Dianne McIntyre

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Dianne McIntyre
Cleveland, Ohio
Alma materOhio State University
Occupation(s)dancer, teacher, choreographer
Years active1970–present
Parent(s)Dorothy Layne McIntyre and Francis Benjamin McIntyre
Websitediannemcintyre.com

Dianne McIntyre (born July 18, 1946) is an American dancer,

Emmy nomination, three Bessie Awards, and a Helen Hayes Award. She is a member of the Stage Directors and Choreographers Society, the American Society of Composers, Authors and Publishers, and the Dramatists Guild of America.[2]

Early life and education

McIntyre was born in Cleveland, Ohio to Dorothy Layne McIntyre, the first

Metropolitan Opera Company's Cleveland production of Aida.[1] As a teenager, she studied modern dance with Virginia Dryansky.[4]

In 1964, McIntyre graduated from John Adams High School[5] before attending Ohio State University. There, she first studied French with plans to become a linguist with the United Nations, but she became a dance major during her third year after taking a dance history course with Shirley Wynne. McIntyre recalled, "In my third year, I said, I have to stop fooling myself. [...] The dance-history courses really shifted me to say, Yes—go for it if that’s what you want to do."[1] During her time at Ohio State, the university commissioned her to choreograph for an evening with Lucas Hoving, Doris Humphrey, and Anna Sokolow.[1] In 1966, McIntyre attended the American Dance Festival where she would later return as a member of the faculty in the early 1990s and in 2008.[6]

Career

While taking graduate courses at Ohio State University, the head of the dance department, Helen P. Alkire put McIntyre's name up for a position at the University of Wisconsin, Milwaukee, where McIntyre was then hired.[1] There, she choreographed for a year before moving to New York City in 1970.[7]

In New York, McIntyre studied under Viola Farber and Gus Solomons Jr. among others. At a workshop with Anna Sokolow, the Nikolais Dance Theater, Judith Dunn, and Bill Dixon she found herself drawn to the connection between dance composition and avant-garde jazz and free jazz.[1] She began to attend the rehearsals of jazz musicians, such as the Master Brotherhood, where she taught herself how to move to jazz. Her frequent attendance at the Master Brotherhood rehearsals earned her the nickname the "Cancer Dancer," because she was born in July. McIntyre cites "a feeling of that time in the Black Arts Movement" as the source of her passion for combining dance and live jazz. She explained that "many of us artists who were black, in whatever our particular field, we had a consciousness about what our work was saying for the moving forward of the consciousness about our race and our place in the society."[1]

Upon moving to New York in 1970, McIntyre performed with the Gus Solomon Jr.'s dance company for 2 years.[8] McIntyre held her first solo concert at the Clark Center for the Performing Arts. Under the mentorship of Louise Roberts, the director of the Clark Center, McIntyre founded the Harlem studio and company, Sounds in Motion, in 1972.[2] She then held concerts at the Cubiculo Theatre and Washington Square Church while supporting her endeavors out of her own pocket.

Sounds in Motion

During this time, she worked part-time at the

Zora Neal Hurston's 1937 novel, Their Eyes Were Watching God.[2] During the 1970s and 1980s, Sounds in Motion was the only modern dance studio to be found in Harlem. The studio was a space where what McIntyre termed "the culture crowd," a label that included not only dancers and musicians, but scholars, activists, and artists from all fields, could gather and engage in furthering movement of Black consciousness.[2] Many students who studied under McIntyre at the Sound in Motion studio went on to accomplish much in their own right, including Jawole Willa Jo Zollar, founder of Urban Bush Women.[9]

Sixteen years after its founding, McIntyre closed Sounds in Motion in 1988 to pursue independent work. McIntyre is credited with encouraging renewed interest in the work of modern dance pioneer

The John F. Kennedy Center for the Performing Arts.[4]

In 2011, McIntyre acted as choreographer for the film Fun Size. In 2012, Sounds in Motion reunited at the American Dance Guild Festival where they performed Life's Force with Ahmed Abdullah. That same year, she choreographed Crowns at the Goodman Theatre in Chicago.[10]

McIntyre has been a guest artist and teacher at numerous institutions including the

Jacob's Pillow Dance, and the Bates Summer Dance Festival.[4] She has also been on the faculty of Sarah Lawrence College.[11]

