Looting of Poland in World War II

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World War II plunder of Poland
National Museum in Kraków packed for shipment to Germany, 1942
Pompeo Batoni's Apollo and Two Muses, stolen in 1944, returned to Poland in 1997
Aleksander Gierymski's Jewess with Oranges discovered on 26 November 2010 in an art auction in Buxtehude, Germany

The looting of Polish cultural artifacts and industrial infrastructure during World War II was carried out by Nazi Germany and the Soviet Union simultaneously after the invasion of Poland of 1939. A significant portion of Poland's cultural heritage, estimated at about half a million art objects, was plundered by the occupying powers. Catalogued pieces are still occasionally recovered elsewhere in the world and returned to Poland.

Priceless items of art still considered missing or found in other museums include works by

As part of its efforts to locate and retrieve the missing items of art, the Ministry of Culture and National Heritage established a Database of War Losses. As of 2013 it contained over 63,000 entries.[2] The list, published by the Ministry is submitted to the National Institute of Museology and Collections Protection, to Polish embassies, and the Central Registry of Information on Looted Cultural Property 1933-1945 (lootedart.com). It is periodically sent to over 100 auction houses around the world.[2] In addition, the Ministry has also established The Lost Museum website, a virtual museum containing historical photographs of the many art objects still missing.[2][3]

Background

At the beginning of the

People's Republic of Poland in February 1961.[4][5]

Nazi Germany

Following the

occupation of Poland by German forces, the Nazi regime attempted to suppress Polish culture.[6] As part of that process, the Nazis confiscated Polish national heritage assets and much private property.[7][8] Acting on the legal decrees of October 19 and December 16 (Verordnung über die Beschlagnahme Kunstgegeständen im Generalgouvernement), several German agencies began the process of looting Polish museums and other collections, ostensibly considered necessary for the "securing" of German national interests.[9]

Nazi plunder included private and public art collections, artefacts, precious metals, books, and personal possessions. Hitler and Göring in particular were interested in acquiring looted art treasures from occupied Europe,[10] the former planning to use the stolen art to fill the galleries of the planned Führermuseum (Leader's Museum),[11] and the latter for his personal collection. Göring, having stripped almost all of occupied Poland of its artworks within six months of Germany's invasion, ultimately grew a collection valued at over 50 million Reichsmarks.[12]

Thousands of art objects were plundered, as the Nazis carried out a plan put in place before the start of hostilities.

SS),[9][14][15] overseen by Dagobert Frey, an SS historian originally also from Austria, selected by Berlin to validate Poland as a "Teutonic land" without Jews.[16] In addition to the official looting by Nazi authorities, some looting was also carried out by individuals acting on their own initiative; in fact Mühlmann complained as early as on October 6, 1939, that many items he was tasked to secure had already been moved or simply stolen.[13][15] While the Nazis kept extensive documentation of newly acquired looted art pieces, the system was not foolproof, and they lost track of much of the looted goods during the increasingly haphazard German evacuation from Central and Eastern Europe in 1944.[15]

Most of the important art in Polish public and private collections had been "secured" by the Nazis within six months of the 1939 invasion. By the end of 1942, German officials estimated that "over 90%" of the art previously in Poland was in their possession.[8] Some art was shipped to German museums, such as the planned, Führermuseum in Linz, while other art became the private property of Nazi officials.[8] In 1940, Hitler received a "gift" from Hans Frank, governor of occupied Poland - a collection, prepared by Mühlmann, of 521 items of the most valuable art.[15] Frank aided by Oberführer Mühlmann, an art connoisseur, assembled a large collection of art from Polish collections.[15] The total cost of the Nazi theft and destruction of Polish art is estimated at 11.14 billion dollars (value in 2001 dollars).[17]

Over 516,000 individual items were taken.

Polish government in exile and the Polish Underground State. In 1944, Karol Estreicher published the first work on this subject, Cultural Losses of Poland in London.[13] A 2010 estimate gave a figure of 75% as the percentage of cultural heritage lost by Poland during the war. The estimate covers both destroyed and lost cultural heritage.[3][9]
The looted art includes:

The number of looted or destroyed books is estimated at 1.5 million[17] to as high as 15[9] or 22 million.[13] Even exotic animals were taken from Polish zoos.[18]

During the genocidal campaign against

Aktion Reinhard of 1942, general extortion and mass looting became part of the Nazi German economic plan. It was not limited to the Nazi policy towards Poland's artistic heritage.[19]

