Helena Faucit

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Helena Faucit

Helena Saville Faucit, Lady Martin[nb 1] (11 October 1817 – 31 October 1898) was an English actress.

Early life

Born in London, she was the daughter of actors

The Athenaeum
, but Farren delayed her professional debut to give her further training.

Early career

Faucit's first professional appearance was made on 5 January 1836 at Covent Garden as Julia in James Sheridan Knowles's The Hunchback.[4] Her debut, a spectacular success, placed her at once among the leading actresses in London, helping to fill the void left by the retirement of Fanny Kemble in 1834. Her success in The Hunchback was followed by turns as Belvidera in Thomas Otway's Venice Preserv'd, and as Margaret in Joanna Baillie's The Separation. Though her interpretation of Belvidera was received coldly by critics, she remained a favourite of playgoers; already in that first season, she was signed to a three-year contract at Covent Garden.

Career with Macready

Lytton's Duchess de la Vallière, Lady of Lyons, Richelieu, The Sea Captain, and Money, in Robert Browning's Strafford,[4] and in Knowles's Woman's Wit
.

Faucit followed Macready to the

Haymarket Theatre
in 1840; in December of that year, however, she suffered an attack of a recurrent lung ailment. While she recuperated at the coast, rumours circulated that she was pregnant with Macready's child; her physicians published diagnoses that scotched these rumours. She returned to the Haymarket by May of 1841 playing the character ClaraDouglas in Bulwer-Lyttons play 'Money' and later performing in Zouch Troughton's Nina Sforza.

After a visit to Paris and a short season at the

Desdemona, and Imogen, and took part in the first production of John Westland Marston
's The Patrician's Daughter (1842) and Browning's Blot on the Scutcheon (1843).[4]

Her Lady Macbeth of the 1843 season was, however, a failure; Macready found her conception deficient in "heart", and she was physically unable to achieve the commanding presence of Sarah Siddons, as Macready wished. She was, moreover passed over for Rosalind in favour of Louisa Cranstoun Nisbett; this role would later become one of her best-known Shakespearean roles. Nevertheless, Macready considered her "beyond all compare" the best English actress of the period.

After Macready

When Macready left for America in 1843, Faucit emerged as an even greater celebrity. In the mid-1840s she toured in Scotland and Ireland. Her most celebrated roles included Pauline in Lady of Lyons at the Theatre Royal, Edinburgh,

Antigone at Dublin
, and various Shakespearean roles, including a revamped and now-successful Lady Macbeth. Acting with Macready in Paris in 1845, she received so much applause that Macready was jealous, and the two did not act together again.

Faucit occasionally returned to London, but her main activity for the remainder of her career was touring, especially in

Iphigenia at Aulis, which proved as popular as her Antigone had been the previous year. In October 1846 she took the part of Juliet to the Romeo of Gustavus Brooke at Dublin.[5] In 1850, she acted in the title role of Iolanthe in Theodore Martin's adaptation of King René's Daughter.[6] The last time she assayed the role was in 1876 at the Lyceum Theatre, London, with Henry Irving's company opposite Irving as Count Tristan.[7]

Martin, the official biographer of Prince Albert of Saxe-Coburg and Gotha, had begun courting her as early as 1843; she finally accepted his proposal in 1851. [citation needed]

Career after marriage

Funerary monument, Brompton Cemetery, London

In 1851 she married

Stratford-on-Avon on 23 April 1879. In 1881 there appeared in Blackwood's Magazine the first of her Letters on some of Shakespeares Heroines, which were published in book form as On Some of Shakespeare's Female Characters (1885).[4]

Lady Martin died at her home at

Llantysilio church. There is also a tablet to her in the Shakespeare Memorial with a portrait figure, and the marble pulpit in the Shakespeare church with her portrait as Saint Helena was given in her memory by her husband.[4] She is buried in Brompton Cemetery
, London.

Notes

  1. ^ Sometimes spelled Helen Fawcett.[1][2]

References

  1. ^ Hale, Sarah J (1874). Woman's Record: Or, Sketches of All Distinguished Women, from the Creation to A.D. 1868. New York: Harper & Brothers. p. 843. Retrieved 4 May 2019.
  2. ^ "The Drama". The Reader: A Review of Literature, Science and Art. IV (83). London: 146. 30 July 1864. Retrieved 4 May 2019.
  3. ^ Carol J. Carlisle, 'Saville , John Faucit (1783?–1853)', Oxford Dictionary of National Biography, Oxford University Press, 2004; online edn, Jan 2008 accessed 2 Nov 2015
  4. ^ a b c d e  One or more of the preceding sentences incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). "Faucit, Helena Saville". Encyclopædia Britannica. Vol. 10 (11th ed.). Cambridge University Press. p. 205.
  5. ^ Brooke, Gustavus Vaughan (1818–1866) at Dictionary of Australian Biography
  6. ^ Martin, Theodore. King René's daughter: a Danish lyrical drama, W. Crosby and H.P. Nichols, 1850
  7. ^ Correspondence of Henry Irving, 6 June 1876, Henry Irving Foundation Centenary Project website. Retrieved 12 January 2012

Further reading

  • Actors and Actresses of Great Britain and the United States, edited by Matthews and Hutton (New York, 1886).
  • Sir Theodore Martin, Helena Faucit (London, 1900).

External links

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