File:Taurus Quartet (programmaboekje).pdf
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Taurus Quartet - Lachenmann, Beethoven Nederlands: In amper 5 jaar bouwde het Taurus Quartet een ijzersterke reputatie én een straf repertoire op dat klassiekers en recentere werken samenbrengt. Het maakt ongewone dialogen mogelijk, zoals hier tussen Beethoven en Lachenmann. De wegbereider van de romantiek tegenover de laatste grote modernist. In zijn kreunen vergroot ‘Gran Torso’ de weerstand uit die met het musiceren gepaard gaat. Wat eerst klinkt als een rampzalige poging tot samenspel, slaat al snel om in een intense luisterervaring. Ook Beethoven durft in zijn late periode voorbij het ideaal van de gepolijste klanken te kijken. Zijn Strijkkwartet opus 130 en vooral de ‘Große Fuge’ vielen anno 1825 dan ook niet in de smaak. Met zijn aarzelende klankbeeld was Beethoven zijn tijd ver vooruit: misschien wel de Lachenmann van toen … Français : En moins de cinq ans, le Taurus Quartet s'est forgé une solide réputation et s'est composé un beau répertoire associant de grands classiques et des œuvres plus récentes. Ces choix permettent des dialogues inédits, comme ici entre Beethoven et Lachenmann : le précurseur du romantisme face au dernier grand moderniste. Par ses grognements, « Gran Torso » grossit la résistance qui accompagne l'exécution d'une œuvre musicale. Ce qui ressemble de prime abord à une tentative catastrophique de jeu d'ensemble, se transforme rapidement en expérience d'écoute intense. À la fin de sa carrière, Beethoven osait également regarder au-delà des sonorités policées. En 1825, son Quatuor à cordes opus 130 et surtout la « Große Fuge » n'ont pas plu. En proposant cette image sonore hésitante, Beethoven était nettement en avance sur son temps – on pourrait peut-être même l'appeler le Lachenmann de l'époque… English: In just five years, the Taurus Quartet has built up a rock-solid reputation and an impressive repertoire that brings together classics and more recent works. This enables unusual dialogues, such as this one between Beethoven and Lachenmann. The forerunner to romanticism versus the last great modernist. In its groans, ‘Gran Torso’ magnifies the resistance that goes hand in hand with making music. What initially sounds like a disastrous attempt at interplay rapidly turns into an intense listening experience. In his late period, Beethoven also dared to look beyond the ideal of polished sounds. His String Quartet, Opus 130, and above all the de ‘Grosse Fuge’ were not popular in 1825. With his hesitant sound, Beethoven was far ahead of his time: perhaps he was the Lachenmann of his day… |
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Production Details InfoField | Strijkkwartet nr 13 in Bes, opus 130 (1825-26) (Ludwig van Beethoven); Große Fuge in Bes, opus 133 (1825-26) (Ludwig van Beethoven); Gran Torso (1972) (Helmut Lachenmann) Nederlands: Taurus Quartet (muzikale uitvoering); Wietse Beels (viool); Vincent Hepp (altviool); Martijn Vink (cello); Naaman Sluchin (viool) Nederlands: muziek/ mijlpalen van de 20ste eeuw Français : musique/ jalons du 20e siècle English: music/ milestones of the 20th century |
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current | 12:15, 19 March 2020 | ![]() | 850 × 1,239, 9 pages (316 KB) | NellBoey | pattypan 19.06 |
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