Double-tuned amplifier

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A double-tuned transformer from a radio receiver intermediate-frequency amplifier with its screening can removed

A double-tuned amplifier is a

tuned circuit
would achieve.

There is a critical value of transformer

resonant frequency
. Designs frequently use a coupling greater than this (over-coupling) in order to achieve an even wider bandwidth at the expense of a small loss of gain in the centre of the passband.

Cascading multiple stages of double-tuned amplifiers results in a reduction of the bandwidth of the overall amplifier. Two stages of double-tuned amplifier have 80% of the bandwidth of a single stage. An alternative to double tuning that avoids this loss of bandwidth is staggered tuning
. Stagger-tuned amplifiers can be designed to a prescribed bandwidth that is greater than the bandwidth of any single stage. However, staggered tuning requires more stages and has lower gain than double tuning.

Typical circuit

A typical 2-stage double-tuned amplifier

The circuit shown consists of two stages of

resonant circuits
which provide the tuning of the amplifier.

A further detail that may be seen in this kind of amplifier is the presence of

taps on the transformer windings. These are used for the input and output connections of the transformer rather than the top of the windings. This is done for impedance matching purposes; bipolar junction transistor amplifiers (the kind shown in the circuit) have a quite high output impedance and a quite low input impedance. This problem can be avoided by using MOSFETs which have a very high input impedance.[1]

The capacitors connected between the bottom of the transformer secondary windings and ground do not form part of the tuning. Rather, their purpose is to decouple the transistor bias resistors from the AC circuit.

Properties

Double tuning, as compared to single tuning, has the effect of widening the bandwidth of the amplifier and steepening the

mutual inductance, M, and the primary and secondary winding inductances
, Lp and Ls respectively, by

There is a critical value of coupling at which the gain of the amplifier is a maximum at resonance. Below this critical value, there is a single peak in the frequency response with the amplitude peaking at resonance and the peak decreasing as k decreases. Such a response is said to be undercoupled, At values of k above critical coupling the response starts to split into two peaks. These peaks become narrower and further apart as k increases and the gap between them (centred on the resonant frequency) becomes progressively deeper. Such a response is said to be overcoupled.[3]

A critically coupled amplifier has a response that is

resonant frequency.[4] However, a designer might choose to design an overcoupled amplifier in order to achieve a wider bandwidth at the expense of a small dip (typically 3 dB to maximize the 3 dB bandwidth) in the centre of the frequency response.[5]

Like

synchronous tuning
, adding more stages of double-tuned amplifiers has the effect of reducing the bandwidth. The 3 dB bandwidth of n identical stages, as a fraction of the bandwidth of a single stage, is given approximately by,

This expression applies only to small fractional bandwidths.[6]

Analysis

The circuit can be represented in a more generic way by replacing the amplifiers with a generalised transconductance amplifier as shown.

Generic representation of one stage of a double-tuned amplifier and part of the following stage
where (omitting the stage number suffixes),
gm is the transconductance of the amplifiers
Go is the output conductance of the amplifiers
Gi is the input conductance of the amplifiers.

Typically, a design will make the resonant frequencies and Qs on the primary and secondary sides identical, such that,

and,
where ω0 is the resonant frequency expressed in units of angular frequency and the subscripts p and s refer respectively to components on the primary and secondary side of the transformer.

Stage gain

Double-tuned amplifier frequency response for various values of coupling

With the above assumptions, the voltage gain, A of one stage of the amplifier can be expressed as

where
is the imaginary unit
is the maximum gain the stage can possibly deliver, and
is the frequency expressed as the fractional frequency deviation from the resonant frequency.

Peak frequency

With less than critical coupling, there is one peak in the response occurring at resonance. Above critical coupling, there are two peaks at frequencies given by

where δL and δH are respectively the low and high frequencies of the peaks expressed as fractional deviation.

With critical coupling or above, the peaks reach the maximum gain available from the amplifier.

Critical coupling

Critical coupling occurs when the two peaks just coincide. That is, when

or

[7]

References

  1. ^ Bhargava et al., pp. 382–383
  2. ^ Gulati, p. 432
  3. ^
    • Bakshi & Godse, p. 5.25
    • Chattopadhyay, p. 195-196
  4. ^ Chattopadhyay, p. 196
  5. ^ Bakshi & Godse, p. 5.26
  6. ^ Bakshi & Godse, p. 5.29
  7. ^ Bakshi & Godse, pp. 5.20–5.26 (for entire analysis section)

Bibliography

  • Bakshi, Uday A.; Godse, Atul P., Electronic Circuit Analysis, Technical Publications, 2009 .
  • Bhargava, N. N.; Gupta, S. C.; Kulshreshtha D. C., Basic Electronics and Linear Circuits, Tata McGraw-Hill, 1984 .
  • Chattopadhyay, D., Electronics: Fundamentals and Applications, New Age International, 2006 .
  • Gulati, R. R., Monochrome and Colour Television, New Age International, 2007 .