Bacall to Arms

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Bacall to Arms
Directed byBob Clampett
Arthur Davis
Story byWarren Foster
Michael Sasanoff
Music byCarl Stalling
Animation byManny Gould
Rod Scribner
Don Williams
I. Ellis
Layouts byThomas McKimson
Backgrounds byPhilip DeGuard
Color processTechnicolor
Production
company
Distributed byWarner Bros. Pictures
Release date
  • August 3, 1946 (1946-08-03)
Running time
6:11
LanguageEnglish

Bacall to Arms is a 1946 Warner Bros. Merrie Melodies series short planned by Bob Clampett and finished by Arthur Davis, in his second-to-last cartoon at Warner Bros.[1] The short was released on August 3, 1946.[2]

The title refers both to Hemingway's 1929 novel A Farewell to Arms and actress Lauren Bacall, whose acclaimed 1944 film debut was in To Have and Have Not, based on Hemingway's 1937 novel, as well as a play on the term "a call to arms".

Plot

The cartoon is set in a

films-within-the film are black-and-white. A short "newsreel
" is narrated by Robert C. Bruce.

The main feature is a film called To Have- To Have- To Have- ..., a parody of To Have and Have Not. It includes images of Humphrey Bogart and Lauren Bacall, who are credited as "Bogey Gocart and Laurie Bee Cool". In addition to recreating a few well-known scenes from that film (the kissing scene; the "put your lips together and blow" scene), the players sometimes lapse into slapstick (Bacall lighting her cigarette with a blowtorch à la Harpo Marx; or letting loose with a loud, shrill whistle after her famous sultry comment) and interact with the theater audience.

Although the theater was initially full, it is eventually seen to be empty except for one patron: a literal lone wolf in a

Eddie 'Rochester' Anderson" voice, and says, "My, oh my! I can work fo' Mr. Benny
now!"

Analysis

The film reuses animation from an earlier short,

howling of a wolf in the audience.[3] The film uses caricatures of Humphrey Bogart and Lauren Bacall, who attempt to act out the scene from To Have and Have Not (1944) in which they first kiss, and her character's advice on how to whistle. Bogart eventually shoots the disruptive wolf from the movie screen, though the film within a film never properly ends.[4] The short is one of two parodies of Bogart from the Warner Bros. Cartoons studio. The other was Slick Hare (1947), where restaurant customer Bogart demands "fried rabbit" from Elmer Fudd, setting up a plot where he chases after Bugs Bunny.[5]

The film functions as a tribute to Bacall and her

blow torch. She easily catches it and uses the torch to light her cigarette.[6]

The distinctive voice of

ethnicity, but never for the intelligence or wit of his character, Rochester, which he finds rather telling.[7]

Author Don Peri points that in the 1930s,

animated feature films, other studios started making their own advances in the field, at times depicting emotions that were absent from Disney films. Peri cites Bacall to Arms as a memorable depiction of lust in animation.[8] The wolf himself seems similar to "Wolfie" by Tex Avery.[9]

World War II ended in September 1945, but several animated shorts released later in that year and into 1946 still contained war-related references. In Bacall to Arms there is a newsreel featuring "wartime inventions put to peacetime use". The example depicted is that of a married man who uses a radar to receive early warnings for the unannounced visits of his mother-in-law.[9]

The house in the Newsreel segment was the same house used in the Private Snafu short Payday, a short where Snafu keeps buying unnecessary items rather than investing money on that house when the war was over.

Norman Klein cites the film as an example of animated films referencing film noir and figures associated with the genre, such as Bogart. He argues that screwball comedy film, the chase-themed animated films, the crime film, and film noir were genres which shared certain elements. In his view, all were reactions to the melodrama films of the 1930s and all rejected the moralizing tendencies of these melodramas. They reacted by embracing depictions of outrageous behavior and amorality. Common themes among them were the depiction of poetic justice as malum in se, of faked sentiment as a tool of deception, and sardonicism as the primary form of humor.[10]

Home media

  • Bacall to Arms is available, uncensored and uncut, on Looney Tunes Golden Collection: Volume 5, Disc 3.
  • Also available as bonus feature on the DVD issue of To Have and Have Not (Region 1 and 4)
  • It is also available on "The Golden Age Of Looney Tunes Volume 2" laserdisc.

Sources

References

  1. .
  2. . Retrieved 6 June 2020.
  3. ^ Sartin (1998), p. 78-79
  4. ^ Crafton (1998), p. 107
  5. ^ Kanfer (2011), p. 147
  6. ^ a b c d e Worland (2011), p. 91
  7. ^ Lehman (2009), p. 116
  8. ^ Peri (2011), p. 94
  9. ^ a b Shull, Wilt (2004), p. 77-79
  10. ^ Klein (1996), p. 181-182

External links