Bernard Ashmole

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Bernard Ashmole
art historian

Bernard Ashmole

Greek Art and Archaeology at the University of Aberdeen from 1961 to 1963. He was also Keeper of Greek and Roman Antiquities at the British Museum
from 1939 to 1956.

Early life

Ashmole was born on 22 June 1894 in

matriculated into Hertford College, Oxford, in 1913, having been awarded the Essex Scholarship in Classics.[2]

Career

World War I service

With the outbreak of World War I, he left university to join the British Army. He was commissioned into the 11th Battalion, Royal Fusiliers.[2] He was badly wounded at the Battle of the Somme.[1] While recuperating in a service battalion, he was made a temporary captain on 5 November 1916.[4] He returned to the trenches once more, when he was re-attached to the Royal Fusiliers on 9 March 1918. He retained the rank of temporary captain dated to 31 October 1917 with seniority from 5 November 1916.[5]

Inter-war period

At Oxford he studied with Percy Gardner and John Beazley, with whom he collaborated on the Greek art chapter for the Cambridge Ancient History, 2nd ed. (1928; separately issued, 1930) and whom he eventually succeeded to the Lincoln Chair of Classical Art at Oxford, on Beazley's retirement in 1956.

In 1925–28 he served as director of the

Palazzo dei Conservatori and developed a feel for modern sculpture and architecture, from the young students at the School. After three years working at the British School at Rome Ashmole was appointed professor of classical archaeology at University College London.[6] He returned to the UK in 1929 to take up the post and commissioned the New Zealand-born architect Amyas Connell to design 'High and Over',[6] a modernist concrete-framed house in Amersham-on-the-Hill, Buckinghamshire. The house is now Grade II* listed for its outstanding architectural importance.[7] The house features in John Betjeman
's Metro-land where it is described as 'scandalizing all of Buckinghamshire' and being part of the nascent trend that was to become known as modernism.

His Late Archaic and Early Classical Greek Sculpture in Sicily and South Italy (1934) was developed from his Hertz lectures at the British Academy. In 1939, Ashmole was appointed Keeper of Greek and Roman Antiquities at the British Museum, following a public incident over abrasive cleaning of the Elgin Marbles; there he nurtured the budding careers of two generations of Classical scholars.

World War II service

In World War II, he served in the

wing commander.[14]

Post World War II

He resigned his University of London chair in 1948 to concentrate on the post-war reinstallation of the British Museum. He retired from Oxford in 1961 to accept a chair in Greek Art and Archaeology at the University of Aberdeen, 1961–63; to be visiting professor at Yale University, 1964, and to give the Taft Lectures, Cincinnati), published as The Classical Ideal in Greek Sculpture (University of Cincinnati, 1964); to give the Wrightsman Lectures in New York (1967, published as Architect and Sculptor in Classical Greece, 1972). He advised the oil billionaire J. Paul Getty on his acquisitions of classical art.

Personal life

In 1920, Ashmole married Dorothy Irene de Peyer. Together they had two daughters and a son.[3]

Honours and decorations

Ashmole was awarded the Military Cross (MC) on 17 April 1917.[15] His citation read:

For conspicuous gallantry and devotion to duty. He displayed great courage and skill in forming his company up for the attack under very heavy fire. Later, although wounded, he continued in command until he was wounded a second time and collapsed.[15]

On 29 December 1942, it was announced that he had been awarded the Greek Distinguished Flying Cross "in recognition of valuable services rendered in connection with the war".

Mentioned in Despatches.[12]

He was appointed

Commander of the Order of the British Empire (CBE) in the 1957 New Year Honours.[16]

References

  1. ^ a b c ASHMOLE, Professor Bernard. Who Was Who. A & C Black. December 2007.
  2. ^ a b c Sorensen, Lee. "Ashmole, Bernard". Dictionary of Art Historians. Archived from the original on 22 July 2012. Retrieved 30 August 2012.
  3. ^
    doi:10.1093/ref:odnb/39795. Retrieved 30 August 2012. (Subscription or UK public library membership
    required.)
  4. ^ "No. 30232". The London Gazette (Supplement). 14 August 1917. p. 8315.
  5. ^ "No. 30566". The London Gazette (Supplement). 8 March 1918. p. 3070.
  6. ^
    ISBN 9780224099455
    .
  7. ^ "HIGH AND OVER WITH ATTACHED WALLS, STEPS AND PERGOLA, HIGHOVER PARK HIGH AND OVER, 40, HIGHOVER PARK, AMERSHAM, HP7 0BP". Historic England. Retrieved 13 April 2024.
  8. ^ a b "No. 35837". The London Gazette (Supplement). 25 December 1942. pp. 5639–5640.
  9. ^ "No. 34954". The London Gazette. 27 September 1940. p. 5719.
  10. ^ "No. 35247". The London Gazette. 15 August 1941. p. 4736.
  11. ^ "No. 35765". The London Gazette (Supplement). 27 October 1942. p. 4706.
  12. ^ a b "No. 36329". The London Gazette. 11 January 1944. pp. 286–289.
  13. ^ "No. 36373". The London Gazette. 8 February 1944. p. 735.
  14. ^ "No. 40175". The London Gazette (Supplement). 14 May 1954. pp. 2911–2912.
  15. ^ a b "No. 30023". The London Gazette (Supplement). 17 April 1917. p. 3678.
  16. ^ "No. 40960". The London Gazette (Supplement). 28 December 1956. p. 11.
  • Ashmole, Bernard, 1994. Bernard Ashmole, 1894–1988: An Autobiography (Malibu: Getty Museum)

External links

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