A Toast To Panama Red

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A Toast To Panama Red
Regal Zonophone (UK)
ProducerJeff Jarratt
The Masters Apprentices chronology
Nicklelodeon
(1971) 		A Toast To Panama Red
(1972) 		Do What You Wanna Do
(1988)
Singles from A Toast To Panama Red
  1. "Love Is" / "Southern Cross"
    Released: February 1972 (Australia)

A Toast To Panama Red is the fourth

Regal Zonophone. It would be the group's final studio album until 1988's reunion album Do What You Wanna Do
.

Background and recording

In April 1971, Choice Cuts was released in Australia to widespread acclaim, reaching #11 on the Go-Set Top 20 Album Charts.[1] They made numerous TV appearances, including a three-song live set for the ABC's GTK which included a live-in-the-studio performance of "Future of Our Nation".

When Choice Cuts was released in the UK it was well received by critics. EMI's John Halsall called from London to inform them that Choice Cuts was receiving glowing notices in the English music press, including a rave review in Melody Maker. Halsall urged them to return to London as soon as possible and that they would be able to record a new album there.

By the time they arrived in the UK in July, interest was waning. At this point a new UK label Bronze—who had just signed Slade and Uriah Heep—made an approach to the band. Although the group was hesitant, being still signed to EMI, they decided to use the offer as leverage in hopes of getting a better deal out of EMI. Wheatley delivered an ultimatum to EMI Australia, demanding that they either release the band from their contract or match Bronze's offer of £90,000 (or $180,000 in Australia). EMI did neither, responding with an advance of $1,000. Fearing legal repercussions, the band ruefully declined Bronze's offer, Keays' later opined that the best course of action would have been to "sign with Bronze and let the lawyers work it all out later."[2]

Returning to Abbey Road in September 1971, the band were reunited with Jarratt and Brown, plus engineer (and

children's choir
which features on the second part of the track. The new album was titled A Toast to Panama Red, in homage to the Central American variety of marijuana.

Although Keays' recollections are more positive, Wheatley's own account of the album sessions is that they were an unhappy experience for him.[3] He had a bad LSD trip the night before they went into the studio and began the recording in a negative frame of mind.[3] Tensions mounted steadily during the recording and Wheatley did not play on some of the tracks, with his parts covered by Ford. According to Keays, Wheatley had been working part-time at a management agency over the previous few months and had insufficient time to rehearse because of his day job.

Reception

The LP was lauded as one of the best Australian progressive releases,[4] but it was largely ignored at the time. Sales were hindered by the lurid cover, which even Keays later admitted was not an ideal choice, being as garish as Choice Cuts was tasteful. Designed and painted by Keays, it was evidently a dig at the UK, and featured a grotesque psychedelic caricature of a bulldog's head wearing a Union Jack eye patch, its ears are skewered by an arrow from which dangles a tag, emblazoned with the album's title.

Track listing

All songs written by Doug Ford and Jim Keays, except where noted.

Side A
No.TitleLength
1."Answer Lies Beyond"3:37
2."Beneath the Sun" (Doug Ford)6:12
3."Games We Play - Part I"7:00
4."Games We Play - Part II"4:58
Side B
No.TitleLength
1."The Lesson So Listen"3:09
2."Love Is"4:15
3."Melodies Of St. Kilda"2:44
4."Southern Cross"5:10
5."Thyme To Rhyme"2:45

Personnel

The Masters Apprentices
  • Jim Keays – lead vocals, effects
  • Doug Ford – electric and acoustic guitars, backing vocals
  • Glenn Wheatley – bass, backing vocals
  • Colin Burgess – drums, backing vocals, percussion
Other Musicians
  • Andrew Jackman - Arrangements: Choir, Brass (tracks: Games We Play - Part I & II, Love Is)
  • Cahil Gibram - Poetry Excerpt From - The Prophet
  • The Crikey Choir - Choir
Production Team
  • Producer – Jeff Jarratt
  • Engineers  - Nicky Webb, Peter Bown, Richard Lush
Artwork
  • Jim Kayes  - Artwork
  • Peter Vernon - Photography
  • Vicky Keays - Typography (Insert Lettering)

References

General
  • Keays, Jim (1999). His Master's Voice: The Masters Apprentices: The bad boys of sixties rock 'n' roll.
    ISBN 1-86508-185-X
    . Retrieved 29 May 2017.     Note: limited preview for on-line version.
  • Kimball, Duncan (2002). "The Masters Apprentices". Milesago: Australasian Music and Popular Culture 1964–1975. Ice Productions. Archived from the original on 13 November 2016. Retrieved 29 May 2017.
  • ISBN 1-86508-072-1. Archived from the original
    on 5 April 2004. Retrieved 29 May 2017.     Note: Archived [on-line] copy has limited functionality.
  • Spencer, Chris; Nowara, Zbig; McHenry, Paul (2002) [1987]. The Who's Who of Australian Rock.
    ISBN 1-86503-891-1.[5] Note: [on-line] version was established at White Room Electronic Publishing Pty Ltd
    in 2007 and was expanded from the 2002 edition. As from September 2010 the [on-line] version is no longer available.
Specific
  1. ^ "Go-Set search engine results for Choice Cuts". Go-Set. Waverley Press. Retrieved 11 September 2009.
  2. ISBN 978-1-921332-11-1
    . Retrieved 29 August 2009.
  3. ^ a b Wheatley
  4. ^ Mc Farlane, 1999.
  5. ^ "Who's who of Australian rock / compiled by Chris Spencer, Zbig Nowara & Paul McHenry". catalogue. National Library of Australia. Retrieved 29 January 2010.
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