Gabriel Móger

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Santa Eulàlia de Palma, which contains some of Móger's work

Gabriel Móger or Mòger (1379/1384 – before December 1439) was a

Majorcan painter, sculptor, and poet. He was employed primarily for work on retables and altarpieces by the churches of Majorca. Though Móger's active painting career can be dated to 1426–1438 on the basis of surviving documents, his poetic encounter took place some years earlier. A document of 8 March 1404 calls him minor xxv annis et maior tamen xx (less than twenty-five years old and greater than twenty). By 2 January 1414 he was married and the poem was most likely composed between those dates.[1]

Móger painted an "angel concert"-themed altarpiece, with two musicians on the

high altar in the church of Santa Eulàlia in the Ciutat.[3] The painter Gabriel Móger is easily confused with another Majorcan artist of the same name, who flourished between 1460 and 1509.[4]

Woman wearing the lonch cap diformat of Móger's poem

Móger composed a poetic debate, or

Vicent Ferrer condemned in his sermons.[5] Ferruç alludes to Móger's occupation when he responds that at least his adversary can comprehend his reasons sense pintura ... larch presich (without being painted a long sermon). The women look to him like cogulhades ab lur cap mal pastat. This is the crux of the debate: Ferruç finds the Majorca headwear makes the women look like crested larks (cogulhades). The debate concludes on a violent note, unusual for tensos of its time but in keeping with its general tone.[6]

Notes

  1. ^ The poem mentions in passing that he was a fadrí or bachelor at the time. See Josep Romeu i Figueras (1994), Lectura de textos medievals i renaixentistes (Valencia: Universitat de València), 83–84, for an analysis of Móger's dates.
  2. ^ Kenneth Kreitner (1995), "Music in the Corpus Christi Procession of Fifteenth-Century Barcelona", Early Music History, 14, 199.
  3. ^ Andrea de Marchi (2003), "The Mystical Crucifixion at Princeton and Evidence for the Sienese Education of Joan Rosató", Record of the Art Museum, Princeton University, 62, 40.
  4. Franciscan Bartolomeu Catany (died 1462), which was designed by Móger. This Móger also painted panels of Saints Peter and Anthony
    before the middle of the century.
  5. ^ a b Martí de Riquer i Morera (1964), Història de la Literatura Catalana, vol. 1 (Barcelona: Edicions Ariel), 632. John G. Cummins (1965), "The Survival in the Spanish Cancioneros of the Form and Themes of Provençal and Old French Poetic Debates", Bulletin of Hispanic Studies, 42:1 (January), 10, shows how the debate is a true tenso.
  6. ^ Riquer, 633.

External links

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