Barbarigo Altarpiece
Barbarigo Altarpiece | |
---|---|
Artist | Giovanni Bellini |
Year | 1488 |
Medium | oil on panel |
Dimensions | 200 cm × 320 cm (79 in × 130 in) |
Location | San Pietro Martire, Murano |
The Barbarigo Altarpiece or Enthroned Madonna and Child with Angel Musicians and
Its commission is unusually well-documented for a work by Bellini. Uniquely Agostino Barbarigo had taken over from his brother
Ex-voto
In Venice it became the custom in the Renaissance for the higher officials, beginning with the Doge, to commission (at their personal expense) an ex-voto painting in the form of a portrait of themselves with religious figures, usually the Virgin or saints, in thanks for achieving their office. For lower officials only their coat of arms might represent the official. The painting was hung in the public building where they worked or presided.[3]
Aspects of the picture hint at what many contemporaries saw as the excessive self-aggrandizement of the Barberigo brothers. Rather being presented to the Virgin and Child by his name-saint Augustine, as was usual, the Doge is presented by Saint Mark, patron saint of the
In 1501, already dying, Agostino left the canvas to the nunnery of
See also
Notes
- ISBN 88-8117-099-X
- ^ Ruggiero, 344
- ^ Lino Moretti, "Portraits", in Jane Martineau (ed), The Genius of Venice, 1500–1600, 1983, Royal Academy of Arts, London
- ^ Ruggiero, 344–345
- ISBN 88-8117-099-X
References
- Ruggiero, Guido, The Renaissance in Italy: A Social and Cultural History of the Rinascimento, 2014, Cambridge University Press, ISBN 0521895200, 9780521895200, google books