11 o'clock number
11 o'clock number is a theatre term for a big, show-stopping song that occurs late in the second act of a two-act
Passing Strange, and "Cabaret" from Cabaret.[1] It was so named because in the days when musical performances would start at 8:30 p.m., this song would occur around 11:00 p.m.[2]
Among the theatre community, there is some debate as to the characteristics of an 11 o'clock number. It often signifies a moment of revelation or change of heart of a lead character, although there are exceptions to this.[3] The 11 o'clock number is also differentiated from the finale in that it is not the final number in the show, but even this is not considered a requirement by some commenters.[4] Broadway producer Jack Viertel defines an 11 o'clock number as "a final star turn".[5]
Other notable 11 o'clock numbers include "
Matilda The Musical, "I'm Here" from The Color Purple,[9] and "Always Starting Over" from If/Then.[10]
References
- ^ Scott Miller, "May I Have a Definition?", The Bad Boy of Musical Theatre blog, 2014
- ^ Ben Rimalower (19 July 2014). "'This Time For Me': The Essential 11 O'Clock Numbers". Playbill.com. Accessed 2015-02-02. Archived 2015-03-28.
- ^ a b "'Sit Down, You’re Rockin’ The Boat:' An Unusual 11 o’clock Number". The Marquee, News and Views from MTI. Retrieved 23 June 2011.
- ^ a b Michael Musto (29 April 2011). "The Five Best 11 O'Clock Numbers in Broadway History" Archived 2011-07-27 at the Wayback Machine. The Village Voice theater blog.
- ^ Viertel, Jack (2016). The Secret Life of the American Musical. Sarah Crichton Books. p. 206.
- ^ Peter Marks (27 August 1999). "CRITIC'S NOTEBOOK; Theater's Thrill Rides". The New York Times.
- ^ Brendan Lemon (28 March 2011). "How To Succeed in Business Without Really Trying, Al Hirschfeld Theatre, New York". The Financial Times.
- ISBN 9780199909278. Retrieved 7 August 2018.
- ^ Schulman, Michael (17 December 2015). "The Top Ten Showstoppers of 2015". The New Yorker. Retrieved 7 August 2018.
- ^ Peter Marks (25 November 2013), "I Believe" from The Book of Mormon. "Eagerly awaited musical ‘If/Then’ is a winning blob, with many kinks to be worked out". The Washington Post.