D-sharp minor

Source: Wikipedia, the free encyclopedia.
D-sharp minor
{ \magnifyStaff #3/2 \omit Score.TimeSignature \key dis \minor s16 \clef F \key dis \minor s^"" }
Enharmonic
E-flat minor
Component pitches
D, E, F, G, A, B, C

D-sharp minor

E, F, G, A, B, and C. Its key signature has six sharps
.

Its

, has the same number of flats.


The D-sharp

natural minor scale
is:

Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The D-sharp

melodic minor scales
are:

 {
\omit Score.TimeSignature \relative c' {
  \key dis \minor \time 7/4 dis^"Harmonic minor scale" eis fis gis ais b cisis dis cisis b ais gis fis eis dis2
} }
 {
\omit Score.TimeSignature \relative c' {
  \key dis \minor \time 7/4 dis^"Melodic minor scale (ascending and descending)" eis fis gis ais bis cisis dis cis? b? ais gis fis eis dis2
} }

Scale degree chords

Music in D-sharp minor

D-sharp minor is infrequently used as the principal key of pieces in the

woodwinds. In the 24 canonic keys, most of the composers preferred E-flat minor, while Johann Sebastian Bach, Sergei Lyapunov, and Manuel Ponce
preferred D-sharp minor.

From Bach's The Well-Tempered Clavier, the eighth fugue from Book 1 and the eighth prelude and fugue from Book 2 are in D-sharp minor; both fugues end with a Picardy third, requiring an Fdouble sharp in the final D-sharp major chord.

The second of Lyapunov's 12 Transcendental Études ("Ronde des Fantômes") is also in D-sharp minor.

Alexander Scriabin's Etude Op. 8, No. 12 is in this key, perhaps the most famous example.

The second movement from Charles-Valentin Alkan's Grande sonate 'Les quatre âges', subtitled Quasi-Faust, is also in D-sharp minor (but ends in F-sharp major), and modulates into even sharper keys along the way, some even being theoretical keys, such as G-sharp major and D-sharp major.

In a few scores, 6-sharp key signatures in the bass clef are written with the sharp for the A on the top line.[citation needed]

Despite the key rarely being used in orchestral music other than to modulate, it is not entirely uncommon in keyboard music. For orchestration of piano music, some theorists recommend transposing the music to

E-sharp minor (or G instruments used instead, giving a transposed key of G-sharp minor), and B instruments in E minor, in order to avoid double sharps in key signatures. Meanwhile, the E horns would have parts written with a B minor key signature
.

References

  1. ^ "Key of D sharp minor, chords". Retrieved 2023-08-17.
  2. ^ "basicmusictheory.com: D-sharp major scale". www.basicmusictheory.com. Retrieved 2023-08-17.

External links