Robbery of Polish Jews and looting of their property became the norm. In every town and village, Jews were forced to hand over not merely gold, currency and other valuables, but virtually anything consumable, including furniture and clothing. Even items such as birdcages, door handles and hot-water bottles were looted. Any excuse, or none at all, became the pretext for extortion.[19]

The Soviet Union

Holdings of Lwów Historical Museum were taken to the basement of Black House and destroyed behind closed doors.[20]

After the

Central Anti-Religious Museum (also in Moscow).[9] Other collections were simply destroyed. For instance, during the liquidation of the Poland's Lwów Historical Museum early in 1940, its holdings were taken to the basement of the Black House (Polish: Czarna Kamienica), away from public scrutiny, and systematically destroyed there.[20]

Following the Soviet advance across German-occupied Polish territory, the looting and plunder of anything of value continued until 1947, even though these territories were in theory already assigned to its allied

Polish Council of State, Gen. Aleksander Zawadzki, worried that "raping and looting by the Soviet army would provoke a civil war"[26]

Industrial plunder

In early 1946 the operations of "war trophy brigades" were regulated by detailed orders issued by Soviet vice-minister of defence, Nikolai Bulganin.[27] Until 1948 these brigades sent at least 239,000 railway carriages to the USSR transporting natural resources, complete factories and individual machines. The town of Bydgoszcz alone lost 30 complete factories and 250 ships. In Grudziądz the army confiscated all machinery from its factories, regardless of size. In Toruń all gristmills were taken, creating a temporary shortage of bread. Blachownia Śląska [pl] lost a large, German-built installation producing synthetic fuel, transported to the USSR in 10,000 train carriages. A similar production line in Police was transported in 14,000 rail carriages. Gliwice lost a pipe factory, Bobrek and Łabędy [pl] lost their iron furnaces. Complete power stations were dismantled and taken from Miechowice, Zabrze, Zdzieszowice, Mikulczyce [pl], Blachownia Śląska [pl] and Chełmsk Śląski. Smaller industries were also confiscated in Sosnowiec, Dąbrowa Górnicza, Częstochowa, Zgoda, Chorzów, Siemianowice, Poznań, Bydgoszcz, Grudziądz, Toruń, Inowrocław, Włocławek, Chojnice, Łódź, Dziedzice and Oświęcim.

Farm animals were likewise targeted for looting: until 1 September 1945 the Red Army had confiscated 506,000 cows, 114,000 sheep and 206,000 horses. In February 1945 alone, over 72,000 tons of sugar were taken. In the Toruń region 14,000 tons of grain, 20,000 tons of potatoes and 21,000 tons of red beetroot were taken during this period. These numbers represent just the looting, since the Polish government also officially supplied food to the Red Army at that time, including 150,000 tons of grain, 250,000 tons of potatoes, 25,000 tons of meat and 100,000 tons of straw.

In addition, individual Red Army soldiers were allowed to send "war trophies" home, with the amount depending on their rank. The result was widespread looting of private homes taking valuables, including food, clothes, shoes, radios, jewellery, utensils, bicycles, and even ceramic toilet bowls. The unprecedented scale of individualised looting can be estimated from the example of the Russian town of Kursk, which received just 300 personal parcels from soldiers in January 1945 but in May their number had reached 87,000.

After such transports ended, the Red Army started looting the railway infrastructure, rolling-stock repair yards, signalling installations and rails: around 5,500 km of rails were looted.

In 1946 the Polish authorities estimated the scale of plunder to the value of 2.375 billions of 1938

dollars (equivalent of $54 billion in 2015 dollars).[28][29][30][31]

Efforts to locate and reclaim looted art

Raphael's Portrait of a Young Man reported hidden in a secret bank vault

After the war, the Polish

National Museum, Warsaw at the end of July 2011 and restored.[35]

On 1 August 2012, the

Polish Ministry of Foreign Affairs announced that one of the most famous pieces of missing art from a Polish collection, Raphael's painting Portrait of a Young Man, had been found "in a bank vault in an undisclosed location". A ministry spokesman was confident that the painting would eventually be returned to Poland.[36] In April 2014, Francesco Guardi's Palace Stairs was recovered.[37]

Currently, Poland is planning to build a virtual museum, the Lost Museum (Muzeum Utracone [pl]), to expose the items of lost art.[3]

Both Germany and the countries of the former Soviet Union still retain much Polish material looted during World War II.[38][39][40] Recovering looted art from the former states of the Soviet Union, such as Russia, is proving particularly difficult.[41][42][43]

