Your Mother Should Know

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"Your Mother Should Know"
Cover of the Northern Songs sheet music
Song by the Beatles
from the EP and album Magical Mystery Tour
Released
  • 27 November 1967 (US
    LP
    )
  • 8 December 1967 (UK EP)
Recorded22–23 August and 29 September 1967
StudioChappell and EMI, London
GenreMusic hall,[1] vaudeville-rock[2]
Length2:29
LabelParlophone (UK), Capitol (US)
Songwriter(s)Lennon–McCartney
Producer(s)George Martin

"Your Mother Should Know" is a song by the English rock band

Hollywood
musical. Some commentators view the sequence as cultural satire, as the Beatles are seen dancing and dressed in white evening tails.

"Your Mother Should Know" is written in the

Our World satellite broadcast in June 1967, but the band favoured John Lennon's "All You Need Is Love" for its social significance. The initial sessions for "Your Mother Should Know" took place at Chappell Recording Studios in London, towards the end of August. The group were visited there by their manager, Brian Epstein
, the last time he joined them in the studio before his death on the 27th of August.

Background and inspiration

Paul McCartney began writing "Your Mother Should Know" on a harmonium at his house in St John's Wood, London, in the company of his Aunty Jin and Uncle Harry,[5] and drew on his father's love of music hall.[6] The conversation he had with his family members that day inspired the subject matter of the song.[7] Its lyrical premise centres on the history of hit songs across generations.[8] McCartney took the title from a line in the 1961 film A Taste of Honey,[6] which tells of a white teenage girl who falls pregnant with a black man's child and withholds news of the pregnancy from her domineering mother.[9][nb 1]

Discussing "Your Mother Should Know" in his 1997 authorised biography,

Many Years from Now, McCartney said he sought to address the issue of generation barriers. He lamented how an argument between a mother and her child could have enduring consequences for their relationship, and added: "So I was advocating peace between the generations ... I was basically trying to say, your mother might know more than you think she does. Give her credit."[3]

McCartney said he envisaged the song as a "production number" while planning

Our World satellite broadcast in June,[13] but the band favoured Lennon's "All You Need Is Love" for its social significance.[14]

Composition

On the Beatles' recording, "Your Mother Should Know" is performed in the

crotchet chords is typical of McCartney's compositions of the time, starting with "Got to Get You into My Life" in 1966.[6] The song's rhythm suggests a foxtrot, a quality it shares with "Catcall" (formerly titled "Catwalk"),[9] a McCartney-written instrumental recorded by Chris Barber's trad jazz band in July 1967.[17] Musicologist Walter Everett comments that the two pieces also share a "syncopated ascending octave-arpeggiation of a minor triad".[18] The composition consists of verse-chorus sections contrasted with instrumental bridges.[19][20] One of the verse-choruses includes vocalised "da-da-da"s in place of lyrics,[21] representing the singalong tradition of music hall.[7]

According to music historian Joe Harrington, the song is an example of rock music's embrace of vaudeville in the late 1960s, which was part of the genre's development away from its rock 'n' roll roots in favour of eclecticism and a more artistic aesthetic.[22][nb 2] The song's music hall aspect recalls McCartney's "When I'm Sixty-Four" from the Beatles' Sgt. Pepper's Lonely Hearts Club Band album.[5] Its lyrical theme repeats the sympathetic portrayal of a parent offered in "She's Leaving Home" from the same album.[23] In author Doyle Greene's view, whereas "She's Leaving Home" conveys sympathy for a teenage runaway and her parents, the generational understanding espoused in "Your Mother Should Know" is more one-sided and suggests "maternal authority and youth compliance".[16]

Recording

The Beatles began recording "Your Mother Should Know" on 22 August 1967, their first session in close to two months.[24][25] The recording took place at Chappell Recording Studios in central London because EMI Studios was unavailable at short notice.[26] Although the Beatles had never worked at Chappell before, McCartney had participated in the session there for "Catcall" the previous month.[26]

Recording continued at Chappell on 23 August.[27] The overdubs included backing vocals by Lennon, McCartney and Harrison,[28] which, according to music critic Tim Riley, give the performance a "parodic irreverence".[21] That session was the last time that Brian Epstein, the group's manager, visited them in a recording studio.[29][30] Following Epstein's death on 27 August, the Beatles committed to making Magical Mystery Tour[31] because as McCartney insisted the band needed to focus on a new creative project.[32]

