Hanan Alattar
Hanan Alattar | |
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Born | |
Occupation | Singer |
Website | hananalattar |
Hanan Alattar is an American
Early life and education
Alattar was born in Houston, Texas. She first became interested in opera while a student at Saint Agnes Academy in her native city. She studied vocal performance at the University of Texas at Austin and with Marlena Malas and Diane Richardson at the Juilliard School in New York City. While at Juilliard she portrayed roles in several productions, including Tatyana in Eugene Onegin, Lady Billows in Britten's Albert Herring, and the title role in Igor Stravinsky's The Nightingale (2004). In The New York Times review of the latter performance, Allan Kozinn wrote that "[Alattar] sang the Nightingale's music with beauty, suppleness and the right measure of flighty virtuosity."[3]
Alattar was the New Horizon Scholar at the
Career
Alattar made her professional opera debut in 2004 with the Opera Theatre of Saint Louis (OTSL) as Sacagawea in the world premiere of Stephen Mager's Dream of the Pacific. Later that year she made her debut with the New York City Opera (NYCO) as the First Maid in Richard Strauss' Daphne. She has since returned to the NYCO as The Water in Rachel Portman's The Little Prince (2005)[5] and as Zerlina in Mozart's Don Giovanni (2006).
In 2005 Alattar made her debut with the
In 2008 Alattar returned to the
In 2007 Alattar made her European debut as Pousette in Massenet's
References
- ^ Payvand Iran News. Fort Worth Symphony Orchestra Showcases Behzad Ranjbaran
- ^ a b Nicky Thomas Media. Hanan Alattar takes the lead at ENO Archived July 14, 2011, at the Wayback Machine. May 11, 2010
- ^ Allan Kozinn (April 22, 2004). "OPERA REVIEW; Fresh Young Voices Take On Stravinsky Works". The New York Times.
- ^ "Juilliard Department of Vocal Arts". laphil.com/.
- ^ Anne Midgette (November 12, 2005). "A Children's Classic, Perhaps More Loved by Adults". The New York Times.
- ^ Anne Midgette (February 12, 2005). "OPERA REVIEW; Exploring the Aesthetics of Ugliness". The New York Times.
- ^ Vivien Schweitzer (July 30, 2007). "A Double Bill of Viennese Romanticism". The New York Times.
- ^ Anthony Tommasini (January 20, 2010). "Moon as Setting for Earthly Foibles". The New York Times.
- Seattle Times. Archived from the originalon September 9, 2013.