Footnotes

  1. ^ Agnieszka Sural (2013). "Najcenniejsze dzieła zaginione podczas II wojny światowej" [The most precious pieces of art missing since WWII]. Culture.pl (in Polish) (2013–08–13). Warsaw: Adam Mickiewicz Institute. Retrieved 2013-08-22.
  2. ^ a b c Muzeum Utracone (2013). "About The Lost Museum". muzeumutracone.pl. Muzeum Utracone. Retrieved 2013-08-22.
  3. ^ a b c "Zaginione polskie dzieła sztuki zobaczysz w internetowym muzeum - GP GazetaPrawna - Gazeta Prawna - partner pracodawcy, narzędzie specjalisty". Gazetaprawna.pl. 10 April 2010. Retrieved 2012-10-03.
  4. ^ Aloysius Balawyder, "The odyssey of the Polish treasures", 1978, St. Francis Xavier University Press
  5. , 2004, Dundurn
  6. ^ Olsak-Glass, Judith (January 1999). "Review of Piotrowski's Poland's Holocaust". Sarmatian Review. Retrieved 2008-01-24.
  7. . Retrieved 2 October 2012.
  8. ^ a b c d Madajczyk 1970, p. 122.
  9. ^ a b c d e f g h "E28. Jasinski G". Polishresistance-ak.org. Retrieved 2012-10-03.
  10. .
  11. .
  12. .
  13. ^ a b c d e f g h i j "Straty wojenne". Msz.gov.pl. Retrieved 2012-10-03.
  14. ^ Ministerstwo Kultury i Sztuki; i Ministerstwo Odbudowy Kraju. "Warszawa Oskarża" (PDF). Przewodnik po wystawie urządzonej przez Biuro Odbudowy Stolicy wespół z Muzeum Narodowym w Warszawie (in Polish). Drukarnia Narodowa, M-01526. Archived from the original (PDF direct download, 91.8 KB) on July 15, 2014. Retrieved August 4, 2012.
  15. ^ a b c d e f Lokomobila. "Straty dziejowe". Zabytki.pl. Retrieved 2012-10-03.
  16. ^ Department of Art, Art History, and Visual Studies of Duke University. "Frey, Dagobert". Dictionary of Art Historians. Retrieved August 4, 2012.{{cite web}}: CS1 maint: multiple names: authors list (link)
  17. ^ . Retrieved 2 October 2012.
  18. . Retrieved 2 October 2012.
  19. ^ a b ARC (2006). "Aktion Reinhard Economics". Google's cache. Aktion Reinhard. Retrieved 30 July 2014.
  20. ^ a b Jacek Miler (2000). "Zbiory lwowskie (VI). Muzeum Historyczne miasta Lwowa" (PDF). Cenne. Bezcenne. Utracone. Archiwum (3/2000) (in Polish). Narodowy Instytut Muzealnictwa, Warszawa. Retrieved October 12, 2012.
  21. ^ "Rewindykacje dóbr kultury z ZSRR po II wojnie światowej (część I)" (PDF). Nimoz.pl. Retrieved 2012-10-03.
  22. ^ "MIĘDZY MODERNIZACJĄ A MARNOTRAWSTWEM" (in Polish). Institute of National Remembrance. Archived from the original on 2005-03-21. See also other copy online Archived 2007-04-26 at the Wayback Machine
  23. ^ "ARMIA CZERWONA NA DOLNYM ŚLĄSKU" (in Polish). Institute of National Remembrance. Archived from the original on 2005-03-21.
  24. ^ "ВОЕННАЯ ЛИТЕРАТУРА --[ Первоисточники ]-- Приказы народного комиссара обороны СССР (1943-1945)". militera.lib.ru. Retrieved 2015-05-11.
  25. ^ "ŁUPY WOJENNE". www.polska-zbrojna.pl. Retrieved 2015-05-11.
  26. ^ "Największy rabunek w dziejach Pomorza i Kujaw - Express Bydgoski - Bydgoszcz, Kujawy i Pomorze - aktualności, informacje, artykuły, wydarzenia". express.bydgoski.pl. 17 June 2005. Retrieved 2015-05-11.
  27. ^ "Znienawidzona Armia Czerwona w Łodzi - Dzienniklodzki.pl". www.dzienniklodzki.pl. 26 February 2012. Retrieved 2015-05-11.
  28. ^ "Rosja jest nam winna 54 miliardy dolarów. Poznaj prawdę o tym, jak Sowieci ograbili Polskę". Ciekawostki Historyczne. Retrieved 2015-05-11.
  29. ^ "Rewindykacja dóbr kultury". Msz.gov.pl. 2011-09-27. Archived from the original on August 21, 2007. Retrieved 2012-10-03.
  30. ^ a b "Działalność MSZ w zakresie restytucji dóbr kultury". Msz.gov.pl. Retrieved 2012-10-03.
  31. ^ "Odzyskane dzieła sztuki". Msz.gov.pl. Retrieved 2012-10-03.
  32. ^ Konrad Niciński (March 2011). "Aleksander Gierymski "Żydówka z pomarańczami"". Culture.pl Adam Mickiewicz Institute. Retrieved 2012-10-22.
  33. ^ "Raphael's "Portrait of a Young Man" re-discovered". Panarmenian.Net. Retrieved 2012-08-01.
  34. ^ Fry, Maddy (2014-04-01). "Germany Returns Stolen Polish Art from 1939". Time.com. Retrieved 2017-08-03.
  35. ^ (in Polish) Rosjanie oddają skradzione dzieła sztuki, Gazeta Wyborcza, 2007-10-14
  36. ^ Rp.pl (2011-09-26). "Rękopis Słowackiego odnaleziony w Rosji". rp.pl. Retrieved 2012-10-03.
  37. ^ "Rosja gotowa jest zwrócić Polsce archiwalia przejęte w czasie II wojny światowej". Onet.pl. Retrieved 2012-10-03.
  38. ^ "Rosjanie nie oddadzą skradzionych dzieł sztuki. Ale będą współpracować - WPROST". Wprost.pl. 2012-02-23. Retrieved 2012-10-03.
  39. ^ Nazwa *. "Odzyskiwanie zabytków | Tygodnik "Przegląd"". Przeglad-tygodnik.pl. Retrieved 2012-10-03.
  40. ^ Patricia Kennedy Grimsted (Fall 2002). "Spoils of War Returned: U.S. Restitution of Nazi-Looted Cultural Treasures to the USSR, 1945 - 1959, Part 1". Prologue. 34 (3).

