Daniel Harrison (musicologist)

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Daniel Harrison (born April 20, 1959) is a

tonal theory, Harrison wrote his dissertation on the music of Max Reger at Yale (PhD '86), which eventually became Harmonic Function in Chromatic Music: A Renewed Dualist Theory and an Account of Its Precedents (1994).[1] Also interested in pop music, particularly The Beach Boys, he appeared in the Don Was documentary Brian Wilson: I Just Wasn't Made for These Times (1995).[2] During his tenure at Yale, he was named the Allen Forte Professor of Music Theory in 2006[3] and Chairman in 2007. From 2001 to 2003 he was editor-in-chief of Music Theory Spectrum.[4]

Publications

Counterpoint and Fugue

  • "Some group properties of triple counterpoint and their influence on compositions by J.S. Bach." Journal of Music Theory 32/1 (1988): 23-50.
  • "Rhetoric and Fugue: An Analytical Application." Music Theory Spectrum 12/1 (1990): 1-42.
  • "Heads and Tails: Subject Play in Bach's Fugues." Music Theory Spectrum 30/1 (2008): 152-163.

Chromatic Harmony

Neo-Riemannian Theory

  • "Three Short Essays on Neo-Riemannian Theory," in The Oxford Handbook of Neo-Riemannian Music Theory, ed. Edward Gollin and Alexander Rehding (Oxford, 2011): 548-577.

Popular Music

References

  1. ^ "Chicago Press"
  2. ^ "IMDb"
  3. ^ ""Yale Bulletin"". Archived from the original on 2011-11-11. Retrieved 2011-11-28.
  4. ^ Publications and Networking Committees, Society for Music Theory, retrieved 2014-05-16.

External links