Adoration of the Shepherds (Parmigianino)

Adoration of the Shepherds is an oil on panel painting by

Correggio

, an influence which only faded after 1524.

A preparatory drawing for the Madonna, angels and Joseph survives in a London private collection and was exhibited in Washington and Parma, also showing the influence of Correggio, whilst the two rams and a lamb in the bottom left may be a tribute to the bucranium in that painter's Camera di San Paolo. Another drawing in the Cleveland Museum of Art (inv. 24–10003) may be a first idea for the composition, later elaborated.^[1]

References

ISBN 8818-02236-9

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Parmigianino
Paintings

Baptism of Christ (c. 1519)

Bardi Altarpiece (c. 1521)

Adoration of the Shepherds (c. 1521–1522)

Nativity (c. 1521–1522)

The Circumcision (c. 1523)

Saint Barbara (c. 1523)

Female Martyr with Two Angels (c. 1523–1524)

Portrait of Galeazzo Sanvitale (1524)

Portrait of Lorenzo Cybo (1524)

Sanvitale Madonna and Child (1524; fragment)

Mystic Marriage of Saint Catherine (Parma; c. 1524)

Portrait of a Collector (c. 1524)

Self-portrait in a Convex Mirror (c. 1524)

Holy Family with Angels (c. 1524)

Doria Madonna (c. 1525)

Nativity with Angels (c. 1525)

Vision of Saint Jerome (1526–1527)

The Conversion of St Paul (1527)

Virgin and Child (c. 1527–1528)

Holy Family with the Infant Saint John the Baptist (c. 1528)

Saint Roch (c. 1528)

Adoration of the Magi (c. 1529)

Man Holding a Book (c. 1529)

Kedleston Madonna (c. 1529)

Santa Margherita Madonna (1529–1530)

Madonna of the Rose (1530)

Boy with a Finger in His Mouth (c. 1530)

Madonna and Child with Saint Zechariah (c. 1530–1533)

Turkish Slave (1533)

Mystic Marriage of Saint Catherine (London; c. 1529)

Mystic Marriage of Saint Catherine (Louvre; c. 1529)

Portrait of a Man (c. 1530)

Portrait of Cecilia Gozzadini (c. 1530)

Antea (c. 1535)

Cupid Making His Bow (c. 1533–1535)

Portrait of Pier Maria Rossi di San Secondo (c. 1535–1538)

Madonna with the Long Neck (c. 1535–1540)

Portrait of Camilla Gonzaga and Her Three Sons (c. 1539–1540; disputed)

Lucretia (1540)

Casalmaggiore Altarpiece (1540)

Portrait of a Man in a Red Beret (c. 1540; disputed)

Related

Rocca Sanvitale, Fontanellato

Sanctuary of Santa Maria della Steccata

San Giovanni Evangelista, Parma

San Petronio, Bologna

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[1] ISBN 8818-02236-9

[1]