. All the performances are sensational. Vivien Leigh is incomparable, more real and vivid than real people I know. And Marlon Brando was a living poem. He was an actor who came on the scene and changed the history of acting. The magic, the setting, New Orleans, the French Quarter, the rainy humid afternoons, the poker night. Artistic genius, no holds barred.

Film activism and preservation

In 1987, Allen joined Ginger Rogers, Sydney Pollack, and Miloš Forman at a Senate Judiciary committee hearing in Washington, D.C., where they each gave testimony against Ted Turner's and other companies' colorizing films without the artists' consent.[292][293] Only one senator, Patrick Leahy, was present for the testimony. Allen testified:

If directors had their way, we would not let our films be tampered with in any way—broken up for commercial or shortened or colorized. But we've fought the other things without much success, and now colorization—because it's so horrible and preposterous and more acutely noticeable by audiences—is the straw that broke the camel's back...The presumption that colorizers are doing him [the director] a favor and bettering his movie is a transparent attempt to justify the mutilation of art for a few extra dollars.[294]

Allen also spoke about his decisions to make films in black and white, such as

Jimmy Stewart criticizing the colorization of his film It's a Wonderful Life.[292]

In 1990, The Film Foundation was founded as a nonprofit film preservation organization that collaborates with film studios to restore prints of old or damaged films to meet the vision of the original filmmaker. Allen was part of the founding and sat on the foundation's original board of directors alongside Martin Scorsese, Robert Altman, Francis Ford Coppola, Clint Eastwood, Stanley Kubrick, George Lucas, Sydney Pollack, Robert Redford, and Steven Spielberg.[295]

Works

Filmography

Directed features
Year Title Distributor
1966 What's Up, Tiger Lily? American International Pictures
1969 Take the Money and Run Cinerama Releasing Corporation
1971 Bananas United Artists
1972 Everything You Always Wanted to Know About Sex*
(*But Were Afraid to Ask)
1973 Sleeper
1975 Love and Death
1977 Annie Hall
1978 Interiors
1979 Manhattan
1980 Stardust Memories
1982 A Midsummer Night's Sex Comedy Warner Bros.
1983 Zelig
1984 Broadway Danny Rose Orion Pictures
1985 The Purple Rose of Cairo
1986 Hannah and Her Sisters
1987 Radio Days
September
1988 Another Woman
1989 Crimes and Misdemeanors
1990 Alice
1991 Shadows and Fog
1992 Husbands and Wives TriStar Pictures
1993 Manhattan Murder Mystery
1994 Bullets Over Broadway Miramax Films
1995 Mighty Aphrodite
1996 Everyone Says I Love You
1997 Deconstructing Harry Fine Line Features
1998 Celebrity Miramax Films
1999 Sweet and Lowdown Sony Pictures Classics
2000 Small Time Crooks DreamWorks Pictures
2001 The Curse of the Jade Scorpion
2002 Hollywood Ending
2003 Anything Else
2004 Melinda and Melinda
Fox Searchlight Pictures
2005 Match Point DreamWorks Pictures
2006 Scoop Focus Features
2007 Cassandra's Dream The Weinstein Company
2008 Vicky Cristina Barcelona Metro-Goldwyn-Mayer / The Weinstein Company
2009 Whatever Works Sony Pictures Classics
2010 You Will Meet a Tall Dark Stranger
2011 Midnight in Paris
2012 To Rome with Love
2013 Blue Jasmine
2014 Magic in the Moonlight
2015 Irrational Man
2016 Café Society
Amazon Studios / Lionsgate
2017 Wonder Wheel Amazon Studios
2019 A Rainy Day in New York Signature Entertainment
2020 Rifkin's Festival MPI Media Group
2023 Coup de chance Metropolitan Filmexport

Theatrical works

In addition to directing, writing, and acting in films, Allen has written and performed in a number of Broadway theater productions.

Year Title Credit Venue
1960 From A to Z Writer (book) Plymouth Theatre, Broadway
1966 Don't Drink the Water Writer Coconut Grove Playhouse, Florida
Morosco Theatre, Broadway
1969 Play It Again, Sam Writer
Performer (Allan Felix)
Broadhurst Theatre, Broadway[28]
1975 God Writer
1975 Death Writer
1981 The Floating Light Bulb Writer Vivian Beaumont Theater, Broadway
1995 Death Defying Acts: Central Park West Writer Variety Arts Theatre, Off-Broadway
2003 Old Saybrook Writer and director
Atlantic Theatre Company
, Off-Broadway
2003 Riverside Drive Writer and director
2004 A Second-Hand Memory Writer and director
2008 Gianni Schicchi Director Dorothy Chandler Pavilion, Los Angeles
2011 "
Honeymoon Motel
"
Writer
Brooks Atkinson Theatre
, Broadway
2014 Bullets Over Broadway Writer (book) St. James Theatre, Broadway
2015 Gianni Schicchi Director Teatro Real, Madrid
2019 Director La Scala, Italy

