Anne Whateley
Anne Whateley | |
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Literary movement | English Renaissance |
Anne Whateley is the name given to a woman who is sometimes supposed to have been the intended wife of
Evidence
Whateley's existence has been deduced from an entry in the Episcopal register at Worcester which states in Latin "Anno Domini 1582...Novembris...27 die eiusdem mensis. Item eodem die supradicto emanavit Licentia inter Wm Shaxpere et Annam Whateley de Temple Grafton." The entry states that a marriage licence has been issued to Shakespeare and Anne Whateley to marry in the village of Temple Grafton. The day afterwards, Fulk Sandells and John Richardson, friends of the Hathaway family from Stratford-upon-Avon, signed a surety of £40 as a financial guarantee for the wedding of "William Shagspere and Anne Hathwey".[4][5]
The entry in the register was discovered in the late nineteenth century by Reverend T.P. Wadley. Various explanations were offered. Initially it was assumed that Whateley was an alternative surname for Anne Hathaway herself. Wadley believed that it was probably an alias, used by Hathaway in order to keep the date of the marriage secret to obscure the fact that she was already pregnant. Another suggestion was that Anne Hathaway might legitimately have used the name, either because her father Richard Hathaway was in fact her step-father, her mother having previously been married to a man called Whateley, or because Anne herself may have previously been married to a man named Whateley.[6] None of these suggestions gained support, since they contradicted other existing evidence.
The Whateley note is discussed in Sidney Lee's 1898 book A Life of William Shakespeare. Lee argues that the "William Shakespeare" who is engaged to Whateley is probably a different person from the playwright, as there were "numerous William Shakespeares, who abounded in the diocese of Worcester".[7] In 1905 Joseph William Gray in Shakespeare's Marriage gave a detailed argument for clerical error due to the existence of lawsuits involving Whateleys that were being written up by the same scribe.[6][8] However, in 1909 Frank Harris in his book The Man Shakespeare ignored Gray's argument and dismissed Lee's suggestion that there were two William Shakespeares as wildly implausible. He insisted that these documents are evidence that Shakespeare was involved with two separate women. He intended to marry Anne Whateley, but, when this became known, he was immediately forced by Anne Hathaway's family to marry their relative, since he had already made her pregnant. Harris believed that Shakespeare despised his wife, and that his forced marriage was the spur to his creative work:
If Shakespeare had married Anne Whately he might never have gone to London or written a play. Shakespeare's hatred of his wife and his regret for having married her were alike foolish. Our brains are seldom the wisest part of us. It was well that he made love to Anne Hathaway; well, too, that he was forced to marry her; well, finally, that he should desert her. I am sorry he treated her badly and left her unsupplied with money; that was needlessly cruel; but it is just the kindliest men who have these extraordinary lapses; Shakespeare's loathing for his wife was measureless.[9]
Some biographers, notably Ivor Brown and Anthony Burgess, followed Harris' lead, portraying Whateley as Shakespeare's true love. Brown argued that she was the Dark Lady of the sonnets. In 1970 Burgess wrote,
It is reasonable to believe that Will wished to marry a girl named Anne Whateley. The name is common enough in the Midlands and is even attached to a four-star hotel in Horse Fair, Banbury. Her father may have been a friend of John Shakespeare's, he may have sold kidskin cheap, there are various reasons why the Shakespeares and the Whateleys, or their nubile children, might become friendly. Sent on skin-buying errands to Temple Grafton, Will could have fallen for a comely daughter, sweet as May and shy as a fawn. He was eighteen and highly susceptible. Knowing something about girls, he would know that this was the real thing. Something, perhaps, quite different from what he felt about Mistress Hathaway of Shottery. But why, attempting to marry Anne Whateley, had he put himself in the position of having to marry the other Anne? I suggest that, to use the crude but convenient properties of the old women's-magazine morality-stories, he was exercised by love for the one and lust for the other.[4][10]
According to Stanley Wells in the Oxford Companion to Shakespeare, most modern scholars take the same view as Gray, that the name Whateley was "almost certainly the result of clerical error".[11] It may have arisen because the clerk was also recording information about a tithe appeal by a vicar, which included a reference to a person named Whateley.[12] Though there was a Whateley family in the area, no independent evidence has ever been found of the existence of an Anne Whateley in Temple Grafton or anywhere else nearby. As for Lee's claim that there were "numerous" other William Shakespeares in the diocese, later researchers have found no surviving records of any other William Shakespeares of marriageable age in the diocese of Worcester.[8]
Authorship speculations
After Harris's initial argument a number of imaginative claims were made about Anne Whateley, most dramatically that she was the true author of Shakespeare's works. This argument- which has been concluded to be entirely without satisfactory evidence- was made by William Ross in his book The Story of Anne Whateley and William Shaxpere (1939),
Ross claimed that Whateley wished to dedicate the sonnets to Shakespeare, but wrote the dedication to
Ross emphasises that his discovery removes all suggestion of homoeroticism from the sonnets, and thus "the taint of perversion, so odious to all lovers of Shakespeare, has been dissipated". He has very little to say about the plays, but states that Whateley probably wrote Shakespeare's plays to help him make a living. Nevertheless, he describes the playwriting as a "collaboration", though Shakespeare's role was probably "passive". Ross portrays Shakespeare himself as a talented writer, a worthy assistant to Whateley's "genius". After Anne's death he wrote "The Twenty-First and Last Book of the Ocean, to Cynthia", hitherto attributed to Walter Raleigh.
