David Askevold

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David Askevold (30 March 1940 – 23 January 2008) was an experimental Canadian artist who lived in Nova Scotia.

Askevold studied art and

Nova Scotia College of Art and Design
in 1968.

Projects Class

As a teacher at

Lucy Lippard, Joseph Kosuth and Mel Bochner and invited them to submit projects that he and his students would then carry out. In the Fall of 1969, Robert Barry proposed that the students get together and "decide on a single common idea. The idea can be of any nature, simple or complex ..." Sol LeWitt presented a "to do" list for the class which included: "1. A work that uses the idea of error 2. A work that uses the idea of incompleteness 3. A work that uses the idea of infinity. ..." Robert Smithson
suggested a work that would involve mud being dumped over a cliff. Lawrence Weiner asked students to "remove" some unspecified thing "Halfway Between the Equator and the North Pole."

Artwork

His artwork, often manifested on videotape, is usually the result of a non-strategy based on favorable happenstance, collaboration, and selected circumstance. This method evokes those used by many younger artists today, such as Dave Muller and Rirkrit Tiravanija, who invite the unscripted, unchoreographed participation of others as a necessary part of their artistic practice.

In the late 1970s and early 1980s, he taught at

photo text
piece of ghost-like photographic reflections of the artist's head and torso taken at a pond near Crystal Crescent Beach in Nova Scotia.

In 1985, while teaching as a visiting artist in media arts in Minneapolis, Askevold collaborated with students to produce his only music video, a tape of two songs by the rock and roll band Hüsker Dü.

His works are held in the National Gallery of Canada,[1] the Museum of Contemporary Art, Los Angeles[2] and the Hammer Museum[3] Los Angeles.

References

External links