Bibliography

Discography

  • Woody Allen (Colpix Records, 1964)
  • Woody Allen Vol. 2 (Colpix Records, 1965)
  • The Third Woody Allen Album (Capitol Records, 1968)
  • The Nightclub Years 1964–1968 (United Artists Records, 1972)
  • Standup Comic (Casablanca Records, 1978)
  • Wild Man Blues (RCA Victor, 1998)
  • Woody With Strings (New York Jazz Records, 2005)

Awards and honors

External videos
video icon Woody Allen Introduces "Love Letter to New York in the Movies:" 2002 Oscars,
Oscars
, 10:24, February 1, 2012

Over his more than 50-year film career, Allen has received many award nominations. He holds the record for most

Best Original Screenplay, with 16 nominations and three wins (Annie Hall, Hannah and Her Sisters, and Midnight in Paris). Allen has been nominated for Best Director seven times and won for Annie Hall. Three of Allen's films have been nominated for Academy Award for Best Picture
, Annie Hall, Hannah and Her Sisters, and Midnight in Paris.

Allen shuns award ceremonies, citing their subjectivity. His first and only appearance at the Academy Awards was at the

9/11 attacks.[296] Two of his films have been inducted into the National Film Registry by the Library of Congress
as "culturally, historically or aesthetically significant".

Allen has received numerous honors, including an Honorary

Venice International Film Festival in 1995. He also received a BAFTA Fellowship in 1997, a Lifetime Achievement Award from the Directors Guild of America and a Golden Globe Cecil B. DeMille Award in 2014. He was elected a member of the American Philosophical Society in 2010.[297] In 2015, the Writers Guild of America named his screenplay for Annie Hall first on its list of the "101 Funniest Screenplays".[298] In 2011, PBS televised the film biography Woody Allen: A Documentary on its series American Masters.[78]

In 2004, Comedy Central ranked Allen fourth on a list of the 100 greatest stand-up comedians,[299][300] while a UK survey ranked Allen the third-greatest comedian.[301]

Year Title Academy Awards BAFTA Awards Golden Globe Awards
Nominations Wins Nominations Wins Nominations Wins
1977 Annie Hall 5 4 6 5 5 1
1978 Interiors 5 2 1 4
1979 Manhattan 2 10 2 1
1983 Zelig 2 5 2
1984 Broadway Danny Rose 2 1 1 1
1985 The Purple Rose of Cairo 1 6 1 4 2
1986 Hannah and Her Sisters 7 3 8 2 5 1
1987 Radio Days 2 7 2
1989 Crimes and Misdemeanors 3 6 1
1990 Alice 1 1
1992 Husbands and Wives 2 2 1 1
1993 Manhattan Murder Mystery 1 1
1994 Bullets Over Broadway 7 1 1 1 1
1995 Mighty Aphrodite 2 1 1 1 1
1996 Everyone Says I Love You 1
1997 Deconstructing Harry 1
1999 Sweet and Lowdown 2 2
2000 Small Time Crooks 1
2005 Match Point 1 4
2008 Vicky Cristina Barcelona 1 1 1 1 4 1
2011 Midnight in Paris 4 1 1 4 1
2013 Blue Jasmine 3 1 3 1 3 1
Total 53 12 61 17 47 9

Personal life

Allen has been married three times: to Harlene Rosen from 1956 to 1959, Louise Lasser from 1966 to 1970, and Soon-Yi Previn since 1997. He also had a 12-year relationship with actress Mia Farrow and relationships with Stacey Nelkin and Diane Keaton.

Early marriages and relationships

In 1956, Allen married Harlene Rosen. He was 20 and she was 17. The marriage lasted until 1959.[302] Rosen, whom Allen called "the Dread Mrs. Allen" in his standup act, sued him for defamation as a result of comments he made during a television appearance shortly after their divorce. In his mid-1960s album Standup Comic, Allen said that Rosen had sued him because of a joke he made in an interview. Rosen had been sexually assaulted outside her apartment. According to Allen, the newspapers reported that she had been "violated". In the interview, Allen said, "Knowing my ex-wife, it probably wasn't a moving violation." In an interview on The Dick Cavett Show, Allen repeated his comments and said that she "sued me for a million dollars".[303]

In 1966, Allen married Louise Lasser. They divorced in 1970. Lasser provided voice dubbing in Allen's What's Up, Tiger Lily? and appeared in three of his other films: Take the Money and Run, Bananas, and Everything You Always Wanted to Know About Sex* (*But Were Afraid to Ask). She also appeared briefly in Stardust Memories.