Ross argues that the sonnets reveal that Whateley also knew
Ross's speculations were developed by his friend W.J. Fraser Hutcheson in his book Shakespeare's Other Anne (1950).[15] He follows Ross's claim that Whateley's father was Jenkinson, adding that Whateley's real name was Elizabeth Anne Beck and that her mother was an Anne Beck who died in childbirth. She used the name Whateley because of the household in which she grew up. Falling in love with Shakespeare, she was broken-hearted when he married Hathaway. She fled to Italy, where she acquired the knowledge that would later be used in Shakespeare's Italian plays. Many of her works were published under the name "Ignotus".[13][15] Hutcheson also claims to have identified a portrait of Whateley, the work of Sofonisba Anguissola, the several copies of which attest to the esteem in which she was held. Hutcheson suggests that Whateley is portrayed as Rosalind and other female characters in Shakespeare's plays. While insisting that she inspired the plays, he does not explicitly assert that she wrote them.
Neither Ross nor Hutcheson provide documentary evidence to support their theories.[16] Ross relies on his readings of the poems while Hutcheson finds coded messages in texts and images. The portrait he identifies as Whateley is generally believed to depict the courtier and poet Girolamo Casio.[1] It is attributed to Giovanni Antonio Boltraffio, rather than Anguissola, and its likely depiction of Casio was accepted long before he wrote the book.[17] Kit Mayers, in his biography of Jenkinson, analysed all the available information and claims from Harris onward and concluded "the fascinating and elaborate story of Jenkinson and his supposed illegitimate daughter does not stand up. The whole concoction is a fiction; there is absolutely no convincing evidence that Jenkinson had any secret romance."[18]
Proponents of other alternative authorship theories have also used Frank Harris' version of the Anne Whateley story, typically to portray Shakespeare as a duplicitous scapegrace, traits which are supposed to disqualify him as an author of great poetry.[19] Robert Frazer, who believed that The Earl of Derby wrote the canon, argued that Shakespeare actually married Whateley, not Hathaway.[20]
Literature
Anne has also appeared in imaginative literature about Shakespeare, typically portrayed as Shakespeare's true love, in contrast to a less appealing Anne Hathaway. Anne appears in Hubert Osborne's play The Good Men Do (1917), which dramatises a meeting between the newly widowed Anne Hathaway and Anne Whateley. Hathaway is depicted as viciously shrewish and spiteful, in contrast to her noble-minded former rival. Both women portray Shakespeare's life as an actor and playwright as morally degrading, Whateley insisting that he would have been saved from this shameful profession had he married her.[21] Ivor Brown also published a play, William's Other Anne (1947) in which Shakespeare returns from London to meet Anne Whateley eight years after their broken engagement, just as Anne is about to marry a priggish schoolmaster. Shakespeare and Anne are reconciled, and Shakespeare saves his father from bankruptcy at the hands of Anne's vengeful mother.[22] The play was broadcast on BBC television in 1953 starring Irene Worth as Anne and John Gregson as Shakespeare.[23]
Whateley is mentioned in Late Mister Shakespeare (1998) by Robert Nye, a novel in which an elderly actor who knew Shakespeare in his youth reconstructs the poet's life. He speculates about whether or not she actually existed. She also appears in Graeme Johnstone's novel The Playmakers (2005), in which she is portrayed as an innocent girl with a "sweet nature", "perfect figure, perfect teeth...perfectly shaped nose, clear blue eyes and creamy skin".[24] She is devastated by the discovery that her beloved William has made Hathaway pregnant. She and William are soulmates who plan to work together to improve William's father's leather-making business. Anne hangs herself with a leather rope after the manipulative Hathaway forces Shakespeare to abandon her. The image of his lost love haunts Shakespeare throughout his life. He leaves for London to become a front man for Christopher Marlowe's playwriting. He eventually finds a new love who is the mirror image of Whateley.
