Gisèle d'Estoc
Gisèle d'Estoc | |
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Born | Marie-Paule Alice Courbe 27 March 1845 Nancy, France |
Died | 8 May 1894 Nice, France |
Pen name |
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Occupation |
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Language | French |
Nationality | French |
Spouse | Mr. Parent-Desbarres (See Notes (a)) |
Gisèle d'Estoc, pseudonym of Marie-Paule Alice Courbe[1] (27 March 1845 – 8 May 1894), was a French writer, sculptor, and feminist. She was also a duellist and cross dresser. Madame Paule Parent Des Barres was either her married name or another pseudonym,[a] while her pen names included, Gyz-El and G. d’Estoc.[3]
Biography
Gisèle d'Estoc was born as Marie-Paule Alice Courbe on 27 March 1845, in
At the end of the Second French Empire, continuing to refer to herself as "Mme Paule Parent-Desbarres",[8] she moved to Paris and began a literary career, her favorite themes being social justice and feminism. She maintained women should be accountable for their actions, notably criticizing the journalist Séverine in 1890 for having sent her husband to fight a duel for her. She concluded her diatribe with "à capacités égales salaire égal" (equal skills, equal pay).[5]
Estoc was bisexual.[9] After 1862, she began a romantic relationship with Guy de Maupassant, who remained close to Estoc until her death,[10] then with Rachilde, a writer and cross-dresser like herself, whom Estoc later criticized in a leaflet. She also had a difficult affair with a rider from the Cirque Medrano, Emma Rouër, whom Estoc eventually beat in a duel, injuring her left breast.[10] Her last companion was Léo d'Arkaï (alias, Louis-Joseph Pillard).[5][10] It was with him that Estoc moved to Nice two years before her death in order to take advantage of the Mediterranean climate.
Using the name "G. d'Estoc", she joined the "Ligue de l'affranchissement des femmes" (League for the emancipation of women), just founded by Marie-Rose Astié de Valsayre in 1889. The capital "G." gives her first name an epic tone, while the surname, "d’Estoc" evokes her practice of fencing and cross-dressing. Estoc also joined the Group of Fencers, again under the influence of Astié, who believed in the need for a group of women to take up the sword to defend their causes.[5] A year before her death, Estoc was a candidate for the 1893 legislative elections. She died 8 May 1894, in Nice of leprosy, at the age of 49.[10]
Legacy
After Estoc's death, her life was examined by Pierre Borel, a biographer, who created an unflattering image of her, describing her as a "fin de siècle ghoul".[5] Madeleine Pelletier (1874–1939) admired in Estoc a "way of luminous emancipation" through the practice of fencing and cross-dressing.[5] Mélanie C. Hawthorne wrote a biography of Estoc in 2013.[1]
Selected works
Sculptures
- Mme Paule-Marie-Alice PARENT DES BARRES, Un peintre, 1881
- Mme Paule-Marie-Alice PARENT DES BARRES, Tête d'Etude, 1882
Publications
- G. d’Estoc, Comme quoi les Jésuites pourraient bien ne pas descendre du singe - avis à Darwin, 1880
- G. d’Estoc, La Vierge réclame, "Les Gloires malsaines", 1887
- Gyz-El, Noir sur blanc, récits lorrains, 1887
- G. d’Estoc, "Cahier d'amour" (1893), Guy de Maupassant - Poèmes érotiques, 1993
Notes
References
- ^ ISBN 978-0-8032-4034-6.
- ISBN 978-0-8032-2402-5. Retrieved 14 January 2022.
- ^ "Gisèle d' Estoc (1845-1894)". bnf.fr. Retrieved 14 January 2022.
- ^ a b Société des artistes français. Salon. (1881). "Sculpture". Explication des ouvrages de peinture, sculpture, architecture, gravure et lithographie des artistes vivants exposés au Palais des Champs-Elysées le 2 mai 1881 (in French). Paris: C. de Mourgues. Retrieved 14 January 2022.
- ^ ISBN 978-2-13-078722-8. Retrieved 14 January 2022.
- ^ Explication des ouvrages de peinture, sculpture, architecture, gravure, et lithographie des artistes vivants exposés au Grand palais des Champs-Élysées (in French). 1882. p. 419. Retrieved 14 January 2022.
explication-1882
- ^ Chavignerie, Émile Bellier de La (1885). Dictionnaire général des artistes de l'école française depuis l'origine des arts du dessin jusqu'à nos jours (in French). Renouard. p. 202. Retrieved 14 January 2022.
- ISBN 978-1-78914-248-8. Retrieved 14 January 2022.
- ISBN 978-0-87413-067-6. Retrieved 14 January 2022.
- ^ ISBN 978-2-8289-1794-4.
Further reading
- Artine Artinian, 1952, Maupassant and Gisèle D'Estoc: a Warning