Collaboration with Ntozake Shange

Ntozake Shange first met McIntyre as a student and performer at McIntyre's dance company, Sounds in Motion. Since then, the two of them have collaborated on a number of works including The Public Theatre's 1979 production of Shange's Spell #7, in the 2007 New Federal Theatre's festival Ntozake Shange: A Retrospective, Shange's one-act play, It Hasn't Always Been This Way,[12] and in 2012, Shange's choreopoem, and why i had to dance, produced by Oberlin College and Cleveland’s PlayhouseSquare.[13] Before the premiere of why i had to dance, McIntyre joined Shange in her talk at Oberlin discussing Shange's 2011 work, lost in language & sound: or how I found my way to the arts.[14] In 2013, Barnard College's Africana Studies Program and Consortium for Critical Interdisciplinary Studies hosted a two-day conference titled The Worlds of Ntozake Shange. At the event, McIntyre and Shange discussed their work together and the legacy of their collaboration.[15] In 2014, McIntyre returned to Barnard to hold a movement workshop for a course on Ntozake Shange's work and influence. In 2014, McIntyre choreographed a new choreopoem by Shange which premiered at the Brooklyn and Kelly Strayhorn Theater in Pittsburgh, Pennsylvania.[10]

Selected works

  • Life's Force (1979)[2]
  • spell #7 (1979)[4]
  • for colored girls who have considered suicide when the rainbow is enuf (1982)[2]
  • Take Off From a Forced Landing (1984)[2]
  • Their Eyes Were Watching God (1986)[2]
  • Langston Hughes: The Dream Keeper (1988)[2]
  • How Long, Brethren? (1991)[2]
  • Miss Evers' Boys (1997)[2]
  • Beloved (1998)[2]
  • It Hasn't Always Been This Way (2007)[12]
  • Joe Turner's Come and Gone (2009)[2]
  • Just Yesterday (2010)[2]
  • Open the Door Virginia! (2005)[2]
  • Front Porch Lies and Other Conversations (2007)[2]
  • Daughter of a Buffalo Soldier (2005)[2]
  • why i had to dance (2012) [13]

Awards and recognition

  • 1989, 1997, 2006 Bessie Awards[2]
  • 1993, 1996 Helen Hayes Awards Resident Design
  • 1997
    Emmy Award for Outstanding Choreography
  • 2006 Cleveland Arts Prize Lifetime Achievement Award for Dance [16]
  • 2007 John S. Guggenheim Fellowship[4]
  • 2008 Balasaraswati/Joy Ann Dewey Beinecke Chair for Distinguished Teaching [6]
  • 2009 Honorary Doctor of Fine Arts from
    State University of New York Purchase[5]
  • 2015 Doris Duke Impact Award Doris Duke Performing Artist Award[17]
  • 2016 Doris Duke Artist Award Doris Duke Performing Artist Award<ref>"2016 Doris Duke Artist Awards". Doris Duke Charitable Foundation. Retrieved February 21, 2022.

See also

References

  1. ^ a b c d e f g h i Kourlas, Gia. "Dianne McIntyre talks about her love affair with modern dance". Time Out New York. Retrieved May 20, 2014.
  2. ^ a b c d e f g h i j k l m n o p q r McIntyre, Dianne. "Events/Projects". Retrieved May 8, 2014.
  3. ^ "Dorothy Layne McIntyre". Oral History Archive. National Visionary Leadership Project. Archived from the original on April 11, 2021.
  4. ^ a b c d e Goler, Veta. "Dianne McIntyre". Great Performance: Free to Dance. PBS. Archived from the original on May 12, 2014.
  5. ^
    The HistoryMakers
    . Retrieved May 8, 2014.
  6. ^ a b "Dianne McIntyre". American Dance Festival. Archived from the original on July 15, 2018.
  7. ISBN 0-8147-9909-4
    .
  8. ISBN 0-86543-196-5
    .
  9. ^ Wozny, Nancy. "Dianne McIntyre: Modern dance's beam of light". Dance Studio Life. Archived from the original on May 12, 2014.
  10. ^ a b "Dianne McIntyre". Retrieved May 9, 2014.
  11. ^ "Dianne McIntyre". Sarah Lawrence College. Archived from the original on May 10, 2014.
  12. ^ a b Pincus-Roth, Zachary. "New Federal's Shange Festival Kicks Off Feb. 7". Playbill. Retrieved February 21, 2022.
  13. ^ a b "Artist Bio: Dianne McIntyre". Goodman Theatre. Retrieved May 9, 2014.
  14. ^ Brooks, Kara (February 10, 2012). "Ntozake Shange on Why She Had to Dance". The Oberlin Review. Retrieved May 10, 2014.
  15. ^ "The Worlds of Ntozake Shange". Barnard College. Retrieved May 10, 2014.
  16. ^ "Dianne McIntyre". Cleveland Arts Prize. Retrieved May 10, 2014.
  17. ^ "Dianne McIntyre". Doris Duke Performing Artist Awards. Archived from the original on December 21, 2016.
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