The Beatles devoted a 16 September session at EMI Studios to remaking "Your Mother Should Know"[33] because McCartney was dissatisfied with the earlier version.[34] The remake was discarded, however, because he and Lennon completed overdubs on the Chappell recording on 29 September.[35] McCartney added bass guitar while Lennon overdubbed Hammond organ, the latter filling out the song's vocal-less bridge sections.[8][36] Mixing was completed on 7 November,[28] with panning variation applied to the vocals in the stereo mix.[37]

Sequence in Magical Mystery Tour

In the Magical Mystery Tour film, the song supports an old-fashioned dance segment that McCartney called "the Busby Berkeley ending".[38] It was filmed on 24 September, at the end of a six-day shoot at RAF West Malling, a Royal Air Force base in Kent.[39] McCartney had intended to shoot the scene at Shepperton Studios, outside London,[40] but the Beatles failed to appreciate that film studios needed to be booked in advance.[41] Tony Bramwell, the film's production manager, recalled having a staircase for the sequence assembled on scaffolding inside a disused aircraft hangar,[42] which was the most elaborate set piece in the film.[43] Around 160 dancers from Peggy Spencer's formation dancing team, and 24 female RAF cadets, were hired as extras.[44] The formation dancers were regulars on the TV show Come Dancing, and were brought in by bus from Birmingham, Cardiff and Newcastle for the shoot.[45] According to Maurice Gibb of the Bee Gees, McCartney got the idea for the Beatles' costumes from seeing him perform in concert with the Bee Gees, dressed all in white.[42] The band rehearsed their dance routine for most of the day[42] but the generators failed just as filming got underway.[43] Gavrik Losey, a production assistant on the film,[43] said that, while the generators were repaired, the dancers were "bribed" into staying late with Beatles autographs.[45]

The Beatles, surrounded by members of Peggy Spencer's formation dancing team, in the satirical film sequence

The sequence starts with the Beatles coming down a grand staircase in white evening tails.

carnations, while McCartney's is black. The carnation difference later contributed to the "Paul is dead" urban legend.[48][49] Towards the end of the sequence, McCartney steps forward from his bandmates and indulges in a dance of his own while the others continue the basic routine.[16] Greene writes that, in contrast to McCartney's obvious enjoyment, Lennon and Harrison's facial expressions suggest "they'd rather be anywhere else" than filming the scene.[16][nb 3]

According to film studies academic Bob Neaverson, the sequence is a pastiche of 1930s

Anthony Wall, commenting on the 2012 DVD reissue of Magical Mystery Tour, also recognised the sequence as a subtle satire of British culture. He said of the Beatles: "All this Come Dancing stuff, the girls in uniforms, and coming down a staircase in white suits is kind of ridiculous, but they're also revelling in the peculiarity of it."[45]

Release

"Your Mother Should Know", and the five other songs from the film, were compiled for release on the Magical Mystery Tour double EP, except in the United States.[54] There, Capitol Records chose to create an LP by augmenting those songs with the Beatles' non-album single tracks from 1967.[55][56] The Capitol release took place on 27 November 1967, while Parlophone issued the EP on 8 December.[57][58] Already familiar to fans before the film's debut,[59] the soundtrack record was a commercial success.[60]

The

BBC1 on 26 December, but in black and white rather than colour.[59][63] It was savaged by reviewers,[64][65] earning the Beatles their first public and critical failure.[66] As a result of the unfavourable reviews, networks in the US declined to show the film.[67][68]

According to author

Peter Brown, an executive at Epstein's company NEMS, was critical of the project's disorganisation and McCartney's extravagance when filming his "top hat and cane dance number" and the segment for "The Fool on the Hill". He said that "if Brian had been alive, it never would have happened the way it did."[69][nb 5]

Reception

Bob Dawbarn of Melody Maker described the Magical Mystery Tour EP as "six tracks which no other pop group in the world could begin to approach for originality combined with the popular touch".[71] He said that "Your Mother Should Know" was "one of the two most instantly attractive songs", the other being "The Fool on the Hill", with "a tune that sticks in the memory first time round".[72] In Record Mirror, Norman Jopling wrote: "'Your Mother Should Know' is [a] medium tempo ballad with a corny sort of tune – but the atmosphere developed is fantastic. It's a hazy, stoned kind of sensation which reminds you of hearing old tunes, in smoky rooms ..."[73]

