Emmanuel Taiwo Jegede

Edit links
Source: Wikipedia, the free encyclopedia.

Emmanuel Taiwo Jegede
BornJune 1943 (age 80–81)
Ayegbaju Ekiti,
Hammersmith College of Art
Occupation(s)Sculptor, poet, painter, printmaker
ChildrenTunde, Martin, Funmilayo, Ayodeji, Toyin, Anu, Kolade, David
A sculpture by Jegede in Elthorne Park, London Borough of Islington[1]

Emmanuel Taiwo Jegede (born June 1943)

Nigerian poet, storyteller and artist, best known as a painter, printmaker, and sculptor (in wood, bronze and ceramics).[3]

Biography

Early years and education

Emmanuel Taiwo Jegede was born in Ayegbaju Ekiti, a Yoruba-speaking region of Nigeria.

He undertook an apprenticeship with sculptor Pa Akerejola in Ekiti before going on to the Yaba School of Technology in Lagos, where he studied with Edo sculptor Osagie Osifo.[3]

In 1963, Jegede travelled to the UK, where he attended

Hammersmith College of Art,[2]
studying the decorative arts, interior design, sculpture and bronze casting.

Career

His first exhibition took place in 1968 at the Woodstock Gallery, London.[4] In 1970, he set up a studio and foundry at Riverside, London.[5] During the following decade, Jegede's work featured on the covers of books such as Buchi Emecheta's novels The Bride Price (1976) and The Slave Girl (1977), published by Allison & Busby.

In 1977, he was among the Black artists and photographers whose work represented the UK at the

Second World Festival of Black Arts and African Culture (Festac '77) in Lagos, Nigeria (the others being Winston Branch, Ronald Moody, Mercian Carrena, Armet Francis, Uzo Egonu, Neil Kenlock, Donald Locke, Cyprian Mandala, Ossie Murray, Sue Smock, Lance Watson and Aubrey Williams).[6][7]

Also in the 1970s, Jegede was artist-in-residence at the

Edward Brathwaite, Angela Davis and Linton Kwesi Johnson. In 1978, Jegede led to the founding of an initiative called the Rainbow Art Group (members included Indira Ariyanayagam, Uzo Egonu, Lancelot Ribeiro, Errol Lloyd, Yeshwant Mali, Gordon V. de La Mothe, Durlabh Singh, Suresh Vedak, Ibrahim Wagh, and Mohammad Zakir, as well as Jegede)[11] that mounted its first exhibition the following year — Paintings and Sculptures at Action Space, London.[12]

Among other exhibitions that included Jegede's work were Afro-Caribbean Art (27 April–25 May 1978 at the Artists Market, London), organised by Drum Arts Centre,

No Colour Bar: Black British Art in Action 1960–1990 at the Guildhall Art Gallery, City of London,[16] which is inspired by the papers held at London Metropolitan Archives of Jessica Huntley and Eric Huntley and the publishing company they founded, Bogle-L'Ouverture Publications,[17] as well as its associated bookshop, where in the 1970s greetings cards featuring Jegede's artwork were sold.[18]

Jegede participated in his son Tunde Jegede's theatrical project The Griot's Tale, which was showcased in 2013 at Yinka Shonibare's studio and subsequently performed at the Africa Centre, London.[19][20]

Family

Jegede has eight children; five sons and three daughters including:

  • MUSON Centre
    , one of West Africa's only music conservatoires specialising in classical music.
  • Martin Jegede, an award-winning fashion designer and founder of jewellery brand Love Bullets.
  • Ayodeji Jegede, a basketball player with London Westside, trainer and entrepreneur.
  • Adekunle "David" Jegede, a successful artist in his own right, having exhibited at London's Saatchi Gallery, as a winner of the CARISCC artwork competition, in addition to being a published author.

His four other children are: Kolade Jegede, Anu Jegede, Funmilayo Jegede and Toyin Jegede.

References

  1. ^ Mata, William (16 August 2021). "Call for artist's work to be honoured with plaque". Islington Gazette. Retrieved 19 September 2021.
  2. ^
    The British Museum
    .
  3. ^ a b "Profile: Emmanuel Taiwo Jegede (Nigeria)" Archived 3 March 2016 at the Wayback Machine, October Gallery.
  4. ^ "Emmanuel Taiwo Jegede", October Gallery.
  5. ^ Paul O'Kane, "Jegede, Emmanuel Taiwo", in Alison Donnell (ed.), Companion to Contemporary Black British Culture, Routledge, 2002, pp. 158–159.
  6. ^ "Festac (Second Festival of Black Arts and Culture)", Tate.
  7. ^ Eddie Chambers, Black Artists in British Art: A History Since the 1950s, I.B. Tauris, 2014, pp. 42–43, 58.
  8. ^ "The Keskidee — Music, art and poetry"Archived 17 December 2013 at the Wayback Machine, Islington Local History Centre, 2009, p. 3.
  9. ^ "Archive Showcase: June" Archived 16 April 2019 at the Wayback Machine, George Padmore Institute, 13 June 2013.
  10. ^ "General Biography" Archived 4 March 2016 at the Wayback Machine, Tunde Jegede website.
  11. ^ "Emmanuel Taiwo Jegede", Diaspora Artists.
  12. ^ "Rainbow Art Group exhibition (Action Space)", Diaspora Artists.
  13. ^ "Afro-Caribbean Art", Diaspora Artists.
  14. ^ Chambers (2014), pp. 45, 47.
  15. ^ "Transforming the Crown", Diaspora Artists.
  16. ^ FHALMA (Friends of the Huntley Archives at London Metropolitan Archives, "The Artists' Profiles" Archived 25 July 2015 at the Wayback Machine, Huntleys Online.
  17. ^ "No Colour Bar: Black British Art in Action 1960–1990 catalogue", Diaspora Artists.
  18. ^ "Emmanuel Taiwo Jegede", No Colour Bar website
  19. ^ The Griot's Tale Project page.
  20. ^ Tunde Jegede, "Africa: Development and the Double-Sided Mirror", The Insight newspaper, 3 June 2013.
  21. ^ Ed Keazor, "Tunde Jegede: Neo-Classical renegade and Griot", Music in Africa, 24 November 2014.

External links

Retrieved from "https://en.wikipedia.org/w/index.php?title=Emmanuel_Taiwo_Jegede&oldid=1213171953"