'Tronie' of a Young Man with Gorget and Beret

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'Tronie' of a Young Man with Gorget and Beret, formerly Self-portrait as a young man, 1639–40, Uffizi, Florence

'Tronie' of a Young Man with Gorget and Beret, formerly known as Self-portrait as a young man (both with variant titles) is a

Galleria degli Uffizi in Florence
, where the most recent restoration by Daniele Rossi revealed a signature previously hidden under old varnish.

The Rembrandt Research Project and other modern scholars now doubt that it is by Rembrandt at all, although it might be an unfinished Rembrandt portrait taken over by another artist. Even more unlikely is that it is a Rembrandt self-portrait, simply on the low level of resemblance of the face to the many certain examples. It used to be dated to about 1634, on the grounds of the age of the subject, if a self-portrait, and the lack of the moustache that Rembrandt usually has for most of the 1630s. Seen in terms of Rembrandt's style alone, about 1639-40 seems more likely.[2]

As in many of Rembrandt's actual self-portraits, the subject wears fanciful dress that suggests the 16th rather than the 17th century. The gorget was contemporary wear for a soldier, included in a number of Rembrandt's tronie self-portraits.[3]

Provenance

The painting belonged to the art-loving

putti, open to the page illustrating this painting. The highly unusual rendition in fresco of a reproductive print shows the prestige the painting had. In 1818 it entered the Uffizi's famous collection of artists' self-portraits.[5]

Notes

  1. ^ White, 169
  2. ^ White, 50, 169
  3. ^ White, 61-62
  4. ^ White, 49
  5. ^ White, 50; fresco illustrated on 51

References

  • White, Christopher, Buvelot, Quentin (eds), Rembrandt by himself, Cat. # 52, 1999, National Gallery, London/Mauritshuis, The Hague,

External links