Boris Kamensky

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Boris Kamensky

Boris Sergeevich Kamensky (15 November 1870 – 21 September 1949)[1] was a violinist from the Russian Empire.

Born in

Saint Petersburg State Conservatory (now the Rimsky-Korsakov Saint Petersburg State Conservatory) with Leopold Auer,[1] and he had ensemble classes with Anton Rubinstein;[3] and then he studied with Joseph Joachim in Berlin.[2]

Kamensky was appointed as

St Petersburg.[2] The Quartet became very famous in Russia and then started touring around Europe.[1][2]

Kamensky married Maria Apakidze

Nejiko Suwa[7] and Jean Fournier). He subsequently married Ksenia Vladimirovna.[1] Kamensky is buried at the Sainte-Geneviève-des-Bois Russian Cemetery in Paris.[1]

Selected performance reviews

NIZHNY NOVGOROD

"The ensemble of the four artists is simply wonderful. It is impossible to explain in words the perfection of their masterful playing, one must hear them to understand the power and brilliance of their interpretation of the pure quartette music. They represent one whole, one soul. It seems like one instrument in the hands of a maestro, in whose power it is to easily transmit the musical beauties, enrapturing the audience with the purity of tone, either dying away to the hardly audible pianissimo, or growing to the greatest forte. Many years work were required to create such a perfect musical ensemble. The execution of the artists merits the highest praise, acquainting the Russian public with the works of the great composers."[2]

POLTAWA

"Nothing surpasses their playing as regard to the ensemble, transparency and artistic interpretation. The four artists play like one person. They master their instruments exquisitely and achieve even a still greater mastery of themselves."[2]

KISHINEFF

"Although their playing sounds like one great instrument, it is nevertheless not a bit mechanical, for each artist retains his own individuality."[2]

OREL

"The concert was of such deep interest, both on account of the serious programme and also on account of the popularity of the artists, that we can note it as one of the most important events in our musical life."[2]

SARATOFF

"I heard the celebrated Quartet for the first time and the impression received excelled by far my expectation. One can hardly imagine a greater harmony of interpretation. Listening to the Quartet I had the impression that I heard a small, wonderfully harmonious orchestra, an orchestra, where every musician is a great and thorough artist. In forte, the orchestra surprises you with its strength and power and in piano it charms your ear with tenderness of tone and the finest achievement. During the whole performance here is the impression of great nobility and deep reverence for the authors. There is not the slightest wish of any of the artists to exhibit himself, not the least striving for cheap effects. Strange as it may seem, this is so seldom found in music."[2]

References

  1. ^ a b c d e f g h Janchevski, N.D. "Vozrozhdenie." (#13) Paris, 1951. Obituary.
  2. ^ a b c d e f g h i j Concert programmes for concerts held on 9 November 1908, 21 November 1908, 26 November 1908, 29 November 1908, 2 December 1908 and 4 December 1908 at the Bechstein Hall, London, provided by the Wigmore Hall Archive.
  3. ^ a b c Drinker Bowen, Catherine. "Free artist – the story of Anton and Nicholas Rubinstein." 1939, Random House, New York. pp. 302.
  4. ^ a b Armstrong, Glenn / Harari, Jean-Marc. "Coup d’Archet." 'Michèle Auclair / Jacqueline Bonneau: Bartok no. 1, Prokofiev no 2 violin sonatas.' Coup LP/CD011. 2002. http://www.coupdarchet.com/catalogue/product/4-coup-011-michele-auclair-jacqueline-bonneau.html
  5. ^ Cimitero Acattolico per gli stranieri al "Testaccio". Records.
  6. ^ Family records.
  7. ^ Shapreau, Carla (21 September 2012). "A Violin Once Owned by Goebbels Keeps Its Secrets". The New York Times.

External links

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