Francesco Griffo
Francesco Griffo (1450–1518), also called Francesco da Bologna, was a fifteenth-century Italian
Influence
Griffo's typefaces have been very influential. His Romans show a degree of abstraction from calligraphy not present in the work of the earlier master Nicolas Jenson, while his italic and Greek types are notably cursive. Philip B. Meggs wrote in A History of Graphic Design, "Griffo researched pre-Caroline scripts to produce a roman type that was less artistic but more authentic than Jenson's designs". The italic type was designed to look like handwriting of the humanist scholars. This more personal form of type became widely popular in Europe.[1]
Typefaces based on his work include
Publications
The publications of Francesco Griffo's at Bologna as cited by Francesco Griffo da Bologna: Fragments & glimpses: a compendium of information & opinions about his life and work.[1]
- Canzoniere et triomphi di messer Francesco Petrarcha, 20 September 1516.
- Archadia del Sannazaro, 3 October 1516.
- Gli Asolani di Messer Pietro Bembo, 30 October 1516.
- Labirinto d amore de Messer Giovanni Bocaccio nomato il Corbaccio, 9 December 1516.
- M. Tull. Ciceronis Epistolae familiares accuratius recognitae, 20 December 1516.
- Volerii Maximi dictorum et factorum memorabilium libri nouem, 24 January 1517.
References
- ^ a b c Francesco Griffo da Bologna Fragments & glimpses : a compendium of information & opinions about his life and work. Vancouver: A Lone Press. 1999.
- ISBN 0-907259-19-7.
- ^ Jackson, Brandon (April 2012). "The Yale Type". The New Journal. Retrieved 16 May 2012.
Further reading
- Digital scan of De Aetna (Internet Archive, via Biblioteca Nazionale Centrale di Firenze)