Edie Meidav

Edie Meidav (born 1967) is an American novelist.

Life

She graduated with a B.A.,

Her works include Kingdom of the Young, a collection of fiction with a nonfiction coda; Lola, California, a novel concerning death penalty, motherhood, female friendship, and the cultural aftermath of 1960s idealism; Crawl Space, a novel written in the voice of a Vichy criminal reckoning with the commodification of wartime memory; The Far Field: A Novel of Ceylon, set in Sri Lanka and concerning the effects of the Western gaze on the East.

Her fiction, poetry, and criticism have appeared in Writing on Air (MIT Press), On Globalization (MIT Press), Now Write! Fiction Writing Exercises from Today's Best Teachers and Writers (Penguin, 2006), and other anthologies, and in Lithub, The Millions, Village Voice, Conjunctions, The American Voice, Ms., The Kenyon Review, The Chattahoochee Review.^[1]

The former director of the MFA in Writing and Consciousness,

• Fulbright Awards in Sri Lanka and Cyprus
• Howard Fellowship
• Lannan Literary Fellowship (2007)^[3]
• Bard Fiction Prize (2005). (2006– )[4]
• Janet Heidinger Kafka Prize for best novel by an American Woman 2001
• Los Angeles Times Best Books of 2001
• Los Angeles Times Best Book of 2006

Works

• Meidav, Edie (2001). The Far Field: A Novel of Ceylon. Houghton Mifflin.
  ISBN 978-0-618-21916-2
  )
• Meidav, Edie (2005). Crawl Space. Farrar, Straus and Giroux.
  ISBN 978-0-312-42575-3
  )
• Meidav, Edie (2011). Lola California. Farrar, Straus and Giroux.
  ISBN 978-0-374-70887-0
  .
• Meidav, Edie (2017). Kingdom of the Young. Sarabande Books.
  ISBN 978-1941411414
• Meidav, Edie (2022). Another Love Discourse. MIT Press.
  ISBN 978-1949597202

• "The Truth in Rented Rooms". The Village Voice. January 19, 1999.

Reviews

Edie Meidav is a student of human bewilderment. In her first novel—about an American called Henry Gould trying to establish a utopian community in the British colony of Ceylon—she's woven the blundering figure of a holy fool into a bristling tapestry of local life. The Far Field is historical fiction without a shred of nostalgia, and even its sometimes predictable plot is finally justified by Meidav's scarifying emotional honesty and visceral sense of place.^[5]

But while Meidav's lens is panoramic, she manages to keep her focus human in scale, providing her readers with a virtual novelistic treatise on the colonial experience, articulated in the accumulated tiny, believable details of her characters' daily lives.^[6]

References

External links

• Author's website
• "Scott Esposito & Edie Meidav", The Bat Segundo Sh #51: OGIC, www.batsegundo.com
• "Edie Meidav", KQED Arts