Boyd Webb
Boyd Webb (born 1947) is a New Zealand-born visual artist who works in the United Kingdom, mainly using the medium of photography although he has also produced sculpture and film. He was shortlisted for the
Life
He was born in New Zealand in 1947 and attended at the
Art
Initially he worked as a sculptor, making fibreglass forms. However he soon switched to photography, developing a practice based around constructing tableaux which he then photographs. His work has been cited as a major influence on the famous, long-running advertising campaigns by
Holly Arden described his art thus: "Many of them are shot in studio sets using man-made props to represent natural objects. Men, women and plastic animals adopt Monty Pythonesque poses against landscapes of plastic and carpet. The images have a literal quality, where Webb seems to go out of his way to show how they are constructed. Yet, they also pose bafflingly complex oppositions/connections between ideas of language and meaning, object and environment, scale and detail."[3] Arden divides his art into three periods. The first, from the 1970s, is about "man's need to classify and analyse", and tends to combine text and image. In the 1980s he focused more on photographing installations, combining the large and the small in a harmonious relationship. Following that, in the 1990s, his works became more "scientific" and took greater effort to hide their construction, so it becomes hard to see how they are made.[3]
Later he also moved into film, with Horse and Dog shown at the
Exhibitions
Solo shows:
- Whitechapel Art Gallery, London 1978[5]
- Whitechapel Art Gallery, 1987[5]
- Directions, Hirshhorn Museum, Washington, D.C., 1990[5][6]
- Boyd Webb, Brighton City Art Gallery and touring, 1994.[2]
- Auckland Art Gallery and touring, 1997[5]
Horse & Dog, Milton Keynes Gallery, 2002.
Other:
- At the Sydney Biennale in 1995, representing New Zealand[5]
Bibliography
- Louise Garrett, "The Contrary Vernacular of Boyd Webb", Art New Zealand, June 1998.
- Jenny Harper, "Unruly Truths", in Boyd Webb, exhibition catalogue, Auckland Art Gallery, 1997.
- S. Morgan, essay, in Boyd Webb, exhibition catalogue, London: Whitechapel Art Gallery, 1987.
References
- ^ "Boyd Webb". Tate website. Retrieved 24 January 2014.
- ^ a b Graham-Dixon, Andrew (3 May 1994). "ART / Small objects of desire: Boyd Webb makes still lifes from balloons and nails and Anaglypta wallpaper. This is a world in which ordinary objects are made flesh – nasty, shrivelled, disconcerting flesh". The Independent (UK). Retrieved 24 January 2014.
- ^ a b Arden, Holly (2001). "Boyd Webb (Brisbane City Gallery, review)". Artlink. 22 (2).
- ^ Searle, Adrian (29 April 2003). "Animal crackers". The Guardian. Retrieved 24 January 2014.
- ^ a b c d e "Boyd Webb". British Council. Archived from the original on 3 February 2014. Retrieved 24 January 2014.
- ^ Richard, Paul (6 November 1990). "Art; Boyd Webb's Photos for a Lost Planet". Washington Post. Archived from the original on 11 June 2014. Retrieved 24 January 2014.