Always (Xiu Xiu album)
| Always | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | February 28, 2012 (UK/EU) March 6, 2012 (worldwide) | |||
| Genre | Art rock | |||
| Length | 37:46 | |||
| Label | Polyvinyl (US) Bella Union (UK/EU) | |||
| Producer | Greg Saunier and Xiu Xiu | |||
| Xiu Xiu chronology | ||||
| ||||
Always is the eighth studio album by Xiu Xiu, released on February 28, 2012.
Recording
Always saw the return of Devin Hoff to Xiu Xiu's lineup. The album was produced by Deerhoof's Greg Saunier and mixed by John Congleton.[1]
Lyrical themes
The songs "Beauty Towne" and "Black Drum Machine" revisited subjects from earlier Xiu Xiu songs. "Beauty Towne" revisited the subjects of "Clowne Towne", while "Black Drum Machine" finished the narrative to "Black Keyboard".[2] "Joey's Song" was dedicated to Jamie Stewart's brother, while "Gul Mudin" was dedicated to the title person. "The Oldness" and "Chimneys Afire" were written by a band member Stewart fired, with the latter song about the author's attempted suicide during Xiu Xiu's tour. "Hi" is "about trying to find beauty and company in the realization that life, for the most part in incredibly difficult and that pretending otherwise only adds disappointment to hardship," while "Born to Suffer" is "about the potential for relief in ending one's own life, even just the thought of it, being mortified by life and about the earthquake in Haiti."[1]
The songs on Always also contained some social commentary. "I Luv Abortion" is about a young friend of Stewart's who decided to get an abortion because she felt she would not be a good parent if she had the baby, and most of the song's lyrics are taken from a series of e-mails between the two. "Factory Girl" is about the migration of women in China from rural areas to factories, and the harsh treatment they received working in the factories.[1]
Reception
| Review scores | |
|---|---|
| Source | Rating |
| AbsolutePunk | 9/10[3] |
| AllMusic |   [4] |
| The A.V. Club | B+[5] |
| Beats Per Minute | 45%[6] |
| Drowned in Sound | 9/10[7] |
| The Independent | [8] |
| Pitchfork | 7.3/10[9] |
| PopMatters | (7/10)[10] |
| Tiny Mix Tapes |   [11] |
Always has received mostly positive reviews. On the review aggregate site Metacritic, the album has a score of 78 out of 100, indicating "generally favorable reviews".[12]
Simon Price of The Independent gave the album a perfect score, calling it Xiu Xiu's finest album to date.[8] Ed Comentale of Tiny Mix Tapes also praised the album, writing "Xiu Xiu has been around for a while, but it is less a band or a trend that can fade with time than a critical germ cultivated and fed from within mainstream America. Such ugliness is for always."[11] In another positive review, Heather Phares of AllMusic wrote "It's apt that Always was made with Xiu Xiu's devoted fans in mind, since these catchy, desperate, searing, and searching songs aren't always the most accessible, but they show exactly why this band has such a dedicated audience."[4] The A.V. Club's Tuyet Nguyen gave the album a grade of "B+," writing "Jamie Stewart is definitely a bummer. A [person] of few positive affirmations, [they] continue [...] to be recursive, dispirited, antagonized, and bitter. [Their] wily charm is that they're endearingly so. They open old wounds with the grace of a jagged knife, and the catharsis feels great."[5]
Not all critics were entirely positive. Chris Bosman of Beats Per Minute criticized the album for rehashing the sound and lyrical matters of earlier Xiu Xiu albums, writing "So here's a sad truth about people: once they understand the tactics you're using to get your message across, the message loses its impact if you still attempt to approach them from that angle. Xiu Xiu has been doing exactly what they do on Always for ten years and nine LPs now."[6] Pitchfork contributor Carrie Batton also agreed in an otherwise positive review, writing "The difficulty for both casual and hardcore fans is that the receptors attuned to the Xiu Xiu experience have become desensitized, so that when a new album comes along, you have to ask yourself: Why should I even bother to listen to this?"[9]
Track listing
| No. | Title | Length |
|---|---|---|
| 1. | "Hi" | 3:37 |
| 2. | "Joey's Song" | 3:36 |
| 3. | "Beauty Towne" | 2:40 |
| 4. | "Honeysuckle" | 3:12 |
| 5. | "I Luv Abortion" | 2:32 |
| 6. | "The Oldness" | 3:25 |
| 7. | "Chimney's Afire (Mickensian Suicide)" | 2:43 |
| 8. | "Gul Mudin" | 2:25 |
| 9. | "Born to Suffer" | 3:23 |
| 10. | "Factory Girl" | 2:21 |
| 11. | "Smear the Queen" | 3:19 |
| 12. | "Black Drum Machine" | 4:34 |
Personnel
The following people contributed to Always:[13]
Musicians
- Carla Bozulich - Composer
- John Dieterich - Composer
- Devin Hoff - Composer
- Sam Mickens - Composer
- Zac Pennington- Composer
- Greg Saunier - Composer, Producer
- Angela Seo - Composer
- Ches Smith - Composer
- Jamie Stewart - Composer, Engineer
Additional personnel
- John Congleton - Mixing
- Alan Douches - Mastering
- Jason Martin - Cover Photo
- Damion Ross - Tattoo Art
- Joe Stewart - Design
- Stu Watson - Engineer
References
- ^ a b c Murray, Robin. Always: Xiu Xiu: Jamie Stewart offers a track by track guide. Clash. 27 February 2012. Retrieved 16 March 2012.
- ^ Xiu Xiu - Always. Polyvinyl Record Co. Retrieved 16 March 2012.
- ^ Harkins, Dustin (March 27, 2012). "Xiu Xiu - Always". AbsolutePunk. Retrieved April 4, 2012.
- ^ a b Phares, Heather. "Always - Xiu Xiu". AllMusic. Retrieved March 16, 2012.
- ^ a b "The A.V. Club review". The A.V. Club. 6 March 2012.
- ^ a b Bosman, Chris (March 5, 2012). "Album Review: Xiu Xiu - Always". Beats Per Minute. Retrieved March 16, 2012.
- ^ "Drowned in Sound review". Archived from the original on 2012-02-25. Retrieved 2012-02-27.
- ^ a b Price, Simon (26 February 2012). "The Independent review". London.
- ^ a b Battan, Carrie (March 14, 2012). "Xiu Xiu: Always". Pitchfork. Retrieved March 16, 2012.
- ^ "PopMatters review".
- ^ a b "Tiny Mix Tapes review".
- ^ Critic Reviews for Always. Metacritic. Retrieved 16 March 2012.
- Allmusic. Retrieved 16 March 2012.