Among reviews of the American LP,

HiFi/Stereo Review, did not care for the track at all, calling it "nothing more than a Gaslight Era cabaret tune full of da-das and yeah-yeahs".[76]

In Tim Riley's view, the Magical Mystery Tour songs were largely uninspired recreations of Sgt. Pepper, and he described "Your Mother Should Know" as "'When I'm Sixty-Four' in knickers".[77] He said that although the harmonic ideas are "bright and clever", the instrumental bridges interrupt rather than complement the verses, and the inclusion of the "da-da-da" singalong "make[s] it sound like a demo with dummy lyrics".[20] Jonathan Gould also saw the soundtrack as a lesser version of Sgt. Pepper and described "Your Mother Should Know" as a "halfhearted attempt at satiric nostalgia in the style of 'When I'm Sixty-Four'". He said the song appeared unfinished and, while it served its purpose in the film, and showed Starr to be "the leading vaudeville drummer in rock", the track was "lackluster" on record.[78] Ian MacDonald considered the stereo panning to be innovative but also a ruse "to conceal the fact that its author hadn't managed to think up a middle eight". He viewed that as indicative of the effects of McCartney's LSD intake in the months following Sgt. Pepper, notwithstanding his efforts to arrest the Beatles' apathy when they regrouped after their summer break to record the track.[37]

Other versions

The song has been covered by artists such as Kenny Ball and His Jazzmen, Phyllis Newman, Bud Shank, Travis Shook and Mike Batt.[9] In 1989, "Weird Al" Yankovic parodied the Magical Mystery Tour dance sequence in his music video for the title track of his album UHF – Original Motion Picture Soundtrack and Other Stuff.[46]

The Beatles' discarded remake of the song was included on their 1996 outtakes compilation

Out There! world tour at the Estádio Mineirão in Belo Horizonte, Brazil.[80]

Personnel

According to Ian MacDonald:[6]

Notes

  1. ^ The Beatles recorded the film's theme song, "A Taste of Honey", in 1963 for their debut album, Please Please Me.[10] Author Ian MacDonald describes "A Taste of Honey" as one of McCartney's "mainstream fancies of the period" and comments that "the film's wry vision of sentimental self-sufficiency appealed strongly" to him.[11]
  2. D.W. Washburn".[22]
  3. ^ Lennon later objected to McCartney delegating him scenes to write to work with his outline for the film,[50] and said, "George and I were sort of grumbling, you know, 'Fuckin' movie, oh well, we better do it.'"[51] Harrison recalled that he was "in another world" during Magical Mystery Tour and that it was mainly McCartney pushing his ideas, but he enjoyed filming "Your Mother Should Know" nevertheless.[52]
  4. ^ In McCartney's description, it was "traditionally music hall and Bruce Forsyth and Jimmy Tarbuck time".[62]
  5. ^ Brown also said he had advocated for cancelling the film and writing off the £40,000 production costs (equivalent to £772,390 in 2021), but McCartney was convinced that it would be warmly received.[70]