Laurie Lawlor's novel The Two Loves of Will Shakespeare (2006) depicts a teenage Shakespeare who seduces willing girls with his wit and charm. He is asked by his friend Richard Field to help him woo the beautiful and devout Anne Whateley, but falls in love with her himself. He tries to reform his ways to become worthy of her, but cannot resist his sexual urges, getting Hathaway pregnant.[25]
In
References
- ^ a b Peabody Essex Museum, Salem, Treasures From Chatsworth, A British Noble House, 2004. Patricia Simons notes that its androgynous appearance has often led to its identification as a woman: Patricia Simons, "homosociality and erotics in Italian Renaissance portraiture" in Joanna Woodall, Portraiture: facing the subject, 1997, Manchester University Press, p.33.
- ^ Russell Fraser, Shakespeare: A Life in Art, Transaction Publishers, 2007, p.66.
- ^ Ivor Brown and George Fearon, Amazing monument : a short history of the Shakespeare industry, Heinemann, 1939, p.18
- ^ a b Samuel Schoenbaum, William Shakespeare: a compact documentary life, Oxford University Press, 1977, pp.84-7.
- ^ E. K. Chambers, William Shakespeare: A Study of the Facts and Problems, Oxford University Press, 1989, pp.41-42. The marriage was registered in Worcester because William had killed someone importantAnglican Diocese of Worcester, which included southern Warwickshire.
- ^ a b Joseph William Gray, Shakespeare's Marriage: His Departure from Stratford and Other Incidents in His Life, Chapman and Hall, 1905, pp.13-18; 27-28
- ^ Sidney Lee, A life of William Shakespeare, 1915 edition, p. 30.
- ^ a b William Ingram, The business of playing: the beginnings of the adult professional theater in Elizabethan London, Cornell University Press, 1992, p.24.
- ^ Frank Harris, The Man Shakespeare, BiblioBazaar, LLC, 2007, (reprint) p.362. Harris's spelling "Whatley" with one "e" is followed by several other authors, sometimes with the "e" before the "l". However, "Whateley" is the most common form of the name.
- ^ Anthony Burgess, Shakespeare, London: Jonathan Cape, 1970, p. 57.
- ^ Stanley Wells, "Whateley, Anne". Oxford Companion to Shakespeare, Oxford University Press, 2005, p.185; p.518. See also Park Honan, Shakespeare: a life, Oxford University Press, 2000, p.84.
- ^ Peter Levi, The Life and Times of William Shakespeare, London: Macmillan, 1988, p.37.
- ^ a b Shakespeare Quarterly, 1950-1, p.256
- ^ a b William Ross,The story of Anne Whateley and William Shaxpere as revealed by 'The sonnets to Mr. W.H.' and other Elizabethan poetry, Holmes, 1939, p.122; p.207
- ^ a b W.J. Fraser Hutcheson, Shakespeare's Other Anne: a short account of the life and works of Anne Whateley or Beck, a Sister of the Order of St. Clare, who nearly married William Shakespeare in November 1582 A.D., William MacLellan, 1950.
- ^ Frederick S. Boas, The Year's Work in English Studies, Vol. XXXI, 1950, OUP, 1952, p.113; George L. McMichael, Edgar M. Glenn, Shakespeare and his rivals: a casebook on the authorship controversy, Odyssey Press, 1962, p.145ff
- ^ J. T. Herbert Baily (ed), The Connoisseur, 1908, p. 201.
- ^ The First English Explorer: The life of Anthony Jenkinson (1529-1611) and his adventures on route to the Orient, Kit Mayers, Matador, 2016, p. 144
- ^ H. N. Gibson, The Shakespeare Claimants, Routledge, 2005, pp.41-2.
- ^ Robert Frazer, The Silent Shakespeare, Philadelphia, (1915), p.27.
- ^ "The Good Men Do" (PDF). Archived from the original (PDF) on 16 July 2011. Retrieved 21 October 2010.
- ^ Drama: the quarterly theatre review, Issues 1-15, British Theatre Association, 1946, p.37.
- ^ Thespis, Plays, Films, Television, English, Summer 1953; 9: 179 - 18[dead link]
- ^ Graeme Johnstone's novel The Playmakers, 2005, BeWrite Books, 2005, pp.21-23.
- ^ Laurie Lawlor, The Two Loves of Will Shakespeare, Holiday House, 2006.
- ^ Karen Harper's Website