According to the Los Angeles Times, Manhattan was based on Allen's romantic relationship with actress Stacey Nelkin.[304] Her bit part in Annie Hall ended up on the cutting room floor, and their relationship, never publicly acknowledged by Allen, reportedly began when she was 17 and a student at Stuyvesant High School in New York.[305][306][307] In December 2018 The Hollywood Reporter interviewed Babi Christina Engelhardt, who said she had an eight-year affair with Allen that began in 1976 when she was 17 years old (they met when she was 16), and that she believes the character of Tracy in Manhattan is a composite of any number of Allen's presumed other real-life young paramours from that period, not necessarily Nelkin or Engelhardt. When asked, Allen declined to comment.[308]

Diane Keaton

Allen with Diane Keaton and Jerry Lacy in the play Play It Again, Sam

In 1968,[309] Allen cast Diane Keaton in his Broadway show Play It Again, Sam. During the run she and Allen became romantically involved. Although they broke up after a year, she continued to star in his films, including Sleeper as a futuristic poet and Love and Death as a composite character based on the novels of Tolstoy and Dostoevsky. Annie Hall was very important in Allen's and Keaton's careers. It is said that the role was written for her, as Keaton's birth name was Diane Hall. She then starred in Interiors as a poet, followed by Manhattan. In 1987, she had a cameo as a nightclub singer in Radio Days, and she was chosen to replace Mia Farrow in Manhattan Murder Mystery after Allen and Farrow began having problems with their relationship. In total Keaton has starred in eight of Allen's films. As of 2018 Keaton and Allen remain close friends.[310] In a rare public appearance, Allen presented Keaton with the AFI Life Achievement Award in 2017.[311]

Mia Farrow

Allen and Mia Farrow met in 1979 and began a relationship in 1980;[312] Farrow starred in 13 of Allen's films from 1982 to 1992.[313] Throughout the relationship they lived in separate apartments on opposite sides of Central Park in Manhattan. Farrow had seven children when they met: three biological sons from her marriage to composer André Previn, three adopted girls (two Vietnamese and one South Korean, Soon-Yi Previn), and an adopted South Korean boy, Moses Farrow.[312]

In 1984, she and Allen tried to conceive a child together; Allen agreed to this on the understanding that he need not be involved in the child's care. When the effort failed, Farrow adopted a baby girl,

Satchel Ronan O'Sullivan Farrow.[315][316] According to Allen, his intimate relationship with Mia Farrow ceased completely after Satchel's birth and he was asked to return her apartment key; they maintained a working relationship when they filmed a movie, and he regularly visited Moses, Dylan and Satchel, but he and Mia were only "social companions on those occasions where there'd be a dinner, an event, but after the event she'd go home and I'd go home."[317] In 1991, Farrow wanted to adopt another child. According to a 1993 custody hearing, Allen told her he would not object to another adoption so long as she would agree to his adoption of Dylan and Moses; that adoption was finalized in December 1991.[314] Eric Lax, Allen's biographer, wrote in The New York Times that Allen was "there before they [the children] wake up in the morning, he sees them during the day and he helps put them to bed at night".[312]

Soon-Yi Previn

Allen and Soon-Yi Previn in Venice

In 1977, Mia Farrow and André Previn adopted Soon-Yi Previn from Seoul, South Korea. She had been abandoned. The Seoul Family Court established a Family Census Register (legal birth document) on her behalf on December 28, 1976, with a presumptive birth date of October 8, 1970;[318][319] according to Maureen Orth, a bone scan in the U.S. estimated that she was between five and seven years old.[b] According to Previn, her first friendly interaction with Allen took place when she was injured playing soccer during 11th grade and Allen offered to transport her to school. After her injury, she began attending New York Knicks basketball games with Allen in 1990.[321] They attended more games and by 1991 had become closer.[314] In September 1991, she began studies at Drew University in New Jersey.[322]

In January 1992, Farrow found nude photographs of Previn in Allen's home. Allen, then 56, told Farrow that he had taken the photos the day before, approximately two weeks after he first had sex with Previn.[323] Both Farrow and Allen contacted lawyers shortly after the photographs were discovered.[314][320] Previn was asked to leave summer camp because she was spending too much time taking calls from a "Mr. Simon", who turned out to be Allen.[322]