References

  1. ^ Shaar Murray 2002, pp. 129–30.
  2. ^ Harrington 2002, p. 191.
  3. ^ a b c Miles 1997, p. 355.
  4. ^ Sheff 2000, p. 198.
  5. ^ a b Guesdon & Margotin 2013, p. 426.
  6. ^ a b c d MacDonald 1998, p. 231.
  7. ^ a b O'Toole, Kit (16 April 2018). "The Beatles, 'Your Mother Should Know' from Magical Mystery Tour (1967): Deep Beatles". Something Else!. Retrieved 4 March 2020.
  8. ^ a b Gould 2007, p. 454.
  9. ^
    oldies.about.com. Archived from the original
    on 17 January 2013. Retrieved 4 March 2020.
  10. ^ Lewisohn 2005, p. 24.
  11. ^ MacDonald 1998, p. 61.
  12. ^ MacDonald 1998, pp. 222, 223–24.
  13. ^ Black 2002, p. 133.
  14. ^ Hertsgaard 1996, p. 224.
  15. ^ MacDonald 1998, p. 455.
  16. ^ a b c d e Greene 2016, p. 40.
  17. ^ MacDonald 1998, p. 237fn.
  18. ^ Everett 1999, pp. 129, 141.
  19. ^ Pollack, Alan W. (1997). "Notes on 'Your Mother Should Know'". Soundscapes. Retrieved 6 March 2020.
  20. ^ a b Riley 2002, pp. 237–38.
  21. ^ a b Riley 2002, p. 238.
  22. ^ a b Harrington 2002, pp. 191–92.
  23. ^ a b Greene 2016, pp. 39–40.
  24. ^ Winn 2009, p. 117.
  25. ^ Unterberger 2006, p. 179.
  26. ^ a b Lewisohn 2005, p. 122.
  27. ^ Miles 2001, p. 275.
  28. ^ a b Everett 1999, p. 141.
  29. ^ Womack 2014, p. 1052.
  30. ^ Guesdon & Margotin 2013, p. 427.
  31. ^ Hertsgaard 1996, p. 230.
  32. ^ Gould 2007, p. 439.
  33. ^ Unterberger 2006, pp. 180–81.
  34. ^ a b Winn 2009, p. 125.
  35. ^ Winn 2009, pp. 128–29.
  36. ^ Lewisohn 2005, pp. 126, 128.
  37. ^ a b MacDonald 1998, pp. 231–32.
  38. ^ Miles 1997, pp. 355–56.
  39. ^ Winn 2009, p. 79.
  40. ^ Brown & Gaines 2002, p. 254.
  41. ^ Miles 2001, p. 279.
  42. ^ a b c Black 2002, p. 137.
  43. ^ a b c Neaverson 1997, p. 53.
  44. ^ Miles 2001, p. 280.
  45. ^ a b c Harris, John (26 September 2012). "Fab Furore: Is it time to re-evaluate the Beatles' Magical Mystery Tour?". The Guardian. Retrieved 7 March 2020.
  46. ^ a b Womack 2014, p. 1053.
  47. ^ Gould 2007, p. 456.
  48. ^ Miles 1997, p. 356.
  49. ^ Womack 2014, pp. 597–98, 1053.
  50. ^ Everett 1999, p. 131.
  51. ^ Miles 2001, pp. 263, 278, 285.
  52. ^ The Beatles 2000, pp. 272, 273.
  53. ^ Neaverson 1997, p. 60.
  54. ^ Lewisohn 2005, p. 131.
  55. ^ Greene 2016, pp. 41–42.
  56. ^ Neaverson 1997, p. 54.
  57. ^ Miles 2001, pp. 284, 285.
  58. ^ Winn 2009, p. 80.
  59. ^ a b Gould 2007, p. 455.
  60. ^ Frontani 2007, p. 161.
  61. ^ a b Miles 2001, p. 285.
  62. ^ The Beatles 2000, p. 273.
  63. ^ Greene 2016, pp. 38–39.
  64. ^ Hertsgaard 1996, p. 229.
  65. ^ Neaverson 1997, p. 71.
  66. ^ Frontani 2007, pp. 161–62.
  67. ^ Everett 1999, p. 132.
  68. ^ Greene 2016, p. 39.
  69. ^ Brown & Gaines 2002, pp. 253–55.
  70. ^ Brown & Gaines 2002, pp. 254–55.
  71. ^ Shaar Murray 2002, p. 130.
  72. ^ Dawbarn, Bob (25 November 1967). "Magical Beatles – in Stereo". Melody Maker. p. 17.
  73. ^ Jopling, Norman (1 December 1967). "Magical Mystery Beatles". Record Mirror. p. 1.
  74. ^ Goldstein, Richard (31 December 1967). "Are the Beatles Waning?". The New York Times. p. 62.
  75. ^ Christgau, Robert (May 1968). "Columns: Dylan-Beatles-Stones-Donovan-Who, Dionne Warwick and Dusty Springfield, John Fred, California". robertchristgau.com. Archived from the original on 29 June 2015. Retrieved 22 June 2015.
  76. HiFi/Stereo Review
    . p. 117. Retrieved 6 April 2020.
  77. ^ Riley 2002, p. 236.
  78. ^ Gould 2007, pp. 453, 454.
  79. ^ Unterberger 2006, p. 181.
  80. ^ Brandle, Lars (7 May 2013). "Paul McCartney Plays Unexpected Beatles Songs on World Tour Opener". Billboard. Retrieved 4 March 2020.

Bibliography

External links