Furietti Centaurs

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The Old Centaur
(Capitoline Museum)
The Young Centaur

The Furietti Centaurs (known as the Old Centaur and Young Centaur, or Older Centaur and Younger Centaur, when being treated separately) are a pair of Hellenistic or Roman statues in grey-black marble from Laconia (Greece) sculptures of centaurs based on Hellenistic models. One is a mature, bearded centaur, with a pained expression, and the other is a young smiling centaur with his arm raised. The amorini are missing that once rode the backs of these centaurs, which are the outstanding examples of a group of sculptures varying the motif.[1]

The strongly contrasted moods were intended to remind the Roman viewer of the soul troubled in pain with love or uplifted in joy, themes of Plato's Phaedrus and Hellenistic poetry.[2]

Capitoline Centaurs

The sculptures were found together at

Capitoline Museum ever since.[3]

Both statues bear the signatures of Aristeas and Papias of

Brunilde Sismondo Ridgway
, suggests that many sculptural types usually thought to be Hellenistic are in fact Roman pastiches or inventions.

Louvre

The Old Centaur (Louvre)

Another copy of the same type as the Old Centaur, this time in white

Eros on the centaur's back, teasing him, which has not survived on the Capitoline example, though Eros' arm and foot and the centaur's left arm on this example are restorations, and the base and the support beneath the centaur are modern additions. The original right arm of the centaur is pulled tautly back showing that he has his hands bound tightly behind his back, and "grimaces in pain and sorrow as an amorino pulls the centaur's head back at an abrupt angle."[7]

Reception

The pair were popular in the 18th century, as illustrations of centaurs that posed them as civilized patrons of hospitality and learning, like

Berthouville treasure,[10] notes that "the motif of an amorino torturing an old sullen centaur, usually within a lively Dionysiac procession, is encountered in Roman mosaics and Dionysiac sarcophagi;"[11]
he offers the Furietti centaurs as iconographic parallels.

Casts of them were collected across Europe - for example, the pair at the

Courtauld Institute gallery; or those bought by Joseph Nollekens from Bartolomeo Cavaceppi that may still be seen at Shugborough Hall, Staffordshire. Full-sized marble copies were also produced in large numbers - Cavaceppi produced them, and Pietro Della Valle sculpted one in Rome for the count Grimod d'Orsay - he intended it to be placed on a fountain in the Museum Courtyard in 1795, but it was in fact placed at Saint-Cloud in July 1802 (it was later brought to Versailles on 23 March 1872, and on 24 September 1924 moved into the Grand Trianon garden there.[12]

Notes

  1. ^ M. Bieber, The Sculpture of the Hellenistic Age, rev. ed. (New York, 1961) figs. 581 and 583. The amorino survives on the Louvre centaur.
  2. ^ Van de Grift, "Tears and Revel: The Allegory of the Berthouville Centaur Scyphi" American Journal of Archaeology 88 (July 1984:377-88) esp. pp. 383, where he gives several literary instances in the context of the Furietti centaurs, notably Posidippus, who complains in a poem of the Palatine Anthology of the power of love that drives him alternately "to tears and revel", and Roman references to the paradoxical nature of watered and unwatered wine, which espouse temperance and moderation.
  3. ^ Musei Capitolini, acc. nos. 656 and 658; Helbig, 4th ed., no. 1398 (entry by H. von Steuben).
  4. ISBN 978-1-118-88620-5
    , retrieved 2023-07-25
  5. ^ Bronze originals would not have required the tree-stump supports beneath the bellies.
  6. ^ Louvre acc. no. 562.
  7. ^ Van de Grift 1984:383.
  8. ^ Sexual desires "which torment the old and delight the young", as Francis Haskell and Nicholas Penny observed in discussing this pair, in Taste and the Antique: the lure of classical sculpture, 1500-1900, 1981, cat. no. 20, p. 178; they discuss the reception of the Furietti centaurs p. 179.
  9. ^ Visconti, Monumenti scelti borghesiani, 1837:29, noted by Haskell and Penny 1981.
  10. ^ Van de Grift 1984:38.
  11. ^ Van de Grift 1984:382.
  12. ^ "Château de Versailles webpage". Archived from the original on 2007-09-28. Retrieved 2007-06-12.

External links

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