Fragmentation (music)
In
development and closure
.
Fragmentation is related to Arnold Schoenberg's concept of liquidation,[1] a common compositional technique that describes the reduction of a large-scale musical idea to its essential form (such as a contour line, a specific harmonic motion, or the like).[2] Liquidation shapes much thematically-driven music, such as that by Béla Bartók,[3] Stravinsky, and Schoenberg himself. It is important to understand that, although they are related, fragmentation and liquidation are separate processes and concepts.
Further reading
- Caplin, William. Classical Form: A Theory of Formal Functions, p. 10-11.
References
- ^ Schoenberg, Arnold. Fundamentals of Musical Composition. London, 1967. p. 58.
- ^ After Michael Friedmann, course lectures and materials for MUSI 305: Analysis and Composition of Twentieth Century Music, Yale College, Yale University, fall 2008.
- ISBN 0-19-517010-5. p. 87.
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