Soon-Yi Previn and Allen, 2009

In an August 1992 interview with

Time Magazine Allen said, "I am not Soon-Yi's father or stepfather", adding, "I've never even lived with Mia. I've never in my entire life slept at Mia's apartment, and I never even used to go over there until my children came along seven years ago. I never had any family dinners over there. I was not a father to her adopted kids in any sense of the word." Adding that Soon-Yi never treated him as a father figure and that he rarely spoke to her before their romantic relationship, Allen seemed to see few or no problems with their relationship.[324]

On August 17, 1992, Allen issued a statement saying that he was in love with Previn.[325] Their relationship became public and "erupted into tabloid headlines and late-night monologues in August 1992."[326]

Allen and Previn were married in Venice, Italy, on December 23, 1997.[327] They have two adopted daughters,[328][329] and live in the Carnegie Hill section of Manhattan's Upper East Side.[330]

Sexual abuse allegation

According to court testimony, on August 4, 1992, Allen visited the children at Mia Farrow's home in

Yale-New Haven Hospital concluded that Dylan had not been sexually abused.[335][336]

In June 1993, Judge Elliott Wilk rejected Allen's bid for custody and rejected the allegation of sexual abuse. Wilk said he was less certain than the Yale-New Haven team that there was conclusive evidence that there was no sexual abuse and called Allen's conduct with Dylan "grossly inappropriate",[337][338][339] although not sexual.[340] In September 1993, the state prosecutor announced that despite having "probable cause", he would not pursue charges in order "to avoid the unjustifiable risk of exposing a child to the rigors and uncertainties of a questionable prosecution".[337][341] In October 1993 the New York Child Welfare Agency of the State Department of Social Services closed a 14-month investigation and concluded there was not credible evidence of abuse or maltreatment, and the allegation was unfounded.[342]

In 2014, when Allen received a

New York Times journalist Nicholas Kristof, with Dylan's permission, published a column that included excerpts from a letter Dylan had written to Kristof restating the allegation against Allen, and called out fellow actors who have continued to work in his films.[345][346] Allen responded to the allegation in an open letter, also in The New York Times, strongly denying it. "Of course, I did not molest Dylan...No one wants to discourage abuse victims from speaking out, but one must bear in mind that sometimes there are people who are falsely accused and that is also a terribly destructive thing", he wrote.[347][348][349]

In 2018, Moses Farrow (Mia Farrow's and Allen's adopted son who was present at her Bridgewater house during Allen's visit) published a blog post called "A Son Speaks Out." In the post, Moses strenuously denied the abuse allegations, writing, "given the incredibly inaccurate and misleading attacks on my father, Woody Allen, I feel that I can no longer stay silent as he continues to be condemned for a crime he did not commit." He also recounted a series of instances of alleged physical abuse at the hands of Mia Farrow: "It pains me to recall instances in which I witnessed siblings, some blind or physically disabled, dragged down a flight of stairs to be thrown into a bedroom or a closet, then having the door locked from the outside. [Mia] even shut my brother Thaddeus, paraplegic from polio, in an outdoor shed overnight as punishment for a minor transgression".[350][351]

Works about Allen

From 1976 to 1984

Stuart Hample wrote and drew Inside Woody Allen, a comic strip based on Allen's film persona.[352][353]

The 1997 documentary Wild Man Blues, directed by Barbara Kopple, focuses on Allen, and other documentaries featuring Allen include the 2002 cable television documentary Woody Allen: A Life in Film, directed by Time film critic Richard Schickel, which interlaces interviews of Allen with clips of his films,[354] and the 1986 short film Meetin' WA, in which Allen is interviewed by French New Wave director Jean-Luc Godard.[355]

Monument to Woody Allen, Oviedo, Spain

In 2003, a life-size bronze statue of Allen was installed in Oviedo, Spain. He had visited the city the previous year to accept a Prince of Asturias Award.[356]

In 2011 the PBS series American Masters co-produced the documentary Woody Allen: A Documentary, directed by Robert B. Weide. New interviews provide insight and backstory with Diane Keaton, Scarlett Johansson, Penélope Cruz, Dianne Wiest, Larry David, Chris Rock, Martin Scorsese, Dick Cavett, and Leonard Maltin, among others.[357]

Eric Lax wrote the book Woody Allen: A Biography.[24]

In 2015 David Evanier published Woody: The Biography, which was billed as the first new biography of Allen in over a decade.

