Christopher Simpson (musician)
Christopher Simpson (1602/1606–1669) was an English musician and composer, particularly associated with music for the viola da gamba.
Life
Simpson was born between 1602 and 1606, probably at
Simpson fought in the English Civil War, on the Royalist side and, in 1642, was a quarter-master in the army of the Earl (later Duke) of Newcastle. Following the siege of York, Simpson took refuge at the manor of Sir Robert Bolles (1619–1663), at Scampton, Lincolnshire, where Bolles employed him as a resident musician and tutor to his son John.
Simpson remained in the Bolles' household (either in Lincolnshire, or their house in London) for the remainder of his life. His will was made on 5 May 1669 and was proved in London on 29 July 1669. It seems likely that he died at Sir John Bolles' house in Holborn, London, or possibly at Scampton Hall.
Works
Simpson made a small contribution to
The accompanying portrait of Simpson appears in The Division Viol. In the first edition, he is depicted wearing a hat but, in later editions, the picture has been modified to show him bare-headed, as here. The picture also illustrates some of the characteristic techniques of viol-playing. For instance, it is clear that the bow is held underhand (with the palm upwards), unlike the technique used for the modern cello or violin. It can also be seen that the second and third finger of the right hand rest on the bow-hair, allowing them to be used to vary the tension of the bow during playing.
Simpson wrote a short guide to musical composition in 1665: The Principles of Practical Musick (dedicated to Sir John St. Barbe, another of his pupils) and expanded this into his 1667 publication A Compendium of Practical Musick.
Very few of Simpson's musical compositions appeared in print during his lifetime, except those included as examples in his books. Some of his compositions survive in manuscript form. For example, he composed two sets of fantasias entitled The Monthes and The Seasons, which both consist of one treble and two
All his surviving instrumental works are for viol ensembles or the solo viol, an instrument about which he wrote that "a viol in the hands of an excellent violist may (no doubt) be reckoned amongst the best of musical instruments. To play extempore to the ground is the highest perfection of it".
References
- Christopher Simpson: The Division-Violist: or An Introduction to the Playing upon a Ground, printed by William Godbid, and sold by John Playford, Facsimile reprint edited with an introduction by Nathalie Dolmetsch, London: J. Curwen, 1955
- Percy Scholes: Oxford Companion to Music, OUP
- Margaret Urquhart: Chelys Volume 21 "Was Christopher Simpson a Jesuit?", 1992, Viola da Gamba Society Publications
- H. C. G. Matthews and ISBN 0-19-861366-0