References

  • Madajczyk, Czesław (1970), Polityka III Rzeszy w okupowanej Polsce, Tom II (Politics of the Third Reich in Occupied Poland, Part Two) (in Polish), Państwowe Wydawnictwo Naukowe

Further reading

  • From
    The Smithsonian selected bibliography on the provenance of looted art
    :
    • Estreicher, Karol [pl]. Cultural Losses of Poland: Index of Polish Cultural Losses during the German Occupation. London, 1944.
    • Gołos, Jerzy and Agnieszka Kasprzak-Miler, eds. Straty wojenne: Zabytkowe dzwony utracone w latach 1939-1945 w granicach Polski po 1945 (Wartime Losses: Historic Bells Lost Between 1939 and 1945 within post-1945 borders of Poland). Poznań, Ministerstwo Kultury i Sztuki, 2000.
    • Kudelski, J. Robert. Tajemnice Nazistowskiej Grabieży Polskich Zbiorow Sztuki. Warsaw: Tower Graphics, 2004.
    • Łaskarzewska, Hanna, ed. Pro memoria: warszawskie biblioteki naukowe w latach okupacji 1939–1945. Warsaw, Wydawnictwo Biblioteki Narodowej, 2004.
    • Pro Memoria - Warszawskie biblioteki naukowe w latach okupacji - 1939–1945. Warsaw: Biblioteka Narodowa, 2004.
    • Romanowska-Zadrożna, Maria and Tadeusz Zadrożny [pl]. Straty wojenne: Malarstwo obce: obrazy olejne, pastele, akwarele utracone w latach 1939-1945 w granicach Polski po 1945 bez ziem zachodnich i poółnocnych (Wartime Losses: Foreign Painting: Oil Paintings, Pastels, Watercolours, Lost Between 1939 and 1945 within post-1945 Borders of Poland Excluding the Western and Northern Territories). Poznań, Ministerstwo Kultury i Sztuki, 2000.
  • Dariusz Matelski [pl], Losy polskich dóbr kultury w Rosji i ZSRR, Poznań 2003.
  • Dariusz Matelski, Polityka Niemiec wobec polskich dóbr kultury w XX wieku, Toruń 2005 (wyd. II, Toruń 2007).

External links

Media related to Art lost in Poland during World War II at Wikimedia Commons