In early March 2020, Grand Central Publishing, a division of Hachette Book Group, announced that it would publish Allen's memoir, Apropos of Nothing, on April 7, 2020.[358] Days later, after employee walkouts, parent company Hachette announced that the title was canceled and rights had reverted to Allen.[359] On March 23, 2020, Skyhorse Publishing announced that it had acquired and released Apropos of Nothing through its Arcade imprint.[192]

In February 2021, HBO released Kirby Dick's and Amy Ziering's four-part documentary Allen v. Farrow, which explores the sexual abuse allegations against Allen.[360][361] The series drew largely positive reviews from critics. Lorraine Ali of the Los Angeles Times wrote that it "makes a compelling argument that Allen got away with the unthinkable thanks to his fame, money, and revered standing in the world of film—and that a little girl never received justice."[362] Rachel Brodsky wrote in The Independent that the "documentary will sound the death knell for Woody Allen's career."[363] Hadley Freeman in The Guardian wrote that the series "sets itself up as an investigation but much more resembles PR, as biased and partial as a political candidate's advert vilifying an opponent in election season."[364] A statement on behalf of Allen and Previn denounced the documentary as "a hatchet job riddled with falsehoods" and said that they were approached two months before it was aired on HBO and "given only a matter of days 'to respond.' Of course, they declined to do so."[365] The filmmakers said they gave Allen and Previn two weeks to comment, which is "more than ample time by journalistic standards."[366]

Notes

  1. ^ a b c Despite most references listing his birth date as December 1, in his 2020 autobiography, Apropos of Nothing, Allen writes that he was actually born on November 30: "Actually, I was born on the thirtieth of November very close to midnight, and my parents pushed the date so I could start off on a day one."[1] The discrepancy first came to light in 2015, when author David Evanier addressed it in his book Woody Allen: The Biography.[2][3][4][5] Since Allen's confirmation, various sources have corrected the date in their databases.[6][7][8][9][10][11][12][13]
  2. ^ Maureen Orth (Vanity Fair, November 1992): "Nobody knows how old Soon-Yi really is. Without ever seeing her, Korean officials put her age down as seven on her passport. A bone scan Mia had done on her in the U.S. put her age at between five and seven. In the family, Soon-Yi is considered to have turned 20 this year [1992], on October 8.[320]

References

  1. ^ Allen 2020, p. 11.
  2. ^ Evanier 2015, p. 66.
  3. ^ Horgan, Richard (December 14, 2015). "Woody Allen's Bronx Bump". Adweek. "Woody's birthday is not really December 1; it is November 30."
  4. ^ "Revisiting Woody Allen’s Highs, Lows On His 80th Birthday". MetroFocus. December 1, 2015. "Today on Dec. 1, film legend Woody Allen celebrates his 80th birthday. However, it's not his real birthday. He was born on Nov. 30 but chose the first of December as his birthday so he could be no. 1."
  5. ^ Evanier, David (November 9, 2015). "How Woody Allen Got His Nickname". Time.
  6. ^ "Woody Allen | Biography, Movies, & Facts". Encyclopædia Britannica. Retrieved January 11, 2024.
  7. ^ Leonte, Tudor (November 28, 2022). "Celebrity Actor & Director Birthdays This Week: Woody Allen Turns 87". Y! Entertainment.
  8. ^ "Woody Allen". British Film Institute. Archived from the original on September 3, 2023.
  9. ^ "Woody Allen - Social Networks and Archival Context". snaccooperative.org. Retrieved January 5, 2024.
  10. ^ "Woody Allen". Rotten Tomatoes. Retrieved January 5, 2024.
  11. ^ "Woody Allen (Actor, Screenwriter and Director)". OnThisDay.com.
  12. ^ "Woody Allen". Almanac.com. Retrieved January 19, 2024.
  13. ^ a b "Woody Allen". IMDb.
  14. ^ "Woody Allen Will Be a No Show, Per Tradition". Los Angeles Times. Retrieved March 21, 2020.
  15. ^ Gross 2012, p. [page needed].
  16. ^ "Woody Allen – Artist". The Recording Academy. November 19, 2019. Retrieved March 21, 2020.
  17. ^ ""Annie Hall" beats out "Star Wars" for Best Picture". History Channel. Retrieved May 7, 2023.
  18. ^ Newton, Michael (January 13, 2012). "Woody Allen: cinema's great experimentalist". The Guardian. London. Archived from the original on January 19, 2018. Retrieved April 9, 2012. In the 1970s, Allen looked irreverent, hip, a part of the New Hollywood generation. In an age of 'auteurs', he was the auteur personified, the writer, director and star of his films, active in the editing, choosing the soundtrack, initiating the projects
  19. ^ "Midnight in Paris Is Woody Allen's Biggest Hit, Passes 1986's Hannah and Her Sisters $40 Million". IndieWire. July 19, 2011. Retrieved May 7, 2023.
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Works cited

External links