Ernest Binfield Havell

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Ernest Binfield Havell
art historian, art critic

Ernest Binfield Havell (16 September 1861 – 31 December 1934), who published under the name E.B. Havell, was an influential English

Bengal school of art.[1][2]

Early life

Ernest was born at Jesse Terrace, Reading in the English county of Berkshire in 1861,[3] the son of an artist Charles Richard Havell and his wife, Charlotte Amelia Lord. The family had several artists and publishers. He went to Reading School and learned art at the Royal College of Art and in Paris and Italy.[4]

Art history

In India, Havell initially served the

Government School of Art, Calcutta next day. In between, he went to England for a year from April 1902 to March 1903. While in England, he published two valuable articles on Indian art in the October 1902 and January 1903 issues of a well known art journal of London, The Studio. In January 1906 he left for England on long leave and finally in 1908, he was removed from the post.[5]

Havell worked with

India Society along with William Rothenstein in 1910 as a reaction to negative remarks made by Sir George Birdwood on Indian art.[4]

Personal life

He married Angelique Wilhelmina Jacobsen, daughter of a Danish navy officer in 1895 at St Giles, London, Middlesex, England. The couple had a daughter, Sonia Joyce Havell in 1902.[3] He died at the Acland Nursing Home in Oxford.[4]

Works

Havell wrote numerous books on Indian art and history, including:

  • Havell, E. B. (1903). The Taj and its designers. s.n.
  • Havell, E. B. (1904). A Handbook to Agra and the Taj, Sikandra, Fatehpur-Sikri and the neighbourhood (1904). Longmans, Greens & Co., London.
  • Havell, E. B. (1905). Benares, the sacred city: sketches of Hindu life and religion. Blackie and Sons Ltd., London.
  • Havell, E. B. (1906). Monograph on stone-carving in Bengal. The Bengal Secretariat Book Depot.
  • Havell, E. B. (1907). Essays on Indian art, industry & education. G. A. Natesan & Co., Madras.
  • Havell, E. B. (1908). Indian sculpture and painting. John Murray, London.
  • Havell, E. B. (1912). The Basis for Artistic and Industrial Revival in India. The Theosophist Office, Madras.
  • Havell, E.B. (1913). Indian Architecture, its psychology, structure, and history from the first Muhammadan invasion to the present day. J. Murray, London.
  • Havell, E. B. (1915). The Ancient and Medieval Architecture of India: a study of Indo-Aryan civilisation. John Murray, London.
  • Havell, E. B. (1918). The History of Aryan Rule in India from the earliest times to the death of Akbar. Frederick A. Stokes Co., New York.
  • Havell, E. B. (1920). The Ideals of Indian art. E. P. Dutton and Co., New York.
  • Havell, E. B. (1920). A Handbook of Indian Art. John Murray, London.
  • Havell, E. B. (1924). Himalayas in Indian art. Pilgrims Publishing.
    ISBN 81-7303-228-9
    .

Notes

  1. ISBN 0-19-284221-8
    .
  2. ^ Cotter, Holland (19 August 2008). "Art Review: Indian Modernism via an Eclectic and Elusive Artist". New York Times.
  3. ^ a b Descendants of Luke Havell
  4. ^
    doi:10.1093/ref:odnb/37520. Retrieved 15 December 2020. (Subscription or UK public library membership
    required.)
  5. ^ Bagal, Jogesh Chandra (1966). History of the Govt. College of Art and Craft in the Centenary: Government College of Art & Craft, Calcutta, Calcutta: Government College of Art & Craft, pp.21–34

External links

Media related to Ernest Binfield Havell at Wikimedia Commons

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