David Morgan (art historian)

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David Morgan is Professor of Religious Studies at Duke University,[1] in Durham, North Carolina, with an additional appointment in Duke's Department of Art, Art History and Visual Studies. Morgan served as the Chair in the Department of Religious Studies in Trinity College of Duke University from 2013 to 2016.[2] He is the author of numerous books, including The Forge of Vision (2015), The Embodied Eye (2012), and The Sacred Gaze (2005).

Biography

He holds a BA in Studio Art (concentration on sculpture) at

Concordia College (1980), a MA in Art History at the University of Arizona (1984), and a PhD in Art History at the University of Chicago (1990), He taught at Valparaiso University from 1990 to 2007, where he was the Duesenberg Professor in Christianity and the Arts, in the honors college of Valparaiso University.[citation needed
]

Academic work

Morgan’s writing has focused on the history of Protestant visual culture since the eighteenth century. He has also studied Catholic devotional images, the history of art theory, and religion and media. He was co-founder and is co-editor of the journal, Material Religion, and co-edits two book series at Routledge (London): Religion, Media, Culture, and Research in Religion, Media, and Culture.[3] He is an Elected Life Member of Clare Hall, Cambridge University and Elected member of the American Antiquarian Society.

Morgan is a recipient of the Annual Book Award from the Association of American Publishers in Professional and Scholarly Publishing for 1999 in the category of Religion and Philosophy for the book Protestants and Pictures: Religion, Visual Culture, and the Age of American Mass Production.[4] His edited volume Icons of American Protestantism: The Art of Warner Sallman received the CHOICE Outstanding Academic Book for 1996 from the American Library Association.[5]

His books include:

  • Morgan, David (2018). Images at Work: The Material Culture of Enchantment, Oxford, England: Oxford University Press.[6]
  • Morgan, David (2015). The Forge of Vision: A Visual History of Modern Christianity, Berkeley, CA: University of California Press.[7]
  • Morgan, David (2012). The Embodied Eye: Religious Visual Culture and the Social Life of Feeling, Berkeley, CA: University of California Press.[8] It had reviews in CHOICE (2012),[9] IMAGE online,[10] Religious Studies Review,[11] American Anthropologist,[12] Art and Christianity,[13] Journal of Religion in Europe,[14] Critical Research on Religion,[15] and Journal of Religion and Popular Culture.[16]

His edited volumes include:

  • Morgan, David (2010). ed. Religion and Material Culture: The Matter of Belief, London and New York: Routledge.[70]
  • Morgan, David (2008). ed. Key Words in Media, Religion, and Culture, London: Routledge.[71]
  • Elkins, James and David Morgan (2008). eds. Re-Enchantment, New York, NY: Routledge.[72]
  • Morgan, David and Sally M. Promey (2001). eds. The Visual Culture of American Religions, Berkeley, CA: University of California Press.[73]
  • Morgan, David (1996). ed. Icons of American Protestantism: The Art of Warner Sallman, New Haven, CT: Yale University Press.[5]

References

  1. ^ "Faculty | Religious Studies". Archived from the original on 2014-02-28.
  2. ^ "David Morgan, Professor of Religious Studies". Scholars at Duke. Retrieved March 9, 2019.
  3. OCLC 707337216
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  4. ^
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  6. ISBN 9780190272111
    . Retrieved March 9, 2019.
  7. ISBN 9780520286955
    . Retrieved March 9, 2019.
  8. OCLC 823768735
    .
  9. doi:10.5860/CHOICE.50-0235
    .
  10. ^ IMAGE online, issue 237, March 13, 2012, last accessed 29 October 2014.
  11. OCLC 823815996
    Arnold, J.W (2012). The Embodied Eye: Religious Visual Culture and the Social Life of Feeling. By David Morgan, Religious Studies Review Vol. 38, No. 4, p. 233.
  12. OCLC 5563603945
  13. OCLC 265813062
  14. ^ Scheer, Monique (2012)] David Morgan, The Embodied Eye: Religious Visual Culture and the Social Life of Feeling, Journal of Religion in Europe Vol. 5, No. 4, pp. 531-33.
    OCLC 5672483805
  15. OCLC 835889852
  16. OCLC 5595749554
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  20. ^ Mathews, Mary Beth Swetnam (2009). The Lure of Images, Journal of American History Vol. 95, No. 4.
  21. OCLC 688336100
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    Scripture Bulletin Vol. 36, No. 1, p. 34. (2006)
  27. OCLC 23658809
    The Art Newspaper No. 167, March 2006, p. 44. (2006)
  28. OCLC 174962258
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  43. ^ Siedell, Daniel (2000) Protestants and Pictures, Books & Culture Vol. 6, No. 3, pp. 31-34.
  44. OCLC 93598053
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  47. ^ Publishers Weekly October 11, 1997.
  48. ^ . Anglican Theological Review 12. (1998)
  49. OCLC 8758334
    Art Book Review, Spring 1998.
  50. OCLC 40794763
    Choice Reviews Online 35, No. 8, April 1998, #35-4290.
  51. OCLC 60624438
    Christian Scholar’s Review Vol. 28, No. 2, Winter 1998, pp. 360-62.
  52. ^ Journal for the Scientific Study of Religion Vol. 37, No. 3, p. 555.(1998)
  53. OCLC 23658809
    The Art Newspaper Vol. 9, No. 83, July/August 1998, p. 33.
  54. ^ Books & Culture Vol. 5, No. 2, March/April 1999, p. 50.
  55. OCLC 56937851
    Communication Research Trends January 1999.
  56. OCLC 1642682
    Theology Digest Vol. 46, No. 4, Winter 1999, p. 378.
  57. ^ Washington Post, Book World, Hardcovers in Brief, February 15, 1998, p. 13.
  58. OCLC 45416719
    Catholic Historical Review Vol. 85, No. 2, April 1999, pp. 321-2.
  59. OCLC 6083626
    The Christian Century April 14, 1999, pp. 427-28.
  60. OCLC 1780884?
    Fides et Historia] Vol. 32, No. 2, Summer/Fall 2000, pp. 140-41.
  61. ^ Religion 30, pp. 191-92. (2000)
  62. ^ (2002). Kunst 78, p. 170.
  63. OCLC 206482583
    Hawkins, P. (1998)
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  65. ^ Mahan, Jeffrey (1999). Book Reviews - Visual Piety: A History and Theory of Popular Religious Images, Journal of the American Academy of Religion Vol. 67, No. 1, p. 237.
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  66. ^ Marling, Karal Ann (1999). Book Reviews - Visual Piety: A History and Theory of Popular Religious Images, Journal of Religion Vol. 79, No. 3, pp. 518-19.
  67. OCLC 5556794073
  68. ^ Walsh, Michael (1998). Visual Piety: A History and Theory of Popular Religious Images,
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    HEYTHROP Journal
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