Dresden amen
This article needs additional citations for verification. (January 2017) |
The Dresden amen (Dresdner Amen) is a sequence of seven notes sung by choirs during church services in the German state of Saxony since the beginning of the 19th century. The motif was first used in, and is particularly associated with, the city of Dresden.
The sequence has been used in various forms by composers since the 19th century.
Composition
The Dresden amen was composed by
Use in classical music
Felix Mendelssohn used the Dresden amen in his fifth symphony, the "Reformation". In the first movement, the theme appears in the strings:
The theme was also used by Richard Wagner, most notably in his last opera, Parsifal. Wagner was a Kapellmeister in Dresden from 1842 to 1849, but he would probably have learnt the motif as a boy attending church in Dresden. It was incorporated into one of his earliest operas, Das Liebesverbot, and also appears in the third act of Tannhäuser.
Charles Villiers Stanford used a slightly expanded Dresden Amen at the end of his Nunc Dimittis in B-flat, op. 10 (1879).[2]
Alexander Scriabin inserted a theme reminiscent of the Dresden amen in the first movement (Luttes ["Struggles"]) of his Symphony no. 3.
John Sanders based his Responses for Evensong on the Dresden Amen. Igor Stravinsky starts the 3rd movement of the Symphony of Psalms with a shortened version of the Dresden Amen, finishing with a dominant chord on tonic pedal note.
References
- ISBN 978-90-686-8590-9.
- ^ Evening service in B flat Stanford cpdl.org