Eberhard Weber

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Eberhard Weber
ECM
WebsiteEberhard Weber on ECM

Eberhard Weber (born 22 January 1940, in

ECM Records
sound.

Biography

Eberhard Weber - Portrait by Gert Chesi

Weber began recording in the early 1960s, and released The Colours of Chloë (ECM 1042), his first record under his own name, in 1973.[1] In addition to his career as a musician, he also worked for many years as a television and theater director. He has designed an electric-acoustic bass with an additional string tuned to C.

Weber's music, often in a melancholic tone, frequently utilizes ostinatos, yet is highly organized in its colouring and attention to detail. He was an early proponent of the solid-body electric double bass, which he has played regularly since the early 1970s.

From the early 1960s to the early 1970s, Weber's closest musical association was with pianist

Stephane Grappelli
, and many others.

Starting with The Colours of Chloë, Weber has released 13 more records under his own name, all on ECM. The ECM association also led to collaborations with other ECM recording artists such as

Solstice/Sound and Shadows, 1977), Pat Metheny (Watercolors, 1977), and Jan Garbarek
(10 recordings between 1978 and 1998).

In the mid-1970s Weber formed his own group, Colours, with

John Marshall
. The group toured extensively and recorded two further records, Silent Feet (1977) and Little Movements (1980), before disbanding.

Since the early 1980s, Weber has regularly collaborated with the British singer-songwriter Kate Bush, playing on four of her last six studio albums (The Dreaming, 1982; Hounds of Love, 1985; The Sensual World, 1989; Aerial, 2005).

During the 1980s, Weber toured with Barbara Thompson's jazz ensemble Paraphernalia.

Since 1990, Weber's touring has been limited, and he has had only two new recordings under his own name: The 2001 release Endless Days is an elemental fusion of jazz and classical music flavors, fitting well the moniker chamber jazz. His main touring activity during that period was as a regular member of the Jan Garbarek Group. On the occasion of his 65th birthday, in March, 2005 he recorded Stages of a Long Journey, a live concert with the Stuttgart Radio Symphony Orchestra and featuring Gary Burton, Wolfgang Dauner and Jan Garbarek. In 2009 ECM also re-released his albums Yellow Fields, Silent Feet and Little Movements as a 3-CD collection titled "Colours".

In 2007, Weber suffered a stroke and was subsequently unable to perform.[3] In a January 2010 interview with Die Welt, he spoke about his medical condition and future projects.[4]

Weber was awarded the prestigious Albert Mangelsdorff-Preis in November 2009. A box set of his 1970s works was released by ECM Records the same month.

Weber's latest albums, Résumé (2012) and Encore (2015) comprise solos from his performances worldwide with The Jan Garbarek Group, overdubbed with keyboards/treatments by Weber, sax by Garbarek, and flügelhorn by Ack Van Rooyen.

His autobiography, Résumé, was published in 2015.[5] An English translation by Heidi Kirk - Eberhard Weber: A German Jazz Story - was published in October 2021.[6]

In 2021, the 13-minute recording Eberhard by the late Lyle Mays was posthumously released, revised from a 2009 composition debuted at Lawrence University and written as a tribute to Weber's influential compositional style. [7] It was awarded a Grammy for Best Instrumental Composition in 2022.

Discography

As leader

Compilation albums

  • Works (ECM, 1985)
  • Rarum: Selected Recordings (ECM, 2004)
  • Colours (ECM, 2010) (reissue compiling Yellow Fields, Silent Feet and Little Movements)

As sideman

With Gary Burton

With Kate Bush

With Jan Garbarek

With Pat Metheny

With Ralph Towner

  • Solstice
    (ECM, 1975)
  • Solstice/Sound and Shadows
    (ECM, 1977)

With Mal Waldron

With others

See "External Links" below for a complete discography

Literary connections

Weber has, on at least five occasions, drawn on text from the book Watership Down (by Richard Adams) for the names of his compositions and albums. Examples include "Silent Feet" and "Eyes That Can See in the Dark" from the Silent Feet album; "Often in the Open" from the Later That Evening album; and "Quiet Departures" and "Fluid Rustle" on the Fluid Rustle album.

See also

References

  1. ^ .
  2. ^ "Endless Days". PopMatters.com. Retrieved 2015-11-27.
  3. ^ "Pop and Jazz Listings and Albums for the Fall Season". The New York Times, September 7, 2015
  4. ^ "ECM Records". Ecmrecords.com. Archived from the original on 2013-12-03. Retrieved 2018-06-05.
  5. , retrieved 2022-01-29

External links