Die heilige Ente

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Die heilige Ente: ein Spiel mit Göttern und Menschen (

Georg Szell.[1]

Performance history

The opera was a great success, and was immediately taken up by other German-language opera houses during the 1920s and early 1930s, including

Jewish descent.[6]

An abbreviated version of the opera for children, using

chamber orchestra accompaniment, was produced at Opera Köln in 2007.[7] A revival of the full opera was produced at the Berlin Sophiensaele in 2012,[8] and then in Theater Heidelberg
in 2020.

Roles

Role[9] Voice type[9] Premiere cast, 29 April 1923
(Conductor: Georg Szell)
A mandarin baritone
Li, his wife soprano Elsa Oehme-Förster
Yang, a coolie tenor Josef Witt
The strolling player
buffo bass
The
bonze
bass
The
major domo
buffo tenor
A nun contralto
The God of the Waterbasin tenor
The God of the Doors baritone
The God above the Throne bass
Chorus: bonzes, Buddhist nuns, carriers, coolies, palace servants, etc.

Synopsis

The satirical plot envisages bored Chinese gods amusing themselves by exchanging the identities of two of the characters. The eponymous duck brings matters to a happy resolution.[10]

The duck-breeder Yang is taking a duck to the palace when he falls for the charms of Li, the wife of the mandarin. The duck is meanwhile stolen, and the mandarin condemns Yang to death. However, the gods transpose their brains; Yang (now the mandarin) commutes the sentence which would now fall on the mandarin (in Yang's body), and also takes the opportunity to pour scorn upon the gods. In anger, the gods reverse the personality switch. The duck now reappears and the (restored) mandarin, considering this a miracle, offers to raise Yang to the nobility. Yang however has had enough of changes, and prefers to seek his fortune in the wide world.[7]

Orchestration

The opera is

bells.[9]

References

Notes

  1. ^ Gál (2014), 15, 217; Gruhl (2012)
  2. ^ Anon1 (n.d.); Gál (2014), 15
  3. ^ Haas (2014)
  4. ^ Gál (2014), 16
  5. ^ Anon1 (n.d.); Haas (2014)
  6. ^ Gál (2014), 13
  7. ^ a b Anon2 (n.d.)
  8. ^ Gruhl (2012).
  9. ^ a b c Gál (1923), (ii)
  10. ^ Haas (2014).

Sources